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CHANT - CHO…
CHARANGO
CITHARE
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COR ANGLAIS
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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avec vidéo
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Non classifié
813
PIANO & CLAVIERS
Piano Facile
299
Piano seul
290
Piano, Voix et Guitare
82
Piano, Voix
73
Accompagnement Piano
45
Accordéon
37
Instruments en Do
21
1 Piano, 4 mains
17
Piano Trio: piano, violon, violoncelle
15
Orgue
9
Piano grosses notes
5
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
17
Guitare notes et tablatures
14
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
5
Basse electrique
4
2 Guitares (duo)
4
Ensemble de guitares
2
Ukulele
1
Paroles et Accords
1
Banjo
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
114
Chorale 3 parties
38
Chorale 2 parties
34
Chorale Unison
25
Voix duo, Piano
15
Chorale TTBB
13
Chorale SSAA
7
Voix Soprano, Piano
5
Voix duo
4
Voix Tenor, Piano
3
Voix haute
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix moyenne, Piano
2
Chorale
1
Voix basse
1
Voix Tenor
1
Voix seule
1
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
72
Clarinette et Piano
61
Saxophone Alto et Piano
46
Quatuor de Saxophones: 4 saxophones
40
Hautbois, Piano (duo)
38
2 Saxophones (duo)
36
2 Clarinettes (duo)
32
3 Saxophones (trio)
30
Saxophone Soprano et Piano
26
Quatuor de Clarinettes: 4 clarinettes
24
Clarinette
20
Quintette de Saxophone: 5 saxophones
19
2 Flûtes traversières (duo)
19
Saxophone Tenor et Piano
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
3 Clarinettes (trio)
17
Hautbois
16
Flûte, Hautbois, Clarinette, Basson
16
Flûte, Clarinette (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte à Bec, Piano
13
Saxophone Alto
12
Flûte traversière
12
Flûte, Violon
9
Hautbois, Basson (duo)
9
Ensemble de Flûtes
8
Clarinette, Violon (duo)
8
Ensemble de Clarinettes
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Clarinette et Alto
7
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
7
Saxophone, Clarinette (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Basson (duo)
6
2 Flûte à bec (duo)
5
Flûte, Alto (duo)
5
Clarinette, Trompette (duo)
5
Hautbois (partie séparée)
5
Flûte, Violoncelle
4
Clarinette Basse, Piano
4
Hautbois, violon (duo)
4
Hautbois, Flûte
4
Clarinette, Violoncelle (duo)
4
Hautbois, Violoncelle
4
Flûte, Saxophone (duo)
3
Clarinette (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Trompette (duo)
3
Hautbois et alto (duo)
3
Clarinette, Tuba
2
Flûte, Basson et Piano
2
2 Clarinettes, Piano
2
Clarinette, Trombone (duo)
2
Hautbois, trombone (duo)
2
Flûte, Tuba (duo)
2
Flute (partie séparée)
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano
2
Saxophone
2
Flûte, Clarinette et Basson
1
Hautbois, Trompette (duo)
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble de saxophones
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
Flûte à bec Tenor
1
Clarinette, Contrebasse (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Hautbois, Harpe
1
Flûte à Bec
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
40
Trombone et Piano
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Cor et Piano
29
Trompette, Trombone (duo)
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette
15
2 Trompettes (duo)
14
2 Trombones (duo)
13
Trombone
9
2 Cors (duo)
8
Cor anglais, Piano
7
Cor
7
Euphonium, Piano (duo)
6
Tuba et Piano
6
Trompette, Saxophone (duo)
5
Tuba
5
Trombone (partie séparée)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Cor (partie séparée)
2
Euphonium, Tuba (duo)
2
Ensemble de Trompettes
2
Trompette, Violoncelle (duo)
1
Trompette, violon (duo)
1
Trompette, Tuba (duo)
1
Cor et Basson (duo)
1
Tuba et Orgue
1
Bass Clef Instruments
1
Tuba (partie séparée)
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Cor et Harpe
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et orchestre
1
Euphonium
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Cor (duo)
1
Trombone, Violon (duo)
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
Violon et Piano
81
Alto, Piano
62
Quatuor à cordes: 2 violons, alto, violoncelle
61
Violoncelle, Piano
56
Violon
40
Violon, Violoncelle (duo)
25
2 Violons (duo)
23
Violon, Alto (duo)
18
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle
17
2 Violoncelles (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Altos (duo)
12
Alto seul
10
Alto, Violoncelle (duo)
10
Harpe
7
Contrebasse, Piano (duo)
7
Alto (partie séparée)
6
Violon (partie séparée)
5
Piano Trio: Violon, Alto, Piano
3
Violon, Basson (duo)
3
Contre Basse
2
2 Harpes (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Alto et Basson
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
158
Orchestre
32
Orchestre à Cordes
30
Jazz combo
10
Ensemble de cuivres
10
Orchestre de chambre
8
Cloches
5
Ensemble Jazz
3
Percussion (partie séparée)
2
Xylophone, Piano
1
Fanfare
1
Ensemble de Percussions
1
Percussion
1
2 Marimbas
1
Marimba
1
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
In Her Family
Guitare
Partitions à imprimer
17 partitions trouvées
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1
Walking In The Air
Guitare
Guitar - Level 2 - Digital Download SKU: A0.797705 Composed by Howard Blake. Arrang…
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Guitar - Level 2 - Digital Download SKU: A0.797705 Composed by Howard Blake. Arranged by Derek Hasted. 20th Century,Film/TV. 17 pages. Derek Hasted #3676693. Published by Derek Hasted (A0.797705). WALKING IN THE AIR (The Snowman) - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece from the film The Snowman is a family favorite for all ages! This is a very straightforward and accessible arrangement that would suit a mixed-ability ensemble with limited experience. It makes it ideal for a school concert but also as a well-known piece in a Christmas charity concert.All the arpeggios are based on well-known guitar shapes and the piece locks tightly together, whether played on four guitars or in a large ensemble.It's written without repeats or page turns so it's robust in performance. It's been a firm favorite in concerts that I've put on!I hope you enjoy playing this piece!
