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AUTRES INST…
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CHARANGO
CITHARE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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JEUX VIDEOS
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expert
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Non classifié
1085
PIANO & CLAVIERS
Piano seul
607
Piano, Voix et Guitare
516
Piano, Voix
332
Orgue
165
Piano Facile
119
Accompagnement Piano
69
Instruments en Do
53
1 Piano, 4 mains
19
Piano grosses notes
18
Piano Trio: piano, violon, violoncelle
15
Orgue, Trompette (duo)
6
Piano (partie séparée)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Accordéon
2
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
48
Guitare notes et tablatures
40
Guitare
24
Ukulele
13
Basse electrique
7
Piano, Guitare (duo)
6
Guitare (partie séparée)
5
Paroles et Accords
5
2 Guitares (duo)
4
Ukulele Baryton
3
Banjo
2
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
877
Chorale 3 parties
167
Chorale 2 parties
110
Chorale Unison
101
Chorale TTBB
54
Voix duo, Piano
42
Voix duo
17
Chorale SSAA
13
Voix seule
10
Voix Soprano, Piano
8
Chorale
8
Voix Alto, Piano
5
Voix Baryton, Piano
5
Voix moyenne, Piano
3
Voix basse, Piano
3
Voix haute
3
Chorale SSAATTBB
1
Chorale SSATTB
1
Chorale SATBB
1
Voix Soprano
1
Chorale SSAB, Piano
1
Voix Tenor
1
Voix Tenor, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quintette de Saxophone: 5 saxophones
70
Flûte traversière et Piano
67
Clarinette et Piano
58
2 Saxophones (duo)
56
Quatuor de Saxophones: 4 saxophones
50
Hautbois, Piano (duo)
50
Saxophone Alto et Piano
42
Saxophone (partie séparée)
41
Saxophone Tenor et Piano
38
Flûte traversière
36
Flûte, Hautbois, Clarinette, Basson
36
2 Clarinettes (duo)
35
Quatuor de Clarinettes: 4 clarinettes
31
2 Flûtes traversières (duo)
30
Clarinette (partie séparée)
26
Quatuor de Flûtes : 4 flûtes
25
Clarinette
24
Saxophone Alto
22
Hautbois (partie séparée)
22
Clarinette, Violon (duo)
19
Saxophone Baryton, Piano
19
Flûte, Clarinette (duo)
18
Saxophone Tenor
18
Flute (partie séparée)
18
Saxophone, Clarinette (duo)
17
Hautbois, Basson (duo)
15
Saxophone Soprano et Piano
15
3 Saxophones (trio)
14
Flûte, Violon
11
Quintette de Flûte : 5 flûtes
10
3 Clarinettes (trio)
9
Clarinette, Basson (duo)
9
Hautbois, Clarinette (duo)
9
Ensemble de Clarinettes
9
Trio de Flûtes: 3 flûtes
9
Cor anglais, Piano
8
2 Hautbois (duo)
8
Quatuor de Flûtes à bec
7
Ensemble de Flûtes
6
2 Flûte à bec (duo)
6
Flûte, Trompette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
2 Clarinettes, Piano
5
Clarinette Basse, Piano
5
Clarinette, Guitare (duo)
5
Flûte et Guitare
5
Hautbois, Flûte
5
Hautbois
4
2 Saxophones, Piano
4
Ensemble de saxophones
4
Saxophone Soprano
4
Flûte, Saxophone (duo)
4
Flûte, Violon, Piano
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
3 Flûtes à bec (trio)
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle
2
Hautbois, trombone (duo)
2
Hautbois, violon (duo)
2
Saxophone et Piano
2
5 Flûtes à bec
2
Hautbois, Violoncelle
2
Ensemble de Hautbois
2
Flûte irlandaise
2
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
2 Flûtes traversières, Piano
2
Clarinette, Trompette (duo)
2
4 Hautbois
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano
1
Flûte à Bec
1
Ensemble De Flûte à bec
1
Flute, harpe et violon
1
Clarinette, Tuba
1
3 Hautbois
1
Flûte à bec Alto
1
Flûte, Violon et Violoncelle
1
Flûte, Harpe et Violoncelle
1
Flûte, trombone et piano
1
Flûte, Trombone (duo)
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trombone et Piano
48
Trompette, Piano
44
Trompette
37
Trombone (partie séparée)
35
Cor et Piano
34
Trompette (partie séparée)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Cor
19
Trombone
18
Cor (partie séparée)
18
Quatuor de Cuivres
18
Quatuor de cuivres: 4 trombones
17
2 Trombones (duo)
16
Tuba et Piano
14
2 Cors (duo)
13
2 Trompettes (duo)
12
Trompette, Saxophone (duo)
10
Cor anglais, Piano
8
Quatuor de cuivres: 4 cors
8
Tuba
7
Tuba (partie séparée)
7
Trompette, Trombone (duo)
6
Ensemble de Trombones
5
Ensemble de Trompettes
5
Euphonium
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Tubas (duo)
3
Euphonium, Piano (duo)
3
3 Trombones (trio)
3
Ensemble de Cors
3
Trio de Cuivres
2
Trompette, Tuba (duo)
2
Trombone, Violon (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
