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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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54
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481
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
75752
PIANO & CLAVIERS
Piano seul
52678
Piano Facile
19918
Piano, Voix
16603
Piano, Voix et Guitare
9298
Orgue
6831
Instruments en Do
4055
Piano grosses notes
3344
Accompagnement Piano
3083
1 Piano, 4 mains
1898
Piano Trio: piano, violon, violoncelle
1026
Accordéon
723
2 Pianos, 4 mains
481
Piano (partie séparée)
478
Piano Quatuor: piano, violon, alto, violoncelle
248
Piano Quatuor: piano, 2 violons, violoncelle
170
Piano Quintette: piano, 2 violons, alto, violoncelle
164
Orgue, Trompette (duo)
161
Orgue, Piano (duo)
139
Clavecin
113
Clavier
96
1 Piano, 6 mains
92
2 Pianos, 8 mains
33
Accordéon, Voix
23
Ensemble d'Accordéons
22
2 Accordéons
19
Accordéon, Piano
6
Accordéon, Corde(s)
4
Accordéon et Orchestre
4
Tous Les Instruments
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Ensemble de Pianos
2
Orgue, Voix
2
2 Orgues (duo)
1
Orgue et Orchestre
1
Piano Trio: Instruments de chambre mixtes
1
Concertina
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
7988
Guitare
4811
Ligne De Mélodie, (Paroles) et Accords
1939
Ukulele
1756
Basse electrique
1586
Paroles et Accords
853
2 Guitares (duo)
679
Guitare (partie séparée)
594
Piano, Guitare (duo)
511
4 Guitares (Quatuor)
339
Dulcimer
306
Mandoline
242
Banjo
203
3 Guitares (trio)
149
Basse électrique (partie séparée)
125
Ensemble de guitares
94
Ukulele Baryton
31
Guitare Pedal Steel
29
Guitare, Violon, Violoncelle (trio)
27
Ensemble de Ukulélés
24
Mandoline, Guitare (duo)
22
2 Dulcimers (duo)
20
2 Ukuleles
19
Guitare, Flûte, Clarinette
14
Dobro
8
2 Mandolines (duo)
8
Mandoline, Piano (duo)
7
Guitare, Quatuor à cordes
4
Cithare
3
Guitare, Orchestre
3
Guitare Tab, Voix, Basse, Batterie
2
Orchestre à Plectres
1
Luth
1
3 Dulcimers (trio)
1
2 Guitares, Clarinette (trio)
1
Bouzouki
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
25519
Chorale 3 parties
8051
Chorale 2 parties
6267
Chorale TTBB
4565
Chorale Unison
3832
Chorale SSAA
2583
Voix duo, Piano
1909
Voix duo
792
Voix Soprano, Piano
669
Voix Alto, Piano
488
Voix haute
444
Chorale
422
Voix Tenor, Piano
411
Voix seule
351
Voix Baryton, Piano
309
Voix moyenne, Piano
162
Voix basse, Piano
139
Voix Tenor
81
Chorale SSAATTBB
78
Chorale SSATB
68
Voix Soprano
54
Soli, choeur mixte et accompagnement
32
Voix Mezzo-Soprano, Piano
32
Chorale SSATTB
31
Voix basse
31
Chorale SSAB a cappella
29
Voix d'Enfants
28
Voix, Guitare
28
Chorale, Orgue
14
Chorale SSAB, Piano
13
Voix Soprano, Orchestre
9
Chorale SATBB
8
Chorale SSAATB
7
Male Voice
7
Chorale SATTBB A Cappella
3
Voix Moyenne
3
Voix haute, Piano
3
Chorale SAATB A Cappella
3
Voix d'Enfants, Piano
2
Voix Baryton
2
Chorale SSATBB
1
Paroles Seulement
1
Voix duo, Orgue
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
6694
Quatuor de Saxophones: 4 saxophones
6365
Saxophone (partie séparée)
5942