$4.99
4.47 €
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Guitare
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Howard Blake
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Derek Hasted
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Walking In The Air
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Derek Hasted
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SheetMusicPlus
Mary Blane for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catha…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 5 pages. Keith Terrett #1022785. Published by Keith Terrett (A0.1444395). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824, the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
1.78 €
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Guitare
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Keith Terrett
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Keith Terrett
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Mary Blane for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Patios de Córdoba
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.58 €
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Guitare
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Minuet in D Minor - Guitar
Guitare
Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Ar…
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Solo Guitar - Digital Download SKU: A0.742408 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Individual part. 2 pages. Arte Nova Music Lab #3008985. Published by Arte Nova Music Lab (A0.742408). The title Notebook for Anna Magdalena Bach (German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bachpresented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces forvoice (songs, and arias) are included.The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Taken fromhttps://en.wikipedia.org/wiki/Notebook_for_Anna_Magdalena_Bach
$5.00
4.48 €
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Guitare
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Johann Sebastian Bach
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Arte Nova Music Lab
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Minuet in D Minor - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
In Her Family by Simon Farintosh - Guitar Solo
Guitare
Sheet Music for In Her Family by Simon Farintosh arranged for Instrumental Solo in C# Mino…
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Sheet Music for In Her Family by Simon Farintosh arranged for Instrumental Solo in C# Minor. Digital sheet music from Musicnotes. --
$3.99
3.58 €
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Guitare
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Guitar Solo
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Musicnotes
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.13 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.54 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
"Barnsley's Garden" for solo classical fingerstyle guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1478018 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 4 pages. Keith Gehle #1055382. Published by Keith Gehle (A0.1478018). British born Godfrey Barnsley was determined to construct his home on an acorn shaped hill in northwest Georgia despite being warned by his Cherokee neighbors that the land he chose to build on was sacred and that he would be cursed. He built the Italianate style house anyway and sadly many tragedies followed. One was the death of his close friend Col. Richard G. Earle who was killed by a Union sniper in May of 1864 as he rode in to warn the family of the approach of Sherman’s army. Col. Earle was laid to rest in the garden just steps from the back door. Years later the home was abandoned after the roof was torn off by a tornado… it quickly fell into ruins. Today, the lush English style garden and surroundings (but not the house) have been restored to their previous splendor and the site is frequently used for elegant weddings and social events. This musical impression of Godfrey Barnsley’s enchanted garden was released as a single on streaming platforms in July of 2024. The PDF includes detailed fingerings and interpretation in standard notation with tablature. There’s also a version with TAB available on this site. The accompanying English horn and cello parts are available by request at no charge by contacting the composer directly through his website: www.keithgehle.com
$1.99
1.78 €
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Guitare
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Keith Gehle
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"Barnsley's Garden" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
In Her Family
Guitare
By Pat Metheny. C Instruments. Jazz. Leadsheet (melody/chords only). 1 pages. Published by…
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By Pat Metheny. C Instruments. Jazz. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.78 €
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Guitare
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Pat Metheny
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In Her Family
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
5 Christmas Carols - Easy Arrengements for Solo Guitar
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1253562 By Cheryl Terhune Cronk. B…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1253562 By Cheryl Terhune Cronk. By Traditional. Arranged by Cheryl Terhune Cronk. Christmas,Classical,Contemporary,Holiday. Individual part. 13 pages. Foxglove Music Press #847210. Published by Foxglove Music Press (A0.1253562). Whether you are a hobby guitarist who will be playing for family and friends during the holidays or a professional guitarist who needs site-readable music for that last minute Christmas gig, these 5 easy arrangements are perfect for you. Deck the Halls We Wish You a Merry Christmas Jingle Bells Good King Wenceslas In Dulci Jubilo
$5.00
4.48 €
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Guitare
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Cheryl Terhune Cronk
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Cheryl Terhune Cronk
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5 Christmas Carols - Easy Arrengements for Solo Guitar
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Foxglove Music Press
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SheetMusicPlus
XII Estudos em Serenata - Ziza Padilha
Guitare
Solo Guitar - Digital Download SKU: A0.597603 Composed by Ziza Padilha. Instruction…
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Solo Guitar - Digital Download SKU: A0.597603 Composed by Ziza Padilha. Instructional,Jazz,Latin,World. Individual part. 24 pages. Emerson Coelho #5302557. Published by Emerson Coelho (A0.597603). Most of these studies, in serenade, I composed to solve problems encountered since the beginning of my career as a guitar student. Left-handed and without an instrument, the force used on the left hand was excessive and harmful, in contrast to the disconcerting lightness of the right hand. I dedicate this songbook in the form of a study to friends, brothers and teachers (most of whom contributed significantly to correct these problems), and of course, to my family, with whom I share all dreams and sounds. May the XII Serenata Studies wander in the wind, and, in time, our playing will mature.
