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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
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CONTEMPORAIN - NEW A…
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avec play-along
Non classifié
4514
PIANO & CLAVIERS
Piano seul
1605
Piano, Voix
1076
Piano Facile
556
Orgue
317
Instruments en Do
268
Piano, Voix et Guitare
92
Piano Trio: piano, violon, violoncelle
59
2 Pianos, 4 mains
54
Orgue, Trompette (duo)
52
Clavecin
51
Orgue, Piano (duo)
38
1 Piano, 4 mains
38
Accompagnement Piano
28
Piano Quatuor: piano, violon, alto, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Accordéon
3
Piano grosses notes
2
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare
409
Guitare notes et tablatures
378
2 Guitares (duo)
156
Mandoline
108
Ukulele
39
3 Guitares (trio)
22
4 Guitares (Quatuor)
20
Ensemble de guitares
12
Piano, Guitare (duo)
11
Ligne De Mélodie, (Paroles) et Accords
11
Mandoline, Guitare (duo)
4
Basse electrique
3
Ukulele Baryton
2
2 Dulcimers (duo)
1
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Banjo
1
Dulcimer
1
2 Ukuleles
1
2 Mandolines (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
355
Chorale 3 parties
110
Voix haute
55
Chorale 2 parties
44
Chorale TTBB
39
Voix seule
37
Voix Soprano, Piano
33
Voix duo, Piano
28
Voix Alto, Piano
21
Chorale SSAA
19
Chorale
16
Voix moyenne, Piano
13
Chorale Unison
9
Voix basse, Piano
8
Voix duo
8
Voix Soprano, Orchestre
5
Voix Tenor, Piano
4
Chorale SSATBB
4
Chorale SATTB
3
Voix Baryton, Piano
3
Chorale SSAATTBB
2
Voix Tenor
2
Voix et basse continue
1
Voix Soprano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
368
Quatuor de Saxophones: 4 saxophones
360
Flûte traversière et Piano
326
Flûte, Hautbois, Clarinette, Basson
309
2 Flûtes traversières (duo)
307
Clarinette et Piano
258
Flûte et Guitare
248
2 Saxophones (duo)
244
Quatuor de Clarinettes: 4 clarinettes
244
2 Clarinettes (duo)
209
Hautbois, Piano (duo)
195
Quintette de Saxophone: 5 saxophones
165
Saxophone Alto et Piano
165
Flûte traversière
140
3 Clarinettes (trio)
134
Quatuor de Flûtes : 4 flûtes
114
3 Saxophones (trio)
110
Saxophone Tenor et Piano
109
Clarinette
108
Saxophone Soprano et Piano
94
Ensemble de Clarinettes
83
Trio de Flûtes: 3 flûtes
75
Quintette de Clarinettes: 5 clarinettes
74
2 Hautbois (duo)
63
Flûte, Hautbois, Clarinette (trio)
62
Flûte, Clarinette (duo)
59
Flûte, Clarinette et Basson
56
Hautbois, Basson (duo)
54
Saxophone Alto
54
2 Flûte à bec (duo)
53
Quintette de Flûte : 5 flûtes
52
Saxophone Baryton, Piano
49
Quatuor de Flûtes à bec
48
Flûte, Hautbois, Basson
47
Ensemble de Flûtes
46
Ensemble de saxophones
44
Flûte, Violoncelle
42
Hautbois (partie séparée)
41
Cor anglais, Piano
40
Clarinette, Basson (duo)
39
Ensemble De Flûte à bec
36
Saxophone Tenor
35
Hautbois
33
Flûte à bec Soprano
31
Hautbois, Clarinette, Basson (trio d'anches)
31
Flûte, Violon et Violoncelle
25
Clarinette, Guitare (duo)
24
Hautbois, Clarinette (duo)
24
Flûte à bec Alto
24
Hautbois, Violoncelle
23
Clarinette, Violoncelle (duo)
23
Flûte, Violon
22
Clarinette Basse, Piano
20
Saxophone (partie séparée)
19
Flûte, Alto (duo)
17
3 Flûtes à bec (trio)
17
Saxophone Soprano
17
Clarinette, Violon (duo)
15
2 Clarinettes, Basson
13
