English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
786
Partitions
Numériques
1 030
Librairie
Musicale
5 494
Matériel
de Musique
13 460
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
4028
PIANO & CLAVIERS
Piano seul
2291
Piano, Voix
756
Piano Facile
673
Piano, Voix et Guitare
473
Instruments en Do
337
Orgue
217
Accompagnement Piano
80
1 Piano, 4 mains
72
Piano Trio: piano, violon, violoncelle
48
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
6
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
201
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
23
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
12
Paroles et Accords
11
Piano, Guitare (duo)
11
Banjo
6
Basse électrique (partie séparée)
5
Ensemble de guitares
4
3 Guitares (trio)
3
Mandoline, Piano (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1226
Chorale 2 parties
412
Chorale 3 parties
352
Chorale TTBB
199
Chorale Unison
160
Voix duo, Piano
157
Chorale SSAA
145
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix basse
4
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix Soprano
2
Chorale SSATTB
2
Voix Tenor
2
Chorale SATTBB A Cappella
1
Voix duo, Orgue
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
279
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
271
Flûte traversière et Piano
248
Clarinette et Piano
208
Harmonica
205
Flûte, Hautbois, Clarinette, Basson
201
2 Saxophones (duo)
197
Flûte à bec Alto
196
Saxophone Alto et Piano
178
Hautbois, Piano (duo)
175
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
154
Clarinette
142
Saxophone (partie séparée)
124
Saxophone Tenor et Piano
122
2 Flûtes traversières (duo)
116
Saxophone Alto
106
Quatuor de Clarinettes: 4 clarinettes
105
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
97
Saxophone Tenor
85
Hautbois (partie séparée)
78
Saxophone
71
Flûte, Clarinette (duo)
62
Quatuor de Flûtes : 4 flûtes
58
Saxophone, Clarinette (duo)
57
Saxophone Baryton, Piano
57
Ensemble de Clarinettes
46
Clarinette, Violon (duo)
46
Flûte à bec Alto, Piano
37
2 Hautbois (duo)
37
3 Saxophones (trio)
36
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Cor anglais, Piano
33
Hautbois, Basson (duo)
33
Ensemble de saxophones
31
Clarinette Basse, Piano
29
Hautbois, Clarinette (duo)
28
Quintette de Clarinettes: 5 clarinettes
27
3 Clarinettes (trio)
27
Trio de Flûtes: 3 flûtes
26
Quintette de Flûte : 5 flûtes
24
Flûte, Violon
22
Hautbois, Flûte
22
Clarinette (partie séparée)
21
Flûte, Saxophone (duo)
21
Flûte et Guitare
21
Flûte, Alto (duo)
21
Clarinette et Alto
20
Quatuor de Flûtes à bec
17
Flûte, Trompette (duo)
17
2 Flûte à bec (duo)
16
Flute (partie séparée)
14
Saxophone Soprano
13
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Hautbois (duo)
10
Clarinette, Violoncelle, Piano (trio)
9
5 Flûtes à bec
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Violon, Piano
8
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte, Hautbois, Basson
5
Flûte à bec Tenor
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Harpe
3
Hautbois, Clarinette et Piano (Trio)
3
Flute, harpe et violon
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Hautbois, Guitare (duo)
3
Piccolo, Piano
3
Flûte, Hautbois, Piano (trio)
3
Saxophone et Guitare
2
Cor Anglais
2
Hautbois, Violon, Piano
2
2 Saxophones, Piano
2
Hautbois, Basson et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Ensemble de Hautbois
2
Hautbois, violon (duo)
2
Flûte, Alto et Piano
2
Flûte, Trombone (duo)
1
Instruments en Mib