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4784
Clarinette et Piano
4608
Flûte traversière
4367
Hautbois, Piano (duo)
4223
Flûte, Hautbois, Clarinette, Basson
4014
Quatuor de Clarinettes: 4 clarinettes
3755
Clarinette
3620
Saxophone Alto et Piano
3619
2 Saxophones (duo)
3566
Saxophone Alto
3551
Saxophone Tenor
3069
2 Flûtes traversières (duo)
2973
Saxophone Tenor et Piano
2500
Hautbois (partie séparée)
2474
2 Clarinettes (duo)
2430
Clarinette (partie séparée)
2154
Quatuor de Flûtes : 4 flûtes
2112
Quintette de Saxophone: 5 saxophones
1952
3 Saxophones (trio)
1567
3 Clarinettes (trio)
1527
Saxophone Soprano et Piano
1479
Ensemble de Clarinettes
1230
Ensemble de Flûtes
1120
Flûte, Clarinette (duo)
1114
Trio de Flûtes: 3 flûtes
1024
Flute (partie séparée)
983
Quintette de Clarinettes: 5 clarinettes
908
2 Hautbois (duo)
787
Ensemble de saxophones
776
Saxophone Baryton, Piano
772
Flûte et Guitare
734
Hautbois, Basson (duo)
613
Hautbois
576
Flûte à bec Soprano
523
2 Flûte à bec (duo)
516
Clarinette, Violon (duo)
511
Quatuor de Flûtes à bec
508
Saxophone, Clarinette (duo)
494
Hautbois, Clarinette (duo)
467
Cor anglais, Piano
459
Flûte, Hautbois, Clarinette (trio)
448
Flûte, Clarinette et Basson
428
Flûte à Bec
423
Flûte, Violon
398
Saxophone Soprano
379
Flûte à bec Alto
341
Ocarina
322
Clarinette, Guitare (duo)
315
Clarinette, Basson (duo)
312
Flûte, Hautbois, Basson
300
Quintette de Flûte : 5 flûtes
287
Clarinette, Trompette (duo)
285
Flûte, Violoncelle
281
Hautbois, Flûte
276
Clarinette Basse, Piano
272
Flûte, Alto (duo)
261
Hautbois, Clarinette, Basson (trio d'anches)
260
Clarinette et Alto
246
Cor Anglais
216
Flûte, Saxophone (duo)
212
Flûte, Hautbois (duo)
193
Flûte, Trompette (duo)
192
Flûte, Violon et Violoncelle
191
3 Flûtes à bec (trio)
187
Flûte, Clarinette, Piano (trio)
185
Clarinette, Violoncelle (duo)
184
Saxophone Baryton
169
Flûte, Violon, Piano
164
Flûte, Violoncelle, Piano (trio)
162
2 Flûtes traversières, Piano
156
Hautbois, Violoncelle
145
5 Flûtes à bec
145
Ensemble De Flûte à bec
133
3 Hautbois
126
Flûte à bec Soprano, Piano
117
Harmonica
115
2 Clarinettes, Piano
114
Flûte à bec Alto, Piano
105
Clarinette, Violoncelle, Piano (trio)
96
Flûte, Trombone (duo)
95
Flûte irlandaise
94
Saxophone et Guitare
91
Hautbois, Guitare (duo)
89
Clarinette, Harpe (duo)
88
Hautbois, violon (duo)
86
Flûte, Basson et Piano
84
Saxophone
83
Piccolo
81
2 Saxophones, Piano
77
Saxophone et Piano
75
Hautbois et alto (duo)
71
Cor anglais, Guitare (duo)
71
Flûte à bec Tenor
69
Clarinette Basse
60
Flûte, Harpe et Violoncelle
55
2 Clarinettes, Basson
53
Flûte, Alto et Piano
49
Clarinette, Trombone (duo)
46
Piccolo, Piano
46
Flûte, Hautbois, Piano (trio)
46
Cornemuse
43
Flûte, Tuba (duo)
41
Flûte, Violon, Violoncelle et Piano
39
Saxophone et Orgue
38
4 Hautbois
38
Flûte, Clarinette, Cor, Basson (Quartet)
37
Flûte traversière, Orgue (duo)
36
Flûte, trombone et piano
33
Flute, harpe et violon
32
Flûte à Bec, Piano
31
Clarinette, Basson, Piano (trio)
29
Hautbois, Harpe
27
Hautbois, trombone (duo)
26
Saxophone et Harpe
26
Flûte à bec, Guitare (duo)
