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FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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avec play-along
Non classifié
2530
PIANO & CLAVIERS
Piano seul
1404
Piano, Voix
966
Piano Facile
594
Piano, Voix et Guitare
357
Orgue
129
Instruments en Do
106
Accompagnement Piano
71
Accordéon
46
2 Pianos, 4 mains
44
1 Piano, 4 mains
34
Piano Trio: piano, violon, violoncelle
33
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
9
Piano grosses notes
5
Clavier
5
Clavecin
5
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
1
2 Accordéons
1
Orgue, Voix
1
2 Pianos, 8 mains
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Guitare
182
Guitare notes et tablatures
158
Ligne De Mélodie, (Paroles) et Accords
91
Ukulele
78
Mandoline
62
Basse electrique
57
Paroles et Accords
27
Banjo
13
2 Guitares (duo)
13
Piano, Guitare (duo)
11
Dulcimer
8
4 Guitares (Quatuor)
4
2 Ukuleles
3
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
2
3 Guitares (trio)
2
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Instrumentations suivantes
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VOIX
Chorale SATB
685
Chorale 3 parties
214
Chorale TTBB
157
Chorale 2 parties
120
Chorale Unison
116
Chorale SSAA
99
Voix Soprano, Piano
42
Voix seule
38
Voix Alto, Piano
37
Voix Baryton, Piano
37
Voix Tenor, Piano
33
Voix duo, Piano
32
Voix haute
22
Voix moyenne, Piano
14
Voix duo
13
Voix basse, Piano
6
Soli, choeur mixte et accompagnement
5
Chorale
4
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
3
Voix Tenor
2
Chorale SSAATTBB
1
Voix basse
1
Voix Soprano, Orchestre
1
Chorale SSATB
1
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
208
Flûte traversière
174
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
170
Clarinette et Piano
169
2 Saxophones (duo)
163
Hautbois, Piano (duo)
156
Quatuor de Saxophones: 4 saxophones
150
Clarinette
141
Saxophone Alto et Piano
140
Saxophone Alto
132
Flûte, Hautbois, Clarinette, Basson
115
Saxophone Tenor
114
Saxophone (partie séparée)
106
Quatuor de Clarinettes: 4 clarinettes
100
Saxophone Tenor et Piano
93
Hautbois (partie séparée)
83
Saxophone Soprano et Piano
79
Quintette de Saxophone: 5 saxophones
65
2 Flûtes traversières (duo)
62
2 Clarinettes (duo)
59
Quatuor de Flûtes : 4 flûtes
53
3 Saxophones (trio)
52
Saxophone Baryton, Piano
41
Ensemble de saxophones
39
2 Flûte à bec (duo)
34
Ensemble de Clarinettes
31
Cor anglais, Piano
29
Quintette de Clarinettes: 5 clarinettes
29
Flûte, Clarinette (duo)
25
Ensemble De Flûte à bec
24
Ensemble de Flûtes
24
Trio de Flûtes: 3 flûtes
23
3 Clarinettes (trio)
22
2 Hautbois (duo)
22
Saxophone, Clarinette (duo)
21
Flûte à bec Soprano
20
Flûte et Guitare
20
Clarinette, Violon (duo)
19
Clarinette (partie séparée)
18
Clarinette Basse, Piano
17
Hautbois, Basson (duo)
17
Flûte, Hautbois, Clarinette (trio)
15
Hautbois
14
Flûte, Violon
13
Clarinette, Guitare (duo)
12
Clarinette, Trompette (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Quatuor de Flûtes à bec
11
Clarinette, Basson (duo)
11
Hautbois, Flûte
11
Saxophone
10
Flûte à Bec
10
Quintette de Flûte : 5 flûtes
10
Flute (partie séparée)
10
Flûte à bec Alto
10
Saxophone Soprano
9
Flûte à bec Tenor
9
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette et Basson
7
Flûte, Hautbois, Basson
6
3 Hautbois
6
Flûte, Alto (duo)
6
Flûte, Violoncelle
6
Flûte, Trompette (duo)
6
3 Flûtes à bec (trio)
5
Flute, harpe et violon
4
Flûte, Hautbois (duo)
4
Cor Anglais
4
Saxophone Baryton
4
Clarinette Basse
4
Flûte, Violon et Violoncelle
4
Flûte à bec Soprano, Piano
4
5 Flûtes à bec
3
4 Hautbois
3
Hautbois, Violoncelle
3
Cor anglais, Guitare (duo)
3
Flûte, Clarinette, Piano (trio)
3
Instruments en Mib
3
Hautbois, Guitare (duo)
3
Flûte à bec Alto, Piano
3
2 Flûtes traversières, Piano
3
Clarinette, Trombone (duo)
3
2 Clarinettes, Piano
2
2 Clarinettes, Basson
2
Flûte, Trombone (duo)
2
Piccolo, Piano
2
Saxophone et Orgue
2
Clarinette, Harpe (duo)
2
Flûte, alto et harpe
1
Flûte irlandaise
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
2 Saxophones, Piano