4 Tubas
1
Trombone basse
1
Cor Anglais
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Violon et Piano
87
Violoncelle, Piano
45
Violon
37
Violoncelle
30
Violon, Violoncelle (duo)
29
2 Violons (duo)
25
Harpe
24
Violon (partie séparée)
18
2 Violoncelles (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Contrebasse (partie séparée)
13
Quatuor à cordes: 4 violons
11
Trio à cordes
7
Violoncelle (partie séparée)
7
Harpe, Voix
7
Trio à cordes: 3 violins
6
Contrebasse, Piano (duo)
5
Harpe, Flûte (duo)
5
4 Violoncelles
4
Ensemble de Violons
4
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Harpe, Violon (duo)
2
Violon, Tuba (duo)
2
Harpe (partie séparée)
2
Violon, Basson (duo)
2
2 Violons, Piano
1
Violoncelle, Orchestre
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
307
Cloches
150
Orchestre
82
Ensemble de cuivres
44
Orchestre à Cordes
33
Orchestre de chambre
19
Jazz combo
16
Percussion (partie séparée)
13
Ensemble Jazz
12
Batterie
11
Fanfare
10
Batterie (partie séparée)
8
Timbales (partie séparée)
5
Ensemble de Percussions
5
Quintette à Vent
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Timbales
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Our God Is God - Viola
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
A Mighty Fortress Is Our God
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.779364 Arranged by Shelton Ridg…
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Full Orchestra - Level 3 - Digital Download SKU: A0.779364 Arranged by Shelton Ridge Love. Christian,Sacred,Spiritual. Score and parts. 64 pages. Shelton Ridge Love #4767285. Published by Shelton Ridge Love (A0.779364). This piece was designed to allow for maximum flexibility. The piano part is composed as a piano solo, and is the only essential instrument in the arrangement. None of the other instruments are required to make the piece work. You may include as many or as few as your orchestra allows. I arranged this specifically with the church orchestra in mind. While participation and ability may range vastly from church to church, this piece will easily suit your particular situation. - Shelton Instrumentation
$35.00
31.38 €
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Orchestre
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Shelton Ridge Love
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A Mighty Fortress Is Our God
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Shelton Ridge Love
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SheetMusicPlus
A Mighty Fortress is Our God (Score and Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1274537 Composed by Theme by Ma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1274537 Composed by Theme by Martin Luther. Arranged by arrange by Oleksiy Bazhenov. Christian,Historic,Praise & Worship,Religious,Spiritual. Score and Parts. 83 pages. Oleksiy Bazhenov #866679. Published by Oleksiy Bazhenov (A0.1274537). Fantasy on Martin Luther's Theme A Mighty Fortress is Our GodDedicated to the 500th anniversary of Protestant ReformationArrange for full symphonic orchestra by Oleksiy Bazhenov.
$50.00
44.82 €
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Orchestre
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Theme by Martin Luther
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arrange by Oleksiy Bazhenov
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A Mighty Fortress is Our God
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Oleksiy Bazhenov
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SheetMusicPlus
All Creatures of Our God and King - for blended worship
Orchestre
Full Orchestra - Digital Download SKU: A0.764372 Arranged by Andrew Duncan. Christi…
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Full Orchestra - Digital Download SKU: A0.764372 Arranged by Andrew Duncan. Christian,Praise & Worship,Sacred. Score and parts. 42 pages. Andrew Duncan #5287547. Published by Andrew Duncan (A0.764372). This exciting and dramatic arrangement of All Creatures of Our God and King (LASST UNS ERFREUEN) is for orchestra and congregation with optional worship band, and is intended to be used for congregational singing. There are 5 verses in this setting. Orchestration: 2110/2221 strings (2 Flutes, Oboe, Clarinet, 2 French Horns, 2 Trumpets, 2 Trombones, 1 Tuba, timpani, strings).
