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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Work
Sheetmusicplus
Non classifié
11 443
Piano & claviers
Piano seul
5 981
Piano, Voix
2 870
Orgue
1 192
Piano Facile
1 063
Piano, Voix et Guitare
906
Instruments en Do
429
Accompagnement Piano
182
1 Piano, 4 mains
146
2 Pianos, 4 mains
100
Piano Trio: piano, violon, violoncelle
98
Accordéon
45
Piano Quatuor: piano, violon, alto, violoncelle
44
Clavecin
29
Piano (partie séparée)
26
Piano Quintette: piano, 2 violons, alto, violoncelle
23
Orgue, Piano (duo)
18
Orgue, Trompette (duo)
16
Piano grosses notes
11
1 Piano, 6 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Clavier
4
2 Pianos, 8 mains
2
Orgue et Orchestre
1
Fake Book
1
+ 19 instrumentations
Retracter
Guitares
Guitare
664
Guitare notes et tablatures
442
2 Guitares (duo)
138
Piano, Guitare (duo)
134
Ligne De Mélodie, (Paroles) et Accords
93
Ukulele
77
Dulcimer
62
Basse electrique
55
Guitare (partie séparée)
52
4 Guitares (Quatuor)
37
Mandoline
29
Banjo
20
Ensemble de guitares
18
Paroles et Accords
16
3 Guitares (trio)
13
Ensemble de Ukulélés
7
2 Dulcimers (duo)
6
2 Ukuleles
3
Guitare, Violon, Violoncelle (trio)
3
Ukulele Baryton
2
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
2 Mandolines (duo)
1
Luth
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
3 036
Chorale 3 parties
942
Chorale 2 parties
654
Chorale TTBB
362
Chorale Unison
344
Chorale SSAA
252
Voix Soprano, Piano
83
Voix Baryton, Piano
75
Voix duo, Piano
62
Voix Alto, Piano
60
Voix duo
53
Voix Tenor, Piano
46
Voix haute
35
Voix basse, Piano
32
Voix seule
26
Chorale SSAATTBB
25
Voix moyenne, Piano
23
Chorale
13
Soli, choeur mixte et accompagnement
11
Chorale SSATB
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATTB
8
Pack Instrumental pour Chorale
7
Voix Soprano
5
Voix Tenor
4
Voix basse
3
Chorale SSAB a cappella
2
Male Voice
2
Voix, Guitare
2
Chorale SATBB
2
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Voix Baryton
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière et Piano
952
Clarinette et Piano
817
Quatuor de Saxophones: 4 saxophones
808
Hautbois, Piano (duo)
754
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
707
Saxophone Alto et Piano
670
Quatuor de Clarinettes: 4 clarinettes
661
Flûte, Hautbois, Clarinette, Basson
538
Saxophone Tenor et Piano
432
Flûte traversière
415
2 Saxophones (duo)
367
Clarinette
309
2 Flûtes traversières (duo)
302
Saxophone Soprano et Piano
291
Saxophone (partie séparée)
280
Quatuor de Flûtes : 4 flûtes
274
Quintette de Saxophone: 5 saxophones
255
Saxophone Alto
239
2 Clarinettes (duo)
223
Saxophone Baryton, Piano
213
3 Saxophones (trio)
201
Ensemble de Clarinettes
185
3 Clarinettes (trio)
158
Saxophone Tenor
154
Hautbois (partie séparée)
151
Ensemble de saxophones
132
Quintette de Clarinettes: 5 clarinettes
127
Ensemble de Flûtes
106
Cor anglais, Piano
89
Quatuor de Flûtes à bec
82
Clarinette (partie séparée)
82
Trio de Flûtes: 3 flûtes
81
Flûte et Guitare
80
Flûte, Clarinette (duo)
74
2 Hautbois (duo)
72
Quintette de Flûte : 5 flûtes
66
Hautbois, Basson (duo)
62
2 Flûte à bec (duo)
60
Clarinette Basse, Piano
54
Flute (partie séparée)
52
Flûte, Clarinette et Basson
51
Clarinette, Basson (duo)
50
Flûte, Hautbois, Basson
42
Flûte, Hautbois, Clarinette (trio)
41
Flûte, Violon
39
Flûte à Bec
39
5 Flûtes à bec
39
Flûte à bec Soprano
38
Clarinette, Guitare (duo)
37
Hautbois
35
Flûte, Violon et Violoncelle
32
Clarinette, Violon (duo)
32
Saxophone Soprano
31
Flûte, Violoncelle
30
Hautbois, Clarinette, Basson (trio d'anches)
27
Flûte, Violon, Piano