25
Ensemble à vent
25
Clarinette, Tuba
25
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
25
Flûte, Hautbois, Violon
24
Clarinette, trompette et piano
23
Flûte et Trio à cordes
23
Flûte, Clarinette, Violon (trio)
21
2 Cors Anglais Et Pianoforte
19
Flute, Cor (duo)
18
Flûte, Violoncelle, Guitare
18
Instruments en Mib
18
Flûte et Quatuor à Cordes
18
Flûte à bec Alto, Basse continue
18
Saxophone, Violon (duo)
17
Clarinette, Orchestre
17
Clarinette, Alto et Piano (trio)
16
Flûte traversière, Orchestre
16
Hautbois, Violoncelle et Piano
15
Hautbois, Basson et Piano
14
Clarinette, Contrebasse (duo)
14
Quintette de Clarinette: Clarinette, Quatuor à Cordes
13
Clarinette, Orgue
13
Hautbois, Clarinette et Piano (Trio)
13
Flûte, alto et harpe
12
Flûte, Alto et Violoncelle
12
Ensemble de Hautbois
11
2 Flûtes traversières, Guitare
9
Hautbois, Violon, Piano
9
Saxophone, Basson (duo)
8
2 Hautbois, Piano
8
Flûte, Violon, Guitare
7
Hautbois, Trompette (duo)
7
Flûte traversière, Basse continue
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
6
2 Hautbois et Basson
6
2 Flûtes à bec, Piano
6
Saxophone et violoncelle
5
Harmonica, Piano
5
Flûte de Pan
5
2 Hautbois et Cor anglais
5
Hautbois, Quatuor à cordes
4
Flûte à bec, Harpe
4
Clarinette, Quatuor à cordes et Piano
3
2 Flûtes traversières, Harpe
3
Cor anglais et Harpe (duo)
3
Flûte à bec Soprano, Basse continue
3
Hautbois et Orchestre
2
Hautbois, Clarinette, Basson et Piano
2
Melodica
2
2 Flûtes, Basse continue
2
3 Flûtes à bec, Piano
2
Hautbois, Orgue
2
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Harmonicas
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Saxophone, Piano
1
Saxophone, Tuba (duo)
1
2 Flûtes à bec, Guitare
1
Flute, alto, violoncelle et guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6226
Trompette
3885
Trompette, Piano
3197
Trombone et Piano
3127
Trombone (partie séparée)
3050
Trombone
2965
Trompette (partie séparée)
2937
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2701
Cor et Piano
2207
Cor
2164
Tuba
1336
Quatuor de Cuivres
1237
Cor (partie séparée)
1229
2 Trompettes (duo)
1147
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1135
Tuba et Piano
1051
2 Trombones (duo)
1037
Tuba (partie séparée)
792
Quatuor de cuivres: 4 trombones
736
Trompette, Trombone (duo)
726
2 Cors (duo)
684
Quatuor de cuivres: 4 cors
571
Euphonium
551
Euphonium, Piano (duo)
548
Cor anglais, Piano
459
Trompette, Saxophone (duo)
411
Ensemble de Trombones
323
Trompette, Cor (duo)
311
Trio de Cuivres
277
2 Tubas (duo)
246
2 Euphoniums et 2 Tubas
241
3 Trombones (trio)
226
Cor Anglais
216
3 Trompettes (trio)
196
Ensemble de Trompettes
189
4 Tubas
167
Quatuor de cuivres: 4 trompettes
153
Ensemble de Cors
138
Trompette, Tuba (duo)
77
2 Trompettes, Clavier (piano ou orgue)
76
Tuba et Orgue
73
Cor anglais, Guitare (duo)
71
Euphonium, Tuba (duo)
69
Quatuor de cuivres: 2 trompettes, 2 trombones
68
Trombone, Tuba (duo)
63
Trombone basse
59
Cor, Violoncelle (duo)
57
3 Cors (trio)
55
Trompette, Violoncelle (duo)
54
Bass Clef Instruments
52
Trombone basse et Piano