$50.00
44.82 €
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Orchestre
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Andrew Duncan
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All Creatures of Our God and King - for blended worship
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Andrew Duncan
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
16.99 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
38.5 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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SheetMusicPlus
God of Glory, Lord of Love - Orchestral Score and Parts
Orchestre
Full Orchestra - Digital Download SKU: LX.30-3215L Composed by Mary McDonald. Sacre…
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Full Orchestra - Digital Download SKU: LX.30-3215L Composed by Mary McDonald. Sacred Anthem. Orchestral Score and Parts. 72 pages. Lorenz Publishing - Digital Sheet Music #e30/3215L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3215L). Orchestrated by Michael Lawrence.This fervent musical prayer is a call for Godâ??s blessing when we gather together and for His direction for our lives and worship. Michael Lawrenceâ??s stirring orchestration enhances the impact of this powerful piece, which ends with a glorious response of commitment: to You we give our life, our all!
$69.95
62.71 €
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Orchestre
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Mary McDonald
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God of Glory, Lord of Love - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Contours II
Orchestre
Orchestra - Digital Download SKU: IZ.OMW224 Composed by Thomas J. Stief. Score and …
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Orchestra - Digital Download SKU: IZ.OMW224 Composed by Thomas J. Stief. Score and Parts. 62 pages. Imagine Music - Digital #OMW224. Published by Imagine Music - Digital (IZ.OMW224). 9 x 12 inches.March on, Friends was written to honor the memory of some longtime friends – Ed Meyers (1930-2019) and Doug Godfrey (1931-2017). These two beloved gentlemen played in the military and taught music in public schools. March On, Friends is a three-minute march and a grade level of about 3.5 in difficulty. It contains bugle calls and inverted bugle calls and is rather melodic. It is fun to play and everyone in the band gets a chance as the melody and counter melodies are shared by all the instruments.
$80.00
71.72 €
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Orchestre
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Thomas J
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Contours II
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Imagine Music - Digital
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SheetMusicPlus
Godzilla: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016880_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016880_VC1 Cello. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016880_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016880_VC1). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$3.00
2.69 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Godzilla: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016880_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016880_F1 Flute. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016880_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016880_F1). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$3.00
2.69 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Godzilla: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016880_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016880_B1 Bassoon. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016880_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016880_B1). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$3.00
2.69 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Godzilla: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016880_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016880_M1 Mallets. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016880_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016880_M1). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$3.00
2.69 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Godzilla: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016880_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016880_TMP Timpani. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016880_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016880_TMP). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$3.00
2.69 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Godzilla: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0005122 Score. Composed by A…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005122 Score. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Score. 19 pages. Alfred Music - Digital Sheet Music #00-PR-0005122. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005122). UPC: 038081501185.Containing four contrasting themes from the soundtrack of this hit movie re-make of the classic monster movie, this arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20).
$9.00
8.07 €
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Orchestre
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Alexandre Desplat
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Michael Story
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Godzilla: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
God's Earth
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmel…
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Full Orchestra - Level 3 - Digital Download SKU: A0.852743 Composed by Keith Gemmell. 20th Century,Contemporary,Instructional. Score and parts. 93 pages. Keith Gemmell #28213. Published by Keith Gemmell (A0.852743). This is a modern classical piece in a minimalist style although, unusually for this type of music, with strong melodic passages. Unlike the music of Steve Reich, Phillip Glass and John Adams, it is not technically difficult to play, although a degree of concentration is required when following the shifting patterns. Although minimalist in character the music is constantly changing. It opens quietly with just tubular bells, piano and oboe before ebbing and flowing through grandiose melodies, simple minimalist riffs and sweeping string portamentos. After a rousing full orchestra tutti the music gradually winds down until, like at the the beginning, we hear just piano and tubular bells, which end the piece. As mentioned above it is not difficult to play and suitable for professional and amateur orchestras alike. Perform this and remind your audience that we stand, live and breathe on God’s Earth.
