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Non classifié
1263
PIANO & CLAVIERS
Piano seul
523
Piano Facile
205
Piano, Voix
172
Piano, Voix et Guitare
149
Instruments en Do
100
Orgue
28
Accompagnement Piano
9
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano grosses notes
7
Accordéon
6
2 Pianos, 4 mains
6
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4
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
225
Guitare notes et tablatures
77
Guitare
36
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Basse electrique
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Ukulele
8
Guitare (partie séparée)
6
2 Guitares (duo)
5
4 Guitares (Quatuor)
2
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1
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1
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1
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1
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VOIX
Chorale SATB
198
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53
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43
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26
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25
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7
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6
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6
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6
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5
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4
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4
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3
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3
Chorale
2
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1
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1
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1
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VENTS
Quintette de Saxophone: 5 saxophones
150
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107
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79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
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73
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67
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64
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41
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34
Saxophone
31
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31
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29
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27
Clarinette
25
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24
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24
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19
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18
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16
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16
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14
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14
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13
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11
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11
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10
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9
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7
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6
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5
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5
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5
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3
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3
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3
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3
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3
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3
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3
Hautbois, Clarinette (duo)
2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
Hautbois, Violoncelle
1
Flûte et Guitare
1
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1
Flûte et Trio à cordes
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Flute, harpe et violon
1
Instruments en Mib
1
Hautbois, Flûte
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Quatuor de Cuivres : 2 trompettes, trombone, tuba
136
Trombone
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
Ensemble de Trompettes
43
Ensemble de Trombones
39
Trombone et Piano
33
Trombone (partie séparée)
27
Quatuor de Cuivres
22
Trompette
21
Trompette (partie séparée)
15
2 Trombones (duo)
14
Cor et Piano
12
Trompette, Trombone (duo)
12
Tuba
10
Euphonium, Piano (duo)
9
Trompette, Piano
9
Cor
8
Trio de Cuivres
7
2 Trompettes (duo)
6
2 Cors (duo)
6
Cor anglais, Piano
5
Ensemble de Cors
5
Tuba et Piano
4
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Saxophone (duo)
2
Euphonium
2
Trombone, Tuba (duo)
2
Trompette, Cor (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Instruments en Sib
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Trombone basse
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
244
Violon, Violoncelle (duo)
165
Violon
149
Trio à Cordes: violon, alto, violoncelle
137
Violoncelle
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Violon et Piano
22
Ensemble d'Altos
19
Violon, Alto (duo)
19
Ensemble de Violons
19
Harpe
19
Violoncelle, Piano
15
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
13
Alto, Piano
13
4 Violoncelles
7
2 Violoncelles (duo)
7
Violoncelle, Contrebasse (duo)
5
Contrebasse (partie séparée)
5
Flûte, Contrebasse (duo)
5
2 Altos (duo)
5
Alto (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Contre Basse
3
Contrebasse, Piano (duo)
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
105
Orchestre d'harmonie
77
Ensemble Jazz
69
Orchestre
50
Ensemble de cuivres
37
Orchestre de chambre
31
Jazz combo
23
Marimba
19
Fanfare
11
Ensemble de Percussions
8
Cloches
7
Batterie (partie séparée)
5
Batterie
4
Percussion (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Instrumentations suivantes
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AUTRES
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I'm The One
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Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
17.93 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.13 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
I'm Beginning To See The Light
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Du…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1397472 Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #980800. Published by Christopher J. Malin (A0.1397472). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. If someone asks you to play a swing jazz tune this is a archetypical piece. This is a jazz classic! Every jazz guitarist should have this in their repitore. I love this tune! Hope you will too.