52
Trombone, Cor (duo)
49
Cornet A Pistons
46
Cor, Tuba (duo)
44
2 Euphoniums (duo)
41
Trompette, violon (duo)
39
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
38
Trombone, Orgue
37
Trombone, Violon (duo)
37
Cor et Harpe
35
Trompette, Basson (duo)
35
Tuba ou Euphonium ou Saxhorn
33
Trompette, Violoncelle et Piano
33
Trompette, Trombone, Piano
33
3 Tubas (trio)
25
Cor et Basson (duo)
24
Trompette, Harpe
21
Instruments en Sib
20
2 Cors Anglais Et Pianoforte
19
Cor, Trompette, Trombone (trio)
18
Clarinette, Cor (duo)
17
Trompette et Guitare
15
Ensemble de Tubas
15
Cornet et Piano
14
Trombone, violoncelle (duo)
13
Cor et Orgue
13
2 Trombones, Piano
13
3 Euphoniums
10
Trombone et orchestre
8
Trompette, Orchestre
7
2 Cors, Piano
7
Cor, Orchestre
7
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
7
4 Euphoniums
7
Trombone, Alto (duo)
3
Cor anglais et Harpe (duo)
3
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Trompette, Euphonium (duo)
2
Cor, Violoncelle et Piano
2
Cornet et orchestre
2
Bugle
2
Euphonium Ou Saxhorn Et Piano
1
Euphonium (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
17599
Violon et Piano
7871
Violon
5910
Violoncelle, Piano
4736
Violoncelle
4231
Alto, Piano
4001
Harpe
3850
Violon, Violoncelle (duo)
3048
Alto seul
2711
Trio à Cordes: violon, alto, violoncelle
2674
2 Violons (duo)
2270
Violon (partie séparée)
1680
2 Violoncelles (duo)
1596
Violon, Alto (duo)
1456
Alto (partie séparée)
1250
Quintette à cordes: 2 violons, alto, violoncelle, basse
1153
2 Altos (duo)
1125
Contrebasse (partie séparée)
1104
Contre Basse
1012
Contrebasse, Piano (duo)
974
Trio à Cordes: 2 violons, violoncelle
916
Alto, Violoncelle (duo)
635
4 Violoncelles
598
Violoncelle (partie séparée)
536
Trio à cordes: 3 violins
524
Trio à cordes
478
2 Harpes (duo)
451
Harpe, Flûte (duo)
408
Piano Trio: Violon, Alto, Piano
404
Violon, Guitare (duo)
399
Trio à Cordes: 3 violoncelles
360
Quatuor à cordes: 4 violons
312
Violoncelle , Guitare (duo)
291
Harpe, Violon (duo)
240
2 Contrebasses (duo)
228
Trio à cordes: 3 altos
211
Quatuor à cordes : 4 altos
191
Violoncelle, Contrebasse (duo)
173
Alto, Guitare (duo)
159
Trio à Cordes: 2 violons, alto
146
Violon, Basson (duo)
140
2 Violons, Piano
103
Harpe (partie séparée)
85
Quintette à cordes: 2 violons, 2 altos, violoncelle
76
Harpe et Piano
73
Alto et Basson
59
Harpe, Violoncelle (duo)
55
Violon, Clarinette, Piano (trio)
55
Harpe, Voix
53
Ensemble de Violoncelles
50
4 Contrebasses
48
Alto et Harpe
48
Flûte, Contrebasse (duo)
45
Violoncelle, Orchestre
44
Quintette à cordes : 2 violons, alto et 2 violoncelles
41
Violoncelle, Orgue
41
Ensemble de Violons
37
Violon, Orgue
33
Violon, Tuba (duo)
31
Ensemble d'Altos
31
2 Violoncelles, Piano
27
Harpe, Violon, Violoncelle
22
3 Harpes
16
Violon, Basse continue
16
Violon, Contrebasse (duo)
15
Harpe, Trombone (duo)
13
Autoharp
12
3 Contrebasses
11
Violon, Violoncelle, Clarinette
11
Harpe et mandoline
10
Violoncelle, Basse continue
10
2 Altos, Piano
9
Alto et orchestre
7
4 Harpes
6
Harpe, Orchestre
6
5 Harpes
6
Alto, Orgue
6
