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19937
PIANO & CLAVIERS
Piano seul
1977
Piano, Voix
1103
Piano Facile
811
Piano, Voix et Guitare
592
Orgue
299
Instruments en Do
275
Accompagnement Piano
145
1 Piano, 4 mains
57
Piano (partie séparée)
50
Piano grosses notes
38
Piano Trio: piano, violon, violoncelle
37
2 Pianos, 4 mains
24
Accordéon
15
Orgue, Trompette (duo)
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Orgue, Piano (duo)
7
Accordéon, Piano
4
Ligne De Mélodie, Piano
4
Clavecin
4
1 Piano, 6 mains
3
Clavier
2
Accordéon, Voix
1
2 Pianos, 8 mains
1
Orgue et Orchestre
1
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GUITARES
Guitare notes et tablatures
282
Ligne De Mélodie, (Paroles) et Accords
276
Guitare
196
Basse electrique
163
Guitare (partie séparée)
81
Ukulele
64
Paroles et Accords
53
2 Guitares (duo)
33
Piano, Guitare (duo)
18
Basse électrique (partie séparée)
9
Mandoline
8
4 Guitares (Quatuor)
8
Ensemble de guitares
5
Banjo
5
Dulcimer
5
Ukulele Baryton
3
Guitare, Violon, Violoncelle (trio)
3
2 Ukuleles
1
Dobro
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
1566
Chorale 3 parties
361
Chorale 2 parties
246
Chorale TTBB
239
Chorale Unison
158
Chorale SSAA
131
Voix Alto, Piano
109
Voix Soprano, Piano
108
Voix Tenor, Piano
100
Voix Baryton, Piano
98
Voix duo, Piano
70
Voix duo
34
Voix seule
18
Chorale
14
Voix haute
14
Voix moyenne, Piano
9
Chorale SSAATTBB
8
Voix Tenor
7
Chorale SSATB
4
Soli, choeur mixte et accompagnement
4
Voix basse, Piano
4
Chorale SSAB a cappella
2
Chorale SSATTB
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
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VENTS
Saxophone (partie séparée)
11259
Quatuor de Saxophones: 4 saxophones
7059
Saxophone Alto
6569
Saxophone Tenor
5767
Saxophone
5435
Saxophone Alto et Piano
4569
2 Saxophones (duo)
4556
Saxophone Tenor et Piano
3384
Saxophone Soprano et Piano
2136
Quintette de Saxophone: 5 saxophones
2102
3 Saxophones (trio)
1641
Saxophone Baryton, Piano
972
Ensemble de saxophones
846
Flûte, Hautbois, Clarinette, Basson
776
Saxophone Soprano
655
Saxophone, Clarinette (duo)
550
Flûte traversière et Piano
440
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
413
Clarinette et Piano
357
Quatuor de Clarinettes: 4 clarinettes
281
Clarinette
263
Hautbois, Piano (duo)
243
Saxophone Baryton
235
Flûte traversière
228
Flûte, Saxophone (duo)
228
2 Flûtes traversières (duo)
179
2 Clarinettes (duo)
176
Clarinette (partie séparée)
173
Hautbois (partie séparée)
130
2 Saxophones, Piano
130
Instruments en Mib
109
Saxophone et Guitare
97
3 Clarinettes (trio)
97
Flute (partie séparée)
95
Flûte, Clarinette (duo)
86
Saxophone et Piano
83
Quatuor de Flûtes : 4 flûtes
77
Ensemble de Clarinettes
73
2 Hautbois (duo)
73
Trio de Flûtes: 3 flûtes
56
Quintette de Clarinettes: 5 clarinettes
53
Hautbois
52
Saxophone et Orgue
51
Ensemble de Flûtes
43
Saxophone, Violon (duo)
41
2 Flûte à bec (duo)
39
Cor anglais, Piano
38
Saxophone et Harpe
36
Flûte et Guitare
33
Clarinette, Violon (duo)
32
Hautbois, Basson (duo)
27
Clarinette Basse, Piano
27
Clarinette, Basson (duo)
26
Quatuor de Flûtes à bec
25
Clarinette, Guitare (duo)
24
Flûte, Violon
23
Hautbois, Clarinette (duo)
22
Quintette de Flûte : 5 flûtes
21
Flûte, Hautbois, Clarinette (trio)
21
Flûte à bec Soprano
20
Ensemble De Flûte à bec
20
Flûte, Clarinette et Basson
19
Hautbois, Flûte
18
Clarinette, Trompette (duo)
17
Saxophone, Basson (duo)
16
3 Flûtes à bec (trio)
15
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Hautbois (duo)
14
Flûte à bec Alto
14
Clarinette et Alto
14
Flûte, Violoncelle
13
4 Hautbois
13
Cor Anglais
12
Saxophone et violoncelle
11
Flûte, Alto (duo)
10
Flûte, Trompette (duo)
10
3 Hautbois
9
Hautbois, Guitare (duo)
9
Piccolo
9
Flûte à bec Soprano, Piano
8
Flûte à bec Alto, Piano
8
Piccolo, Piano
7
Flûte à Bec
7
Clarinette Basse
6
Cor anglais, Guitare (duo)
6
Ensemble à vent
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Hautbois, Violoncelle
5
5 Flûtes à bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Clarinette, Piano (trio)
4
Flûte, Hautbois, Basson
4
Ocarina
4
Flûte, Violoncelle, Piano (trio)
4
Flute, harpe et violon
4
Flûte, Violon et Violoncelle
4
Flûte, Clarinette, Violon (trio)
4
Clarinette, Saxophone, Piano
3
Flûte à bec Tenor
3
Cornemuse
3
2 Clarinettes, Piano
3
Hautbois, violon (duo)
3
Flûte, Trombone (duo)
3
Saxophone, Tuba (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Harmonica
2
Flûte, Violon, Piano
2
2 Flûtes traversières, Piano
2
Hautbois et alto (duo)
2
2 Clarinettes, Basson
2
Ensemble de Hautbois
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violoncelle, Guitare
1
Flûte à Bec, Piano
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Orgue