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec, Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
186
Trompette
182
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Trombone et Piano
128
Trombone
125
Trompette, Piano
98
Cor
82
Cor et Piano
82
Quatuor de cuivres: 4 trombones
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Tuba et Piano
41
Tuba
39
Trompette (partie séparée)
37
Trombone (partie séparée)
35
2 Trompettes (duo)
33
Euphonium, Piano (duo)
32
Quatuor de cuivres: 4 cors
30
Ensemble de Trombones
30
Cor anglais, Piano
29
2 Trombones (duo)
25
Trompette, Trombone (duo)
23
Trompette, Saxophone (duo)
21
2 Cors (duo)
19
Euphonium
17
Quatuor de Cuivres
13
Trompette, Cor (duo)
12
Cor (partie séparée)
11
Ensemble de Trompettes
10
Quatuor de cuivres: 4 trompettes
10
2 Euphoniums et 2 Tubas
7
Tuba (partie séparée)
7
3 Trompettes (trio)
5
Cor Anglais
4
2 Tubas (duo)
4
Bass Clef Instruments
4
Cor anglais, Guitare (duo)
3
Instruments en Sib
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba et Orgue
3
Trio de Cuivres
3
Trompette, violon (duo)
3
Trompette et Guitare
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Cors
2
Trombone basse et Piano
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Orgue
1
Ensemble de Tubas
1
2 Trombones, Piano
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Cor et Basson (duo)
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
4 Tubas
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
572
Violon et Piano
287
Violon
268
Violoncelle, Piano
190
Violoncelle
188
Alto, Piano
164
Violon, Violoncelle (duo)
120
Alto seul
117
Trio à Cordes: violon, alto, violoncelle
78
2 Violons (duo)
70
Harpe
69
Trio à Cordes: 2 violons, violoncelle
48
Violon, Alto (duo)
45
Contrebasse, Piano (duo)
42
Contre Basse
42
2 Violoncelles (duo)
41
Alto (partie séparée)
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
30
Violon (partie séparée)
23
4 Violoncelles
21
Alto, Violoncelle (duo)
16
Contrebasse (partie séparée)
12
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
10
Quatuor à cordes : 4 altos
10
Piano Trio: Violon, Alto, Piano
10
2 Harpes (duo)
9
Violon, Guitare (duo)
9
Violoncelle, Contrebasse (duo)
7
Quatuor à cordes: 4 violons
7
Harpe, Voix
7
Violoncelle , Guitare (duo)
6
2 Contrebasses (duo)
6
Trio à cordes
5
Harpe, Flûte (duo)
5
Violoncelle (partie séparée)
4
Ensemble d'Altos
4
Trio à cordes: 3 altos
4
Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violons, Piano
2
Violon, Basson (duo)
2
Harpe et Piano
2
Alto et Harpe
1
Autoharp
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
Alto, Guitare (duo)
1
4 Contrebasses
1
Violon, Orgue
1
Alto et Basson
1
Violoncelle, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
726
Orchestre à Cordes
267
Orchestre
235
Cloches
209
Ensemble de cuivres
159
Orchestre de chambre
109
Ensemble Jazz
83
Batterie
28
Fanfare
26
Jazz combo
14
Ensemble de Percussions
12
Percussion (partie séparée)
10
Marimba
9
Percussion
7
Xylophone, Piano
4
Vibraphone
3
Timbales (partie séparée)
2
Orchestre, Violon
2
Timbales
1
Batterie (partie séparée)
1
Quintette à Vent
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
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The Old Man
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Dan Levenson's Master Collection of Old-Time Tunes
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
17.92 €
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Guitare
#
Dan Levenson's Master Collection of Old-Time Tunes
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
The Old Man and the Sea
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.942112 Composed by Apostolos Paras…
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Solo Guitar - Level 3 - Digital Download SKU: A0.942112 Composed by Apostolos Paraskevas. 20th Century,Children,Contemporary,World. Individual part. 10 pages. Silver Sickle Publications #6598285. Published by Silver Sickle Publications (A0.942112). It is based on Ernest Hemingway's book the Old man and the Sea. The music describes Santiago's emotions, thoughts and actions in his last journey. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz and the exciting fight that ends in triumph. Now it's time to return home with his valuable possession. He already won the last and most important fight of his life.
