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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For King
Non classifié
1 158
Piano & claviers
Piano seul
3 006
Piano, Voix
324
Piano, Voix et Guitare
130
Instruments en Do
82
Orgue
78
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
11
Piano Facile
9
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
3
Orgue, Piano (duo)
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
391
Basse electrique
244
Guitare notes et tablatures
150
Ukulele
50
Mandoline
16
Dulcimer
12
Ligne De Mélodie, (Paroles) et Accords
7
4 Guitares (Quatuor)
5
2 Guitares (duo)
5
Piano, Guitare (duo)
4
Ukulele Baryton
3
Banjo
3
2 Ukuleles
2
Ensemble de guitares
1
2 Dulcimers (duo)
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Voix seule
2 371
Chorale SATB
464
Chorale 3 parties
70
Chorale TTBB
66
Chorale SSAA
56
Voix Soprano, Piano
14
Chorale
11
Voix duo
10
Voix duo, Piano
9
Chorale 2 parties
9
Chorale Unison
7
Voix Baryton, Piano
6
Voix haute
6
Voix Alto, Piano
3
Voix Tenor, Piano
3
Voix Tenor
3
Voix moyenne, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière
554
Saxophone
538
Clarinette
456
Saxophone Tenor
168
Saxophone Alto
166
Flûte traversière et Piano
98
Quatuor de Saxophones: 4 saxophones
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Hautbois
80
Clarinette et Piano
65
Saxophone Alto et Piano
64
Saxophone Soprano
58
Ensemble de saxophones
55
Saxophone Tenor et Piano
55
Quatuor de Clarinettes: 4 clarinettes
52
Flûte à Bec
45
Flûte, Hautbois, Clarinette, Basson
41
Hautbois, Piano (duo)
38
Quintette de Saxophone: 5 saxophones
35
Saxophone Soprano et Piano
31
2 Saxophones (duo)
29
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
25
3 Clarinettes (trio)
23
Ensemble de Flûtes
19
3 Saxophones (trio)
18
Quatuor de Flûtes : 4 flûtes
18
2 Clarinettes (duo)
15
Saxophone (partie séparée)
13
Hautbois (partie séparée)
13
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
10
Quintette de Clarinettes: 5 clarinettes
10
Trio de Flûtes: 3 flûtes
10
Saxophone, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flûte, Hautbois, Basson
6
Flûte, Hautbois, Clarinette (trio)
6
Clarinette Basse, Piano
6
Clarinette, Violon (duo)
5
Hautbois, Basson (duo)
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Clarinette et Basson
5
Cor anglais, Piano
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Trompette (duo)
4
Flûte et Guitare
4
2 Hautbois (duo)
3
Clarinette, Basson (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Hautbois, Clarinette (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte, Saxophone (duo)
2
2 Flûte à bec (duo)
2
Clarinette et Alto
2
Flûte à bec Tenor
2
Hautbois, Flûte
2
Saxophone Baryton
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto
2
Quatuor de Flûtes à bec
2
Hautbois, Violon, Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Harpe
1
Flute (partie séparée)
1
Flûte à bec Alto, Piano
1
Clarinette, Alto et Piano (trio)
1
3 Hautbois
1
Harmonica
1
Cor anglais, Guitare (duo)
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
Flûte, Trompette (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Trompette
358
Trombone
301
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
132
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Cor
64
Quatuor de cuivres: 4 trombones
37
Trompette, Piano
36
Trombone et Piano
34
Euphonium
27
Cor et Piano
27
Quatuor de Cuivres
26
Tuba
23
Tuba et Piano
19
Ensemble de Trombones
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Trompettes (duo)
11
Ensemble de Cors
11
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 cors
10
2 Trombones (duo)
9
Ensemble de Trompettes
9
Trompette, Trombone (duo)
7
Trio de Cuivres
7
Trompette (partie séparée)
5
Trompette, Saxophone (duo)
5
3 Trombones (trio)
5
Cor anglais, Piano
5
2 Euphoniums et 2 Tubas
4
4 Tubas
3
3 Cors (trio)
2
Cor et Harpe
2
Cor et Orgue
2
3 Trompettes (trio)
2
Cor, Trompette, Trombone (trio)
1
Trombone basse
1
2 Cors (duo)
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
+ 36 instrumentations
Retracter
Cordes
Violon
393
Violoncelle
334
Quatuor à cordes: 2 violons, alto, violoncelle
330
Violon et Piano
133
Alto seul
119
Trio à Cordes: violon, alto, violoncelle
63
Violoncelle, Piano
61
Alto, Piano
60
Violon, Violoncelle (duo)
59
Harpe
42
2 Harpes (duo)
31
Contre Basse
25
2 Violons (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
Violon, Alto (duo)
17
2 Violoncelles (duo)
16
Contrebasse, Piano (duo)
11
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, alto
7
2 Altos (duo)
7
Alto (partie séparée)
7
4 Violoncelles
6
Alto, Guitare (duo)
6
Trio à cordes: 3 altos
5
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
5
Violoncelle, Contrebasse (duo)
5
Alto, Violoncelle (duo)
4
Violon, Guitare (duo)
4
Ensemble d'Altos
4
Ensemble de Violons
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violoncelle (duo)
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
2
Alto et Harpe
1
2 Contrebasses (duo)
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Harpe, Quatuor à cordes
1
Alto et Basson
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Batterie
352
Orchestre
275
Orchestre d'harmonie
184
Ensemble Jazz
116
Orchestre à Cordes
98
Ensemble de cuivres
85
Orchestre de chambre
67
Jazz combo
49
Cloches
32
Fanfare
13
Ensemble de Percussions
12
Percussion
8
Marimba
3
Percussion (partie séparée)
2
Vibraphone
1
+ 10 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Crtitères actifs :
For King
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2 Pianos, 4 mains
Partitions à imprimer
11 partitions trouvées
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1
F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Helios D'Andrea
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F. CHOPIN CANON F minor comple
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D'Andrea Helios
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score an...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score and parts. 10 pages. D'Andrea Helios #6603303. Published by D'Andrea Helios (A0.981553). This original Canon unifinished has been completed and transcribed for two pianos taking care to keep the original Chopin's writing of 14 measures.
$10.00
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume
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sandra dee zylstra
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SheetMusicPlus
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by s...
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
Canon in F - 2 Pianos, 4 Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
Worship the Almighty King
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Giardini, Haydn
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Sandra Zylstra
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Worship the Almighty King
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Sandra Zylstra
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SheetMusicPlus
Composed by Giardini, Haydn. Arranged by Sandra Zylstra. For Piano Duet. Christian,Sacred. Advanced Intermediate. Sheet Music Single. 6 pages. Published by Sand...
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Composed by Giardini, Haydn. Arranged by Sandra Zylstra. For Piano Duet. Christian,Sacred. Advanced Intermediate. Sheet Music Single. 6 pages. Published by Sandra Zylstra
$4.75
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