Saxophone Baryton
13
Clarinette (partie séparée)
12
Flûte à bec Soprano, Piano
12
Clarinette, Harpe (duo)
12
5 Flûtes à bec
11
Saxophone, Clarinette (duo)
11
Flûte à Bec
11
Clarinette et Alto
10
Flûte, Clarinette, Piano (trio)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Basson et Piano
9
4 Hautbois
8
Hautbois, Harpe
8
Flûte à bec, Guitare (duo)
8
Flûte, Saxophone (duo)
8
2 Flûtes traversières, Piano
8
Flûte, Trombone (duo)
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Violon, Piano
7
Flûte, Hautbois (duo)
7
Flûte à bec Tenor
7
2 Clarinettes, Piano
7
Saxophone et Guitare
7
Cor anglais, Guitare (duo)
7
Flûte irlandaise
6
Flûte à bec Alto, Piano
6
Clarinette, Trompette (duo)
6
Flûte, Trompette (duo)
6
Cor Anglais
6
Hautbois, Flûte
5
Ocarina
5
Flûte et Trio à cordes
5
Flûte, Violoncelle, Guitare
5
Saxophone et Harpe
5
Piccolo, Piano
4
2 Cors Anglais Et Pianoforte
4
Hautbois, violon (duo)
4
2 Saxophones, Piano
4
Clarinette, Trombone (duo)
3
Flûte, Tuba (duo)
3
2 Hautbois et Basson
3
Flûte, Hautbois, Violon
3
Flûte, Hautbois, Piano (trio)
3
Ensemble de Hautbois
3
Flute (partie séparée)
3
Flûte à bec Alto, Basse continue
3
Flûte, Violon, Violoncelle et Piano
3
Flûte et Quatuor à Cordes
3
Hautbois, Guitare (duo)
2
3 Hautbois
2
Piccolo
2
Clarinette Basse
2
Harmonica
2
Flute, Cor (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flute, harpe et violon
2
Saxophone, Violon (duo)
2
Clarinette, Basson, Piano (trio)
2
Saxophone et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Hautbois, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, trombone (duo)
1
Flûte, Alto et Piano
1
Flûte traversière, Orchestre
1
Clarinette, Orchestre
1
Flûte, trombone et piano
1
Flûte à Bec, Piano
1
Saxophone
1
Clarinette, trompette et piano
1
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Guitare
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Tuba
1
Flûte, Harpe et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble à vent
1
Hautbois et alto (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
332
Quatuor de Cuivres : 2 trompettes, trombone, tuba
175
Trompette, Piano
173
Trombone et Piano
145
Trompette
125
2 Trompettes (duo)
121
Cor et Piano
108
Ensemble de Trompettes
85
Trombone
84
Tuba et Piano
70
Quatuor de cuivres: 4 cors
69
Ensemble de Trombones
68
2 Trombones (duo)
66
Quatuor de Cuivres: 2 trompettes, Cor, trombone
63
Quatuor de cuivres: 4 trombones
58
2 Cors (duo)
57
Tuba
55
Cor
53
Cor anglais, Piano
40
Quatuor de Cuivres
39
Trompette, Trombone (duo)
36
Euphonium, Piano (duo)
34
3 Trombones (trio)
24
2 Tubas (duo)
21
Ensemble de Cors
20
Quatuor de cuivres: 4 trompettes
19
Trompette (partie séparée)
17
Trompette, Violoncelle (duo)
13
Cor, Violoncelle (duo)
12
Trompette, Basson (duo)
11
Trompette, Cor (duo)
10
Trompette, Saxophone (duo)
9
Euphonium, Tuba (duo)
9
Cor, Tuba (duo)
8
4 Tubas
8
Trombone (partie séparée)
7
2 Euphoniums (duo)
7
3 Trompettes (trio)
7
3 Tubas (trio)
7
Trio de Cuivres
7
Cor anglais, Guitare (duo)
7
Cor et Harpe
7
Cor et Basson (duo)
6
Cor Anglais
6
Cor, Orchestre
5
Cor (partie séparée)
5
2 Euphoniums et 2 Tubas
5
Trompette, Harpe
5
Trombone, Cor (duo)
4
2 Cors Anglais Et Pianoforte
4
Euphonium
4
3 Cors (trio)
4
Tuba et Orgue
4