$11.99
10.75 €
#
Guitare
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Apostolos Paraskevas
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The Old Man and the Sea
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Silver Sickle Publications
#
SheetMusicPlus
The William Bay Collection - Sacred Guitar Solo Anthology #2
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List: Adoro Devote All My Trials All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks Balm in Gilead Benediction Bread of the World Eucharistic Hymn Canticle #1 Canticle #2 Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby Come to the Feast Compline Consecration Deep River Evening Prayer Gloria God Unseen Yet Ever Near St Flavian Have Thine Own Way, Lord Adelaide He Hideth My Soul Kirkpatrick Crosby Here, O My Lord, I See Thee Face to Face Penitentia Higher Ground Gabriel Oatman Hold to God’s Unchanging Hand Eiland Holy Is The Lord I Love to Tell the Story Fischer Hankey At the Cross Hudson Watts I Will Arise and Go to Jesus Arise I Will Praise Him Harris More Love to Thee Doane Prentiss Jesu, Joy of Man’s Desiring Jesus Paid It All Grape HallI Am Coming, Lord Hartsough Jesus Spreads His Banner O’er Us Autumn Just As I Am Woodworth Kyrie Eleison Lamb Of God Lenten Meditation Let All Mortal Flesh Keep Silence Picardy Let Us Break Bread Together Light Of The World Litany Lonesome Valley Look Down That Lonesome Road Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby Lord, Speak to Me Canonbury Meditation on Psalm My Faith Looks Up to Thee Olivet My Lord, My God My Shepherd Will Supply My Need Resignation Nearer, My God, to Thee Bethany Never Alone Anon Night Prayer Nobody Knows The Trouble I’ve Seen O Esca Viatorum Pass Me Not Doane Crosby Only Trust Him Stockton Peace Praxis Pietatis Melica Prayer Prayer of Simeon Psalm 102:1 Hear My Prayer, O Lord Psalm 118:24 This Is the Day That the Lord Hath Made Psalm 119:28 My Soul Is Heavy with Sorrow Psalm 126:6 They That Sow in Tears Psalm 128:1 Blessed Are They That Fear the Lord Psalm 139:7 Where Shall I Go From Thy Spirit Psalm 142:3 When My Spirit Grows Faint Within Me Psalm 144:3 Lord, What Is Man Psalm 16:1 Keep Me Safe, O God Psalm 19:1 The Heavens Declare the Glory of God Psalm 34:18 The Lord Is Close to the Broken Hearted Psalm 65:2 Thou That Hearest Prayer Psalm 88:13 Unto Thee Have I Cried, O Lord Rendez a Dieu Sanctus Shall We Gather at the River Lowry Softly And Tenderly Sometimes I Feel Like a Motherless Child St Gregory Chorale Steal Away Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman Swing Low, Sweet Chariot The Lord’s Supper Way To God Be the Glory Doane Crosby Turn Your Eyes Upon Jesus He Is Lord Wade In The Water Wayfaring Stranger We Give Thee Thanks Were You There What a Friend We Have in Jesus Converse When I Lay My Burdens Down
$24.99
22.4 €
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Guitare
#
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.27 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.27 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.54 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.48 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
This Old Man - Progressive Variations for Guitar
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.752759 Composed by Kevin Love. Con…
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Solo Guitar - Level 1 - Digital Download SKU: A0.752759 Composed by Kevin Love. Contemporary,Instructional. Individual part. 6 pages. Kevin Edward Love #23921. Published by Kevin Edward Love (A0.752759). As a teacher, I have found that students thrive on the familiar. Here is a way to capitalize on that enthusiasm by using well-known tunes to gradually introduce typical guitar techniques and textures in a progressive way. Songs of Childhood, Book 1, contains similar treatment of five melodies: Vol. 1 - Themes and Var. 1 - 4; Vol. 2 - Var. 5 - 9.
$3.95
3.54 €
