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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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expert
avec audio
avec vidéo
avec play-along
Non classifié
349
PIANO & CLAVIERS
Piano seul
175
Piano, Voix
85
Piano Facile
54
Piano, Voix et Guitare
30
Instruments en Do
22
Accompagnement Piano
19
Orgue
9
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
2 Accordéons
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
18
Guitare
13
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline, Guitare (duo)
4
Ukulele
3
Piano, Guitare (duo)
2
Mandoline
2
Basse electrique
2
Luth
1
Instrumentations suivantes
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VOIX
Chorale SATB
66
Chorale 3 parties
15
Chorale Unison
10
Voix Alto, Piano
6
Chorale TTBB
5
Voix Soprano, Piano
5
Chorale 2 parties
4
Chorale SSAA
3
Voix haute
2
Voix seule
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
36
Ensemble de saxophones
29
Clarinette et Piano
28
2 Saxophones (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
19
Hautbois, Piano (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Saxophone Alto et Piano
15
Quintette de Saxophone: 5 saxophones
13
Saxophone Tenor et Piano
13
Saxophone, Clarinette (duo)
11
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette
10
2 Flûtes traversières (duo)
10
Ensemble de Flûtes
9
2 Clarinettes (duo)
9
Ensemble de Clarinettes
9
Flûte, Clarinette (duo)
8
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
8
3 Saxophones (trio)
8
Saxophone Soprano et Piano
8
Flûte, Saxophone (duo)
5
Saxophone Baryton, Piano
5
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
2 Hautbois (duo)
5
Hautbois, Clarinette (duo)
4
Flûte, Violon
4
Flûte traversière
4
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Flûte
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Clarinette Basse, Piano
3
Clarinette et Alto
3
3 Clarinettes (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
Saxophone Alto
2
Flûte à Bec
2
Hautbois (partie séparée)
2
Flûte à bec Alto, Piano
2
2 Flûte à bec (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
Hautbois
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Hautbois
1
Saxophone Tenor
1
Hautbois, Violoncelle
1
Quatuor de Flûtes à bec
1
Saxophone (partie séparée)
1
Saxophone
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
17
Cor et Piano
14
Quatuor de Cuivres
13
Trompette, Piano
13
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba et Piano
10
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
6
Ensemble de Trombones
5
Tuba
5
Trombone
5
2 Trombones (duo)
5
Ensemble de Trompettes
4
Trompette, Trombone (duo)
4
Ensemble de Cors
4
Cor
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Bass Clef Instruments
1
2 Cors (duo)
1
Euphonium, Piano (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
Alto, Piano
33
Violon et Piano
33
Violoncelle, Piano
27
Violon, Violoncelle (duo)
11
2 Violoncelles (duo)
10
Harpe
10
2 Violons (duo)
9
Violon
9
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
6
2 Altos (duo)
6
Violon, Alto (duo)
6
Alto, Violoncelle (duo)
5
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
3
Contrebasse, Piano (duo)
3
2 Harpes (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
Contre Basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre
36
Ensemble Jazz
26
Orchestre à Cordes
25
Orchestre de chambre
13
Ensemble de cuivres
12
Cloches
7
Jazz combo
4
Fanfare
3
Batterie
3
Ensemble de Percussions
3
Marimba
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Long Before
Orchestre
Partitions à imprimer
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Come, Thou Long-Expected Jesus - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
31.37 €
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Orchestre
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
Twas the Night Before Christmas - Sing-along for Orchestra, Narrator and Audience
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.873779 Composed by Douglas Meye…
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Full Orchestra - Level 4 - Digital Download SKU: A0.873779 Composed by Douglas Meyer. Arranged by Douglas Meyer. Christmas,Contemporary,Romantic Period. Score and parts. 135 pages. Douglas Meyer #3384781. Published by Douglas Meyer (A0.873779). This Holiday Music is a narration of the famous Visit from St. Nicholas for full orchestra 2222/4231 strings, timp, orchestra bells, and sleigh bells. The narrator reads 'Twas the Night before Christmas and the audience/choir participates with the following carols: The First Nowell, All through the Night, Jingle Bells, Up on the Housetop, Toyland, Jolly old St. Nicholas and We Wish you a Merry Christmas. This file contains the score, orchestra parts, piano reduction, narration and audience words. Time 12 minutes.
