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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
COR ANGLAIS
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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VIOLONCELLE
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AFRICAIN
AMERICANA
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
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Non classifié
469
PIANO & CLAVIERS
Piano seul
191
Piano, Voix
63
Piano Facile
62
Piano, Voix et Guitare
25
Instruments en Do
14
1 Piano, 4 mains
12
Accordéon
8
Piano Trio: piano, violon, violoncelle
4
Orgue
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Clavecin
1
Accompagnement Piano
1
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GUITARES
Guitare
32
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
5
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4
2 Guitares (duo)
4
Piano, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Mandoline
1
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1
Banjo
1
2 Ukuleles
1
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VOIX
Chorale SATB
41
Chorale 3 parties
15
Chorale TTBB
5
Chorale 2 parties
5
Voix Soprano, Piano
5
Chorale SSAA
3
Voix Alto, Piano
3
Voix Tenor, Piano
3
Voix duo, Piano
3
Chorale
2
Voix duo
1
Voix haute
1
Voix basse
1
Chorale Unison
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix Baryton, Piano
1
Chorale SSATB
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Quintette de Saxophone: 5 saxophones
52
Flûte traversière et Piano
27
2 Saxophones (duo)
26
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
21
Clarinette et Piano
19
Quatuor de Clarinettes: 4 clarinettes
18
Flûte, Hautbois, Clarinette, Basson
16
Hautbois, Piano (duo)
14
2 Flûtes traversières (duo)
14
Saxophone, Clarinette (duo)
14
Ensemble de Clarinettes
14
Clarinette
13
2 Clarinettes (duo)
13
Clarinette, Violon (duo)
10
Ensemble de saxophones
9
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
9
Clarinette, Trompette (duo)
8
Flûte, Violon
8
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
7
Flûte, Clarinette (duo)
7
Saxophone Alto et Piano
7
Flûte et Guitare
7
Cor anglais, Piano
7
Ensemble de Flûtes
6
Flûte, Saxophone (duo)
6
Flûte traversière
6
Hautbois, Clarinette (duo)
5
Clarinette et Alto
5
2 Hautbois (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Quintette de Flûte : 5 flûtes
5
Saxophone Alto
4
Hautbois, Flûte
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Trompette (duo)
4
Hautbois (partie séparée)
3
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon et Violoncelle
3
Ocarina
2
Flûte irlandaise
2
Flûte, Violon, Piano
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
2 Saxophones, Piano
1
Flûte à Bec
1
Harmonica
1
Saxophone Tenor
1
Clarinette, Harpe (duo)
1
2 Flûtes à bec, Guitare
1
Clarinette, Guitare (duo)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trombone et Piano
24
Euphonium, Piano (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor et Piano
11
Trompette, Saxophone (duo)
10
Trompette, Piano
9
Ensemble de Trombones
9
2 Trompettes (duo)
8
2 Trombones (duo)
8
Cor anglais, Piano
7
Trompette, Trombone (duo)
5
Trompette
5
Ensemble de Trompettes
5
2 Cors (duo)
4
Cor
4
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Tuba
3
Quatuor de Cuivres
2
2 Euphoniums (duo)
1
4 Tubas
1
Trombone basse et Piano
1
Trombone
1
Euphonium
1
Cor et Harpe
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
100
Violon et Piano
36
Violon, Violoncelle (duo)
31
Violoncelle, Piano
27
Violon
24
Alto, Piano
21
2 Violons (duo)
12
Violoncelle
10
Trio à Cordes: violon, alto, violoncelle
10
2 Harpes (duo)
9
Harpe
9
Violon, Alto (duo)
8
Violon (partie séparée)
8
Violon, Guitare (duo)
8
2 Violoncelles (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble de Violons
6
Ensemble d'Altos
6
2 Altos (duo)
5
Alto (partie séparée)
5
Harpe, Violon (duo)
4
Violoncelle (partie séparée)
3
Contre Basse
3
Contrebasse (partie séparée)
3
Alto seul
3
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violon, Orgue
1
Violoncelle, Basse continue
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
231
Orchestre à Cordes
76
Orchestre
51
Orchestre de chambre
28
Ensemble Jazz
14
Jazz combo
10
Ensemble de cuivres
10
Cloches
8
Ensemble de Percussions
4
Fanfare
3
Marimba
1
Piano et Orchestre
1
Percussion (partie séparée)
1
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AUTRES
Vous avez sélectionné:
First Dance
Guitare
Partitions à imprimer
32 partitions trouvées
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1
26
Fire Dance
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1158926 Composed by Doug Smith. Ch…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1158926 Composed by Doug Smith. Children,Classical,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #759147. Published by Doug Smith Guitar Studio (A0.1158926). Fire Dance uses Pim arpeggios in the first position. The piece introduces holding a chord while adding and taking away an additionnote to the chord to increase harmonic expression. A piece for learning the notes of the first position on the guitar.