$24.95
22.37 €
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Orchestre
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Keith Gemmell
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God's Earth
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Keith Gemmell
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SheetMusicPlus
God of Grace and God of Glory (Flex Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1384206 By Michael Ware. By Joh…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1384206 By Michael Ware. By John Hughes. Arranged by Michael Ware. Praise & Worship,Religious,Sacred,Standards,Traditional. 63 pages. Michael Ware Music #968552. Published by Michael Ware Music (A0.1384206). Enrich your church’s time of instrumental worship with God of Grace and God of Glory. This popular Welsh tune by John Hughes is know all over the world. Sometimes alternate texts such as Guide Me, O Thou Great Redeemer or Guide Me, O Thou Great Jehovah are sung to this stirring melody. Michael Ware has crafted a unique flexible orchestra arrangement expressing the essence of this great hymn. It can be played with as little as 4 instruments along with piano and rhythm. See the instrumentation page for all the numerous possibilities. Appropriate for a prelude or offertory in worship.This download includes the full score and all of the flex individual parts.
$59.99
53.78 €
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Orchestre
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Michael Ware
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Michael Ware
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God of Grace and God of Glory
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Michael Ware Music
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SheetMusicPlus
I Sing the Mighty Power of God/Joyful Joyful We Adore Thee
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.786373 Composed by Isaac Watts,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.786373 Composed by Isaac Watts, Ludwig van Beethoven. Arranged by Beka Wilson. Christian,Classical,Gospel,Sacred. Score and parts. 56 pages. Beka Wilson #4354833. Published by Beka Wilson (A0.786373). An old favorite hymn is mixed with a theme from the 4th movement of Beethoven's 9th Symphony for a powerful prelude or stunning offertory for your church service. It is simple enough for younger musicians, yet contains enough depth to interest seasoned musicians as well. 56 pages (includes score and set of parts), approximately 3 1/2 minutes in length (at 120 bpm).
$59.99
53.78 €
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Orchestre
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Isaac Watts, Ludwig van Beethoven
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Beka Wilson
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I Sing the Mighty Power of God/Joyful Joyful We Adore Thee
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Beka Wilson
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SheetMusicPlus
God Rest Ye Merry, Gentlemen
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1488957 Composed by Traditional…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1488957 Composed by Traditional. Arranged by Brad Ritchie. Christmas,Film/TV,Holiday,Traditional. 134 pages. Main Office Productions & Publishing #1065810. Published by Main Office Productions & Publishing (A0.1488957). This traditional Christmas Carol has been arranged for full orchestra as an exciting instrumental piece for your next holiday concert. The piece features solos from different orchestra members and culminates in an epic ending that could come straight from your favorite Christmas film.Orchestration: 2222 - 4331 - Timp.+2 Perc. - Hp - Cel. - StringsDuration: ca. 3:00A score video of Sibelius playback is below to give a sense of the arrangement. Thank you so much for considering this chart. If there are any questions or further information needed please feel free to contact me at brad@bradritchie.com. Also let me know if you end up purchasing. I'd love to know of any upcoming performances!
$100.00
89.65 €
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Orchestre
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Traditional
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Brad Ritchie
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God Rest Ye Merry, Gentlemen
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Main Office Productions & Publishing
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SheetMusicPlus
Vicki Tucker Courtney: He Is Our God (complete set of parts) - orchestra/band (Brass)
Orchestre
Instantly printable sheet music by Vicki Tucker Courtney for orchestra/band (Brass) of MED…
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Instantly printable sheet music by Vicki Tucker Courtney for orchestra/band (Brass) of MEDIUM skill level. / concert,sacred
$19.99
17.92 €
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Orchestre
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Vicki Tucker Courtney
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Virtualsheetmusic
How Great Is Our God
Orchestre
By Chris Tomlin. By Ed Cash, Chris Tomlin, and Jesse Reeves. Arranged by James Gilbe…
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By Chris Tomlin. By Ed Cash, Chris Tomlin, and Jesse Reeves. Arranged by James Gilbert. Christian. Score and parts. 55 pages. James Gilbert Music #6591471. Published by James Gilbert Music
$49.99
44.81 €
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Orchestre
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Chris Tomlin
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James Gilbert
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How Great Is Our God
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James Gilbert Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Joseph M. Martin: Our God Is God (COMPLETE) - orchestra/band
Orchestre
Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill lev…
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Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill level. / pop,sacred
$64.99
58.26 €
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Orchestre
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Joseph M. Martin
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Virtualsheetmusic
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
8.96 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
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