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13 partitions trouvées
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1
Don't Give Up On Me - Composed & Arranged by Ken Hartfield - For Pop Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Ken Hartfield
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2, 2 French Horn 1 &
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Don't Give Up On Me - Composed
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.977473 Composed by Ken Hartfield. Rock. Score and parts. 55 pages. Ken Hartfield - Freeze Tracks Music #6853859. Publ...
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Full Orchestra - Level 4 - SKU: A0.977473 Composed by Ken Hartfield. Rock. Score and parts. 55 pages. Ken Hartfield - Freeze Tracks Music #6853859. Published by Ken Hartfield - Freeze Tracks Music (A0.977473). Our beautiful planet earth has been provided for us to protect and keep thriving. It is up to us to keep it sustainable, not only for ourselves but for future generations, because life is precious and unpredictable. This lush and complex composition and arrangement results in a song that can resonate with so many people. It can inspire, uplift, and sweep you away with its harmonies and lyrics that so many will relate to, and includes an incredible guitar solo intertwined with intriguing rhythm guitar and percussion. The production is suited for Pop Orchestra with Vocals and has a background video for live performances. Backing tracks are available as well, which will provide you and your Pop Orchestra/Vocal group with a full sounding production regardless of the size of your instrumental backup. Individual backing tracks include a click track plus a variety of individual MP3 tracks. We have included the following in this publication: Full score and parts, 2 Flute 1 &2, 1 oboe 1&2, 2 clarinet 1&2, 2 Trumpet 1 & 2, 2 French Horn 1 & 2, 2 Trombone. 1 Drum set, 1 Crash Cymbal, 2 Congas, 1 Timpani, 2 Electric Guitar, 1 Electric Bass, 1 Piano, 4 Soprano 1&2 , 4 Alto 1&2, 4 Tenor1&2, 8 Violins 1&2, 8 Violas 1&2, 2 Cello and 1 Double Bass,
$49.95
Hope is the Thing With Flowers
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Orchestre
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Steven Liotta
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Hope is the Thing With Flowers
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW201 Composed by Steven Liotta. Score and Parts. 31 pages. Imagine Music - Digital #OMW201. Published by Imagine Music - Digital (...
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Orchestra - SKU: IZ.OMW201 Composed by Steven Liotta. Score and Parts. 31 pages. Imagine Music - Digital #OMW201. Published by Imagine Music - Digital (IZ.OMW201). 9 x 12 in inches.Hope is the thing with feathers, by Emily Dickinson (1830 - 1886), was written in 1861 and first published in 1891. The text presents hope as a quality that shines even throughout adversity and that only hope can help us to remain positive during extreme situations.Dickinson described hope as a bird that perches in the soul. The bird's song never stops, even when life is difficult. The poem suggests that it is hope's presence that keeps each individual moving forward in the face of adversity.Hope is everlasting, ever shining and undefeatable. It liberates us from despair and gives us the strength to move on. It only empowers us and in return demands nothing.
$40.00
Heather Sorenson: Confession (Forgive Us, Lord) (arr. Heather Sorenson) (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Heather Sorenson
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Virtualsheetmusic
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / sacred
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / sacred
$43.99
Overture of life - Petro Melnyk
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Petro Melnyk
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Overture of life - Petro Melny
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PetroMelnyk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627....
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Full Orchestra - Level 4 - SKU: A0.1014675 Composed by Petro Melnyk. 20th Century,Contemporary,Film/TV. Score and parts. 39 pages. PetroMelnyk #5990627. Published by PetroMelnyk (A0.1014675). My first original composition was written for a symphony orchestra. Music shows how diverse life can be. Lyrical, melodic, harmonious, but also disturbing, tense. In the first part, the music constantly keeps us in suspense. Marked trombones keep the rhythm, and the different timbres of the instruments do not allow to calm down until the culmination of tension reaches its highest point and the lyrical part begins with a solo oboe which shows not everything as scary as it seems, later other timbres are connected until the string enters. a band that gives melodies fullness of sound. Permanent glissando horns also add fullness to the sound. Only at the end of the first and second parts are combined in major key. And the code, thanks to the unusual rhythm, shows that everything is much more complicated than it seems, but the work ends in major and it gives us hope for a better future. I hope you enjoy it!There are separate sheets for each instrument. To order write: 25botrus06@gmail.comPleasent listening and playing!
$2.99
Realms of Endless Day: Bassoon
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017322_B1 Bassoon. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00...
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Full Orchestra - SKU: AX.00-PC-0017322_B1 Bassoon. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_B1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
Realms of Endless Day: Cello
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017322_VC1 Cello. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-...
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Full Orchestra - SKU: AX.00-PC-0017322_VC1 Cello. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_VC1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
Realms of Endless Day: Flute
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017322_F1 Flute. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-P...
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Full Orchestra - SKU: AX.00-PC-0017322_F1 Flute. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_F1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
Realms of Endless Day: Mallets
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017322_M1 Mallets. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00...
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Full Orchestra - SKU: AX.00-PC-0017322_M1 Mallets. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_M1). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
Realms of Endless Day: Timpani
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017322_TMP Timpani. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #0...
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Full Orchestra - SKU: AX.00-PC-0017322_TMP Timpani. Arranged by Michael Kamuf. Hymn; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017322_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017322_TMP). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$3.00
Realms of Endless Day: Score
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Orchestre
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Michael Kamuf
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Realms of Endless Day: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0005601 Score. Arranged by Michael Kamuf. Hymn; Sacred. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR...
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Full Orchestra - SKU: AX.00-PR-0005601 Score. Arranged by Michael Kamuf. Hymn; Sacred. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0005601. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005601). UPC: 038081517353.Realms of Endless Day is a fantasy setting of the hymn tune melody, Picardy. This melody, thought to have been named for the region in France where it is believed the melody originated, is also the melody for the hymns Let All Mortal Flesh Keep Silence and Christians, Let Us Love One Another, as well as the Hymn of Saint James. This enduring and tuneful melody is given three contrasting statements that gradually build to an exciting conclusion. This piece is scored for full orchestra by arranger Michael Kamuf, but will work quite effectively with strings alone. (3:30)Concert/Contest; Festival.
$9.00
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Orchestre
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AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Concerto in C major for Violin
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Upstream Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. ...
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Full Orchestra - Level 5 - SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
Mozartina
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Orchestre
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AVANCÉ
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Oto...
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Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
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