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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tens
Non classifié
255
Piano & claviers
Piano seul
184
Orgue
11
Piano, Voix
9
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano, Voix et Guitare
5
Orgue, Trompette (duo)
4
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
1
Accordéon
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
8
Dulcimer
5
Mandoline
2
Ukulele
1
2 Guitares (duo)
1
2 Dulcimers (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
68
Chorale 3 parties
9
Chorale Unison
7
Chorale TTBB
7
Voix Soprano, Piano
5
Chorale SSAA
5
Chorale 2 parties
3
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix haute
1
Voix seule
1
Voix duo
1
Voix moyenne, Piano
1
+ 8 instrumentations
Retracter
Vents
Ensemble de saxophones
29
Quintette de Saxophone: 5 saxophones
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
9
Ensemble de Clarinettes
9
Clarinette
9
2 Saxophones (duo)
7
Ensemble de Flûtes
7
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière et Piano
5
Hautbois (partie séparée)
5
2 Flûtes traversières (duo)
5
Flute (partie séparée)
5
Clarinette et Piano
5
Saxophone (partie séparée)
4
Hautbois, Piano (duo)
4
Saxophone Alto et Piano
4
Saxophone Baryton, Piano
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Trompette (duo)
2
Flûte, Violon
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Saxophone Tenor et Piano
2
2 Hautbois (duo)
2
Saxophone Soprano et Piano
2
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Flûte, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette Basse, Piano
1
+ 46 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Ensemble de Trompettes
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Ensemble de Trombones
9
Trompette (partie séparée)
9
Trompette, Piano
8
Cor
5
Trompette
4
Trombone et Piano
4
Trombone (partie séparée)
3
Tuba et Piano
2
Quatuor de Cuivres
2
Cor (partie séparée)
2
2 Trompettes (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone
2
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Euphonium
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violoncelle
18
Violon
17
Violon, Violoncelle (duo)
13
Violon et Piano
12
2 Violoncelles (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
7
Harpe
6
Violoncelle, Piano
6
Alto (partie séparée)
5
2 Violons (duo)
5
Alto seul
5
Ensemble de Violons
4
Ensemble d'Altos
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle , Guitare (duo)
3
Violon (partie séparée)
2
2 Altos (duo)
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
48
Orchestre
44
Orchestre à Cordes
35
Ensemble de cuivres
12
Ensemble Jazz
12
Cloches
8
Orchestre de chambre
8
Percussion (partie séparée)
5
Vibraphone
3
Marimba
2
Fanfare
2
Jazz combo
2
Ensemble de Percussions
2
Batterie
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
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AUTRES INST…
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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Partitions Gratuites
6
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
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Celtique
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Hymnes Nationaux
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DIFFICULTÉ
|
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Facile
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Intermédiaire/avancé
Avancé
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Partitions Numériques
31
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
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INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
9
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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EFFET
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VIDEO
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DEEJAY
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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OPERA
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Partitions à imprimer
31 partitions trouvées
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1
26
Extension
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Atanas Ourkouzounov
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Extension
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Atanas Ourkouzounov (1970-). For solo guitar. Level 4. 12 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Atanas Ourkouzounov (1970-). For solo guitar. Level 4. 12 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
Bach Cello Suite No 1 - solo guitar
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Joh
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Georg Mertens
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Bach Cello Suite No 1 - solo g
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Georg Mertens
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual...
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Solo Guitar - Level 4 - SKU: A0.1320915 Composed by Joh. Seb. Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Traditional,Wedding. Individual part. 13 pages. Georg Mertens #909357. Published by Georg Mertens (A0.1320915). Having grown up as a cellist, who played the Suite since I am 11 years of age, I sometimes imagined or even hummed suitable bass notes, which you can't reach on the cello. Also, I imagined certain harmonies, completed in imagination when playing the Suite for years. - With many arrangements by guitarists, who didn't play the Suite on cello, I can hear, they are not going the right way! - Bach himself arranged cello Suite No 5 for lute - as lute Suite No 3 - giving us an example of how he himself went about when adding accompaniment notes - and he certainly did!Good examples are Gavotte 2 and the Gigue from Cello Suite No 5 - or lute Suite No 3. Bach also arranged the violin Partita No 3 in E major for lute - as lute Suite No 4, another example of how he himself went about. - In the arrangement here, I tried also to transfer the slurs on the cello sometimes to the guitar - e.g. in the Gigue - when I found it brings better the intended articulation better out.I hope you thoroughly enjoy the arrangement!Â
$9.99
Forever Young
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Bernhard Lloyd, Frank Mertens,
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Antonius Agung Setiawan
#
Forever Young
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1497475 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Po...
