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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
119
Piano & claviers
Piano seul
85
Piano, Voix
10
Orgue
9
Piano, Voix et Guitare
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Facile
2
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
9
Basse electrique
2
Mandoline
1
Ukulele
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
49
Chorale 3 parties
22
Voix duo
11
Chorale SSAA
7
Chorale TTBB
4
Chorale 2 parties
2
Voix duo, Piano
2
Voix moyenne, Piano
2
Voix Soprano, Piano
1
Chorale Unison
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
29
2 Clarinettes (duo)
12
Saxophone, Clarinette (duo)
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
2 Flûtes traversières (duo)
11
Clarinette et Piano
10
Clarinette, Violon (duo)
9
Saxophone Alto et Piano
9
2 Hautbois (duo)
9
Flûte traversière et Piano
8
Clarinette, Trompette (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Clarinette (duo)
5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Flûte, Alto (duo)
4
Hautbois, Clarinette (duo)
4
Flute, harpe et violon
4
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
2
Flûte à Bec
2
Flûte, Harpe et Violoncelle
2
Hautbois, Flûte
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor et Piano
1
Ensemble de Flûtes
1
2 Clarinettes, Piano
1
Clarinette Basse
1
Saxophone (partie séparée)
1
2 Flûtes traversières, Harpe
1
Saxophone Baryton, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière
1
Ensemble de saxophones
1
Clarinette, Harpe (duo)
1
Hautbois (partie séparée)
1
+ 38 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
10
2 Trombones (duo)
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor et Piano
8
Trombone (partie séparée)
6
Trompette (partie séparée)
5
2 Trompettes (duo)
5
Trompette, Trombone (duo)
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
3
Tuba
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
Trompette
2
Trombone
2
Euphonium, Piano (duo)
1
Euphonium, Tuba (duo)
1
2 Cors, Piano
1
Tuba et Piano
1
Quatuor de Cuivres
1
Trombone et Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Violon et Piano
10
Violoncelle, Piano
9
Harpe
9
Violon, Alto (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
2 Violoncelles (duo)
8
Alto, Piano
7
2 Violons (duo)
6
2 Altos (duo)
5
Violoncelle
4
Violon, Violoncelle (duo)
4
2 Harpes (duo)
4
Violon
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
Contre Basse
1
Alto seul
1
Harpe, Violon (duo)
1
Harpe et Piano
1
4 Violoncelles
1
+ 16 instrumentations
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Orchestre & Percussions
Ensemble Jazz
20
Orchestre d'harmonie
16
Orchestre
8
Cloches
6
Ensemble de cuivres
5
Orchestre de chambre
4
Orchestre à Cordes
4
Ensemble de Percussions
1
Jazz combo
1
+ 4 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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Crtitères actifs :
From Within
intermédiaire
Orchestre
Partitions à imprimer
8 partitions trouvées
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1
Within Clouded Cities
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Pythus
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Within Clouded Cities
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Pythus
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1452808 Composed by Pythus. Contemporary. 25 pages. Pythus #1032088. Published by Pythus (A0.1452808). With...
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Full Orchestra - Level 3 - SKU: A0.1452808 Composed by Pythus. Contemporary. 25 pages. Pythus #1032088. Published by Pythus (A0.1452808). Within Clouded Cities is an orchestral composition describing the majesty of the great cloudy skies.Follow this piece through many movements and feelings, all spurring from the beauty of the world above.
$4.99
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
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Orchestre
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INTERMÉDIAIRE
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George Frideric Handel
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Flavio Regis Cunha
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Sarabande -
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,F...
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Full Orchestra - Level 3 - SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
To The Moon, Op. 48
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Orchestre
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INTERMÉDIAIRE
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Chris Knapp
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To The Moon, Op. 48
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0...
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Full Orchestra - Level 3 - SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.
$49.99
Embrutecer
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Orchestre
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INTERMÉDIAIRE
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Alt in the Halls
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Alten Ross
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Embrutecer
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Alten Ross
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1383174 By Alt in the Halls. By Alten Ross. Arranged by Alten Ross. 19th Century,20th Century,Classical,Halloween,Ren...
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Full Orchestra - Level 3 - SKU: A0.1383174 By Alt in the Halls. By Alten Ross. Arranged by Alten Ross. 19th Century,20th Century,Classical,Halloween,Renaissance. 32 pages. Alten Ross #967597. Published by Alten Ross (A0.1383174). This full orchestral composition brings, dark, warmth and light to the whole auditorium. From tense and subtle, to loud and brassy, this score contrasts and draws the audiences' attention. Pulling from dark scales in the east, this score manages to see the light within itself.
$15.00
Dove
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Sebastian Yradier and Shan Zha
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and par...
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Full Orchestra - Level 3 - SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
Make His Praise a Glorious Thing (Orchestration)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Robert Myers
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Make His Praise a Glorious Thi
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Publis...
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Full Orchestra - Level 3 - SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Published by WheatMyer Music (A0.976726). Make His Praise a Glorious Thing is a new setting of the English language's great doxology from the pen of Thomas Ken. It builds on his words with references to the multitude of Psalmic exhortations to exuberantly praise God in manifold ways and make His praise glorious. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.Although set for SATB choir, it is hoped that the accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing. Choral octavos with piano accompaniment are available separately.
$45.00
Bramshill Concert Rondo
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen...
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Full Orchestra - Level 3 - SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
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From Within