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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love Me
Non classifié
133
Piano & claviers
Piano seul
202
Piano, Voix et Guitare
94
Instruments en Do
62
Piano, Voix
55
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Orgue
2
2 Pianos, 8 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
17
Ligne De Mélodie, (Paroles) et Accords
16
Guitare notes et tablatures
12
Basse electrique
8
Ukulele
4
Dulcimer
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
147
Chorale TTBB
27
Chorale SSAA
15
Chorale 3 parties
14
Voix Soprano, Piano
7
Chorale 2 parties
5
Voix duo, Piano
3
Chorale
3
Chorale Unison
3
Voix haute
2
Voix Alto, Piano
2
Voix Soprano
1
Voix duo
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
23
Saxophone Alto
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Tenor et Piano
12
Clarinette
12
Flûte traversière
11
Hautbois, Piano (duo)
11
2 Saxophones (duo)
10
2 Flûte à bec (duo)
10
Saxophone Tenor
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette et Piano
9
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière et Piano
8
2 Flûtes traversières (duo)
6
Saxophone Alto et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
2 Clarinettes (duo)
5
Hautbois
4
2 Hautbois (duo)
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
1
Flûte à bec Soprano, Piano
1
Flute (partie séparée)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois (partie séparée)
1
Ensemble de saxophones
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon, Piano
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone
13
Cor
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette, Piano
7
Trombone et Piano
6
Trompette
6
Quatuor de cuivres: 4 trombones
6
Cor et Piano
6
2 Tubas (duo)
5
2 Trombones (duo)
4
2 Trompettes (duo)
4
Tuba
4
2 Cors (duo)
4
Tuba et Piano
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
22
Violon, Violoncelle (duo)
19
Violoncelle, Piano
14
Violon
13
Trio à Cordes: violon, alto, violoncelle
12
2 Violons (duo)
11
Violoncelle
10
2 Violoncelles (duo)
9
Contre Basse
6
Alto, Piano
6
Harpe
6
Alto seul
5
Violon, Alto (duo)
5
Harpe, Voix
5
Contrebasse, Piano (duo)
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Altos (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Alto (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
26
Fanfare
26
Ensemble Jazz
12
Orchestre à Cordes
12
Orchestre de chambre
11
Ensemble de cuivres
10
Orchestre d'harmonie
10
Jazz combo
9
Ensemble de Percussions
1
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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SOUL - R&B - HIP HOP…
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Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Love Me
avancé
Guitare
Partitions à imprimer
17 partitions trouvées
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1
Love Me Like You Do
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Ellie Goulding
#
Antonius Agung Setiawan
#
Love Me Like You Do
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.788191 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Antonius Agung Setiaw...
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Solo Guitar - Level 4 - SKU: A0.788191 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Antonius Agung Setiawan. Pop. Individual part. 5 pages. Antonius Agung Setiawan #5026677. Published by Antonius Agung Setiawan (A0.788191). Love Me Like You Do by Ellie GouldingSolo guitar arrangement by Antonius Agung SetiawanFingerstye guitar arrangement, Easy to playinstagram @pakagung #guitaronlybypakagung.
$5.99
When She Loved Me
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Sarah McLachlan
#
Tyler Adams
#
When She Loved Me
#
Adams Arrangements
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1155174 By Sarah McLachlan. By Randy Newman. Arranged by Tyler Adams. Film/TV. Individual part. 2 pages. Adams Arrangeme...
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Solo Guitar - Level 4 - SKU: A0.1155174 By Sarah McLachlan. By Randy Newman. Arranged by Tyler Adams. Film/TV. Individual part. 2 pages. Adams Arrangements #755456. Published by Adams Arrangements (A0.1155174). Toy Story guitar sheet music and tabs. Tabs and sheet music for When She Loved Me from Toy Story 2. Enjoy!
$4.99
You've Got A Friend In Me
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Randy Newman And Lyle Lovett
#
Wissam Abboud
#
You've Got A Friend In Me
#
Wissam Abboud
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.493469 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Wissam Abboud. Broadway,Film/TV,Jazz,Musical/Show. ...
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Solo Guitar - Level 4 - SKU: A0.493469 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Wissam Abboud. Broadway,Film/TV,Jazz,Musical/Show. Individual part. 11 pages. Wissam Abboud #108487. Published by Wissam Abboud (A0.493469). Guitar Arrangement containing Standard Notation & Tabs.
$4.99
When I Fall In Love
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jon Green
#
John Fries
#
When I Fall In Love
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271472 Composed by Jon Green. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. Jo...