1
Clarinette, Tuba
1
Flûte, Basson et Piano
1
Hautbois, trombone (duo)
1
Flûte, Tuba (duo)
1
Hautbois, Harpe
1
Flûte, Alto et Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
898
Euphonium
678
Euphonium, Piano (duo)
648
Trompette, Saxophone (duo)
452
Trompette
401
2 Euphoniums et 2 Tubas
382
Trombone (partie séparée)
329
Trombone et Piano
326
Trompette (partie séparée)
291
Trompette, Piano
240
Quatuor de Cuivres : 2 trompettes, trombone, tuba
208
Trombone
187
Cor
183
Cor et Piano
176
Tuba et Piano
158
Quatuor de Cuivres
148
Quatuor de cuivres: 4 trombones
141
Cor (partie séparée)
141
Instruments en Sib
131
2 Trombones (duo)
131
2 Trompettes (duo)
108
Quatuor de Cuivres: 2 trompettes, Cor, trombone
103
Tuba
95
Euphonium, Tuba (duo)
84
Trompette, Trombone (duo)
81
4 Tubas
77
2 Cors (duo)
69
Ensemble de Trombones
69
Trompette, Cor (duo)
65
Tuba (partie séparée)
59
2 Euphoniums (duo)
42
Ensemble de Trompettes
40
Cor anglais, Piano
38
3 Trombones (trio)
34
Quatuor de cuivres: 4 cors
32
2 Tubas (duo)
30
Trombone, Tuba (duo)
29
Ensemble de Cors
14
Cor Anglais
12
Tuba et Orgue
12
Trio de Cuivres
12
3 Euphoniums
10
Ensemble de Tubas
9
Quatuor de cuivres: 4 trompettes
9
3 Tubas (trio)
8
3 Trompettes (trio)
8
Trombone, Orgue
7
Trombone, Cor (duo)
7
Trombone basse
7
Trompette, Tuba (duo)
7
4 Euphoniums
6
Cor anglais, Guitare (duo)
6
Trombone basse et Piano
5
3 Cors (trio)
5
Bass Clef Instruments
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Euphonium (partie séparée)
3
Cornet A Pistons
3
Trombone et orchestre
3
Cor, Tuba (duo)
3
Trompette, Basson (duo)
2
Trompette, Euphonium (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, violon (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Cor et Harpe
1
Trombone, Violon (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cornet et orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
803
Violon et Piano
479
Violon
322
Violoncelle, Piano
272
Alto, Piano
244
Violoncelle
219
Harpe
138
2 Violons (duo)
138
Violon, Violoncelle (duo)
137
Alto seul
137
Trio à Cordes: violon, alto, violoncelle
119
Violon (partie séparée)
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
115
2 Violoncelles (duo)
106
Contrebasse (partie séparée)
103
2 Altos (duo)
98
Violon, Alto (duo)
84
Contrebasse, Piano (duo)
83
Contre Basse
83
Alto (partie séparée)
77
Violoncelle (partie séparée)
46
2 Harpes (duo)
38
Trio à Cordes: 2 violons, violoncelle
31
4 Violoncelles
29
2 Contrebasses (duo)
28
Trio à cordes: 3 violins
25
Violon, Guitare (duo)
24
Trio à Cordes: 3 violoncelles
22
Alto, Violoncelle (duo)
20
Piano Trio: Violon, Alto, Piano
19
Violoncelle , Guitare (duo)
17
Trio à cordes: 3 altos
16
Quatuor à cordes: 4 violons
16
Alto, Guitare (duo)
13
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes : 4 altos
8
Harpe, Voix
7
Trio à cordes
7
Trio à Cordes: 2 violons, alto
7
Harpe, Flûte (duo)
6
Violon, Basson (duo)
5
Flûte, Contrebasse (duo)
4
Violoncelle, Orgue
3
Harpe, Violon (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Ensemble de Violons
3
Harpe (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Contrebasses
2
Violoncelle, Orchestre
2
Alto et orchestre
2
Violon, Orgue
2
Violon, Clarinette, Piano (trio)
2
Harpe, Trombone (duo)
1
Harpe et Piano
1
Harpe, Quatuor à cordes
1
Violon, Violoncelle, Clarinette
1
2 Altos, Piano
1
2 Violons, Piano
1
Harpe, Violoncelle (duo)
1
4 Harpes
1
Violon, Basse continue
1
Violon, Tuba (duo)
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6922
Orchestre
1503
Ensemble de cuivres
678
Ensemble Jazz
551
Orchestre à Cordes
433
Fanfare
282
Xylophone
275
Orchestre de chambre
254
Cloches
145
Ensemble de Percussions
137
Jazz combo
137
Percussion (partie séparée)
121
Batterie
112
Xylophone, Piano
111
Batterie (partie séparée)
79
2 Xylophones
52
Percussion
37
Timbales (partie séparée)
28
Vibraphone
21
Marimba
14
Quintette de Cuivres: autres combinaisons
13
Big band
8
Ensemble d'École
7
Xylophone ou Marimba ou Vibraphone
7
Xylophone (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
3
Marimba ou Xylophone et Piano
2
Orchestre, Violon
2
Instrumentation Flexible
2
Caisse Claire
2
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Voix et Orchestre
1
Quintette à Vent
1
Timbales
1
Instrumentations suivantes
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AUTRES
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1501
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
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Orchestre
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Montenegrin folk song
#
Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
#
Keith Terrett
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
