English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
10
Partitions
Numériques
276
Librairie
Musicale
102
Matériel
de Musique
369
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2532
PIANO & CLAVIERS
Piano seul
2266
Piano Facile
516
Instruments en Do
403
Piano, Voix
314
Piano, Voix et Guitare
254
Accordéon
171
Accompagnement Piano
86
Orgue
85
Piano grosses notes
63
Piano Trio: piano, violon, violoncelle
52
1 Piano, 4 mains
40
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavecin
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Clavier
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
379
Basse electrique
238
Guitare notes et tablatures
157
Ukulele
119
2 Guitares (duo)
27
Ligne De Mélodie, (Paroles) et Accords
27
Piano, Guitare (duo)
9
Mandoline
7
Paroles et Accords
5
Dulcimer
5
2 Ukuleles
4
Guitare (partie séparée)
4
Ukulele Baryton
2
3 Guitares (trio)
2
Banjo
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
548
Voix seule
348
Chorale 3 parties
194
Chorale 2 parties
155
Chorale TTBB
93
Chorale Unison
65
Voix Soprano, Piano
51
Chorale SSAA
50
Voix Tenor, Piano
40
Voix duo, Piano
35
Voix Alto, Piano
27
Voix Baryton, Piano
24
Voix duo
10
Voix Tenor
7
Chorale
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Voix Soprano
3
Voix moyenne, Piano
3
Voix haute
2
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
1023
Flûte traversière
611
Clarinette
577
2 Saxophones (duo)
286
Flûte traversière et Piano
201
Saxophone Alto
198
Clarinette et Piano
185
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Quatuor de Saxophones: 4 saxophones
167
Hautbois, Piano (duo)
166
Saxophone Alto et Piano
149
Saxophone Tenor
143
Flûte, Hautbois, Clarinette, Basson
134
2 Flûtes traversières (duo)
125
Saxophone Tenor et Piano
113
Quintette de Saxophone: 5 saxophones
107
2 Clarinettes (duo)
102
Hautbois (partie séparée)
87
Saxophone (partie séparée)
83
Saxophone Soprano et Piano
83
Quatuor de Clarinettes: 4 clarinettes
78
Flûte à Bec
73
Hautbois
72
2 Hautbois (duo)
64
Flûte, Clarinette (duo)
63
Saxophone Baryton, Piano
61
Saxophone Soprano
58
2 Flûte à bec (duo)
53
3 Saxophones (trio)
42
Quintette de Clarinettes: 5 clarinettes
39
Quatuor de Flûtes : 4 flûtes
33
Saxophone, Clarinette (duo)
30
Clarinette, Violon (duo)
29
Ensemble de Flûtes
27
Hautbois, Basson (duo)
25
Hautbois, Clarinette (duo)
23
Flûte à bec Soprano
23
3 Clarinettes (trio)
21
Trio de Flûtes: 3 flûtes
19
Quintette de Flûte : 5 flûtes
18
Cor anglais, Piano
16
Flûte, Violon
16
Ensemble de saxophones
16
Clarinette, Basson (duo)
14
Clarinette et Alto
14
Saxophone Baryton
13
Clarinette, Trompette (duo)
13
Ensemble de Clarinettes
13
Quatuor de Flûtes à bec
12
Hautbois, Flûte
12
Flûte à bec Alto
10
Hautbois, Violoncelle
10
Flûte, Alto (duo)
10
Flûte, Violoncelle
9
Clarinette, Violoncelle (duo)
9
Clarinette Basse, Piano
9
Flûte, Saxophone (duo)
9
Flûte, Clarinette, Piano (trio)
8
Flûte, Hautbois (duo)
8
Flûte et Guitare
8
Flûte, Trompette (duo)
7
Ocarina
7
Clarinette, Guitare (duo)
7
Flûte, Violon, Piano
7
Clarinette, Violoncelle, Piano (trio)
6
Ensemble De Flûte à bec
6
Piccolo, Piano
6
Clarinette, Harpe (duo)
6
Hautbois et alto (duo)
5
Clarinette, Trombone (duo)
5
Flûte, Hautbois, Basson
5
Flûte à bec Tenor
5
5 Flûtes à bec
5
2 Flûtes traversières, Piano
5
Harmonica
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Clarinette et Basson
4
Hautbois, violon (duo)
4
Flûte, Violon et Violoncelle
4
Cor Anglais
4
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Flûtes à bec (trio)
4
Saxophone et Harpe
4
Hautbois, Harpe
4
Clarinette, Tuba
3
Flûte à bec Alto, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Hautbois, trombone (duo)
3
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
4 Hautbois
2
Saxophone et Orgue
2
Flûte, Hautbois, Piano (trio)
2
Clarinette Basse
2
Flûte, Trombone (duo)