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Guitare
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Kevin Love
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Vol. 2 - Var. 5 - 9.
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This Old Man - Progressive Variations for Guitar
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Kevin Edward Love
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.78 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
4.47 €
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Guitare
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere
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Brad Rau
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SheetMusicPlus
"Hark!", the Herald Angels Sing
Guitare
Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelsso…
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Solo Guitar - Digital Download SKU: A0.483404 Composed by Felix Bartholdy Mendelssohn. Arranged by Robert McCormack. Christmas,Classical,Holiday,Sacred,Traditional. Individual part. 1 pages. Published by Robert McCormak (A0.483404). The hymn that is this Christmas carol has gone through many iterations before popularly settling on this most commonly sung Mendelssohn melody. The arrangement is well within the intermediate level with the possible exception of the first two measures of the last two lines. There is a stretch here between fingers one and four, frets one and five with the additional challenge of a middle voice. Another carol offered by this arranger is, Once In Royal David's City, which has the same stretch but without the inner voice with which to contend. These two pieces are frequently performed together due to other similarities between them.
$3.99
3.58 €
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Guitare
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Felix Bartholdy Mendelssohn
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Robert McCormack
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"Hark!", the Herald Angels Sing
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Robert McCormak
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SheetMusicPlus
The William Bay Collection - Flatpicking Guitar Solo Anthology #1
Guitare
Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online…
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Guitar - Intermediate - Digital Download SKU: M0.WBM76MEB Country. Ebook and online audio. 193 pages. Mel Bay Publications - Digital Sheet Music #WBM76MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM76MEB). ISBN 9781513476452. 8.75x11.75 inches.This comprehensive book contains the solos found in five William Bay guitar solo collections.á The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes.á Also included are numerous original guitar solos.á All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
Song List: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick
$24.99
22.4 €
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Guitare
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The William Bay Collection - Flatpicking Guitar Solo Anthology #1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Spanish Romance
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1042088 By Paul Adrian Moldez. By …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1042088 By Paul Adrian Moldez. By Traditional. Arranged by Paul Adrian Moldez. Classical,Romantic Period. Individual part. 16 pages. Paul Adrian Moldez #646882. Published by Paul Adrian Moldez (A0.1042088). Spanish Romance is a popular piece for solo guitar. It is also called by its other names such as Romanza, Romance D’Amour, and Romance de España. Currently, the authorship of the piece is in question. It is suspected, however, that it is an instrumental guitar work from the 19th century. Spanish Romance’s earliest recording is on a cylinder. It was made in Madrid sometime between 1897 and 1901. It was titled “Sort-Estudio para Guitarra por S. Ramirez. More likely than not, the name “Sort refers to Fernando Sor, for Sor’s surname is sometimes also spelled Sort or Sorts.