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Trompette, violon (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Euphoniums
3
Trompette, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Orgue
2
Trombone basse
2
Cor, Violoncelle et Piano
2
Trompette, Trombone, Piano
2
4 Euphoniums
1
Trompette, Orchestre
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
Trombone, Violon (duo)
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
826
Violon et Piano
351
Violon
258
Violon, Violoncelle (duo)
255
Trio à Cordes: violon, alto, violoncelle
246
Violoncelle, Piano
237
Alto, Piano
224
2 Violons (duo)
214
Violoncelle
156
2 Violoncelles (duo)
142
Harpe
120
Violon, Alto (duo)
112
Alto seul
100
Trio à Cordes: 2 violons, violoncelle
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
69
2 Altos (duo)
64
Contrebasse, Piano (duo)
60
Trio à cordes: 3 violins
50
Contre Basse
46
Alto, Violoncelle (duo)
40
2 Harpes (duo)
31
Alto (partie séparée)
28
Trio à Cordes: 3 violoncelles
27
4 Violoncelles
27
Violon, Guitare (duo)
25
Harpe, Flûte (duo)
24
Quatuor à cordes: 4 violons
23
Harpe, Violon (duo)
21
Violon (partie séparée)
20
Violoncelle , Guitare (duo)
20
Alto, Guitare (duo)
19
Violon, Basson (duo)
18
Violoncelle, Contrebasse (duo)
17
2 Contrebasses (duo)
15
Trio à cordes: 3 altos
15
Ensemble de Violons
14
Violoncelle, Orchestre
13
Ensemble d'Altos
13
Alto et Basson
12
Trio à Cordes: 2 violons, alto
12
Piano Trio: Violon, Alto, Piano
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Trio à cordes
9
Quatuor à cordes : 4 altos
7
4 Contrebasses
7
Flûte, Contrebasse (duo)
6
Contrebasse (partie séparée)
6
Harpe, Violoncelle (duo)
6
Harpe, Violon, Violoncelle
5
2 Violons, Piano
5
Violon, Orgue
4
Alto et Harpe
4
Violoncelle (partie séparée)
4
Violon, Violoncelle, Clarinette
3
Harpe, Trombone (duo)
3
Violoncelle, Basse continue
3
Violon, Basse continue
3
Violoncelle, Orgue
3
Violon, Tuba (duo)
2
3 Contrebasses
2
2 Altos, Piano
2
Ensemble de Violoncelles
2
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
450
Orchestre
317
Ensemble de cuivres
281
Orchestre de chambre
183
Orchestre d'harmonie
129
Piano et Orchestre
33
Cloches
26
Orchestre, Violon
18
Ensemble Jazz
13
Ensemble de Percussions
9
Marimba
8
Xylophone, Piano
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
5
Percussion (partie séparée)
3
Xylophone
3
Quintette à Vent
2
2 Xylophones
2
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Fanfare
1
Voix et Orchestre
1
Batterie
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
a Baroque
Orchestre d'harmonie
Partitions à imprimer
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Baroquen Carriage
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1299169 Composed by John R. Danie…
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Concert Band - Level 3 - Digital Download SKU: A0.1299169 Composed by John R. Daniels. Arranged by John R. Daniels. Classical,Contest,Festival,Pop,Rock,Traditional. Score and Parts. 62 pages. John R. Daniels #889017. Published by John R. Daniels (A0.1299169). Baroquen Carriage is a brawny yet delightful piece that evokes contrasting images of the sea and sky, in a storm or at rest. It contains a number of rarely used chord progressions and cadences which give it a classic, yet fresh sound that that would surprise even Mozart!