Violon, Trompette et Piano
5
Harpe, Quatuor à cordes
5
Ensemble de Contre basses
3
Harpe et Orgue
2
2 Violons et Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
25686
Orchestre à Cordes
6498
Orchestre
5672
Ensemble Jazz
3766
Cloches
3606
Ensemble de cuivres
3260
Orchestre de chambre
1857
Fanfare
1601
Percussion (partie séparée)
1500
Batterie
1186
Jazz combo
982
Batterie (partie séparée)
809
Ensemble de Percussions
642
Percussion
287
Timbales (partie séparée)
273
Quintette à Vent
234
Marimba
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SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
17.92 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Gwyn, Lord of Cinder
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1461609 Composed by Yuka Kitamura. Arranged by Jefferson Sequeira. 21st Century,Film/TV,Medieval,Video Game. Score. 9 pages. Jeff Sequeira #1040353. Published by Jeff Sequeira (A0.1461609). Immerse yourself in the majesty and intensity of this iconic musical piece from the original Dark Souls game. This two-piano arrangement captures all the grandeur and drama of battling the Lords of Cinder, transporting you directly to the dark and immersive landscapes of Lordran.Meticulously designed for pianists and game enthusiasts alike, this arrangement showcases both the technical skill and emotional depth required to master its performance. From its powerful opening chords to its evocative and moving melodies, each note is carefully chosen to capture the essence of combat against formidable foes.Perfect for live performances, studio recordings, or simply enjoying at home, this two-piano arrangement of Lord of Cinder is a musical masterpiece that transcends the boundaries of classical interpretation and the gaming universe. Prepare to explore and rediscover the emotional intensity and narrative of Dark Souls through this exceptionally powerful and moving interpretation.Discover why Lord of Cinder from the original Dark Souls remains a benchmark in video game music and delve into this unique musical experience that blends the best of classical artistry with gaming culture.
$10.00
8.96 €
#
2 Pianos, 4 mains
#
Yuka Kitamura
#
Jefferson Sequeira
#
Gwyn, Lord of Cinder
#
Jeff Sequeira
#
SheetMusicPlus
Jesu, Joy of Man's Desiring (BWV 147) - Arranged for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497955 Composed by Johann Se…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.497955 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Easter,Wedding. Score. 17 pages. Published by Pietro Prugna (A0.497955). Jesu, Joy of Man's Desiring is a beautiful song for Choir, String Orchestra and Tromba. This is an arrangement for 2 pianos. As the range of the Tromba/Soprano overlaps with Violin 1, some of the melodies are hidden in each other. Violin 1 is 1 octave higher in this arrangement. Piano 1 plays the Violin 1 melody on the right hand and parts of the strings (except continuo) on the left. Piano 2 plays the Choir/Continuo. Occasionally, the right hand plays some parts of Strings, when the Choir is silent.