$4.99
4.47 €
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Guitare
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Don George, Duke Ellington, Harry James, and Johnny Hodges
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Christopher J
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I'm Beginning To See The Light
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Christopher J. Malin
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SheetMusicPlus
Top Gun Anthem
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1120530 Composed by Harold Falterm…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1120530 Composed by Harold Faltermeyer. Arranged by MAJOR SCORE PUBLISHING TM. Film/TV,Instructional,Rock. Individual part. 9 pages. Major Score Publishing #721773. Published by Major Score Publishing (A0.1120530). Top Gun Anthem | Top Gun Movie Guitarists look no further! This epic guitar feature as performed by Steve Stevens in the original Top Gun movie sound track is here - including the entire epic solo! We have also included notation for the guitar tapping technique used to crush this solo! We have added a few bars to the end for a custom ending as the original recording fades out as an option for you. This chart is written out for guitar but does not contain tabs. Perfect for seasoned professionals, cover bands, music teachers, students & performers of all ages! Guitar tabs (Available on Hal Leonard Platforms) Back in Black (AC/DC)Battle Without Honor (Kill Bill)Blackbird (The Beatles)Bohemian Rhapsody (Queen)Dust in The Wind (Kansas)I'm Tore Down (Eric Clapton)Easy (The Commodores)Hotel California (Eagles)I'm Tore Down (Eric Clapton)Old Time Rock N' Roll G (Bob Seger)Old Time Rock N' Roll gb (Bob Seger)Seven Nation Army (White Stripes)Smoke on the Water (Deep Purple)Sweet Child O Mine Db Guns N' Roses)Sweet Child O' Mine D (Guns N' Roses)Sweet Home Alabama (Lynyrd Skynyrd)Tears in Heaven (Eric Clapton)Uptown Funk (Bruno Mars) Follow us today! Instagram @majorscorepublishingYouTube @majorscorepublishingWebsite https://www.majorscorepublishing.com/guitartabsheetmusic
$6.99
6.27 €
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Guitare
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Harold Faltermeyer
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MAJOR SCORE PUBLISHING TM
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Top Gun Anthem
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Major Score Publishing
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SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99
22.4 €
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Guitare
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The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
While I'm Gone (lead sheet)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1024683 Composed by Chris Luther. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1024683 Composed by Chris Luther. Jazz,World. Individual part. 1 pages. Chris Luther #5362611. Published by Chris Luther (A0.1024683). While I’m Gone is a swing tune.
$6.99
6.27 €
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Guitare
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Chris Luther
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While I'm Gone
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Chris Luther
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SheetMusicPlus
I'm A Believer
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1274454 By Smash Mouth. By Neil Diamond…
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Guitar - Level 2 - Digital Download SKU: A0.1274454 By Smash Mouth. By Neil Diamond. Arranged by Jake Cantrell. 20th Century,Folk,Pop,Rock,Standards. 99 pages. TheLoneArranger #866597. Published by TheLoneArranger (A0.1274454). The Monkees - I'm A Believer from Shrek arranged for a Full Modern Guitar Ensemble!Scores include both Standard Notation and Tablature (for relevant instruments)Parts Included:Conducter's Score in Standard NotationConducter's Score in TablatureGuitar IGuitar IIGuitar IIIUkuleleKeyboardsBass IBass IIPercussion (DrumSet)Percussion (Auxilliary).
$24.99
22.4 €
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Guitare
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Smash Mouth
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Jake Cantrell
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I'm A Believer
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TheLoneArranger
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SheetMusicPlus
I'm Gonna Follow Jesus
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1004202 Composed by Elizabeth Vecc…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1004202 Composed by Elizabeth Vecchione. Christian. Individual part. 2 pages. Elizabeth Vecchione #4717751. Published by Elizabeth Vecchione (A0.1004202). Hear and watch the piano/vocal recording on YouTube (link here on this page) or hear MP3 here.
$4.99
4.47 €
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Guitare
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Elizabeth Vecchione
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I'm Gonna Follow Jesus
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Elizabeth Vecchione
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SheetMusicPlus
There and Back Again
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By Jo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135855. Published by John David Morgan (A0.525316). A piece in the style of One Step Closer to Cool. If you pair the two titles the chuckle is: I was uncool. I got one step closer to cool. Now I'm back to uncool again:-) Musically there is some fun syncopation and plenty of harmonic twists and turns. It may even expand your harmonic vocabularly.
