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ACCORDEON
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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
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COR ANGLAIS
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CORNET
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DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Non classifié
6652
PIANO & CLAVIERS
Piano seul
3285
Piano, Voix
1540
Piano Facile
883
Piano, Voix et Guitare
761
Orgue
389
Instruments en Do
383
Accompagnement Piano
211
Piano Trio: piano, violon, violoncelle
74
1 Piano, 4 mains
65
2 Pianos, 4 mains
57
Piano Quatuor: piano, violon, alto, violoncelle
30
Accordéon
22
Piano Quatuor: piano, 2 violons, violoncelle
20
Orgue, Trompette (duo)
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano (partie séparée)
9
Clavecin
7
Piano grosses notes
6
Orgue, Piano (duo)
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
1
Orgue et Orchestre
1
Clavier
1
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GUITARES
Guitare
377
Guitare notes et tablatures
265
Ligne De Mélodie, (Paroles) et Accords
125
Ukulele
91
Mandoline
60
2 Guitares (duo)
42
Basse electrique
31
Piano, Guitare (duo)
25
Paroles et Accords
25
4 Guitares (Quatuor)
23
Guitare (partie séparée)
17
Banjo
16
Dulcimer
13
3 Guitares (trio)
13
Mandoline, Guitare (duo)
7
Ensemble de guitares
6
Basse électrique (partie séparée)
3
Mandoline, Piano (duo)
2
Guitare, Violon, Violoncelle (trio)
2
2 Ukuleles
1
Orchestre à Plectres
1
Ukulele Baryton
1
Dobro
1
Instrumentations suivantes
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VOIX
Chorale SATB
1865
Chorale 2 parties
915
Chorale 3 parties
639
Voix duo, Piano
401
Chorale Unison
369
Chorale TTBB
262
Chorale SSAA
163
Voix duo
128
Voix Soprano, Piano
104
Voix Tenor, Piano
93
Voix Alto, Piano
77
Voix Baryton, Piano
51
Voix haute
34
Voix moyenne, Piano
24
Voix seule
24
Voix basse, Piano
14
Chorale SSAATTBB
8
Voix Soprano
7
Voix Mezzo-Soprano, Piano
6
Voix Tenor
6
Chorale
5
Chorale SSATB
4
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SSATTB
2
Voix, Guitare
1
Chorale SSAATB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
555
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
453
Flûte traversière et Piano
453
Quatuor de Saxophones: 4 saxophones
451
Clarinette et Piano
382
Hautbois, Piano (duo)
341
Saxophone Alto et Piano
303
Quintette de Saxophone: 5 saxophones
294
Flûte, Hautbois, Clarinette, Basson
281
Saxophone Tenor et Piano
254
2 Flûtes traversières (duo)
254
2 Clarinettes (duo)
239
Flûte traversière
227
Saxophone Soprano et Piano
224
Quatuor de Clarinettes: 4 clarinettes
220
Clarinette
195
Saxophone, Clarinette (duo)
151
Clarinette, Violon (duo)
148
Flûte, Clarinette (duo)
138
Saxophone Alto
132
Saxophone (partie séparée)
131
Ensemble de saxophones
124
Hautbois (partie séparée)
122
Quatuor de Flûtes : 4 flûtes
114
3 Saxophones (trio)
105
Saxophone Baryton, Piano
105
2 Hautbois (duo)
103
Ensemble de Clarinettes
94
Clarinette, Trompette (duo)
91
Saxophone Tenor
80
Flûte, Violon
79
Ensemble de Flûtes
77
Hautbois, Basson (duo)
76
Hautbois, Clarinette (duo)
76
Quintette de Flûte : 5 flûtes
70
2 Flûte à bec (duo)
67
Cor anglais, Piano
67
Flûte, Saxophone (duo)
63
Clarinette et Alto
62
Quintette de Clarinettes: 5 clarinettes
57
Flûte, Alto (duo)
52
Clarinette Basse, Piano
50
Flûte, Trompette (duo)
49
3 Clarinettes (trio)
47
Hautbois, Flûte
45
2 Flûtes traversières, Piano
41
Flûte, Hautbois, Clarinette (trio)
39
Trio de Flûtes: 3 flûtes
37
Quatuor de Flûtes à bec
34
Flûte à bec Soprano
32
Flûte, Hautbois (duo)
31
Clarinette, Basson (duo)
31
Hautbois, Clarinette, Basson (trio d'anches)
28
Flûte et Guitare
25
Hautbois
25
Flûte, Violoncelle
24
Flûte à Bec
23
Clarinette (partie séparée)
21
5 Flûtes à bec
20
Saxophone Soprano
19
Clarinette, Violoncelle (duo)
18
2 Clarinettes, Piano
18
Hautbois, violon (duo)
17
Flûte, Clarinette, Piano (trio)
16
Flûte, Violon, Piano
15
Hautbois, Violoncelle
15
Flûte, Basson et Piano
14
Clarinette, Trombone (duo)
13
Saxophone Baryton
13
Clarinette, Violoncelle, Piano (trio)
12
Flute (partie séparée)
12
Flûte à bec Alto
12
3 Flûtes à bec (trio)
12
Flûte à bec Soprano, Piano
11
Clarinette, Guitare (duo)
11
Flûte irlandaise
10
Flûte, Clarinette et Basson
9
Flûte, Hautbois, Piano (trio)
9
Flûte, trombone et piano
9
Flûte, Hautbois, Basson
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Violon et Violoncelle
8
Flûte, Trombone (duo)
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Alto et Piano
6
Flûte à bec Tenor
6
Harmonica
6
Clarinette, trompette et piano
6
Flûte à bec Alto, Piano