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec, Piano
1
Hautbois et Orchestre
1
Clarinette, Orgue
1
4 Hautbois
1
Saxophone et Orgue
1
2 Hautbois, Piano
1
Hautbois et alto (duo)
1
2 Clarinettes, Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
340
Trompette
194
Quatuor de Cuivres : 2 trompettes, trombone, tuba
165
Trombone et Piano
159
Trompette, Piano
151
Cor et Piano
122
Trombone
91
Cor
76
Trombone (partie séparée)
75
Ensemble de Trompettes
72
Trompette (partie séparée)
71
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
2 Trombones (duo)
44
Euphonium, Piano (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
24
2 Cors (duo)
20
Tuba (partie séparée)
15
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Trompette, Cor (duo)
6
3 Trompettes (trio)
6
Euphonium
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Basson (duo)
5
2 Euphoniums et 2 Tubas
4
4 Tubas
4
Trompette, Violoncelle (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Harpe
3
Trombone, Tuba (duo)
3
Cor et Basson (duo)
3
Ensemble de Cors
3
Cor et Harpe
3
Trombone basse
3
Cor Anglais
2
Trompette, Tuba (duo)
2
2 Cors, Piano
2
Trombone, Violon (duo)
2
Bass Clef Instruments
2
Euphonium, Tuba (duo)
2
Instruments en Sib
1
Cor et Orgue
1
Trompette, Violoncelle et Piano
1
Trombone et orchestre
1
Trombone basse et Piano
1
3 Trombones (trio)
1
3 Cors (trio)
1
2 Euphoniums (duo)
1
Trompette, Orchestre
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
852
Violon et Piano
315
Violon
219
Violon, Violoncelle (duo)
218
Violoncelle, Piano
196
Trio à Cordes: violon, alto, violoncelle
191
Violoncelle
187
Alto, Piano
176
Harpe
108
Alto seul
106
Trio à Cordes: 2 violons, violoncelle
104
2 Violons (duo)
99
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
Violon, Alto (duo)
72
2 Violoncelles (duo)
63
Contre Basse
55
Contrebasse, Piano (duo)
45
2 Altos (duo)
38
Violon (partie séparée)
30
Alto (partie séparée)
29
Contrebasse (partie séparée)
21
2 Harpes (duo)
19
4 Violoncelles
17
Alto, Violoncelle (duo)
13
Piano Trio: Violon, Alto, Piano
13
Harpe, Flûte (duo)
11
Trio à Cordes: 3 violoncelles
9
Ensemble d'Altos
8
Quatuor à cordes: 4 violons
7
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Quatuor à cordes : 4 altos
7
Trio à cordes: 3 violins
6
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Trio à cordes: 3 altos
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violon, Basson (duo)
4
Alto et Harpe
3
2 Contrebasses (duo)
3
2 Altos, Piano
3
Violoncelle (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe et mandoline
2
Violoncelle, Orgue
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Tuba (duo)
1
Violon, Violoncelle, Clarinette
1
Trio à cordes
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe et Piano
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Alto et orchestre
1
2 Violons, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1030
Orchestre
362
Orchestre à Cordes
235
Ensemble de cuivres
218
Ensemble Jazz
184
Cloches
119
Orchestre de chambre
101
Fanfare
83
Jazz combo
55
Ensemble de Percussions
51
Batterie (partie séparée)
28
Percussion (partie séparée)
26
Batterie
20
Xylophone, Piano
14
Xylophone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
5
Orchestre, Violon
2
3 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Piano et Orchestre
1
Conga
1
2 Xylophones
1
Big band
1
Ensemble d'École
1
2 Marimbas
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
at the end
Orchestre d'harmonie
Partitions à imprimer
1 030 partitions trouvées
<
1
26
51
....