2
Hautbois, Violon, Piano
2
Clarinette, Contrebasse (duo)
2
Flute (partie séparée)
2
2 Clarinettes, Piano
2
Clarinette (partie séparée)
2
Flûte, Tuba (duo)
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Trompette (duo)
1
Flûte traversière, Orgue (duo)
1
Saxophone et violoncelle
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Saxophones, Piano
1
Piccolo
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone, Basson (duo)
1
Ensemble à vent
1
Clarinette, trompette et piano
1
Clarinette, Orgue
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
502
Trombone
445
Trompette, Piano
172
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
165
Trombone et Piano
136
Cor et Piano
131
Cor
111
Tuba et Piano
96
2 Trompettes (duo)
80
Tuba
79
2 Trombones (duo)
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
64
2 Cors (duo)
58
Trompette, Trombone (duo)
44
Quatuor de Cuivres
40
Euphonium, Piano (duo)
23
Trompette, Saxophone (duo)
22
Trompette, Cor (duo)
22
2 Tubas (duo)
21
Euphonium
20
Quatuor de cuivres: 4 trombones
18
Trompette (partie séparée)
18
Cor anglais, Piano
16
Trombone (partie séparée)
12
Trompette, Tuba (duo)
9
Trombone, Tuba (duo)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
6
Ensemble de Trompettes
6
Tuba et Orgue
5
Cor et Harpe
5
Ensemble de Cors
4
Cor Anglais
4
Trio de Cuivres
4
Trompette, Basson (duo)
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
Cor et Basson (duo)
3
Trompette, Trombone, Piano
3
Trombone, Cor (duo)
3
Trompette, Harpe
3
Trombone, Violon (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Euphoniums (duo)
3
Cor (partie séparée)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, Violoncelle et Piano
2
3 Trompettes (trio)
2
3 Cors (trio)
2
Trombone basse
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Orgue
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Orgue
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
Instrumentations suivantes
Retracter
CORDES
Violon
519
Violoncelle
359
Quatuor à cordes: 2 violons, alto, violoncelle
349
Alto seul
280
Violon et Piano
280
Alto, Piano
201
Violoncelle, Piano
192
2 Violons (duo)
134
Violon, Violoncelle (duo)
116
Contre Basse
106
2 Violoncelles (duo)
92
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Contrebasse, Piano (duo)
78
2 Altos (duo)
77
Trio à Cordes: violon, alto, violoncelle
67
Violon, Alto (duo)
62
Harpe
45
Trio à Cordes: 2 violons, violoncelle
29
2 Contrebasses (duo)
24
Alto, Violoncelle (duo)
22
Alto (partie séparée)
16
Violoncelle, Contrebasse (duo)
15
2 Harpes (duo)
12
Piano Trio: Violon, Alto, Piano
12
Trio à cordes: 3 violins
11
Violon, Basson (duo)
10
Quatuor à cordes: 4 violons
10
Trio à Cordes: 3 violoncelles
8
Harpe, Flûte (duo)
8
4 Violoncelles
7
Contrebasse (partie séparée)
7
Harpe, Voix
6
Harpe, Violoncelle (duo)
6
Violon, Clarinette, Piano (trio)
6
Quatuor à cordes : 4 altos
5
Trio à cordes: 3 altos
5
Flûte, Contrebasse (duo)
5
Alto et Harpe
5
2 Violons, Piano
4
Violon, Guitare (duo)
4
Harpe, Violon (duo)
3
Violoncelle , Guitare (duo)
3
Violon (partie séparée)
3
Trio à cordes
3
Violon, Tuba (duo)
3
Alto et Basson
3
4 Harpes
2
Violoncelle (partie séparée)
2
Harpe (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles, Piano
1
2 Altos, Piano
1
Alto, Orgue
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
544
Batterie
326
Orchestre
276
Ensemble Jazz
106
Orchestre à Cordes
94
Cloches
65
Ensemble de cuivres
62
Orchestre de chambre
26
Jazz combo
17
Fanfare
16
Marimba
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Percussion
9
Ensemble de Percussions
8
Xylophone, Piano
6
Xylophone
2
Percussion (partie séparée)
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Vibraphone et Marimba
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
King For A Day
Orchestre
Partitions à imprimer
276 partitions trouvées
<
1
26
51
....