$54.95
49.26 €
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Orchestre d'harmonie
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John R
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John R
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Baroquen Carriage
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John R. Daniels
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SheetMusicPlus
Baroque-A-Nova
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1449801 By Mannheim Steamroller. …
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Concert Band - Level 4 - Digital Download SKU: A0.1449801 By Mannheim Steamroller. By Mason Williams. Arranged by John Ivor Holland. 20th Century,Classical,Jazz,Latin,Pop. 63 pages. John Ivor Holland #1029560. Published by John Ivor Holland (A0.1449801). Penned by American guitartist and composer Mason Williams in 1968, this track was the follow-up to his most popular piece, 'Classical Gas', which won three Grammy awards. This arrangement draws upon the original recording by Williams and a more expanded version by powerhouse group Mannheim Steamroller, dating from 2012, who occasionally performed the piece alongside each other. The fusion of Baroque-style melody and close harmonies, all over an irrestible Latin beat, make this a great chart for any type of concert but particularly outdoor summer events.
$69.99
62.74 €
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Orchestre d'harmonie
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Mannheim Steamroller
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John Ivor Holland
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Baroque-A-Nova
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John Ivor Holland
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SheetMusicPlus
A Mighty Fortress (Concert Band)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By …
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Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00
35.86 €
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Orchestre d'harmonie
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Thine be the Glory - A Hymn for Easter by Handel Arranged for Flexible Ensemble by David Catherwood
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.739468 Composed by George Frideri…
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Concert Band - Level 2 - Digital Download SKU: A0.739468 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Easter,Multicultural,Sacred,World. Score and parts. 17 pages. Opus 3 Music #4301935. Published by Opus 3 Music (A0.739468). Thine be the Glory - A Hymn for Easter by Handel arranged for Flexible Ensemble . A straightforward arrangement suitable for young players but equally effective when performed by experienced players.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case by the Campbell College Orchestra.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$9.50
8.52 €
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Orchestre d'harmonie
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George Frideric Handel
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David Catherwood
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Thine be the Glory - A Hymn for Easter by Handel Arranged for Flexible Ensemble by David Catherwood
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Opus 3 Music
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SheetMusicPlus
A Fool's War for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1032693 Composed by Malachi Mathe…
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Concert Band - Level 4 - Digital Download SKU: A0.1032693 Composed by Malachi Mathews. Baroque,Renaissance,Standards. Score and parts. 53 pages. Malachi Mathews #5218923. Published by Malachi Mathews (A0.1032693). A Bold and Medieval rendition of a siege of a castle and the fight of foolish lords talking over one another and creating a giant mess. a great composition for a Concert Band with many dark harmonies that will be challenging for the ear. A conductor's score along with parts is available or just the conductor's score. All instrument parts can be reprinted by the buyer for band use.
$12.00
10.76 €
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Orchestre d'harmonie
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Malachi Mathews
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A Fool's War for Concert Band
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Malachi Mathews
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SheetMusicPlus
A Thanksgiving To Remember
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.513532 Composed by Louis Theodore…
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Concert Band - Level 3 - Digital Download SKU: A0.513532 Composed by Louis Theodore. Baroque,Classical,Contest,Festival,Sacred. Score and parts. 21 pages. Louis Theodore #124282. Published by Louis Theodore (A0.513532). This piece was written to describe is dedicated to a friend of mine.
$5.00
4.48 €
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Orchestre d'harmonie
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Louis Theodore
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A Thanksgiving To Remember
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Louis Theodore
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SheetMusicPlus
A Perfect World
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1205973 Composed by Roger Müll…
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Concert Band - Level 4 - Digital Download SKU: A0.1205973 Composed by Roger Müller. Baroque,Classical,Contemporary,March. 119 pages. Althorn-music #804163. Published by althorn-music (A0.1205973). Symphonic March For Concert BandPreview scoreThe Concert March on Truth, Freedom and Democracy incorporates parts of Handel's operas Jephtha (HWV 70) and Triumph of Time and Truth (HWV 71), combined with 12-tone music and aleatorics, symbolic of freedom.