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Solo Guitar - Level 4 - SKU: A0.1271472 Composed by Jon Green. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863873. Published by John Fries (A0.1271472). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  When I Fall in Love is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in the film One Minute to Zero. A 1996 recording by Natalie Cole, sung as a duet with her father Nat King Cole using vocals from his 1956 version, won 1996 Grammys for Best Pop Collaboration with Vocals and Best Instrumental Arrangement with Accompanying Vocals.
$4.99
Like Someone In Love
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Bjork
#
John Fries
#
Like Someone In Love
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages...
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Solo Guitar - Level 4 - SKU: A0.1271541 By Bjork. By Bjork Gudmundsdottir. Arranged by John Fries. 20th Century,Jazz,Standards. Individual part. 2 pages. John Fries #863940. Published by John Fries (A0.1271541). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Like Someone in Love is a popular song composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with Sleigh Ride in July) for the 1944 film Belle of the Yukon, where it was sung by Dinah Shore. It was a hit for Bing Crosby in March 1945, reaching #15, and has since become a jazz standard.
$4.99
It's All Coming Back To Me Now
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Celine Dion
#
Ken Foo
#
TAB
#
It's All Coming Back To Me Now
#
Ken Foo
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1244512 By Celine Dion. By Jim Steinman. Arranged by Ken Foo. Contemporary,Hip-Hop,Pop,R & B,Wedding. Individual part. 4...
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Solo Guitar - Level 4 - SKU: A0.1244512 By Celine Dion. By Jim Steinman. Arranged by Ken Foo. Contemporary,Hip-Hop,Pop,R & B,Wedding. Individual part. 4 pages. Ken Foo #839456. Published by Ken Foo (A0.1244512). Beautiful love song by the one and only Celine Dion.Intermediate Advanced with standard notation & TAB.Check out my score, MP3 sample and YouTube video.
$5.99
Somebody loves me
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
B
#
Bettina Schipp
#
Somebody loves me
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1315243 Composed by B. Macdonald, B. G. DeSylva & G. Gershwin. Arranged by Bettina Schipp. 20th Century,Broadway,Musical...
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Solo Guitar - Level 4 - SKU: A0.1315243 Composed by B. Macdonald, B. G. DeSylva & G. Gershwin. Arranged by Bettina Schipp. 20th Century,Broadway,Musical/Show. Individual part. 3 pages. Songbooks.info #903989. Published by songbooks.info (A0.1315243). These Evergreens come from composers from all over the world and were arranged for fingerpicking on the Guitar - written down in the well-known tablature for string instruments and in the classical notation. The songs were recorded at a slow tempo and with a metronome in the background. Have fun making music...!
$2.49
Nobody Does It Better from THE SPY WHO LOVED ME
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Carly Simon
#
Jan Angermüller
#
Nobody Does It Better from THE
#
Elbsound.studio
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.857026 By Carly Simon. By Marvin Hamlisch. Arranged by Jan Angermüller. Contemporary. Individual part. 2 pages. Elbso...
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Solo Guitar - Level 4 - SKU: A0.857026 By Carly Simon. By Marvin Hamlisch. Arranged by Jan Angermüller. Contemporary. Individual part. 2 pages. Elbsound.studio #3509265. Published by Elbsound.studio (A0.857026).
$4.99
Heartbeats
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jose Gonzalez
#
Pablo Alcázar
#
Heartbeats
#
Pablo Alcázar
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Si...
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Solo Guitar - Level 4 - SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
Interrupted Dance (He Who Sings is Not Always Happy)
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Rocco Di Pietro
#
Interrupted Dance
#
Rocco Di Pietro
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pie...
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Solo Guitar - Level 4 - SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
The Shadow Of Your Smile
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Latin/Musique du monde
#
Jazz
#
Johnny Mandel and Paul Francis
#
John Fries
#
The Shadow Of Your Smile
#
John Fries
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1271573 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Stan...
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Solo Guitar - Level 4 - SKU: A0.1271573 Composed by Johnny Mandel and Paul Francis Webster. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Individual part. 2 pages. John Fries #863974. Published by John Fries (A0.1271573). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song.  The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at number 77 in AFI's 100 Years.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...
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Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Ain't Nobody
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Soul/R&B
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Chaka Khan
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Michael Pilley
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Ain't Nobody
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Michael Pilley Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Mus...
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Solo Guitar - Level 4 - SKU: A0.746230 By Chaka Khan. By David Wolinski. Arranged by Michael Pilley. R & B. Individual part. 3 pages. Michael Pilley Music #5354301. Published by Michael Pilley Music (A0.746230). One of Chaka Khan's most loved songs, Ain't Nobody is a Grammy award winning synth fueled funk tune every cover band must have in their arsenal. This is a direct transcription of the guitar part on the recording, and engraved professionally to easily read down in a session.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$5.00
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude B
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Aleksander Wilgos
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander W...
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Solo Guitar - Level 4 - SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
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