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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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Non classifié
606
PIANO & CLAVIERS
Piano seul
355
Piano, Voix
102
Piano, Voix et Guitare
102
Piano Facile
95
Instruments en Do
40
Orgue
29
1 Piano, 4 mains
15
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
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GUITARES
Guitare notes et tablatures
32
Guitare
30
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
4
Basse électrique (partie séparée)
3
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Mandoline
1
Banjo
1
Dulcimer
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
131
Chorale 3 parties
40
Chorale TTBB
20
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
9
Chorale 2 parties
7
Voix seule
5
Voix duo
5
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix Soprano
3
Voix moyenne, Piano
1
Voix haute
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Voix duo, Piano
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Flûte traversière et Piano
64
Quintette de Saxophone: 5 saxophones
57
Quatuor de Saxophones: 4 saxophones
47
Clarinette et Piano
43
Saxophone Alto et Piano
32
Hautbois, Piano (duo)
30
2 Saxophones (duo)
30
Saxophone Alto
26
Quatuor de Clarinettes: 4 clarinettes
22
Saxophone (partie séparée)
22
Saxophone Soprano et Piano
21
Flûte, Hautbois, Clarinette, Basson
20
Clarinette
20
Flûte traversière
20
Quatuor de Flûtes : 4 flûtes
17
2 Clarinettes (duo)
17
3 Saxophones (trio)
16
2 Flûtes traversières (duo)
16
Ensemble de Flûtes
14
Saxophone Tenor et Piano
14
Ensemble de Clarinettes
14
Flûte, Clarinette (duo)
12
Hautbois
11
Saxophone, Clarinette (duo)
11
Ensemble de saxophones
11
Saxophone Baryton, Piano
11
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
9
Clarinette Basse, Piano
9
Quintette de Flûte : 5 flûtes
8
Harmonica
8
Saxophone Tenor
8
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
7
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Hautbois (partie séparée)
5
Clarinette et Alto
5
Flute (partie séparée)
4
Clarinette, Basson (duo)
4
Flûte, Saxophone (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
4
Hautbois, Flûte
4
2 Flûte à bec (duo)
3
Flûte, Trompette (duo)
3
Clarinette (partie séparée)
3
Flûte, Alto (duo)
3
Hautbois, Clarinette (duo)
3
Ocarina
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble De Flûte à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Flûte et Guitare
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Flûte à bec Tenor
1
Cornemuse
1
Saxophone
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Piano (trio)
1
2 Saxophones, Piano
1
Clarinette Basse
1
Flûte, Violoncelle
1
Flûte traversière, Basse continue
1
Ensemble de Hautbois
1
Piccolo
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
5 Flûtes à bec
1
Flûte et Trio à cordes
1
Saxophone Soprano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
31
Trompette, Piano
24
Cor et Piano
23
Trombone et Piano
21
Tuba et Piano
16
Euphonium, Piano (duo)
13
Trombone
13
Trompette (partie séparée)
12
Quatuor de Cuivres
12
Tuba
12
Cor
10
2 Trombones (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette, Saxophone (duo)
8
Cor (partie séparée)
7
2 Trompettes (duo)
7
Trombone (partie séparée)
7
Trompette, Trombone (duo)
7
Cor anglais, Piano
6
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
6
Tuba (partie séparée)
5
Ensemble de Trompettes
5
2 Cors (duo)
4
4 Tubas
3
2 Tubas (duo)
2
3 Trombones (trio)
2
Ensemble de Cors
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
Tuba et Orgue
2
Trio de Cuivres
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
111
Harpe
70
Violon et Piano
63
Alto, Piano
41
Violoncelle, Piano
38
Violon
29
Violoncelle
25
Violon, Violoncelle (duo)
18
2 Harpes (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Trio à Cordes: violon, alto, violoncelle
16
2 Violons (duo)
14
Contrebasse, Piano (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
2 Altos (duo)
12
Alto seul
12
Contre Basse
10
2 Violoncelles (duo)
9
Violon, Alto (duo)
9
Ensemble de Violons
5
Ensemble d'Altos
5
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
4 Contrebasses
1
2 Altos, Piano
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
Harpe, Voix
1
Violoncelle, Orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
220
Orchestre
81
Orchestre à Cordes
41
Ensemble de cuivres
30
Orchestre de chambre
25
Ensemble Jazz
23
Fanfare
18
Batterie (partie séparée)
16
Cloches
8
Ensemble de Percussions
7
Percussion (partie séparée)
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Jazz combo
3
Batterie
3
Marimba
2
Xylophone, Piano
1
Piano et Orchestre
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Ever Ever After
Orchestre
Partitions à imprimer
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holl…
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Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99
89.64 €
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Orchestre
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Hudson Holland
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
8.96 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Khe Sanh
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. Published by Brett A Foster (A0.1025682). Khe Sanh is a song by Australian rock band Cold Chisel, released as a 45 rpm single in May 1978, and named after the district capital of Hư�ng Hóa District, Quảng Tr� Province, Vietnam. This arrangement works well as just a pop orchestral work with no vocals, but I have provided the optional TTB vocals, keyboard and rock band parts to use if you are looking for something extra special for a performance feature. There are also optional parts for a saxophones section which will enhance the pop feel and support the horns and woodwinds. Written by pianist Don Walker, Khe Sanh concerns an Australian Vietnam veteran dealing with his return to civilian life. Khe Sanh is one of the most popular songs ever recorded by an Australian act and one generally seen as a resonant symbol of the Australian culture. Don Walker has said the song was inspired by a number of people, including, the guy from the next farm, who came back from Vietnam, severely changed for the worst, and Adelaide guitarist Rick Morris.