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Solo Guitar - Level 4 - SKU: A0.1497475 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 4 pages. Antonius Agung Setiawan #1073888. Published by Antonius Agung Setiawan (A0.1497475). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
Forever Young
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Bernhard Lloyd, Frank Mertens,
#
Antonius Agung Setiawan
#
Forever Young
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1497474 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Po...
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Solo Guitar - Level 4 - SKU: A0.1497474 Composed by Bernhard Lloyd, Frank Mertens, and Marian Gold. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 6 pages. Antonius Agung Setiawan #1073887. Published by Antonius Agung Setiawan (A0.1497474). Solo guitar arrangementFingerstyle guitar arrangementEasy to playTablature includedTo see more of my work, please visit https://linktr.ee/pakagung
$6.25
La Vie En Rose
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Edith Piaf
#
Bettina Schipp
#
La Vie En Rose
#
songbooks.info
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1354391 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musi...
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Solo Guitar - Level 4 - SKU: A0.1354391 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Bettina Schipp. 20th Century,Broadway,Film/TV,Musical/Show. Individual part. 2 pages. Songbooks.info #939109. Published by songbooks.info (A0.1354391). La vie en rose (French for Life in Pink, in free translation Life through rose-colored glasses) is a chanson written in 1945 by the French singer Édith Piaf (1915-1963), melody: Louis Guglielmi (1916– 1991).The chanson has been translated into at least twelve languages, including at least 28 versions in German. The title is used in at least 32 films.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!La vie en rose (französisch für „Das Leben in Rosa“, in freier Übersetzung „Leben durch die rosarote Brille“) ist ein 1945 geschriebenes Chanson der französischen Sängerin Édith Piaf (1915-1963), Melodie: Louis Guglielmi (1916–1991).Das Chanson wurde in mindestens zwölf Sprachen übersetzt, davon mindestens 28 Versionen auf Deutsch. Der Titel wird in mindestens 32 Kinofilmen verwendet.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
$5.49
Reflections: Ten Solos for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Son...
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Solo Guitar - Level 4 - SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Chaconne - Oriental - in G minor - For Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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F
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Chaconne - Oriental - in G min
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Frederic Daniel Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1490492 Composed by F. Daniel Kremer. Classical. Individual part. 3 pages. Frederic Daniel Studio #1067335. Published by...
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Solo Guitar - Level 4 - SKU: A0.1490492 Composed by F. Daniel Kremer. Classical. Individual part. 3 pages. Frederic Daniel Studio #1067335. Published by Frederic Daniel Studio (A0.1490492). From a popular form of dance in the 1700s. It is structured but has variations that build slow tension and rapid release.
$5.99
The Vampire: A Dramatic Theme
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...
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Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Beijos da Lua
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Miquéias Bandeira
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Miquéias Bandeira
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Beijos da Lua
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Agógica Edições Musicais
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1475351 By Miquéias Bandeira. By Miquéias Bandeira. Arranged by Miquéias Bandeira. 21st Century,Classical,Singer/Song...
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Solo Guitar - Level 4 - SKU: A0.1475351 By Miquéias Bandeira. By Miquéias Bandeira. Arranged by Miquéias Bandeira. 21st Century,Classical,Singer/Songwriter. Individual part. 4 pages. Agógica Edições Musicais #1052894. Published by Agógica Edições Musicais (A0.1475351). Beijos da Lua is an original composition with influences from country guitarists such as Dilermando Reis, Catulo da Paixão Cearense, etc.Seresta is a musical style whose characteristic is to pay homage to the romances and affections of everyday life, always with an intense emotional charge.
$4.99
Sonate opus 27, no 1
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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E
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Bjarne Kristensen
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Sonate opus 27, no 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$8.95
Sonate opus 27, no 2
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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E
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Bjarne Kristensen
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Sonate opus 27, no 2
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Les Productions d'OZ - Digital
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SheetMusicPlus
By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$8.95
Sonate opus 27, no 5
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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E
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Bjarne Kristensen
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Sonate opus 27, no 5
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Les Productions d'OZ - Digital
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SheetMusicPlus
By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$7.95
Sonate opus 27, no 4
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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E
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Bjarne Kristensen
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Sonate opus 27, no 4
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Les Productions d'OZ - Digital
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SheetMusicPlus
By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital ...