$1.99
1.78 €
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Guitare
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Doug Smith
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Fire Dance
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Doug Smith Guitar Studio
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SheetMusicPlus
Jason's Dance
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1180257 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1180257 Composed by Doug Smith. 20th Century,Classical,Contemporary,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #780174. Published by Doug Smith Guitar Studio (A0.1180257). Jason's Dance, Minneapolis Music Series, gives witness to a baby's first steps that lead later to the spontaneous joyful dance of a small child. A commemoration of playful laughter and fooling around.
$3.99
3.58 €
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Guitare
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Doug Smith
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Jason's Dance
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Doug Smith Guitar Studio
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SheetMusicPlus
Interrupted Dance (He Who Sings is Not Always Happy)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). “Interrupted Dance†was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00
10.75 €
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Guitare
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Rocco Di Pietro
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Interrupted Dance
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Rocco Di Pietro
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SheetMusicPlus
Winona Music #2 Dance
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1152166 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1152166 Composed by Doug Smith. 20th Century,Blues,Classical,Jazz,Latin. Individual part. 7 pages. Doug Smith Guitar Studio #752380. Published by Doug Smith Guitar Studio (A0.1152166). Winona music: Doug Smith's first set of guitar compositions, a unique blend of classical, jazz and blues styles from 1969-1971. Dance is a joyful jazz piece with Brazilian rhythms and contrasting moods. Dance is meant to immediately follow the Prelude.
$2.99
2.68 €
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Guitare
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Doug Smith
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Winona Music #2 Dance
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Doug Smith Guitar Studio
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SheetMusicPlus
Mexican Hat Dance
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.894177 Composed by Traditional Son…
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Solo Guitar - Level 3 - Digital Download SKU: A0.894177 Composed by Traditional Song. Arranged by Milan Mitic. Latin,Standards. Individual part. 2 pages. Milan Mitic #32871. Published by Milan Mitic (A0.894177). Who does not love Mexican Hat Dance? The tune is terrific, but normally requires the guitar-playing experience and advanced technique. In this arrangement we've enriched the accompanying bass and placed everything in the first position to make it easier to play.
$3.99
3.58 €
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Guitare
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Traditional Song
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Milan Mitic
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Mexican Hat Dance
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Milan Mitic
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SheetMusicPlus
Riely's Dance
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. Afri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954944 Composed by Jim Bosse. African,Concert,Contemporary. Individual part. 10 pages. Jim Bosse #4574663. Published by Jim Bosse (A0.954944). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Guitare
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Little Dutch Dance
Guitare
Guitar - easy - Digital Download SKU: S9.Q44818 From: H. Neusiedler, The First B…
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Guitar - easy - Digital Download SKU: S9.Q44818 From: H. Neusiedler, The First Book 1544. Composed by Hans Neusidler. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44818. Published by Schott Music - Digital (S9.Q44818). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
2.68 €
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Guitare
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Hans Neusidler
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Little Dutch Dance
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Schott Music - Digital
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SheetMusicPlus
Dance on a Theme of McCauley (Guitar Trio)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.945435 Composed by Sean Michael Ba…
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Solo Guitar - Level 3 - Digital Download SKU: A0.945435 Composed by Sean Michael Batura. 20th Century,Baroque,Contemporary,Jazz,Latin. Individual part. 24 pages. Sean Michael Batura #5792487. Published by Sean Michael Batura (A0.945435). This piece is about 2:45 long, and is fun for beginners as well as advanced players. Guitars 2 and 3 are almost entirely in first position. Part 1 is suitable for intermediate to advanced players, while parts 2 and 3 are somewhat accessible to beginners. Interpretation is left up to the players. If you have questions, feel free to contact me at https://seanbatura.com/contact/.