$69.00
61.86 €
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Orchestre
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Walker
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Brett A Foster (BF Music)
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Khe Sanh
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Brett A Foster
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SheetMusicPlus
Alan Menken: Ever Ever After (complete set of parts) - orchestra/band (Rhythm)
Orchestre
Instantly printable sheet music by Alan Menken for orchestra/band (Rhythm) of MEDIUM skill…
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Instantly printable sheet music by Alan Menken for orchestra/band (Rhythm) of MEDIUM skill level. / disney,film/tv,pop,concert,movies
$19.99
17.92 €
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Orchestre
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Alan Menken
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Virtualsheetmusic
Alan Menken: Ever Ever After (COMPLETE) for orchestra
Orchestre
Instantly downloadable sheet music by Alan Menken for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Alan Menken for orchestra of MEDIUM skill level.
$27.99
25.09 €
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Orchestre
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Alan Menken
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Virtualsheetmusic
Silent Night For Full Orchestra And Chorus
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
40.34 €
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Orchestre
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Christian Paulson
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Christian Paulson
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Silent Night For Full Orchestra And Chorus
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Christian Paulson
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SheetMusicPlus
L'Arlésienne Suite No. 1
Orchestre
Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. New URTEXT Edition. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12512. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12512). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus, before his death in June 1875, Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
$13.99
12.54 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 1
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Fanfare and Rondo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1097977 Composed by Ian Deterli…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1097977 Composed by Ian Deterling. Classical. Score and parts. 149 pages. Ian Deterling #701884. Published by Ian Deterling (A0.1097977). Join a group of explorers on a quest as they battle an evil sorcerer and an army of minions! Motifs appear and interact just like characters in a story; there’s even a MacGuffin that everyone is after!
$60.00
53.79 €
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Orchestre
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Ian Deterling
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Fanfare and Rondo
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Ian Deterling
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SheetMusicPlus
The Parachutes - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1258828 Composed by Jerry Golds…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1258828 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV,Patriotic. 12 pages. Chris Siddall Music Publishing #852089. Published by Chris Siddall Music Publishing (A0.1258828). 1997’s Air Force One saw Harrison Ford’s president of the United States face off against Gary Oldman’s sinister Russian-rebel hijacker. With a plot that required a liberal suspension of disbelief, a serious action score was required. Composer Randy Newman was employed to provide his trademark essence of Americana, however after recording an hour of material for the movie, director Wolfgang Peterson felt Newman’s score carried the wrong tone for the picture and dropped him from the project. The release date was fast approaching, but veteran composer Jerry Goldsmith pledged to make an attempt to save the movie. With only twelve days in which to record a replacement score, he knew he couldn’t accomplish the task alone, and initially asked his son Joel to assist him. Being unavailable, Jerry turned to rising composer Joel McNeely and the resulting score was exactly what Peterson was looking for.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
8.96 €
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Orchestre
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Jerry Goldsmith
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Chris Siddall
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The Parachutes - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
And The Waltz Goes On
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hop…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1421751 Composed by Anthony Hopkins. Arranged by Steve Sensenig. Classical,Contemporary. 99 pages. Steve Sensenig #1003096. Published by Steve Sensenig (A0.1421751). This infectious waltz by Sir Anthony Hopkins was introduced several decades after its composition when arranged/orchestrated and premiered by King of the Waltz, Dutch violinist and conductor André Rieu. While Maestro Rieu's arrangement included sax, accordion, and even a barrel organ, this arrangement of And the Waltz Goes On is for traditional symphonic orchestra with double woodwinds and a full brass. (Full instrumentation is 2.2.2.2 / 4.3.3.1 / Timp.perc(3) / Hp / Pno / Strings), using the structure of Maestro Rieu's arrangement as the basis for this adaptation.