$4.00
3.59 €
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Guitare
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John David Morgan
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John David Morgan
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There and Back Again
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John David Morgan
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SheetMusicPlus
I'm Good (blue)
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.1174111 By David Guetta & Bebe Rex…
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Solo Guitar - Level 1 - Digital Download SKU: A0.1174111 By David Guetta & Bebe Rexha. By Bleta Rexha, Camille Purcell, David Guetta, Gianfranco Randone, Massimo Gabutti, Maurizio Lobina, and Philip Plested. Arranged by Rene Alves. Contemporary,Film/TV,Holiday,Multicultural,Pop,World. Individual part. 3 pages. Rene Alves #774276. Published by Rene Alves (A0.1174111). Sheet music for guitar - music I'm good (blue) - David guetta . the score is in full size, great for reading on tablets.
$5.00
4.48 €
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Guitare
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David Guetta & Bebe Rexha
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Rene Alves
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I'm Good
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Rene Alves
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SheetMusicPlus
Study for M
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.940528 Composed by Nick Clow. Cont…
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Solo Guitar - Level 2 - Digital Download SKU: A0.940528 Composed by Nick Clow. Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3379963. Published by Nick Clow (A0.940528). This is an intermediate level solo guitar study that might be a worthwhile addition to a student's or intermediate guitarist's study materials or repertoire. It's not too hard - maybe Trinity Grade 3/4. You will be able to find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings are not only crude, but imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, the fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.68 €
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Guitare
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Nick Clow
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Study for M
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Nick Clow
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.13 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Melissa Etheridge: I'm The Only One for guitar
Guitare
Instantly printable sheet music by Melissa Etheridge for guitar solo (chords) of EASY skil…
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Instantly printable sheet music by Melissa Etheridge for guitar solo (chords) of EASY skill level. / pop,rock,children
$5.97
5.35 €
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Guitare
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Melissa Etheridge
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Virtualsheetmusic
Stompin' At The Savoy "instrumental"
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny G…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny Goodman, Benny Us 1 Goodman, Chick William Webb, and Edgar M Sampson. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #884674. Published by Christopher J. Malin (A0.1294292). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Benny Goodman's finer pieces. It was actually written by Edgar Samposon. Although it became Goodman's most recognizable pieces. This is a leisure swing piece, that is danceable. Pay close attension to your timng on this one and also make it swing! In a trio setting it's fun to improvise over the B section.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Tried and true arrangement. Sounds great on acoustic and electric guitars.
$4.99
4.47 €
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Guitare
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Dick Garcia
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Christopher J
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Stompin' At The Savoy "instrumental"
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Christopher J. Malin
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SheetMusicPlus
Tombeau Sur la Mort de M.ur Comte D'logy
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1215690 Composed by Sylvius Leopol…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1215690 Composed by Sylvius Leopold Weiss. Arranged by Benjamin Grace. Baroque. Individual part. 2 pages. Benjamin Grace #812420. Published by Benjamin Grace (A0.1215690). Notes that are in brackets are optional to play instead of its octave tone. The notes that are bracketed in bars 25 and 28 are optional to play. I hope you enjoy.
$4.99
4.47 €
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Guitare
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Sylvius Leopold Weiss
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Benjamin Grace
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Tombeau Sur la Mort de M.ur Comte D'logy
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Benjamin Grace
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SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.45 €
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Guitare
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Various
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Socrates Arvanitakis
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RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Socrates Arvanitakis
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SheetMusicPlus
"Be Thou My Vision" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1420186 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1420186 By Keith Gehle. By Keith W. Gehle. Celtic,Irish,New Age,Religious,Sacred,Wedding. Individual part. 3 pages. Keith Gehle #1001604. Published by Keith Gehle (A0.1420186). Variations on an Irish Theme (Be Thou My Vision) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002.. The opening theme is followed by three variations and includes detailed fingerings in standard notation. There’s also a version available with TAB on this site. This ancient Irish melody can serve as a beautiful interlude during church services, gigs or wedding ceremonies. Here’s what one listener wrote of Wintersong:As a classical guitarist, I'm always on the lookout for new compositions. I have scoured the internet looking for new guitar music and Keith's Winter Song is the best thing I have seen in a year. If you like the sound of soothing classical guitar, I know you will like listening to this CD. If you’re a guitarist, I highly recommend buying the book of sheet music from Keith's website. I play at least a half dozen of these pieces at my gigs and I just love them. They range from easy to advanced intermediate in difficulty. I can't wait for Keith's next CD Songs of December which will be out for the holiday season!- Larry B.
