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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Out of Reach
Non classifié
348
Piano & claviers
Piano seul
273
Piano, Voix et Guitare
107
Piano Facile
96
Piano, Voix
94
Instruments en Do
52
Piano grosses notes
4
Orgue
4
1 Piano, 4 mains
2
Accordéon
1
Clavecin
1
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Ligne De Mélodie, (Paroles) et Accords
23
Guitare
23
Paroles et Accords
12
Basse electrique
11
2 Guitares (duo)
6
Dulcimer
5
Piano, Guitare (duo)
4
Guitare (partie séparée)
2
Ukulele
2
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
22
Chorale 2 parties
20
Chorale Unison
15
Chorale TTBB
13
Chorale SSAA
12
Voix Alto, Piano
10
Voix haute
6
Voix Soprano, Piano
5
Male Voice
5
Voix duo, Piano
5
Voix seule
4
Voix duo
4
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
2 Saxophones (duo)
35
Clarinette
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Flûtes traversières (duo)
26
Saxophone, Clarinette (duo)
20
Quatuor de Saxophones: 4 saxophones
20
Flûte traversière et Piano
18
Saxophone Alto
16
Saxophone Tenor
15
Saxophone (partie séparée)
15
Clarinette et Piano
14
Flûte traversière
14
Clarinette, Violon (duo)
14
Clarinette, Trompette (duo)
14
2 Clarinettes (duo)
14
Hautbois, Piano (duo)
14
Saxophone Alto et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Tenor et Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Hautbois (partie séparée)
9
2 Hautbois (duo)
8
Hautbois, Basson (duo)
8
Clarinette et Alto
8
Flûte, Violon
7
Flûte, Trompette (duo)
7
Hautbois, Flûte
7
Flûte, Alto (duo)
7
Hautbois, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Flûte, Saxophone (duo)
6
Flûte, Clarinette (duo)
6
Ensemble de Clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Trio de Flûtes: 3 flûtes
4
Saxophone Baryton, Piano
3
Ensemble de saxophones
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte et Guitare
3
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Flûte : 5 flûtes
1
Clarinette (partie séparée)
1
Flûte à bec Soprano
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
3 Clarinettes (trio)
1
Flûte, Violon et Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
5 Flûtes à bec
1
Cor anglais, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette
15
Trompette, Saxophone (duo)
14
Trombone et Piano
10
Trompette, Piano
10
Cor et Piano
9
2 Trombones (duo)
7
Euphonium, Piano (duo)
7
2 Trompettes (duo)
7
Trombone
6
Tuba et Piano
5
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trompette, Trombone (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
3
Cor
2
Cor (partie séparée)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Quatuor de Cuivres
1
Trombone basse et Piano
1
Ensemble de Cors
1
Ensemble de Trombones
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
2 Tubas (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon
49
Violon, Violoncelle (duo)
21
Violon et Piano
19
Violoncelle, Piano
14
Violoncelle
13
Alto, Piano
13
2 Violons (duo)
11
2 Violoncelles (duo)
11
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
7
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
5
Contre Basse
5
Harpe
4
Contrebasse, Piano (duo)
3
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Alto et Harpe
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
97
Orchestre
29
Ensemble Jazz
23
Fanfare
17
Orchestre à Cordes
16
Ensemble de cuivres
15
Jazz combo
8
Orchestre de chambre
4
Batterie
3
Cloches
3
Batterie (partie séparée)
3
Ensemble de Percussions
2
Piano et Orchestre
1
Vibraphone
1
+ 9 instrumentations
Retracter
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29 partitions trouvées
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1
26
Love Made a Way - Set of Parts (Digital Download)
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Orchestre
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Jay Rouse and Mary McDonald
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Love Made a Way - Set of Parts
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Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra, Instrumental Parts - SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent...
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Full Orchestra, Instrumental Parts - SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Set of Parts (). 579 pages. Lorenz Publishing - Digital Sheet Music #e30/3739MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3739MD). Downloadable Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$249.95
Son-of-a-preacher Man
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Rock
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Dusty Springfield
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Daryl McKenzie
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Son-of-a-preacher Man
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1190677 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Daryl McKenzie. Film/TV,Pop,Rock. 94 pag...
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Full Orchestra - Level 3 - SKU: A0.1190677 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Daryl McKenzie. Film/TV,Pop,Rock. 94 pages. Daryl McKenzie #789637. Published by Daryl McKenzie (A0.1190677). Arranged in the style of Dusty Springfield for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, BCl,2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of EFull audio demo (Sibelius Sounds): Click HereSame arrangement for Concert Band, Big Band or Small Band (3-5 Horns) available: hereNote: The youtube clip is th band arrangement which is the same as the Orchestra version.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
A Whiter Shade Of Pale
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Orchestre
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INTERMÉDIAIRE
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Procol Harum
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Marek Czekala
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A Whiter Shade Of Pale
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1207011 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Marek Czekala. 20th Century,Roc...