$59.95
53.74 €
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Orchestre
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Douglas Meyer
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Douglas Meyer
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Twas the Night Before Christmas - Sing-along for Orchestra, Narrator and Audience
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Douglas Meyer
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.47 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
44.78 €
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Orchestre
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
The Phoenix
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reic…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reichwein. 20th Century,Contemporary,Sacred. Score and parts. 130 pages. Nathan Reichwein #2918053. Published by Nathan Reichwein (A0.1024262). The Phoenix. FULL SCORE AND INDIVIDUAL PARTS. This short modern symphony tells the story of the mighty phoenix, which resemble the crucifixion of Jesus Christ. The first movement, The Waning Years, brings us through the mystery and uncertainty before Christ was arrested by the Romans. The second movement, Death, stabs our hearts with long drawn out minor and dissonant chords that communicate the pain He felt, before it was instantly over and for the next three days, more uncertainty. The third movement, Resurrection, is a mighty fanfare to declare to the world that Christ has risen. For he who believes in him shall not perish, but will enjoy everlasting life. The final movement: The Years to Come, takes us to that life with no pain nor sin.
$44.99
40.33 €
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Orchestre
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Nathan Reichwein
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The Phoenix
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Nathan Reichwein
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
89.65 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Ocean Voyage - (Full Orchestra) Full Set
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b  Click on the YouTube link to hear the entire piece.  ASCAP>.
$54.00
48.41 €
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Orchestre
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Nick Raspa
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Ocean Voyage -
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NJR Music
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
43 €
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Orchestre
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via M…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 65 pages. Aere R Greenway #860416. Published by Aere R Greenway (A0.1267868). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And your orchestra can perform it for your audiences to enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
43 €
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Orchestre
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Aere Greenway, via MuseScore
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 1st movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1259392 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1259392 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 69 pages. Aere R Greenway #852668. Published by Aere R Greenway (A0.1259392). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this was a composition from his youth (1854). Â Perhaps, if he weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony.
$44.97
40.31 €
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Orchestre
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 1st movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Symphony No 3 for large orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00
26.89 €
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Orchestre
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Malcolm D Robertson
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Symphony No 3 for large orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Faust Overture, Op. 46
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Maye…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1477673 Composed by Emilie Mayer (1812-1882). Arranged by edited by John M. Laverty. 19th Century,Romantic Period. 141 pages. Zephyrwindmusic.com #1055051. Published by zephyrwindmusic.com (A0.1477673). Score and parts for orchestra, edited by John M. Laverty. German-born composer Emilie Mayer (1812-1882) wrote and published music during a time period that was challenging for a female composer. Doing so under the long shadows of Bach, Mozart, and Beethoven complicated the situation, yet Mayer prospered and was quite successful during her lifetime. Sadly, despite this early success, her works have not received the number of performances they deserve. Faust Overture, premiered shortly before Mayer’s death, is by far her most successful orchestral work. In it, one can clearly hear the influence of Beethoven. This edition is based entirely on Mayer’s 1880 publication. It is highly edited including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in A2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTubaTimpaniStrings.
$50.00
44.82 €
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Orchestre
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Emilie Mayer
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edited by John M
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Faust Overture, Op. 46
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zephyrwindmusic.com
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SheetMusicPlus
Light And Tuneful (Wimbledon Opening Theme)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansf…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00
44.82 €
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Orchestre
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Keith Mansfield
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Kevin Riley
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Light And Tuneful
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Kevin Riley
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SheetMusicPlus
Uefa Champions League Team
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Chr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1381585 Composed by Anthony Christopher Britten. Arranged by Kevin Riley. 21st Century,Film/TV. 60 pages. Kevin Riley #966278. Published by Kevin Riley (A0.1381585). The UEFA Champions League Anthem, officially titled simply Champions League, is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest. It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem. The complete anthem is about three minutes long, and has two short verses and the chorus. The lyrics are in UEFA's three official languages: English, French, and German. The chorus is set to the exclamations Die Meister! Die Besten! Les grandes équipes! The champions!The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. UEFA's official website states, the anthem is now almost as iconic as the trophy.This arrangement does not require a choir. Those parts are taken by the brass section.