$49.99
44.81 €
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Orchestre d'harmonie
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Roger Müller
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A Perfect World
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althorn-music
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SheetMusicPlus
Royal Processional
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.753747 Composed by Judith Katz. B…
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Concert Band - Level 2 - Digital Download SKU: A0.753747 Composed by Judith Katz. Baroque,Contemporary. Score and parts. 10 pages. Judith Katz #2026857. Published by Judith Katz (A0.753747). This is a British-style processional march with a Baroque touch, that is geared towards a level 2 band.
$10.00
8.96 €
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Orchestre d'harmonie
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Judith Katz
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Royal Processional
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Judith Katz
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SheetMusicPlus
March for a Turkish Ceremony
Orchestre d'harmonie
Composed by Jean-Baptiste Lully (1632-1687). Arranged by Mark Attebery. Baroque Period. Sc…
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Composed by Jean-Baptiste Lully (1632-1687). Arranged by Mark Attebery. Baroque Period. Score. 6 pages. Published by Mark Attebery Studio (S0.56897). - Score - Baroque Period - Mark Attebery Studio
$20.00
17.93 €
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Orchestre d'harmonie
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Jean-Baptiste Lully
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Mark Attebery
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March for a Turkish Ceremony
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Mark Attebery Studio
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SheetMusicPlus
Sinfonia from La liberazione di Ruggiero
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1071664 Composed by Francesca Cac…
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Concert Band - Level 2 - Digital Download SKU: A0.1071664 Composed by Francesca Caccini. Arranged by Daniel Bukin. Classical,Contest,Festival,Instructional,Standards. Score and parts. 34 pages. T.U.X. People's Music #675351. Published by T.U.X. People's Music (A0.1071664). Extracted from Francesca Caccini's opera La liberazione di ruggiero dell'isola d'Alcina, this Sinfonia is a baroque masterpiece! Its individual lines weave around each other to create enthralling textures that your whole ensemble is sure to love!
$65.00
58.27 €
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Orchestre d'harmonie
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Francesca Caccini
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Daniel Bukin
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Sinfonia from La liberazione di Ruggiero
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T.U.X. People's Music
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SheetMusicPlus
AIR (On the G String) - For Concert Band
Orchestre d'harmonie
Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Fenech. Classical …
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Fenech. Classical Period, Baroque Period, Repertoire, Easter, Lent. Set of Parts. 34 pages. Published by Raymond Fenech
'2016 Arrangement New Release' This is an arrangement for Concert Band, of the famous Air from the second movement of Johann Sebastian Bach's Orchestral Suite No.3 in D Major. J.S.Bach composed this Orchestral piece in the first half of the 18th century. This lovely Air is a typical audience favorite for every concert.
$20.00
17.93 €
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Orchestre d'harmonie
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Johann Sebastian Bach
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Raymond Fenech
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AIR
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SheetMusicPlus
Krebs Trio
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818295 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score and parts. 14 pages. Stephen R Dalrymple #5030197. Published by Stephen R Dalrymple (A0.818295). Krebs Trio ♫ for Concert Band with Flexible Instrumentation ♫ by Johann Ludwig Krebs (1713-1780) ♫ arranged by Stephen R Dalrymple ♫ Johann Krebs was the son of a well-known organist. Krebs studied organ and composition with JS Bach and was highly commended by him. He was one of the most technically gifted young organists of his day, yet was never employed by a major church. Krebs held modest positions all of his life and he and his family of seven children struggled with poverty. ♫ Although underpaid according to his ability and training, Krebs produced a large body of work – 193 known scores. His compositions are judged to be of prime quality, superior enough for scholars to argue whether a piece was composed by him or Bach. His Toccata and Fugue in E for organ is counted one of the masterpieces in Baroque literature. His 2 concertos for lute show that he must have been an accomplished lute player. Krebs was born, studied, lived, & composed in or near Upper Saxony (much like Bach). ♫ Teaching band in a small school, I often needed flexible instrumentation to assure satisfaction for students when a full complement of instruments was not available. This Baroque work from pipe organ literature has been scored for 3 independent polyphonic voices plus an optional percussion part. This piece can be played with almost any combination of instruments or as a trio or quartet. I added an optional hand drum part so percussionists can also participate. Krebs Trio has been performed by my mid level band and a quintet of music educators at a school music benefit concert, and the fanfa at North Haiti Music Camp. ♫ Purchase price includes permission is granted to make photocopies of parts additional scores for a medium size school band.