$7.99
7.16 €
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Guitare
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Sean Michael Batura
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Dance on a Theme of McCauley
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Sean Michael Batura
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SheetMusicPlus
I. Stick Game - Romanian folk dances. Béla Bartók for guitar.
Guitare
Solo Guitar - Digital Download SKU: A0.882813 Composed by Bela Bartok. Arranged by …
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Solo Guitar - Digital Download SKU: A0.882813 Composed by Bela Bartok. Arranged by Roberto Pugliese. 20th Century. Individual part. 7 pages. Roberto Pugliese #1911671. Published by Roberto Pugliese (A0.882813). The first score of six. Romanian Folk Dances for classic guitar. Watch this here: https://www.youtube.com/watch?v=9w0CKLcD8dw.
$2.99
2.68 €
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Guitare
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Bela Bartok
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Roberto Pugliese
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I. Stick Game - Romanian folk dances. Béla Bartók for guitar.
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Roberto Pugliese
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.58 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.16 €
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Guitare
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arran…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
$20.00
17.92 €
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Guitare
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Various
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Socrates Arvanitakis
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Baroque Anthology 2 - 20 easy Pieces for Guitar
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Socrates Arvanitakis
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SheetMusicPlus
Confidence / Danse
Guitare
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle A…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4288 Composed by Michel Dalle Ave. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4288. Published by Les Productions d'OZ - Digital (ZZ.DZ-4288). ISBN 9782898522055.This composition in two distinct parts, of classical and baroque inspiration, evokes a stay in the beautiful Quercy region, in particular in Rocamadour.In the first movement, Confidence, it evokes stories, stories the tales of yesteryear shared in a peaceful and serene setting, like that of the landscapes calm and picturesque views around Rocamadour. The melody seems to whisper secrets offering an atmosphere that is both nostalgic and contemplative.Then, in the more rhythmic part, the Dance comes alive with energy.Its rhythm reflects the joyful and festive spirit of local traditions.We can imagine a lively dance, perhaps inspired by festivals and celebrations which take place in Rocamadour, where the music resonatesthrough the cobbled streets and old city walls.Cette composition en deux parties distinctes, d'inspirations classique et baroque,évoque un séjour dans la belle région quercynoise, en particulier à Rocamadour.Dans le premier mouvement, Confidence, celui-ci évoque les récits, les histoiresles contes d'antan partagés dans un cadre paisible et serein, comme celui des paysagescalmes et des vues pittoresques autour de Rocamadour. La mélodie semble murmurer des secretsoffrant une atmosphère à la fois nostalgique et contemplative.Ensuite, dans la partie plus rythmée, la Danse s'anime avec énergie.Son rythme reflète l'esprit joyeux et festif des traditions locales.On peut imaginer une danse vivante, peut-être inspirée des fêtes etdes célébrations qui ont lieu à Rocamadour, où la musique résonne àtravers les rues pavées et les vieux murs de la ville.
$3.95
3.54 €
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Guitare
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Michel Dalle Ave
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Confidence / Danse
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Les Productions d'OZ - Digital
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SheetMusicPlus
What A Wonderful World
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
4.47 €
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Guitare
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Pieces from "Kids Pages"
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Ch…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Children,Contemporary,Contest,Festival,Instructional. Individual part. 45 pages. Oleg Boyko #788657. Published by Oleg Boyko (A0.1189042). Collection of solo pieces for young guitar players from beginners till ...:01. My First Song02. I walk alone03. Little waltz04. Slow Waltz05. Beyond the Mountains06. Barcarolle07. Silent Song08. Funny Walk09. Short Walk10. Dance Invitation11. Warm Wind12. Rock'n'Roll13. Cautious Steps14. Lullaby15. Playful Polka16. Procession17. In the Garden18. Around Flowers19. Gallant Minuet20. Tarantella21. A Bit of Autumn22. Spring Waltz23. Hide and Seek24. I'm a little sad25. Doll's Song26. Rain and Wind27. Gentle Minuet28. Let's dance together29. Spring Breeze30. Under Sail31. By the Sea32. I'm Leaving Today (Swing)33. Carousel34. Solar Song35. In a Bach Style36. Light Swing37. True Tale (Swing).
