English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
10
Librairie
Musicale
2
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
109
PIANO & CLAVIERS
Piano seul
159
Orgue
105
Piano, Voix
30
Piano Facile
11
Piano, Voix et Guitare
5
Instruments en Do
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
8
Guitare notes et tablatures
4
2 Guitares (duo)
1
Ukulele
1
VOIX
Chorale SATB
64
Chorale 2 parties
50
Chorale 3 parties
35
Voix duo, Piano
24
Chorale Unison
12
Chorale SSAA
2
Chorale TTBB
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
16
Hautbois, Piano (duo)
11
Clarinette et Piano
9
2 Flûtes traversières (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
Ensemble de Clarinettes
4
2 Clarinettes (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto
2
2 Hautbois (duo)
2
Flûte à Bec
2
2 Saxophones (duo)
2
Saxophone Soprano et Piano
2
Hautbois
2
Flûte traversière
2
Clarinette
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Flûtes
2
Hautbois, Flûte
1
2 Flûtes traversières, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Harpe
1
3 Clarinettes (trio)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Euphonium, Piano (duo)
5
Trombone et Piano
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
2
Trombone
2
Trompette
2
Tuba
2
Cor
2
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violon et Piano
23
Violoncelle, Piano
14
Harpe
10
Alto, Piano
10
Violoncelle
5
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
4
Violon
4
2 Violoncelles (duo)
3
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle, Orgue
2
Contre Basse
2
Violon, Orgue
2
2 Altos (duo)
2
Harpe, Flûte (duo)
2
Alto, Orgue
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Harpe
1
Violon, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Cloches
30
Orchestre
10
Orchestre à Cordes
7
Orchestre de chambre
4
Orchestre d'harmonie
4
Xylophone, Piano
2
Ensemble de cuivres
2
Ensemble Jazz
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Contemplation 2
Orchestre
Partitions à imprimer
10 partitions trouvées
<
1
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.33 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
187.57 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
187.57 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Tears from My Eyes: Remember Your Feelings (For Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Cen…
(+)
Full Orchestra - Digital Download SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$55.00
49.12 €
#
Orchestre
#
Tito Abeleda
#
Tears from My Eyes: Remember Your Feelings
#
Visionary Quest Records
#
SheetMusicPlus
"Premonitions" for large orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis T…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)
$60.00
53.59 €
#
Orchestre
#
Panagiotis Theodossiou
#
"Premonitions" for large orchestra
#
Panagiotis Theodossiou
#
SheetMusicPlus
Fire Dance for Violin and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1485976 Composed by Richard E B…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Music (A0.1485976). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.Fire Dance is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, bells, timpani, 2 percussion, piano, and strings. Duration 5:00.
$65.00
58.06 €
#
Orchestre
#
Richard E Brown
#
Fire Dance for Violin and Orchestra
#
Dacker Music
#
SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
66.99 €
#
Orchestre
#
12th Century Plainchant
#
Robert Myers
#
Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
L' heure de la Mort (for Orchestra with Cello Solo)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). Digital Download = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$40.00
35.73 €
#
Orchestre
#
Tito Abeleda
#
L' heure de la Mort
#
Visionary Quest Records
#
SheetMusicPlus
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Alben…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
53.59 €
#
Orchestre
#
Isaac Albeniz
#
A
#
Albeniz/Leytush – “La Vega”,
#
Arkady Leytush
#
SheetMusicPlus
Carson Cooman: Orbital for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooma…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
10.67 €
#
Orchestre
#
Carson Cooman
#
Carson Cooman: Orbital for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