$18.00
16.14 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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Krebs Trio
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Stephen R Dalrymple
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SheetMusicPlus
The Sun King for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.933464 Composed by Mark Attebery.…
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Concert Band - Level 2 - Digital Download SKU: A0.933464 Composed by Mark Attebery. Baroque. Score and parts. 26 pages. Mark Attebery Studio #6735065. Published by Mark Attebery Studio (A0.933464). The Sun King is a level 2 - 2.5 Concert Band work evoking early wind bands of the French Baroque. This piece provides a great opportunity to introduce students to the history of the wind band. A stately and regal Sarabande opens and closes the work. A lively Tambourin in the middle section gradually builds back to the opening theme. Search on SMP for more titles from Mark Attebery Studio. MarkAttebery.com
$20.00
17.93 €
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Orchestre d'harmonie
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Mark Attebery
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MarkAttebery.com
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The Sun King for Concert Band
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Mark Attebery Studio
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SheetMusicPlus
Wind...BACH!
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1014753 Composed by Enrique Vá…
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Concert Band - Level 4 - Digital Download SKU: A0.1014753 Composed by Enrique Vázquez. 20th Century,Baroque. Score and parts. 24 pages. Enrique Vázquez #5017415. Published by Enrique Vázquez (A0.1014753). Music for Symphonic Wind Band. Based on a small fragment of Bach's Violin Partita in D minor, it presents a musical dialog between Bach and the composer of this piece. Every part is based on a different theoric aspect of the baroque way of writting music, but, in nowadays perspective. Individual parts are available on demand: elprincipecalaf@gmail.com.
$6.00
5.38 €
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Orchestre d'harmonie
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Enrique Vázquez
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Wind...BACH!
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Enrique Vázquez
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SheetMusicPlus
Ave Maria (Giulio Caccini) - Soprano and Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.879775 Composed by Giulio Caccini…
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Concert Band - Level 2 - Digital Download SKU: A0.879775 Composed by Giulio Caccini. Arranged by Raymond Fenech. Baroque,Praise & Worship,Sacred,Spiritual,Wedding. Score and parts. 37 pages. Raymond Fenech #486183. Published by Raymond Fenech (A0.879775). This is a beautiful aria by a wonderful Baroque composer Giulio Caccini (1551 - 1618). It is arranged for Concert Band and Soprano voice, and it could also be sung with a choir. If you are looking for something special listen to this arrangement. The level of this piece is Early Intermediate and the duration is just over 6 minutes.
$35.00
31.38 €
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Orchestre d'harmonie
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Giulio Caccini
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Raymond Fenech
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Ave Maria
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Raymond Fenech
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SheetMusicPlus
Arrival of the Queen of Sheba for Two Solo Instruments and Concert Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.932830 Composed by George Frideric Handel. …
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Concert Band - Digital Download SKU: A0.932830 Composed by George Frideric Handel. Arranged by Keith Michael Davis. Baroque. Score and parts. 78 pages. Komodo Music #6593353. Published by Komodo Music (A0.932830). A lively sinfonia from one of Handel's last oratorios, this excerpt from Solomon has established itself as standard fare for chamber orchestras and ensembles around the globe. With this arrangement, this Baroque classic is now available for your concert band, with an opportunity to feature your finest instrumentalists (in C or B-flat) in a prominent duet.