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Full Orchestra - Level 3 - SKU: A0.1207011 By Procol Harum. By Gary Brooker, Keith Reid, and Matthew Fisher. Arranged by Marek Czekala. 20th Century,Rock. Score and Parts. 33 pages. Marek Czekala #805196. Published by Marek Czekala (A0.1207011). A Whiter Shade of Pale is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. Without much promotion, it reached number 5 on the US Billboard Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, A Whiter Shade of Pale has become an enduring classic, with more than 1,000 known cover versions by other artists.Wikipedia.
$50.00
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Tho...
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Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
O Canada (Score and Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Calixa Lavallee
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O Canada
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Composer Lab Music
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Cl...
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Full Orchestra - Intermediate - Composed by Calixa Lavallee (1842-1891). Arranged by George Alfred Grant-Schaefer, Samuel Labrecque. Contemporary Classical. Score, Set of Parts. 35 pages. Published by Composer Lab Music
The majestic national anthem of Canada, in a brand new fully orchestrated arrangement for orchestra and SATB chorus by Samuel Labrecque based on George Alfred Grant-Shaefer's version for SATB and piano. This orchestration was done to be performable both with and without the choir. It's a simple yet powerful arrangement that's within reach of every ensemble and is certain to reach the patriotic Canadian within you!
Note: This is the full performance package containing both the conductor's full score and the complete set of parts. The full score and the vocal score can each be purchased on their own as well.
A word of caution: The full score is in A3 format while the parts are in A4. Make sure to rescale the full score if you don't want to print it in A3.
$49.99
Alan Billingsley: Reach Out I'll Be There (arr. Alan Billingsley) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Old Time Rock
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Alan Billingsley
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Virtualsheetmusic
Instantly printable sheet music by Alan Billingsley for orchestra/band of MEDIUM skill level. / oldies,rock
Instantly printable sheet music by Alan Billingsley for orchestra/band of MEDIUM skill level. / oldies,rock
$32.99
Eleanor Rigby - Beatles for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Rock
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David Cook, The Beatles
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Javier Martínez Maya
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Eleanor Rigby - Beatles for Or
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Intermediate - By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte ...
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Full Orchestra - Intermediate - By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon?McCartney.
The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".
Taken from https://en.wikipedia.org/wiki/Eleanor_Rigby
$60.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
Minis Azaka
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Orchestre
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Michael DeVellis
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Minis Azaka
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW202 Composed by Michael DeVellis. Score and Parts. 81 pages. Imagine Music - Digital #OMW202. Published by Imagine Music - Digita...
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Orchestra - SKU: IZ.OMW202 Composed by Michael DeVellis. Score and Parts. 81 pages. Imagine Music - Digital #OMW202. Published by Imagine Music - Digital (IZ.OMW202). 9 x 12 in inches.This piece was commissioned by Georges Vilson and The Kandelab Foundation. Kandelab seeks to bring awareness to Haitian Folk and Vodou music. Vilson's book, Kandelab: 101 Notated Haitian Folk and Vodou Songs are transcriptions of this music that has otherwise been handed down through an aural tradition. Vilson's descriptions of the tales that go with these melodies were a great help in setting the tone of this work. Many thanks to Vilson and Kandelab for introducing me to these wonderful melodies and rich cultural heritage. Minis Azaka is known as the great Minister of Agriculture in Haitian Vodou. Iwa peasants bring grievances to him and also reach out to him for prosperity.An invitation is made to a gathering along the countryside and this piece introduces a dignified Minis Azaka entering a hall adorned for his arrival. His followers trail behind him. He sits to listen to their gripes, but also joins them in dance as he isalso a well known dancer. He exits with the same reverence he entered, then disappears into the fields with his entourage. This piece expresses a veil of mystery and darkness setting the tone of great honor and respect. The Nago drum reference is included with the parts. The pattern should be played in reference to the slash marking in the score. The reference is meant as a guide and liberty may be taken with the pattern.
$60.00
Love Made a Way - Full Score (Digital Download)
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Orchestre
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Jay Rouse and Mary McDonald
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Love Made a Way - Full Score
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Conductor's Score, Full Orchestra - SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent,...
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Conductor's Score, Full Orchestra - SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Full Score (). 166 pages. Lorenz Publishing - Digital Sheet Music #e30/3738MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3738MD). Downloadable Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$99.95
I Write The Songs
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
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Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Jesus Is The Way (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christo...
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Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Ten Thousand Bells - SATB with Full Orchestra Accompaniment - A Joyful Inspiring Song!!! Easy to sin
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Orchestre
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DÉBUTANT
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Clyde Grabski
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Ten Thousand Bells - SATB with
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Diamond Forest Publishing
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamond Forest Publis...