1026
Fanfare For The Fallen
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.927174 Composed by George Willson. 20th Century,Contemporary,Patriotic. Score and Parts. 70 pages. George Willson #4607975. Published by George Willson (A0.927174). War, by its nature, claims the lives of those who enter it, and over the course of history, many have fallen in the service of their countries who have gone to war for one reason or another. Fanfare for the Fallen seeks to honor those who have fallen in service and conjure the image of them marching into their glorious afterlife. Christianity holds that there is no greater love than laying down one's life for another, and many cultures believe that dying in battle yields glory in the great beyond. So whether marching into heaven, Valhalla or some other bright light at the end of the tunnel, let this music provide the soundtrack of trumpeting angels and one last ticker tape parade as these warriors are welcomed into their eternal home.This is a piece of intermediate difficulty with a nice melody and a John Williams' Olympic Fanfare feel to it. While the trumpets soar in their high registers for the heralding sections, the range for the rest of the piece (and the rest of the band) stays mostly in the center of the instruments. While 32nd notes are found here and there, the tempo sitting at around 80 keeps their difficulty, as well as the 16th note woodwind runs, in check. George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
31.26 €
#
Orchestre d'harmonie
#
George Willson
#
Fanfare For The Fallen
#
George Willson
#
SheetMusicPlus
The Merry Christmas Polka
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1127752 Composed by Paul Francis …
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1127752 Composed by Paul Francis Webster and Sonny Burke. Arranged by Brendan James Elliget MAGA 537. Christmas,Contemporary. 75 pages. BJE Music #728359. Published by BJE Music (A0.1127752). The Merry Christmas Polka - Concert Band The Merry Christmas Polka was written by Sonny Burke, and Paul Francis Webster and was first recorded in March 1949. It has been performed by Dinah Shore and the Andrew Sisters among many others. This bright arrangement is for the Concert Band with an optional part for Piano and Lead Vocal. There are parts for Trombones 1-2 in BC and TC, Horns in Eb and F, Basses in Eb, Bb, and C, and Euphonium in BC and TC. The Vocal Lead Sheets can be viewed at the end of the video... Score and Parts can be purchased from Sheet Music Plus or Sheet Music Direct. Words by Paul Francis Webster Music by Sonny Burke Arranged by Brendan Elliget MAGA 537 Copyright © 1949 by Alamo Music, Inc. Copyright Renewed, Assigned to Chappell & Co. and Webster Music Co. International Copyright Secured All Rights Reserved The Lyrics: “They're tuning up the fiddles now The fiddles now, the fiddles now There's wine to warm the middles now And set your head awhirl. Around and round the room we go The room we go, the room we go Around and round the room we go, So get yourself a girl. Now ev'ry heart will start to tingle, When sleigh bells jingle on Santa's sleigh Together we will greet Kris Kringle And another Christmas Day. Come on and dance the merry Christmas polka Let ev'ryone be happy and gay Oh, it's the time to be jolly and deck the halls with holly So let's have a jolly holiday Come on and dance the merry Christmas polka Another joyous season has begun Roll out the Yuletide barrels and sing out the carols, A merry Christmas ev'ryone! Come on and dance the merry Christmas polka Let ev'ry lady step with her beau Around a tree to the ceiling with lots of time for stealing Those kisses beneath the mistletoe. Come on an dance the merry Christmas polka With ev'rybody joining in the fun Roll out the barrels that cheer you, And shout till they hear you, A merry Christmas ev'ryone!â€.
$50.00
44.66 €
#
Orchestre d'harmonie
#
Paul Francis Webster and Sonny Burke
#
The Merry Christmas Polka
#
BJE Music
#
SheetMusicPlus
Variations on a Theme in D Flat
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
8.93 €
#
Orchestre d'harmonie
#
Kendra Brown
#
Variations on a Theme in D Flat
#
Kendra Brown
#
SheetMusicPlus
Endless Routes
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1153134 Composed by Joseph Hasper…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes†guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless†effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.
$40.00
35.73 €
#
Orchestre d'harmonie
#
Joseph Hasper
#
Endless Routes
#
Joseph Hasper
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser.…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
40.19 €
#
Orchestre d'harmonie
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
#
Slide Ride
#
SheetMusicPlus
The Parting Glass
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1192329 Composed by Traditional I…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1192329 Composed by Traditional Irish. Arranged by Ernie E Biggs. Celtic,Contest,Festival,Historic,Irish,Traditional. Score and Parts. 44 pages. Ernie E Biggs #791765. Published by Ernie E Biggs (A0.1192329). The Parting Glass is an Irish traditional song, often sung at the end of a gathering of friends. Â The parting glass, or stirrup cup, was the final hospitality offered to a departing guest. Once they had mounted, they were presented one final drink to fortify them for their long travels.The Parting Glass should be played with emotion.The musicians need to perform the composition with expression and rubato tempos. Tastefully stretching, slowing, and hurrying the tempo imparting flexibility and emotion to the performance. Bass drum should be more of feel than a sound.Grade level 3.Full Score in 8 1/2 x 11 and 8 1/2 x 14 included. All parts 8 1/2 x 11.