$7.00
6.28 €
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Guitare
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Ziza Padilha
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XII Estudos em Serenata - Ziza Padilha
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Emerson Coelho
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SheetMusicPlus
Tico Tico (tico Tico No Fuba)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.747009 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Music for all Occasions. Classical,Latin,Multicultural,World. Individual part. 3 pages. Keith Terrett #5869485. Published by Keith Terrett (A0.747009). Arranged for solo Guitar, Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$7.99
7.16 €
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Guitare
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The Andrews Sisters
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Music for all Occasions
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Tico Tico
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Keith Terrett
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SheetMusicPlus
The Runaway
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.997503 Composed by Emmanuel Daniel…
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Solo Guitar - Level 3 - Digital Download SKU: A0.997503 Composed by Emmanuel Danielson. Contemporary. Individual part. 9 pages. Emmanuel Danielson #5955691. Published by Emmanuel Danielson (A0.997503). This is a piece composed that was later named by a family neighbor, after his initial hearing of the work performed in front of him. He entitled my composition, The Runaway. This composition may sound like a depiction of a young teen who runs away from their home in melancholy. As the character of the runaway seems to go further away, moments of happiness are found as well as tension from harsh experiences the runaway may have encountered. The tremolos illustrate constant motion of running which finally ends in a final calmed bliss when the running comes to an end.
$2.50
2.24 €
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Guitare
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Emmanuel Danielson
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The Runaway
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Emmanuel Danielson
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SheetMusicPlus
Neve
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914745 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 6 pages. Eric J Roth #5733799. Published by Eric J Roth (A0.914745). Two pages of music.Neve (pronounced NEEV) is an ancestral name within my family, to whom this piece is dedicated. The word appears in multiple languages and has a variety of meanings. In British English, Neve has two definitions, both of which have long been out of common usage. The first definition refers to a younger male relative such as a nephew or grandson. The second refers to a spendthrift. Neve is also found in Irish as a girl’s name. In various Latin and Romance languages, it refers to snow or glaciers. Neve is one of a set of four pieces composed in late 2019 and early 2020. The publication of the entire set is forthcoming, but I am also offering Neve here as a short standalone work. Composed for guitar solo, Neve evokes a young boy’s leisurely daydream. The 3/2 time signature, marked andante, and opening G major tonality convey the sense of a lazy weekend day outside in the woods or by the water. Like many daydreams, Neve starts out simply before wandering off into different moods and ideas. A recurring transitional passage (set as a quasi hemiola) serves to modulate to new tonal areas, each of which has its own distinct character. The brief section in A Dorian is marked con moto and evokes the thoughts of excitement and adventure. This is followed by a contrapuntal section in E minor with hints of Dorian. The mood here is more subdued and perhaps even melancholy. The penultimate section in C# minor (with hints of pentatonic and Phrygian) suggests a longing for faraway exotic places before returning to G major to end the piece.
$2.99
2.68 €
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Guitare
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Eric J Roth
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Neve
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Eric J Roth
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SheetMusicPlus
Mountains of Stowe, I Stand Strong
Guitare
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
1.78 €
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, I Stand Strong
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Silver Sickle Publications
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SheetMusicPlus
Mountains of Stowe, and The Sky is The Limit
Guitare
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
1.78 €
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Guitare
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Apostolos Paraskevas
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Mountains of Stowe, and The Sky is The Limit
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Silver Sickle Publications
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SheetMusicPlus
Tientos
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.47 €
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Guitare
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
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