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Full Orchestra - Level 1 - SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamond Forest Publishing #4834687. Published by Diamond Forest Publishing (A0.943949). The words and music of Ten Thousand Bells will inspire and uplift you. It will reach a hidden yearning in your heart, bringing joy and peace. Successful performances have been done by both school and community choirs. See youtube performance.A separate SATB choir with piano accompaniment package is available. Check SMP listings under Clyde Grabski.
$60.00
Trumbull Sketches
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Let Me Weep from The Hero and
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730378 Composed by James Nathaniel Holland. Broadway,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel H...
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Full Orchestra - Level 3 - SKU: A0.730378 Composed by James Nathaniel Holland. Broadway,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel Holland #3056443. Published by James Nathaniel Holland (A0.730378). Let Me Weep is a beautiful aria for the underserved operatic Alto from composer James Nathaniel Holland. This stand alone piece is from the opera The Hero and the Damned where an older Danae has reached the end of her patience of her turbulent life. Here presented in an arrangement for soloist and orchestra. Full score (concert pitch) and individual parts are included. Perfect for the concert stage can be sung by Broadway alto too. Instrumentation: Pic/Fl, Fl2, Ob12, Cl12, Bsn12, Hrn 123, Tpt12, Trm 12, BTrm, Tba, Tim, Per (Bdrm, tri), harp, stringsYouTube presentation: https://youtu.be/XKwmj9mH31g.
$21.95
The Ocean Deep, Orchestral Version
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Leif Jack
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The Ocean Deep, Orchestral Ver
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Leif Thomas Marken Jack
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595...
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Full Orchestra - Level 4 - SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99
Festive Overture for Orchestra
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Orchestre
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AVANCÉ
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Classique
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Flávio Régis Cunha
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https://youtu
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Festive Overture for Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.597186 By Flávio Régis Cunha. By Flávio Régis Cunha. Arranged by https://youtu.be/ZDytjE5xP9Q. Classical,...
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Full Orchestra - Level 5 - SKU: A0.597186 By Flávio Régis Cunha. By Flávio Régis Cunha. Arranged by https://youtu.be/ZDytjE5xP9Q. Classical,Contemporary,Holiday,Instructional,Sacred. Score and parts. 137 pages. Flavio Regis Cunha #3545551. Published by Flavio Regis Cunha (A0.597186). The work has a festive character and was especially composed for the commemorations of the 500th anniversary of the Protestant Reformation. The piece makes use of an original musical material and makes quotations of the melody Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God) of Martin Luther. The title of the work refers to the German city, Wittenberg, which was the scene of the Protestant Reformation of 1517 and where the reformer Martin Luther preached his 95 theses, going against various dogmas of the Roman Catholic Church. It can be played in festive events, graduations, ceremonies, concert opening and worship services.Duration: 05'00 minFlavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha Intermediate Level 137 pages.
$18.49
You Give Love A Bad Name
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Con...
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Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
One Moment In Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Whitney Houston
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Kevin Riley
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One Moment In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1468647 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Kevin Riley. 20th Century,Patriotic,Pop. 4...
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Full Orchestra - Level 4 - SKU: A0.1468647 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Kevin Riley. 20th Century,Patriotic,Pop. 44 pages. Kevin Riley #1046730. Published by Kevin Riley (A0.1468647). One Moment in Time is a sentimental ballad by American singer Whitney Houstonand written by Albert Hammond and John Bettis, produced by Narada Michael Waldenfor the 1988 Summer Olympics held in Seoul, South Korea. It was released by Arista Records on August 27, 1988, as the first single from the compilation album, 1988 Summer Olympics Album: One Moment in Time, the soundtrack for the games. The song was Houston's third number one in the UK Singles Chart, and reached number five on the US Billboard Hot 100. The song was later included on the second disc of her first greatest hits Whitney: The Greatest Hits and also on The Ultimate Collection and on the second disc of I Will Always Love You: The Best of Whitney Houston.
$70.00
O Radiant One
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Mackill
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John Mackill
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O Radiant One
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Mackill Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.490478 Composed by John Mackill. Arranged by John Mackill. Contemporary,Contest,Festival. Score and parts. 48 pages. ...
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Full Orchestra - Level 4 - SKU: A0.490478 Composed by John Mackill. Arranged by John Mackill. Contemporary,Contest,Festival. Score and parts. 48 pages. Mackill Music #106372. Published by Mackill Music (A0.490478). This is a composition in 5/4 written for my mother. It captures her joyous spirit and unconditional love (as best I could). It has solos for trombone, trumpet, piano, and cello. The trombone solo reaches to A above the staff . (Change the note if it's too high). A good piano player is essential. You can get by without a tuba but then you might want to amplify the string bass part particularly if there is only one of them.
$45.00
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