$1.99
1.78 €
#
2 Pianos, 4 mains
#
Johann Sebastian Bach
#
Pietro Prugna
#
Jesu, Joy of Man's Desiring
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Pietro Prugna
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SheetMusicPlus
Sounds of Creation - Pastoral (Keyboard Duet; 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.564490 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,New Age,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #1776277. Published by Sharon Wilson (A0.564490). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling. This piece is one of seven in a series of keyboard duets inspired by the sounds of nature.Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements are as inspirational to play as they are to listen to. This piece sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. The purchase price includes a combined score with both parts on each page plus a separate score for each part. Titles in the Sounds of Creation†series: Prelude, Pastoral, Serenade, Intermezzo, Nocturne, Fantasia, FinaleVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.47 €
#
2 Pianos, 4 mains
#
Sharon Wilson
#
Sharon Wilson
#
some soothing, some startling
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Sounds of Creation - Pastoral
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Sharon Wilson
#
SheetMusicPlus
Legends of The Cosmos Vol. XIa
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1141631 By Carter …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1141631 By Carter Larsen. By Carter Larsen. Arranged by Carter Larsen. 20th Century,Classical. Score. 1 pages. Edition Isolde #741969. Published by Edition Isolde (A0.1141631). Legends of The Cosmos Vol. XIa Urtext edition. Composed by Carter Larsen. Two Pianos Collection (hard bound.) With standard notation, introductory text. Published by Edition Isolde. 9x12 inches. 188 pgs. Fantasia Suite is a XXI century musical concept for piano, two pianos and orchestra, a group of composition that represents a continuous cycle of romantic, yet classically written music, in a bold, new contemporary idiom. Legends of The Cosmos Vol. XIa is the 11a of Carter Larsen Fantasia Suite.
$80.90
72.5 €
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2 Pianos, 4 mains
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Carter Larsen
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Carter Larsen
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Carter Larsen
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Legends of The Cosmos Vol. XIa
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Edition Isolde
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SheetMusicPlus
Legends of The Cosmos Vol. XIa
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1141520 By Carter …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1141520 By Carter Larsen. By Carter Larsen. Arranged by Carter Larsen. 20th Century,Classical. Score. 1 pages. Edition Isolde #741851. Published by Edition Isolde (A0.1141520). Legends of The Cosmos - Vol.XIa Urtext edition. Composed by Carter Larsen. Two Pianos Collection (paper bound.) With standard notation, introductory text. Published by Edition Isolde. 9x12 inches. 188 pgs. Fantasia Suite is a XXI century musical concept for piano, two pianos and orchestra, a group of composition that represents a continuous cycle of romantic, yet classically written music, in a bold, new contemporary idiom. Legends of The Cosmos - Vol.XIa of Carter Larsen Fantasia Suite.
$70.90
63.54 €
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2 Pianos, 4 mains
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Carter Larsen
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Carter Larsen
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Carter Larsen
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Legends of The Cosmos Vol. XIa
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Edition Isolde
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SheetMusicPlus
The Rakes of Mallow
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
7.12 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
Wonderful Grace Of Jesus (two piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1410446 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Sandra dee zylstra #992863. Published by sandra dee zylstra (A0.1410446). Wonderful Grace Of Jesus is a popular hymn in many denominations that tells the story of the grace of Jesus. This hymn is arranged as a late intermediate two piano duet arranged in the keys of C and D. (appoximately 4:30 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$7.00
6.27 €
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2 Pianos, 4 mains
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Haldor Lillenas
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Sandra Zylstra
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Wonderful Grace Of Jesus
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sandra dee zylstra
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SheetMusicPlus
Minuet in A minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079
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Small Ensemble 2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757079 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4350643. Published by Simon Peberdy (A0.757079). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.78 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in A minor
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Simon Peberdy
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SheetMusicPlus
Minuet in G minor (J S Bach) from the little music book of Anna Magdalena, Arr Simon Peberdy
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757078 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 4 pages. Simon Peberdy #4347415. Published by Simon Peberdy (A0.757078). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 5, (Book 1, 2, 3 & 4 are also available). Video of Book 5: https://youtu.be/eRbF5QeR95QFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).
$1.99
1.78 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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Minuet in G minor
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Simon Peberdy
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SheetMusicPlus
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
16.12 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
Magic Flute / Zauberflöte: Queen of the Night (Revenge Aria) / Königin der Nacht (Rachearie)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang …
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Classical,Contest,Festival,Opera. Score. 14 pages. Published by Uwe Roessler (A0.504666). This is a unique arrangement for professionals: The aria of the Queen of the Night from Mozart´s Magic Flute. Unabridged. Originally written for a European Piano Duo. Comes with full score and voices for piano 1 and piano 2. Other music of this opera for piano duet also available.