$80.00
71.72 €
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Orchestre
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Anthony Christopher Britten
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Kevin Riley
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Uefa Champions League Team
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Kevin Riley
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SheetMusicPlus
Have You Heard? - Set of Parts (Digital Download)
Orchestre
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic …
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Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
224.07 €
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Orchestre
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Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Roots for Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1183082 Composed by Gabrielle L…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
$150.00
134.47 €
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Orchestre
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incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from
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Gabrielle Liriano
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Roots for Full Orchestra
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Art Haus Music Publishing
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
67.23 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
49.31 €
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Orchestre
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Trois études pour piano et orchestre - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1278527 Composed by Germaine Ta…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1278527 Composed by Germaine Tailleferre. 20th Century,Contemporary,Historic. 104 pages. Musik Fabrik Music Publishing #870208. Published by Musik Fabrik Music Publishing (A0.1278527). Written during WWII just before Tailleferre fled with her daughter to the United States, the three études for piano and orchestra were dedicated to Marguerite Long et François Lang. The orchestration for the first two movements is by Taillefere herself. The final étude was orchestrated by Tailleferre scholar Paul Wehage. The version for two pianos is also available on this site, which serves as the piano reduction for the orchestral version. This is the score only. The parts are available on rental from the publisher.
$51.95
46.57 €
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Orchestre
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Germaine Tailleferre
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Trois études pour piano et orchestre - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Spirit of Christmas 2/5 - Advent
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley Sowash #1087. Published by Bradley Sowash (A0.750069). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 2. Advent (5:00) This reworking of the 12th century Advent hymn, O Come Emmanuel, connects us with the long history of this time of waiting by referencing medieval church bell towers, solemn drums and ancient harmonies before moving into a more contemporary interpretation. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00
40.34 €
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Orchestre
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 2/5 - Advent
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Bradley Sowash
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
35.86 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
31.38 €
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Orchestre
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Scenes from 'The Crucible' for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements. The opening movement is intended to be the Prelude to the opera. The 2nd movement the Prelude to the tense 3rd Act. The 3rd movement takes place at the climactic moment of Act 3, when John Proctor's valiant and desperate attempt to expose Abigail Williams' for what she is backfires, leading to his arrest. The 4th movement opens with the Hymn/Psalm associated with the people of Salem and continues with the reconciliation in prison between John Proctor and his wife Elizabeth.The 5th and final movement accompanies John Proctor's march to execution having nobly torn up his confession of witchcraft. The Hymn/Psalm returns before reminiscences of the opening Prelude return ending the work in a sense of uneasy peace. Parts can be made available upon request.
$20.99
18.82 €
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Orchestre
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Malcolm D Robertson
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Scenes from 'The Crucible' for Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
The Trek
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1009813 Composed by Phillip S. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1009813 Composed by Phillip S. Ledesma. Contemporary,Romantic Period. Score and parts. 7 pages. Phillip Steven Ledesma #49899. Published by Phillip Steven Ledesma (A0.1009813). A legion of migrants haul thousands of tons of timber and hand made bricks over a hundred miles to build a remarkable civilization before the first millennium A.D. and succeed at constructing a flourishing community in Chaco Canyon that wasn't matched by the neighboring communities! The trek is long and laborious, and the huge logs of timber had to be carried - NOT DRAGGED - to their spiritually appointed destination over the rough, dry, and rocky terrain of this unforgiving canyon! But there is confident hope in their vision and you can hear the building and thriving marketplaces and the children frolicking as the community takes shape, culminating in a sunset that warms the hearts of this new and vibrant community! Too romantic of a notion? Take this musical trek yourself through this Anasazi wonder!
$9.99
8.96 €
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Orchestre
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Phillip S
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The Trek
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Phillip Steven Ledesma
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SheetMusicPlus
Bruch Ave Maria Op. 61 for Cello and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1391370 Composed by Max Bruch. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published by MyMusicScores.com (A0.1391370). Max Bruchâ??s â??Ave Mariaâ? is a poignant concert piece for violoncello and orchestra, inspired by the sixth movementâ??a prayer sceneâ??from his cantata â??Das Feuerkreuzâ? (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scottâ??s â??Lady of the Lake,â? underwent a lengthy creative process before reaching completion in 1888-89.Bruchâ??s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work â??Kol Nidrei,â? Opus 55.The PDF file contains the score and all parts.As the PDF file is large you will find bookmarks in the file to help you find the parts easily.
$35.99
32.26 €
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Orchestre
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Max Bruch
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Paul Wood
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Bruch Ave Maria Op. 61 for Cello and Orchestra
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MyMusicScores.com
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SheetMusicPlus
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