$60.00
53.79 €
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Orchestre d'harmonie
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George Frideric Handel
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Keith Michael Davis
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Arrival of the Queen of Sheba for Two Solo Instruments and Concert Band
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Komodo Music
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SheetMusicPlus
Trumpet Voluntary for Trumpet Solo and Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.792639 Composed by John Stanley. …
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Concert Band - Level 4 - Digital Download SKU: A0.792639 Composed by John Stanley. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and parts. 76 pages. Gordon Cherry #5191533. Published by Gordon Cherry (A0.792639). John Stanley's majestic Baroque Masterpiece, Trumpet Voluntary has been arranged for solo Trumpet in B-flat and Concert Band by Keith Terrett. The solo Trumpet part is in B-flat and is in a brilliant tessitura register. This 4-minute piece is appropriate for a moderately advanced soloist and an intermediate-plus concert band.
$75.00
67.23 €
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Orchestre d'harmonie
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John Stanley
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Keith Terrett
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Trumpet Voluntary for Trumpet Solo and Concert Band
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Gordon Cherry
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SheetMusicPlus
Vivaldi Concerto for Two Trumpets
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.985608 Composed by Antonio Vivald…
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Concert Band - Level 4 - Digital Download SKU: A0.985608 Composed by Antonio Vivaldi. Arranged by Arranged Steven Stanke. Baroque. Score and parts. 122 pages. Steven Stanke #6323503. Published by Steven Stanke (A0.985608). This sparkling concerto by Vivaldi is one of the few solo works of the early 1700s to feature brass instruments. Their rarity stems from the difficulties inherent in the Baroque trumpet which were, at that time, natural, or valveless. This arrangement requires two advanced soloists able to play in the upper register, to a high C.
$45.00
40.34 €
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Orchestre d'harmonie
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Antonio Vivaldi
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Arranged Steven Stanke
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Vivaldi Concerto for Two Trumpets
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Steven Stanke
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SheetMusicPlus
Canon
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.816838 Composed by Johann Pachelb…
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Concert Band - Level 3 - Digital Download SKU: A0.816838 Composed by Johann Pachelbel. Arranged by JORDI MARTI. Baroque,Concert,Wedding,World. Score and parts. 36 pages. Jordi Martà #4320069. Published by Jordi Martà (A0.816838). is the best known work of the German composer of baroque music Johann Pachelbel. Pachelbel composed this work around 1680, being originally a work of chamber music for three violins and continuo. Arrangement for concert band.
$49.99
44.81 €
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Orchestre d'harmonie
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Johann Pachelbel
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JORDI MARTI
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Canon
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Jordi MartÃ
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
17.93 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.99 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
42.99 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Concerto for Concert Band (2011) full score
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
8.96 €
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Orchestre d'harmonie
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
42.99 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Air from Rinaldo - "Lascia ch'io pianga" (Handel arr. for flexible ensemble by David Catherwood)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.739395 Composed by George Frideri…
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Concert Band - Level 2 - Digital Download SKU: A0.739395 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Contemporary,Instructional,Wedding. Score and parts. 17 pages. Opus 3 Music #3142059. Published by Opus 3 Music (A0.739395). Air from Rinaldo by Handel (A memorable tune by Handel arranged for young players)This arrangement is suitable for school orchestras and ensembles. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring and generous supply of parts allows for expansion up to a full symphonic orchestra, concert band or brass band.As with all music available from Opus 3 Music this arrangement has been well tried and tested in performance - In this case in Campbell College where the orchestra of around forty young players use arrangements such as this regularly in Services and concerts in the college.THIS IS ONE OF A SERIES OF PIECES ARRANGED IN THIS FLEXIBLE INSTRUMENTATION AND AS A SPECIAL INTRODUCTION TO THE SERIES IT IS PRICED AT THE MINIMUM PRICE SMP WILL ALLOW OF $1.99 (Regular price for the series is between $9.50 and $15Each set contains a score and a full set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionÂ
$1.99
1.78 €
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Orchestre d'harmonie
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George Frideric Handel
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David Catherwood
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Air from Rinaldo - "Lascia ch'io pianga"
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Opus 3 Music
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SheetMusicPlus
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