$7.99
7.16 €
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Guitare
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Paul Adrian Moldez
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Paul Adrian Moldez
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Spanish Romance
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Paul Adrian Moldez
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SheetMusicPlus
The Old Castle
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1337493 Composed by M. Mussorgsky. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1337493 Composed by M. Mussorgsky. Arranged by André Nusa. 19th Century,Chamber,Romantic Period. 15 pages. Andre_Nusa #923307. Published by Andre_Nusa (A0.1337493). Experience the haunting beauty of Mussorgsky's 'The Old Castle' from Pictures at an Exhibition in this captivating arrangement. Meticulously crafted for three guitars, this rendition preserves the rich textures and emotive nuances of the original masterpiece. Ideal for intermediate to advanced players, the arrangement provides a unique opportunity for guitarists to explore the depth and expressiveness of Mussorgsky's timeless composition. Elevate your ensemble repertoire with the evocative melodies and intricate harmonies of 'The Old Castle,' masterfully arranged for a trio of guitars.
$8.99
8.06 €
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Guitare
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M
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André Nusa
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The Old Castle
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Andre_Nusa
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SheetMusicPlus
Romanesca
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1218335 Composed by Doug Smith. 20…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1218335 Composed by Doug Smith. 20th Century,Classical,Contemporary,Folk,Latin. Individual part. 6 pages. Doug Smith Guitar Studio #814805. Published by Doug Smith Guitar Studio (A0.1218335). Romanesca is the sixth guitar solo in the St. Croix RIver Sketches. On a canoe trip, we stop for breakfast in Osceola and wander through the town looking at the older traditional houses and wondering when the local baseball team will be playing. Romanesca gives an impression of taking in the scenic older homes along the river.
$1.99
1.78 €
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Guitare
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Doug Smith
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Romanesca
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Doug Smith Guitar Studio
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SheetMusicPlus
The Pink Panther from THE PINK PANTHER
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.632487 Composed by Henry Mancini. Arranged by Fishel Pustilnik. Film/TV. Individual part. 9 pages. F & N Enterprise #3015821. Published by F & N Enterprise (A0.632487). An excellent arrangement of famous Song The Pink Panther for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.47 €
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Guitare
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Henry Mancini
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Fishel Pustilnik
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The Pink Panther from THE PINK PANTHER
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F & N Enterprise
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SheetMusicPlus
The Scientist
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1049337 By Coldplay. By Chris Mart…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1049337 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Amanda J. Herold. Pop,Rock. Individual part. 1 pages. Amanda's Music Channel #653708. Published by Amanda's Music Channel (A0.1049337).
$4.99
4.47 €
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Guitare
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Coldplay
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Amanda J
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The Scientist
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Amanda's Music Channel
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SheetMusicPlus
Night Falls on Gold Beach
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1027264 Composed by Jonathan Booth…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1027264 Composed by Jonathan Booth. Contemporary. Individual part. 2 pages. Jonathan Booth #2022075. Published by Jonathan Booth (A0.1027264). A piece for intermediate classical guitar; very enjoyable to play with lots of opportunity to be expressive. Quite long for a composition of this type. The 'Gold Beach' refers to - and commemorates - the Normandy landings by Allied troops in 1944.