6
Saxophone et Harpe
5
Cor anglais, Guitare (duo)
5
Ocarina
4
Cor Anglais
4
Saxophone
4
Clarinette Basse
4
Piccolo, Piano
4
Flute, harpe et violon
4
Hautbois, Harpe
4
Saxophone et Guitare
3
Hautbois, Violon, Piano
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Saxophone et Orgue
3
Hautbois et alto (duo)
3
Clarinette, Harpe (duo)
3
Hautbois, Guitare (duo)
3
Ensemble à vent
2
2 Clarinettes, Basson
2
Clarinette, Contrebasse (duo)
2
Flûte, Violon, Violoncelle et Piano
2
2 Saxophones, Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Harpe et Violoncelle
2
Flûte, Violoncelle, Guitare
2
Flûte et Trio à cordes
2
Flûte à Bec, Piano
2
Flûte, Violon, Guitare
2
Clarinette, Alto et Piano (trio)
2
Clarinette, Tuba
2
Saxophone, Violon (duo)
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, alto et harpe
1
Hautbois, Trompette (duo)
1
Piccolo
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois, Violon
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, trombone (duo)
1
Cornemuse
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
453
Quatuor de Cuivres : 2 trompettes, trombone, tuba
351
Trombone et Piano
323
Trompette, Piano
261
Trompette
254
Cor et Piano
220
Quatuor de Cuivres: 2 trompettes, Cor, trombone
146
Trombone
133
Cor
132
2 Trombones (duo)
132
Tuba et Piano
121
2 Trompettes (duo)
119
Trompette, Saxophone (duo)
115
Tuba
108
Ensemble de Trompettes
98
Euphonium, Piano (duo)
89
Quatuor de cuivres: 4 trombones
89
Trompette, Trombone (duo)
87
Ensemble de Trombones
78
Trombone (partie séparée)
70
Cor anglais, Piano
67
Trompette (partie séparée)
64
Quatuor de Cuivres
59
2 Cors (duo)
48
Trompette, Cor (duo)
39
Quatuor de cuivres: 4 cors
27
Quatuor de cuivres: 4 trompettes
23
2 Tubas (duo)
21
Cor (partie séparée)
17
Ensemble de Cors
16
2 Euphoniums (duo)
15
Trio de Cuivres
13
Tuba (partie séparée)
13
2 Euphoniums et 2 Tubas
12
3 Trombones (trio)
11
Quatuor de cuivres: 2 trompettes, 2 trombones
10
4 Tubas
9
Euphonium
7
Tuba et Orgue
7
Cor, Violoncelle (duo)
6
3 Cors (trio)
6
Trompette, Violoncelle (duo)
6
3 Trompettes (trio)
5
Trombone, Cor (duo)
5
Trombone basse et Piano
5
Cor anglais, Guitare (duo)
5
Trompette, Violoncelle et Piano
5
Cor Anglais
4
Trombone, Tuba (duo)
4
Trombone, Orgue
4
Trompette, Trombone, Piano
4
3 Tubas (trio)
4
Trombone basse
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Basson (duo)
3
Cor et Harpe
3
Trompette, Basson (duo)
3
Trompette, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
2
Euphonium, Tuba (duo)
2
Trompette, violon (duo)
2
Clarinette, Cor (duo)
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
Trombone, Violon (duo)
1
3 Euphoniums
1
Trompette, Orchestre
1
Bass Clef Instruments
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1037
Violon et Piano
517
Violoncelle, Piano
374
Alto, Piano
347
Violon
328
Violon, Violoncelle (duo)
328
Violoncelle
253
Trio à Cordes: violon, alto, violoncelle
230
2 Violons (duo)
192
Harpe
190
2 Violoncelles (duo)
151
Violon, Alto (duo)
145
Alto seul
131
2 Altos (duo)
128
Trio à Cordes: 2 violons, violoncelle
109
Quintette à cordes: 2 violons, alto, violoncelle, basse
107
Contrebasse, Piano (duo)
89
Contre Basse
85
Alto (partie séparée)
50
2 Harpes (duo)
47
Piano Trio: Violon, Alto, Piano
47
4 Violoncelles
42
Violon (partie séparée)
34
Alto, Violoncelle (duo)
33
Trio à cordes: 3 violins
29
Quatuor à cordes: 4 violons
25
Contrebasse (partie séparée)
24
Trio à Cordes: 3 violoncelles
22
Ensemble de Violons
20
Violon, Guitare (duo)
18
Ensemble d'Altos
17
2 Contrebasses (duo)
17
Violoncelle , Guitare (duo)
14
Quatuor à cordes : 4 altos
13
Violon, Basson (duo)
12
Trio à cordes: 3 altos
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto et Basson
8
Harpe, Violon (duo)
8
Harpe, Flûte (duo)
7
Harpe, Voix
7
Violoncelle, Contrebasse (duo)
7
Violon, Clarinette, Piano (trio)
7
Violoncelle (partie séparée)
7
Harpe, Violoncelle (duo)
6
Alto et Harpe
6
Alto, Guitare (duo)
6
Harpe, Trombone (duo)
5
2 Violons, Piano
3
Trio à Cordes: 2 violons, alto
3
Harpe, Violon, Violoncelle
3
Flûte, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe et Piano
2
Ensemble de Violoncelles
2
4 Contrebasses
2
Harpe et mandoline
2
Violon, Orgue
1
Autoharp
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Violon, Tuba (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1472
Orchestre à Cordes
443
Orchestre
439
Ensemble de cuivres
226
Ensemble Jazz
223
Orchestre de chambre
209
Cloches
127
Fanfare
52
Jazz combo
50
Ensemble de Percussions
37
Batterie
28
Batterie (partie séparée)
24
Marimba
16
Percussion (partie séparée)
12
Vibraphone
10
Xylophone, Piano
8
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre, Violon