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By E. Ysaye. Arranged by Bjarne Kristensen. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$6.95
Collected Works for Guitar Vol. 8
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fernando Sor
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Collected Works for Guitar Vol
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q577141 Guitar Solos. Composed by Fernando Sor. Fernando sor - guitar - collection. Downloadable. Op....
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Guitar - intermediate to advanced - SKU: S9.Q577141 Guitar Solos. Composed by Fernando Sor. Fernando sor - guitar - collection. Downloadable. Op. 8. Schott Music - Digital #Q577141. Published by Schott Music - Digital (S9.Q577141). English.This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
$22.99
Excerpt from the Lyric Suite
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
'Change of scene' from Act III of Wozzeck
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874...
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Solo Guitar - Level 4 - SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Ten Memories
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dale K
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D
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Ten Memories
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1439714 Composed by Dale K. Rodgers. Arranged by D.K.R. Contemporary,Contest,Festival,Wedding. Individual part. 9 pages....
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Solo Guitar - Level 4 - SKU: A0.1439714 Composed by Dale K. Rodgers. Arranged by D.K.R. Contemporary,Contest,Festival,Wedding. Individual part. 9 pages. Dale K. Rodgers #1019676. Published by Dale K. Rodgers (A0.1439714). Solo work for Classical or Fingerstyle Guitar. Romantic, heartfelt and well developed chord progressions. 4/4 time - Key A minor, aproximately 4 1/2 minutes. Good piece for recitals, weddings, or performances. Intermediate to advanced level. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.
$4.99
EL LIBRO DE ARTEMIDORO, Op.63, for guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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CÉSAR CANO
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EL LIBRO DE ARTEMIDORO, Op.63,
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #47997...
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Solo Guitar - Level 4 - SKU: A0.1029294 Composed by CÉSAR CANO. Contemporary,World. Individual part. 35 pages. POLYHYMNIA Ediciones musicales #4799751. Published by POLYHYMNIA Ediciones musicales (A0.1029294). In the second century AD, Artemidoro de Daldis (135-200), a very cultured man who had traveled a lot, contemporary of Emperor Marco Aurelio, wrote in Ephesus his work Symbolism of Dreams (Oneirocritica). In it he tried to create a systematic theory for the interpretation of dreams, based on experience. Artemidoro claimed that he had written his work in five volumes by express order of the god Apollo, who had appeared several times in his dreams. In his fascinating book he distinguishes five kinds of dreams: Dream, Vision, Oracle, Appearance and Fantasy. Artemidoro’s book, Op. 63, is a work for guitar in five movements, which take their titles as the kinds of dreams mentioned above: Dream, Vision, Oracle, Appearance and Fantasy. It is an extensive composition, 19 minutes long, and with a great variety of compositional and instrumental techniques: the performer, who is asked for a lot of versatility and imagination, has to play glissandi, harmonics, pizzicati, bells, loops, metric modulations, ordinary and muted strokes, microtones, distortions, various kinds of bumps in the box, etc. The five movements share a special scordature and the same melodic, harmonic and rhythmic material, which is transformed according to the dreamlike atmosphere of the piece, but always maintaining each of the structural elements a recognizable identity. The multiple presences of these essential identities throughout the work articulate the complex form of the Book. I finished the composition of The Book of Artemidoro on April 24, 2006. The work is dedicated to guitarist José Guerola, who premiered it at the Vivanco Palace in Catarroja (Spain), on May 5, 2006.
$6.99
In Like A Lion
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dale K
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In Like A Lion
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.943824 Composed by Dale K. Rodgers. Contemporary. Individual part. 2 pages. Dale K. Rodgers #6080855. Published by Dale ...
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Solo Guitar - Level 4 - SKU: A0.943824 Composed by Dale K. Rodgers. Contemporary. Individual part. 2 pages. Dale K. Rodgers #6080855. Published by Dale K. Rodgers (A0.943824). Performance piece for classical or finger-style guitarists. 4/4 time, Em, approx. 4 minutes length. Good study in dynamics. In standard notation with extensive fingerings to assist in playing.