276
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
8.96 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobscot River
#
Thomas Oboe Lee
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.24 €
#
Orchestre
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
17.93 €
#
Orchestre
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
8.96 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 7 ... Roman Holidays
#
Thomas Oboe Lee
#
SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
44.81 €
#
Orchestre
#
Kyle Vanderburg
#
One Sows for the Benefit of Another Age - Orchestra
#
NoteForge
#
SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
(+)
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
34.96 €
#
Orchestre
#
John Stafford Smith
#
Keith Terrett
#
United States of America National Anthem for Symphony Orchestra
#
Music for all Occasions
#
SheetMusicPlus
Rondo in A minor for Viola and Orchestra
Orchestre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jack…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
58.27 €
#
Orchestre
#
Joel Jacklich
#
Joel Jacklich (ASCAP)
#
Rondo in A minor for Viola and Orchestra
#
Joel Jacklich
#
SheetMusicPlus
A Day of Joy ("Days of Change" - Mov. 3) - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750998 Composed by Brendan Elli…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.750998 Composed by Brendan Elliget MAGA 537. Contemporary,Graduation. Score and parts. 35 pages. BJE Music #6087509. Published by BJE Music (A0.750998). A Day of Joy (Theme 217) is an original composition and it is the final movement of a Suite for Orchestra – Days of Change. This composition was written in the time of the global pandemic (2020). The movement has an optimistic feel looking towards the future…The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration =3:00 minsThe Suite for Orchestra – Days of Change is composed of three movements:1. A Day of Hope – In the Early Morning 2. A Day of Lament 3. A Day of Joy(Approx. 10 mins in duration)
$25.00
22.41 €
#
Orchestre
#
Brendan Elliget MAGA 537
#
A Day of Joy
#
BJE Music
#
SheetMusicPlus
Traditionnel : Away in a Manger (niveau intermédiaire)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau interm&…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau intermédiaire) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (Là-bas dans une étable) (niveau facile/intermédiaire)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (Là-bas …
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (Là-bas dans une étable) (niveau facile/intermédiaire) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (niveau facile/intermédiaire, voix, acc. piano)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/intermédiaire, voix, acc. piano) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (niveau intermédiaire)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau interm&…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau intermédiaire) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger. Partition pour…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger. Partition pour Duo -- Musique de Noël,Musique religieuse
68.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (niveau facile/intermédiaire, sax ténor)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/intermédiaire, sax ténor) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (niveau facile/intermédiaire)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau facile/intermédiaire) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger (niveau intermédiaire)
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau interm&…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger (niveau intermédiaire) de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
Traditionnel : Away in a Manger
Orchestre
Téléchargez la partition Bands et Ensembles Away in a Manger de Traditionnel…
(+)
Téléchargez la partition Bands et Ensembles Away in a Manger de Traditionnel. Partition pour Duo -- Musique de Noël,Musique religieuse
5.99 €
#
Orchestre
#
Traditionnel
#
Away in a Manger
#
Tomplay
<
1
26
51
....
276
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