4
Piano et Orchestre
3
Quintette de Cuivres: autres combinaisons
3
Instrumentation Flexible
2
Percussion
2
Xylophone
2
Quintette à Vent
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Marimba et Orgue
1
Bongos
1
Big band
1
Cajon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
9
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Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.26 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
8.95 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre
Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged b…
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Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged by Arkady Leytush. 20th Century. Score. 22 pages. Published by Arkady Leytush
Montañesa, subtitled as"landscape", is the only one of the four that does not refer to aspecific territory. Indeed, the leisurely and calm air of the work seemsto bring to mind a landscape, someone contemplating a place calmly.
$20.00
17.92 €
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Orchestre
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Manuel de Falla (1876-1946)
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
62.96 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.13 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Manheim Sinfonietta
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.755143 Composed by Sy Brandon. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.755143 Composed by Sy Brandon. 20th Century,Classical,Concert,Contemporary. Score and parts. 194 pages. Sy Brandon #3406023. Published by Sy Brandon (A0.755143). This three movement piece is in a neo-classic style and is greatly influenced by characteristics of the Mannheim Orchestra of the pre-classic period, said to be the finest during that time. The composers of the Mannheim School wrote in a style that took advantage of the orchestra’s technical capabilities. These include boldly contrasted dynamics, presto movements, calculated use of crescendo and decrescendo, tremolo, and rockets (rising arpeggiated figures). The style was also known for the use of the Mannheim sigh (a half step descending figure). All of these are incorporated into Manheim Sinfonietta. The score prints on legal size paper and the parts on letter.
$39.99
35.84 €
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Orchestre
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Sy Brandon
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Manheim Sinfonietta
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Sy Brandon
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SheetMusicPlus
This Is My Commandment
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.728785 Composed by James Gilber…
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Full Orchestra - Level 2 - Digital Download SKU: A0.728785 Composed by James Gilbert. Pop,Praise & Worship,Sacred. Score and parts. 35 pages. James Gilbert Music #2101691. Published by James Gilbert Music (A0.728785). Instrumental Accompaniment for the Praise and Worship piece This Is My Commandment Playable by any combination of instruments with piano or organ. This is an accompaniment only (no melody or lyrics) piece for those praise bands that want to take your accompanying of congregational singing a step further.
$9.99
8.95 €
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Orchestre
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James Gilbert
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This Is My Commandment
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James Gilbert Music
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SheetMusicPlus
If I Were A Rich Man
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1198448 By Hines Hines & Dad. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1198448 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 59 pages. Marek Czekala #797590. Published by Marek Czekala (A0.1198448). If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his dreams of glory. The title is inspired by a 1902 monologue by Sholem Aleichem in Yiddish, Ven ikh bin Rothschild (Yiddish: װען ×יך בין ר×ָטשילד; lit. “If I were a Rothschildâ€), a reference to the wealth of the Rothschild family, although the content is quite different. The lyric is based in part on passages from Sholem Aleichem’s 1899 short story The Bubble Bursts. Both stories appeared in English in the 1949 collection of stories Tevye's Daughters.WikipediaThis arrangement proves that even with a single cast of wind instruments, a piece can sound great.