$3.99
Waiting For Spring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dale K
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Waiting For Spring
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1178479 Composed by Dale K. Rodgers. Jazz,New Age,Wedding. Individual part. 6 pages. Dale K. Rodgers #778436. Published ...
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Solo Guitar - Level 4 - SKU: A0.1178479 Composed by Dale K. Rodgers. Jazz,New Age,Wedding. Individual part. 6 pages. Dale K. Rodgers #778436. Published by Dale K. Rodgers (A0.1178479). Beautiful, melancholy melody for classical or finger-style guitar. Key of D major. Advanced chords (9ths, 13ths, m7ths, etc.) 4/4 time. Keys of D major and G major. Utilizes complete fretboard. Aprox. 3 1/2 minutes. Perfect for recital, weddings, etc. Two versions provided: one in standard notation with extensive fingerings, and the second also including TAB.
$4.99
Jesus, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
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Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Insignificant Kiss
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Dale K
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Insignificant Kiss
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1193706 Composed by Dale K. Rodgers. Classical,Contemporary,Jazz,New Age. Individual part. 5 pages. Dale K. Rodgers #793...
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Solo Guitar - Level 4 - SKU: A0.1193706 Composed by Dale K. Rodgers. Classical,Contemporary,Jazz,New Age. Individual part. 5 pages. Dale K. Rodgers #793176. Published by Dale K. Rodgers (A0.1193706). Solo for classical or fingerstyle guitar. Moody and expressive. Key Am. 4/4 time. Well developed chord progressions (Am(add9), Fmaj7, etc.). Intermediate Advanced level with much syncopation. Aprox. 3 1/2 min. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.
$4.99
Romantic Guitar Anthology
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Romantic Guitar Anthology
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Musi...
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Guitar - intermediate to advanced - SKU: S9.Q555469 18 Original Works & Transcriptions. Schott Anthology Series. Downloadable. Op. 3. Schott Music - Digital #Q555469. Published by Schott Music - Digital (S9.Q555469). English • French • German.Romantic Guitar Anthology Vol.3 is a graded repertoire book suitable for students of c.5-7 years of playing experience. Well-established teaching pieces by leading 19th Century composer-guitarists Carcassi and Giuliani are presented alongside more rarely available works by José Ferrer and Johann Kaspar Mertz. Also included are carefully selected transcriptions of works by Schumann and Johann Strauss. Composer biographies and extensive teaching notes on each piece are included. Each piece has been recorded, performed by the series Editor, Jens Franke. The audio files can be downloaded with a voucher code (in the book). Also available: Baroque Guitar Anthology: Vol 1 – ED 13357 Vol 2 – ED 13437 Vol 3 – ED 13446 Vol 4 – ED 13489 Romantic Guitar Anthology: Vol 1 – ED 13110D Vol 2 – ED 13111D Vol 4 – ED 13113DCe volume est destinée à des élèves ayant environ cinq à sept ans de pratique de l'instrument. Des pièces appartenant de longue date au répertoire pédagogique, commes celles de Carcassi et Giuliani, y côtoient des oeuvres plus rares de José Ferrer et Johann Kaspar Mertz, de même que quelques transcriptions d'oeuvres de Schumann et Johann Strauss.
$16.99
Lament
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Lament
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1170792 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 5 pages. Doug S...
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Solo Guitar - Level 4 - SKU: A0.1170792 Composed by Doug Smith. 20th Century,Classical,Contemporary,Instructional,Jazz. Individual part. 5 pages. Doug Smith Guitar Studio #771131. Published by Doug Smith Guitar Studio (A0.1170792). Lament is played in the 1st through 6th positions. It makes extensive use of the key of F# minor. The technical skills include melodies, arpeggios, slurs with left hand fingers, and dynamics.
$1.99
Fandango
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Doug Smith
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Fandango
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Doug Smith Guitar Studio
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1252007 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk,Latin. Individual part. 7 pages. Doug Smith Gui...
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Solo Guitar - Level 4 - SKU: A0.1252007 Composed by Doug Smith. 20th Century,21st Century,Classical,Folk,Latin. Individual part. 7 pages. Doug Smith Guitar Studio #846189. Published by Doug Smith Guitar Studio (A0.1252007). Fandango is the first of a series of guitar solos that feature one of each of the six guitar strings. Fandango features the E or first string. The music starts with an extensive amount of slurs that then builds to an arpeggiated harmonic sequence and climaxes with strummed chords that end in a flourish. A fun piece to play!
$3.99
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