34.96 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
35.85 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
44.78 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.47 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
8.96 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
Orchestre
Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. C…
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Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
62.74 €
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Orchestre
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Neil Crossland
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
179.29 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Symphonie in C, 1. Allegro Vivo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Biz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
44.81 €
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Orchestre
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Vivo
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Donald Jay Smith Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): 3rd Percussion
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_PC3 3rd Percussion. …
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_PC3 3rd Percussion. Composed by Robert W. Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_PC3). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_F1 Flute. Composed by Robert W. Smith. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_F1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_TMP Timpani. Composed by Robert W. Smith. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_TMP). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): 3rd F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_H3 3rd F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_H3 3rd F Horn. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_H3). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Piccolo
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_P1 Piccolo. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_P1 Piccolo. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_P1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): 4th F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_H4 4th F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_H4 4th F Horn. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_H4). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): 2nd Oboe
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_O2 2nd Oboe. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_O2 2nd Oboe. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_O2). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_B1 Bassoon. Composed by Robert W. Smith. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_B1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_M1 Mallets. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_M1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_VC1 Cello. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_VC1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): 3rd B-flat Clarinet
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0014687_C3 3rd B-flat Clarinet
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Full Orchestra - Digital Download SKU: AX.00-PC-0014687_C3 3rd B-flat Clarinet. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_C3). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
2.69 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Paradiso (from The Divine Comedy): Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0003003 Score. Composed by R…
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Full Orchestra - Digital Download SKU: AX.00-PR-0003003 Score. Composed by Robert W. Smith. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0003003. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003003). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$9.00
8.07 €
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Orchestre
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
35.85 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.26 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.26 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Symphony No.1
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
40.34 €
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Orchestre
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Han-Ki Kim
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Symphony No.1
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Han-Ki Kim
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SheetMusicPlus
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