$65.00
58.06 €
#
Orchestre d'harmonie
#
Traditional Irish
#
Ernie E Biggs
#
The Parting Glass
#
Ernie E Biggs
#
SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.53 €
#
Orchestre d'harmonie
#
William Brenner
#
1917: The Halifax Disaster
#
William Brenner
#
SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
28.57 €
#
Orchestre d'harmonie
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
36.4 €
#
Orchestre d'harmonie
#
Brett L
#
Oot-kwa-tah, Dance of the Seven Sisters
#
Sonata Grendel Publishing
#
SheetMusicPlus
Scott Joplin The Ragtime Dance, - concert band by Paul Wehage - score only
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.533123 Composed by Scott Joplin. …
(+)
Concert Band - Level 3 - Digital Download SKU: A0.533123 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 19 pages. Musik Fabrik Music Publishing #1750493. Published by Musik Fabrik Music Publishing (A0.533123). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score. The score plus the complete parts is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$14.95
13.35 €
#
Orchestre d'harmonie
#
Scott Joplin
#
Paul Wehage
#
Scott Joplin The Ragtime Dance, - concert band by Paul Wehage - score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Scott Joplin: The Ragtime Dance, - concert band by Paul Wehage, score and complete parts
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.533124 Composed by Scott Joplin. …
(+)
Concert Band - Level 3 - Digital Download SKU: A0.533124 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 86 pages. Musik Fabrik Music Publishing #1750495. Published by Musik Fabrik Music Publishing (A0.533124). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score and complete parts. The full score by itself is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$69.95
62.48 €
#
Orchestre d'harmonie
#
Scott Joplin
#
Paul Wehage
#
Scott Joplin: The Ragtime Dance, - concert band by Paul Wehage, score and complete parts
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Celebrating the Fourth
Orchestre d'harmonie
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167-S Composed by Samuel Livin…
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published by Imagine Music - Digital (IZ.CBS167-S). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$12.00
10.72 €
#
Orchestre d'harmonie
#
Samuel Livingston
#
Celebrating the Fourth
#
Imagine Music - Digital
#
SheetMusicPlus
Celebrating the Fourth
Orchestre d'harmonie
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167 Composed by Samuel Livings…
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Published by Imagine Music - Digital (IZ.CBS167). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$80.00
71.45 €
#
Orchestre d'harmonie
#
Samuel Livingston
#
Celebrating the Fourth
#
Imagine Music - Digital
#
SheetMusicPlus
God Defend New Zealand (National Anthem) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. …
(+)
Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget
"God Defend New Zealand" was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen’s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]<br> <br> This arrangement is for Concert Band and with optional Strings and Piano parts included (but not shown on the score) - Lower Key of F (Original in G) – If singing the words for more than one verse, accompaniment can be varied eg. Woodwind only for one verse – as in the MP3 recording with was recorded with NotePerformer. Also available MARCH CARD format...<br> <br> Duration = 2:00 mins Grade 2-3
$20.00
17.86 €
#
Orchestre d'harmonie
#
John Joseph Woods 1876
#
Brendan Elliget MAGA 537
#
God Defend New Zealand
#
Brendan Elliget
#
SheetMusicPlus
Overture to the Wreckers
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1292281 Composed by Dame Ethel Ma…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1292281 Composed by Dame Ethel Mary Smyth. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and Parts. 253 pages. Nagamon Publications #882900. Published by Nagamon Publications (A0.1292281). Dame Ethel Mary Smyth DBE (22 April 1858 – 8 May 1944) was an English composer and a member of the women's suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas.Smyth tended to be marginalised as a ‘woman composer’ as though her work could not be accepted as mainstream. Yet when she produced more delicate compositions, they were criticised for not measuring up to the standard of her male competitors. Nevertheless, she was granted a damehood, the first female composer to be so honoured.The Wreckers is an opera in three acts, composed by Dame Ethel Smyth to a libretto in French by Henry Brewster. After spending considerable energy in trying to get the work performed in French, the first performance took place in a German translation by John Bernhoff, under the title of Strandrecht, at the Neues Theater, Leipzig on 11 November 1906. Smyth persisted in her attempts to see it staged elsewhere, but it was not until the conductor Thomas Beecham championed the work that a complete, staged performance was achieved in England in 1909 with funding support from her friend Mary Dodge.  The Overture has been arranged for wind band, and the PDF contains the full score and a full set of parts.
$65.00
58.06 €
#
Orchestre d'harmonie
#
Dame Ethel Mary Smyth
#
Steven Nunes
#
Overture to the Wreckers
#
Nagamon Publications
#
SheetMusicPlus
Bluey Theme Song
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush…
(+)
Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!