$3.99
3.58 €
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Guitare
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Jonathan Booth
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Night Falls on Gold Beach
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Jonathan Booth
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SheetMusicPlus
Suite Romántica
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1031081 Composed by José Antoni…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1031081 Composed by José Antonio Guerrero Ortiz. Contemporary. Individual part. 32 pages. Bergmann Editions #2897713. Published by Bergmann Editions (A0.1031081). Suite Romantica by José Antonio Guerrero OrtizSuite Romantica is a work that musically describes a traveler’s journey through Spain and its many cultural and historical sites. This picturesque and musical adventure was inspired by sights such as the Fuente De La Cibeles water fountain in Madrid, the fields of the countryside, historic Roman streets, and the Flamenco roots ingrained in AndalucÃa. Each of the movements are musical impressions of traveling throughout the old rural areas and modern urban landscapes of Spain.Length: 32 pages (25 with music)Content:Fantasia-Preludio (La Cibeles de Fuego y Sensualidad) Zapateado (Caminos Por Las Calles y Campos) Pastoral (Un Corazón Arietta de Julio, Joaquina y La Niña En El Vestido Azul)Pequeña Danza (La Delicada y Alegrias de La Flamenquita) Rapsodia Romántica (Dos Corazones Entre La Luna y Sus Gotas de Aqua)
$13.00
11.65 €
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Guitare
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José Antonio Guerrero Ortiz
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Suite Romántica
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Bergmann Editions
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SheetMusicPlus
SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
Guitare
Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay …
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Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459691. 8.75x11.75 inches.<br> <br> Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.
$17.99
16.12 €
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Guitare
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SYLVIUS LEOPOLD WEISS - THREE SONATAS FOR CLASSICAL GUITAR
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1438455 Composed by Johann Sebasti…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438455 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Individual part. 2 pages. Benzaiten Editions #1018473. Published by Benzaiten Editions (A0.1438455). Hey there, music enthusiast! Ready to immerse yourself in the exquisite melodies of Johann Sebastian Bach's timeless Jesu, Joy of Man's Desiring? Let the magic unfold with our sheet music edition! 🎵JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music About 'Jesu Joy of Man's Desiring' Jesu, Joy of Man's Desiring by J.S. Bach is a divine masterpiece from his Cantata, Herz und Mund und Tat und Leben, BWV 147. Its transcendent beauty and uplifting melody have made it a cherished favorite, embodying the spiritual essence of Baroque music. Often chosen for wedding ceremonies and sacred occasions, its celestial harmonies evoke feelings of serenity and reverence, touching hearts with its profound message of joy and hope.
$2.99
2.68 €
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Guitare
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Johann Sebastian Bach
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Benzaiten Editions
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JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | acoustic guitar sheet music
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Benzaiten Editions
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SheetMusicPlus
Alla Maniera Ungherese No.2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041532 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041532 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646287. Published by Koncert 1234 Kft (A0.1041532). Alla Maniera Ungherese No.2 ISRC HU-D26-14-00297 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.69 €
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Guitare
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Jozsef Ludvig
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Alla Maniera Ungherese No.2
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Koncert 1234 Kft
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SheetMusicPlus
Alla Maniera Ungherese No.16
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041556 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041556 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646310. Published by Koncert 1234 Kft (A0.1041556). Alla Maniera Ungherese No.16 ISRC HU-D26-14-00311 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.69 €
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Guitare
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Jozsef Ludvig
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Alla Maniera Ungherese No.16
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Koncert 1234 Kft
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SheetMusicPlus
Alla Maniera Ungherese No.7
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1041543 By Jozsef Ludvig. By Jozse…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041543 By Jozsef Ludvig. By Jozsef Ludvig. Classical. Individual part. 1 pages. Koncert 1234 Kft #646297. Published by Koncert 1234 Kft (A0.1041543). Alla Maniera Ungherese No.7 ISRC HU-D26-14-00302 The performer of guitar duets is the composer: Jozsef Ludvig In 2009, I released 35 classical guitar duo etudes with sheet music and CD attachments. Of these, I now publish 16 pieces written for classical guitar. The melody and rhythm of the guitar duos are soldered together by the sweet atmosphere of Hungarian European music. This music is not like any other music, but it can give new inspiration to everyone who does is engaged in composition.
$3.00
2.69 €
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Guitare
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Jozsef Ludvig
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Alla Maniera Ungherese No.7
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Koncert 1234 Kft
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SheetMusicPlus
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