$17.00
15.24 €
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Guitare
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the Sea
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Oleg Boyko
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Solo Pieces from "Kids Pages"
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Oleg Boyko
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SheetMusicPlus
Guitar Sonata No. 5 in G major (open G tuning)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
8.92 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Bourrée in E MInor
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebasti…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous Bourrée from Bach’s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor. The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.
$4.99
4.47 €
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Guitare
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Johann Sebastian Bach
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Richard Hirsch
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Bourrée in E MInor
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Richard Hirsch
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SheetMusicPlus
Prelude No 1 in D (Memories)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 2…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.
$2.99
2.68 €
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Simon James
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Prelude No 1 in D
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DML
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
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3.54 €
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Piece en Forme de Habenera
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.899152 Composed by Maurice Ravel. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #5957569. Published by Maggie Creek Music (A0.899152). Arranged for solo classical guitar 4 pp intermediate difficulty Maurice Ravel (1875 -1937) Ravel was born in the Basque region of France and much of his work shows a Spanish influence (this, together with his interest in jazz has produced some exceptional guitar transcriptions). He was a pupil of Faure and at first fell, like many contemporary composers, under Debussy's spell. However, his ascetic and intellectual bents produced from the start a refinement of composition and orchestration, and development of melody, all his own. Later music shows a fondness for the rhythmic features of jazz, and thoughtful incorporation of the innovations of modern music – strong dissonance, atonality etc. Piece en Forme de Habenera is from the 'Rapsodie espagnole', written for orchestra in 1907. Habenera is a Cuban dance that came to Spain in the mid-19th century and named after Havana (Habana).
$5.00
4.48 €
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Maurice Ravel
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Rod Whittle
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Piece en Forme de Habenera
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Maggie Creek Music
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.44 €
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
8.95 €
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
Etude de Bossa
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Co…
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Solo Guitar - Level 3 - Digital Download SKU: A0.928065 Composed by Vincent Ong. Contemporary,Instructional,Jazz,Latin. Individual part. 2 pages. Prima Acoustic Music #6535489. Published by Prima Acoustic Music (A0.928065). Key: A minor (Section A) A Major (Section B) Musical Form: Ternary form with introduction and coda Musical Texture: Homophonic Rhythm: Bossa nova dance Tempo: Andante moderato Etude de Bossa is a Bossa Nova music. Bossa nova is Portuguese, Bossa refers to the natural style and temperament when playing the Samba music, and Nova means new. This style originated in Brazil in the late 1950s. The composer Antonio Carlos Jobim and the guitarist João Gilberto may be considered the founders of this style, and later became the style of the theme song of A Felicide and Desafinado in the film Black Orpheus and caused a craze. The characteristic of Bossa nova rhythm is that the first, fourth, seventh, and eleventh beats of every two bars are retakes, and the others are light beats.
$10.00
8.96 €
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Guitare
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Vincent Ong
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Etude de Bossa
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Prima Acoustic Music
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SheetMusicPlus
The Parlement / Volt
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymo…
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Solo Guitar - Level 1 - Digital Download SKU: A0.948978 By John Dowland. By Anonymous. Arranged by Bisdré Santos. Instructional,Multicultural,Renaissance,Standards,Traditional,World. Individual part. 3 pages. Soul - Musical Creations #6353761. Published by Soul - Musical Creations (A0.948978). From the Dowland manuscript, this piece seems to te based on Kemp's Jig, a popular tune of the time, associated with Will Kemp, the famous English comic actor and dancer. Suggest tempo is brisk. * On the measure 8 is important to release the third finger from the low C at this point to avoid an ugly clash with the upper C#. The change of key is somewhat sudden, but it is helped by stressing the C#. Volt: This very popular piece was untitled in the Dowland manuscript but apears elsewere under the title of Volt or La Volta. It Appears frequently in Italian lute sources and was probably originally Italian. * The only technical problem lies the first two measures, where the change from the second to fifth position should be made evenly and without hurry.
$1.99
1.78 €
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Guitare
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John Dowland
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Bisdré Santos
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The Parlement / Volt
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Soul - Musical Creations
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SheetMusicPlus
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon M…
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Guitar (all) - Intermediate - Digital Download SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
16.12 €
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Guitare
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Gordon Mizzi
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Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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