$50.00
44.81 €
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Orchestre
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Hines Hines & Dad
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Marek Czekala
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lit
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If I Were A Rich Man
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Marek Czekala
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SheetMusicPlus
Carson Cooman: Flying Machine (2008) for orchestra , score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Published by Musik Fabrik Music Publishing (A0.533576). Flying Machine (2008) for orchestra was commissioned by the Harvard-Radcliffe Orchestra incelebration of two anniversaries: the orchestra’s 200th season and James Yannatos’s 45th anniversaryas conductor. The work is dedicated to James Yannatos in celebration of his 80th birthday and hisyears of distinguished activity as conductor, composer, and mentor.The music is joyous in spirit, inspired by a sense of discovery and fulfillment—the exhilaration thatcomes from knowledge well-used. The poetic image is taken from the age of the invention of flight.The piece’s opening section is “workshop/construction†music—filled with a sense of unfolding,building, and assembly. The musical material is presented in a series of overlapping guises; the restof the work unfolds from these ideas. As the music gathers energy, the barn door is finally opened,and the behemoth is rolled out. After a pregnant pause, the music of flight begins—soaring andenergetic.The parts are available on rental from the publisher.
$25.95
23.26 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flying Machine
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
23.26 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Who Do You Say That I Am? - Orchestral Score and Parts
Orchestre
Orchestra - Digital Download SKU: LX.30-2662L Man of Sorrows, King of Glory, Lor…
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Orchestra - Digital Download SKU: LX.30-2662L Man of Sorrows, King of Glory, Lord of Life!. Composed by Lloyd Larson. Choral Cantatas. Easter, Lent. Orchestral Score and Parts. 440 pages. Lorenz Publishing - Digital Sheet Music #e30/2662L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2662L). UPC: 000308126877. Orchestrated by Brant Adams.The orchestra for Who Do You Say That I Am? includes a Conductor's Score and parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percusssion, Harp, Piano, 2 Violins, Viola, Cello, and Bass.
$349.95
313.63 €
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Orchestre
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Lloyd Larson
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Who Do You Say That I Am? - Orchestral Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Man With The Harmonica
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1153612 Composed by Ennio Morri…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153612 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 45 pages. FRC Music #753877. Published by FRC Music (A0.1153612). Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set. Arranged for Orchestra Intermediate Level Fomat: Concert 9 x 12 inches. 45 pages.
$49.99
44.8 €
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Orchestre
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Ennio Morricone
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Flavio Regis Cunha
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Man With The Harmonica
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FRC Music
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SheetMusicPlus
That's The Way (i Like It)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine…
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Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
44.81 €
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Orchestre
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arra…
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Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418). This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions. Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.
$20.00
17.92 €
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Orchestre
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Manuel de Falla
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
That's The Way I've Always Heard It Should Be
Orchestre
Full Orchestra - Level 4 - Digital Download By Carly Simon. By Jacob Brackman and Car…
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Full Orchestra - Level 4 - Digital Download By Carly Simon. By Jacob Brackman and Carly Simon. Arranged by Daryl McKenzie. Folk, Pop, Rock. 77 pages. Daryl McKenzie #820615. Published by Daryl McKenzi
$99.99
89.61 €
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Orchestre
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Carly Simon
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Daryl McKenzie
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That's The Way I've Always Heard It Should Be
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Daryl McKenzi
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SheetMusicPlus
Man With The Harmonica (from The Motion Picture "ONCE UPON A TIME IN THE WEST")
Orchestre
By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. P…
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By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. Published by Flavio Regis Cunha
Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.<br> <br> The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.<br> <br> It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set.
$69.99
62.73 €
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Orchestre
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Ennio Morricone
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Man With The Harmonica
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Flavio Regis Cunha
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SheetMusicPlus
The American Seasons (violin solo part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.16 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.44 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
71.7 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
44.77 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Digital Download SKU: A0.506903 Composed by B.A. Robertson and Joh…
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Full Orchestra - Digital Download SKU: A0.506903 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 53 pages. Published by Kevin Riley (A0.506903). Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour and Christopher Plummer. Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he wishes himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour), but comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and resolves to stop him. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$80.00
71.7 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Symphonie in C, 1. Allegro Vivo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Biz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
44.8 €
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Orchestre
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Vivo
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Donald Jay Smith Music
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SheetMusicPlus
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.4 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
34.95 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.23 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
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