$50.00
44.66 €
#
Orchestre d'harmonie
#
Jonathan Bush
#
Sam Fettig
#
Bluey Theme Song
#
Sam Fettig
#
SheetMusicPlus
The Phoenix (Concert Band) - Score
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.934115 Composed by Michael Young.…
(+)
Concert Band - Level 5 - Digital Download SKU: A0.934115 Composed by Michael Young. Contemporary. Score and parts. 60 pages. Michael Young #6261197. Published by Michael Young (A0.934115). The inspiration, and title, of this work is derived from the mythical phoenix. The phoenix is a bird with colourful plumage and a golden tail. There are many variants on the colours depending on the legend, which include scarlet, purple, blue, and green. According to the legends, the phoenix's cry is a beautiful song. The legends also tell how the phoenix builds itself a nest towards the end of its life. At the end of its life cycle, the phoenix and its nest burn away until both are reduced to ashes. From the ashes, the phoenix is reborn.
$15.00
13.4 €
#
Orchestre d'harmonie
#
Michael Young
#
The Phoenix
#
Michael Young
#
SheetMusicPlus
The Sands of Time Movement II: Go Down Moses
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Star…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
17.86 €
#
Orchestre d'harmonie
#
Peyton T
#
The Sands of Time Movement II: Go Down Moses
#
Starkweather Arts Publications
#
SheetMusicPlus
March of the Spooky Things
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1212089 By Kyle L. McKinzey. By K…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1212089 By Kyle L. McKinzey. By Kyle L. McKinzey. Arranged by Kyle L. McKinzey. Contest,Festival,Holiday,March. Score and Parts. 39 pages. KyleMac Music #809620. Published by KyleMac Music (A0.1212089). March of the Spooky Things is an original composition. It does “borrow†the theme from Hall of the Mountain King by Edvard Grieg in his Peer Gynt Suite.This is a great piece for the fall or spring concert. All the wind ranges are within the range of a 2nd-year or 1st-year 2nd semester year player. Only the Clarinets, Alto Sax and Trumpet have split parts. This is mostly for range and harmonic expansion. 2nd clarinets never go above the break. Low brass/WW are mostly unison, but they do have some independence. At the end, ms. 66, there is an optional blood-curdling scream that is NOT notated in the parts. Have fun with this.All sections get the melody and percussion even has an 8-measure feature. I hope your students and your audience will have fun. As always, I appreciate all comments and critique at - kylemacmusic@gmail.com.
$40.00
35.73 €
#
Orchestre d'harmonie
#
Kyle L
#
Kyle L
#
March of the Spooky Things
#
KyleMac Music
#
SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): Tuba
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_TB1 Tuba. Composed by …
(+)
Concert Band - Digital Download SKU: AX.00-PC-0016224_TB1 Tuba. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_TB1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.68 €
#
Orchestre d'harmonie
#
Anthony Newley and Leslie Bricusse
#
Douglas E
#
Pure Imagination
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_BTX E-flat Baritone Saxoph…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0016224_BTX E-flat Baritone Saxophone. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_BTX). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.68 €
#
Orchestre d'harmonie
#
Anthony Newley and Leslie Bricusse
#
Douglas E
#
Pure Imagination
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_AX1 E-flat Alto Saxophone
(+)
Concert Band - Digital Download SKU: AX.00-PC-0016224_AX1 E-flat Alto Saxophone. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_AX1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.68 €
#
Orchestre d'harmonie
#
Anthony Newley and Leslie Bricusse
#
Douglas E
#
Pure Imagination
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): 2nd B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_T2 2nd B-flat Trumpet.…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0016224_T2 2nd B-flat Trumpet. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_T2). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.68 €
#
Orchestre d'harmonie
#
Anthony Newley and Leslie Bricusse
#
Douglas E
#
Pure Imagination
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Pure Imagination (from Willy Wonka and the Chocolate Factory): B-flat Tenor Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016224_TX1 B-flat Tenor Saxophone…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0016224_TX1 B-flat Tenor Saxophone. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_TX1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
$3.00
2.68 €
#
Orchestre d'harmonie
#
Anthony Newley and Leslie Bricusse
#
Douglas E
#
Pure Imagination
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
1026
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