$15.00
13.44 €
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2 Pianos, 4 mains
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Wolfgang Amadeus Mozart
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Magic Flute / Zauberflöte: Queen of the Night
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Uwe Roessler
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SheetMusicPlus
Rise Up, O Church of God--Duo Piano (Keyboard).pdf
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809597 Composed by William Walter/ Aaron Williams. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6339185. Published by Marilyn Thompson (A0.809597). A stirring call to the Church to face the challenges of today is reflected in this high-energy duet. The two hymn tunes of FESTAL SONG and ST THOMAS are superimposed in the Finale section of the piece. A Piano/Organ Duet is available on another post. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$4.99
4.47 €
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2 Pianos, 4 mains
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William Walter/ Aaron Williams
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Marilyn Thompson
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Rise Up, O Church of God--Duo Piano
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Marilyn Thompson
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SheetMusicPlus
Dance of the Golden Snake for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.909711 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.909711 Composed by Anatoly Zatin. Arranged by Anatoly Zatin. Contemporary,World. Score. 32 pages. Anatoly Zatin #4807913. Published by Anatoly Zatin (A0.909711). Fantasy on a Chinese traditional melody, for two pianos. This work was premiered by Anatoly Zatin and Vlada Vassilieva at the 15th International Piano Festival of the Shanghai Conservatory of Music. It expands the repertoire for piano duo in general and Chinese repertoire specifically. A title of the Duo Petrof's Repertoire series.
$16.95
15.19 €
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2 Pianos, 4 mains
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Anatoly Zatin
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Anatoly Zatin
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Dance of the Golden Snake for two pianos
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Anatoly Zatin
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SheetMusicPlus
5 Easy Pieces for 2 pianos Book 5. (5 Minuets from the Little Music Book of Anna Magdalena Bach) arr
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757082 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757082 Composed by Piano II: J S Bach, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Baroque,Children,Instructional,Standards. Score. 26 pages. Simon Peberdy #4354453. Published by Simon Peberdy (A0.757082). A fifth collection of 5 easy pieces arranged for 2 pianos. This fifth book contains arrangements of 5 minuets by J S Bach. The original pieces are of approximately grade 2-3 standard, with a new piano part added for a friend or teacher to play on a second piano or keyboard. Piano II is the original piece, piano I has been composed by Simon Peberdy.
$5.99
5.37 €
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2 Pianos, 4 mains
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Piano II: J S Bach, Piano I: Simon Peberdy
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Simon Peberdy
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5 Easy Pieces for 2 pianos Book 5.
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Simon Peberdy
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SheetMusicPlus
The Flowers of the Forest
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1108425 Composed by Scottish Folk Song. Arranged by Richard Simm. Folk,Traditional. Score. 3 pages. Richard Simm #711067. Published by Richard Simm (A0.1108425). This beautiful ancient melody is treated with great respect by Scottish bagpipers, who play it only on serious ceremonial occasions, and not for mere entertainment. It marks a terrible defeat at the Battle of Flodden, and the text describes the grief of those left at home to mourn. The Flowers in the title are the slain men, and the accompaniment in this 2-piano arrangement by Richard Simm retains the haunting character of distant bagpipe music. The Piano I part is easy, intended for relative beginners, while the second part is for teachers and more advanced pianists.
$7.95
7.12 €
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2 Pianos, 4 mains
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Scottish Folk Song
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Richard Simm
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The Flowers of the Forest
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Richard Simm
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SheetMusicPlus
Divertimento Maclé for 4 hands piano and orchestra composed of 3 to 99 pianists divided into three
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.896336 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.896336 Composed by Piotr Lachert. 20th Century,Contemporary. Score. 159 pages. CMP #3513359. Published by CMP (A0.896336). New Consonant Music. The orchestra composed solely of pianists ​is divided into three groups: yellow, green and red. The number of orchestral musicians should be between 3 and 99, ​equally distributed into three sections. Manuscript of the composer.
$29.99
26.88 €
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2 Pianos, 4 mains
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Piotr Lachert
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Divertimento Maclé for 4 hands piano and orchestra composed of 3 to 99 pianists divided into three
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CMP
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SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.44 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
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