$89.99
80.67 €
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Orchestre
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Anthony Hopkins
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Steve Sensenig
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And The Waltz Goes On
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Steve Sensenig
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
179.29 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
89.65 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Monster Mash
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1472330 By Bobby Boris Pickett.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1472330 By Bobby Boris Pickett. By Bobby Boris Pickett and Leonard Capizzi. Arranged by Kevin Riley. 20th Century,Comedy,Thriller. 43 pages. Kevin Riley #1050034. Published by Kevin Riley (A0.1472330). Monster Mash is a 1962 novelty song by Bobby Boris Pickett. The song was released as a single on Gary S. Paxton's Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The Monster Mash single was number one on the BillboardHot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial Halloween favorite ever since. In 2021, nearly 60 years after its release, Monster Mash re-entered the Billboard Hot 100 chart at number 37.This arrangement is for a community orchestra set up including saxophones although they are not needed if you dont have any!Included are the words to the song that need acting rather than singing.
$60.00
53.79 €
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Orchestre
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Bobby Boris Pickett
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Kevin Riley
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Monster Mash
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Kevin Riley
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestre
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.54 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
35.86 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.4 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Carmen Fantasy
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bize…
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Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin Terzer #5048273. Published by Armin Terzer (A0.942170). This arrangement for full orchestra of the famous Bizet opera Carmen strings together all the major (and some of the secondary) themes into a 20-minute medley: - Prelude (Introduction to Act 1 Les Toreadors & Prelude to Act 1) - Chorus of the Street Boys (Act 1 Le garde montante) - Habanera - Song and Recitative - Seguidilla and Duet (Act 1 Seguedille) - Finale (Act 1 Finale) - Act II: Entr'acte (Prelude to Act 2 Les dragons d’Alcala) - Gypsy Song (Act 2 Danse Boheme) - Toreador Song (Act 2 Chanson du Toreador) - Act III: Entr'acte (Prelude to Act 3 Intermezzo) - Sextet and Chorus (Introduction to Act 3 Marche des contrebandiers) - Air (Act 3 Nocturne) - Act IV: Entr'acte (Prelude to Act 4 Aragonaise) - March and Chorus – Finale (Act 4 Procession of the Toreadors) All the themes featured in the two orchestral suites by Ernest Guiraud are included. There are, however, major differences: - the themes appear in chronological order (like in the opera) - there are no distinct movements, this is a 20-minute romp featuring tune after tune - most parts, especially repetitive songs, are abridged to varying degrees - where appropriate, sections seamlessly segue into the next- the major tunes (Les Toreadors, Gypsy Song, Toreador Song) allow for applause afterwards - the orchestration follows the original (double woodwinds, 4 horns, 2 trumpets, 3 trombones, harp, timpani and 3 percussion, strings) with minimal changes to compensate for missing vocal lines Further cuts are possible and easy to make due to the clearly marked sections. This arrangement is meant to rival the orchestral suites in excitement and colours - but in a more organic/continuous format. It is ideal for any level orchestra (intermediate+) in any kind of setting.
$60.00
53.79 €
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Orchestre
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Georges Bizet
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Armin Terzer
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Carmen Fantasy
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Armin Terzer
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.27 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.26 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.26 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
8.96 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730451 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 269 pages. James Nathaniel Holland #3538241. Published by James Nathaniel Holland (A0.730451). INDIVIDUAL INSTRUMENT PARTS Only (Full Score, Vocal Piano Score sold separately). Does not include vocal parts. O HOLY ART A Tragic Opera in One Act (Opera in English) (Opera duration: 1 hour and 20 minutes) Libretto and Music by James Nathaniel Holland  Combine with Holland operas called A New York Triptych The Discontented Housewife (Farce) and The One Upstairs (comedy) (both sold separately) for a full length evening of fun and accessible American contemporary opera.  Instrumentation: Picc, Fl12, Ob12, Cl12, Bsn, Hrn12, Trp, Trom, Tim, Perc (or Drm set), glock, piano, strings  Singers: Baritone Lead, 2 Sopranos, Bass, 2 Broadway Altos (could double roles), 1 Actor Speaking part, SATB Chorus  BRIEF SYNOPSIS: What happens when a struggling, unknown composer attends a friend's New Year's Eve Party and meets a famous composer who offers to show the work to his agent? Never famous enough, Djeno (baritone), is always rejected and the meeting with the famous composer's agent proves the same. Telling them to do whatever with the piece, it is appropriated by the famous composer and is a hit.  Hearing the piece on the radio and sung by his soprano best friend, Djeno can take no more and commits suicide. His friend must deal with the aftermath of her betrayal.  Musical theater/opera hybrid. Perfect opera university or young voices. Poignant commentary on our time and the superficial, over-importance fame plays in it. Beautiful, accessible music.
$60.95
54.64 €
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Orchestre
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James Nathaniel Holland
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O Holy Art, A Tragic Opera in One Act, Individual Instrument Parts Only
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James Nathaniel Holland
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
71.72 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Ro…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$19.98
17.91 €
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Orchestre
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
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Elaine Baker D'Angelo
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SheetMusicPlus
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