$2.99
2.68 €
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Guitare
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Keith Gehle
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"Be Thou My Vision" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Waltz No. 1 Opus 57
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1468989 Composed by Mauro Giuliani. Arranged by Brian Streckfus. 19th Century,Classical,Historic,Instructional. Individual part. 2 pages. Brian Streckfus #1047058. Published by Brian Streckfus (A0.1468989). This is more utilitarian than a creative arrangement, and by that I mean that this is designed to save you time fingering and analyzing, which is often the tedious stuff that hardly anyone would enjoy over actually playing the piece.The fingering numbers are truly fingering numbers so don't let the numbers confuse you on what pitch it is. These numbers are more difficult to understand than just fret numbers, but they are more professional. I have glissando markings, but they are to show pivot fingers and parallelisms rather than glissandos. Having chord names for classical music is unconventional, but that is part of what gives this arrangement its uniqueness. I'm not sure why classical sheet music doesn't; the chord names are extremely beneficial, and they technically stem from figured bass that composers like Bach would use. Sometimes it is tricky to give a measure a chord name though, since sometimes it is more of an implied harmony, or it's too vague, or it's too melodic. Features1. Fingerings added 2. Position markers added3. Chord names added4. Engraved for obvious phrases5. Composer indications added.
$1.99
1.78 €
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Guitare
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Mauro Giuliani
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Brian Streckfus
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Waltz No. 1 Opus 57
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Brian Streckfus
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SheetMusicPlus
I'm Not The Only One
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.992970 By Sam Smith. By James Napi…
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Solo Guitar - Level 1 - Digital Download SKU: A0.992970 By Sam Smith. By James Napier and Sam Smith. Arranged by NYC Guitar School. Pop,R & B. Individual part. 2 pages. NYC Guitar School #3590125. Published by NYC Guitar School (A0.992970). This awesome 5 chord song can be played with just C, E, Am, F and G. If you take NYC Guitar School's Guitar For Near Beginners class, you'll know everything you need to play Get Lucky. For free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com.
$4.99
4.47 €
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Guitare
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Sam Smith
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NYC Guitar School
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I'm Not The Only One
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NYC Guitar School
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SheetMusicPlus
I'm Not The Only One
Guitare
Solo Guitar - Digital Download SKU: HX.332878 By Sam Smith. This edition: scorch. P…
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Solo Guitar - Digital Download SKU: HX.332878 By Sam Smith. This edition: scorch. Pop,Soul. Individual part. 4 pages. Published by Hal Leonard - Digital (HX.332878).
$4.99
4.47 €
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Guitare
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Sam Smith
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I'm Not The Only One
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Hal Leonard - Digital
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SheetMusicPlus
I'm The Only One
Guitare
By Melissa Etheridge. For guitar. Pop; Rock. Easy Guitar. 4 pages. Published by Hal Leonar…
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By Melissa Etheridge. For guitar. Pop; Rock. Easy Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$2.99
2.68 €
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Guitare
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Melissa Etheridge
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Rock
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I'm The Only One
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
EASY RENAISSANCE GUITAR MUSIC - Volume 3
Guitare
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. …
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces. <br> I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).<br> The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.<br> The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.<br> Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.<br> <br> Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.<br> <br> NAVIGATION INDEXES – External and Internal links<br> <br> The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.<br> The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.<br> The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.<br> The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.<br> Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00
13.45 €
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Guitare
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Various
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EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Socrates Arvanitakis
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.47 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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