26
Saxophone Baryton
24
Flûte à bec Alto
24
Hautbois, Clarinette (duo)
23
Saxophone, Clarinette (duo)
22
Clarinette, Violoncelle (duo)
22
3 Flûtes à bec (trio)
22
Hautbois, Flûte
22
Flûte, Saxophone (duo)
20
4 Hautbois
20
Flûte, Alto (duo)
20
Cor Anglais
20
Flûte, Hautbois (duo)
19
Ensemble De Flûte à bec
19
Clarinette et Alto
18
Piccolo
17
Flûte, Trompette (duo)
17
Flûte à bec Alto, Piano
17
Flûte à bec Soprano, Piano
16
2 Flûtes traversières, Piano
16
Flûte, Trombone (duo)
14
Flûte à bec Tenor
13
3 Hautbois
13
Saxophone et Guitare
12
Flûte, Basson et Piano
12
Hautbois, Violoncelle
12
Piccolo, Piano
12
Flûte, Violoncelle, Piano (trio)
11
Clarinette, Trompette (duo)
11
Flûte, Alto et Piano
10
Hautbois, Guitare (duo)
10
2 Clarinettes, Basson
10
Saxophone
9
2 Saxophones, Piano
8
Flûte, Hautbois, Piano (trio)
7
Flute, harpe et violon
7
Clarinette, Violoncelle, Piano (trio)
7
Instruments en Mib
7
Flûte, Clarinette, Piano (trio)
6
Ensemble à vent
6
Saxophone, Violon (duo)
5
2 Clarinettes, Piano
5
Flûte, Tuba (duo)
5
Hautbois, violon (duo)
5
Ensemble de Hautbois
5
Flûte à Bec, Piano
4
Flûte traversière, Basse continue
4
Harmonica
4
Cor anglais, Guitare (duo)
4
Saxophone et Orgue
4
Flûte et Trio à cordes
4
Flûte à bec, Guitare (duo)
4
Clarinette, Harpe (duo)
4
2 Cors Anglais Et Pianoforte
3
Flûte à bec Alto, Basse continue
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violon, Violoncelle et Piano
3
Clarinette, Orgue
3
Clarinette, Orchestre
3
Clarinette, Basson, Piano (trio)
3
Hautbois et alto (duo)
2
Flûte traversière, Orgue (duo)
2
Flûte, Violon, Guitare
2
Ocarina
2
Flûte, Harpe et Violoncelle
2
Clarinette, Alto et Piano (trio)
2
Cor anglais et Harpe (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violoncelle, Guitare
2
Flûte, Hautbois, Violon
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Piano
2
Clarinette, Contrebasse (duo)
2
Flûte irlandaise
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette Basse
1
Flûte et Quatuor à Cordes
1
Cornemuse
1
Flute, alto, violoncelle et guitare
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois et Orchestre
1
2 Flûtes, Basse continue
1
Saxophone et Harpe
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
795
Trombone et Piano
699
Trompette, Piano
505
Trompette
403
Cor et Piano
375
Quatuor de Cuivres : 2 trompettes, trombone, tuba
371
Tuba et Piano
208
Trombone (partie séparée)
201
Trompette (partie séparée)
199
Quatuor de cuivres: 4 trombones
198
Trombone
191
Quatuor de Cuivres: 2 trompettes, Cor, trombone
176
Quatuor de Cuivres
161
Cor
154
Euphonium, Piano (duo)
153
Ensemble de Trombones
141
2 Trombones (duo)
132
2 Trompettes (duo)
108
2 Cors (duo)
100
Tuba
94
Cor anglais, Piano
89
Quatuor de cuivres: 4 cors
85
Ensemble de Trompettes
69
Trompette, Trombone (duo)
64
Cor (partie séparée)
62
3 Trombones (trio)
53
Tuba (partie séparée)
47
4 Tubas
46
Quatuor de cuivres: 4 trompettes
42
2 Euphoniums et 2 Tubas
40
Ensemble de Cors
38
2 Tubas (duo)
37
Euphonium
29
Trio de Cuivres
27
Trompette, Saxophone (duo)
22
Trombone basse
21
3 Trompettes (trio)
20
Euphonium, Tuba (duo)
20
Cor Anglais
20
2 Euphoniums (duo)
17
Trombone basse et Piano
16
Trompette, Cor (duo)
16
Tuba et Orgue
15
3 Tubas (trio)
13
Trompette, Violoncelle (duo)
12
Trombone, Cor (duo)
12
Trombone, Orgue
10
3 Cors (trio)
10
Trompette, violon (duo)
9
Instruments en Sib
8
Cor, Tuba (duo)
8
Bass Clef Instruments
8
Cor, Violoncelle (duo)
7
Instruments en Fa
7
Trombone et orchestre
6
Trombone, Tuba (duo)
6
Cor anglais, Guitare (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Cors Anglais Et Pianoforte
3
3 Euphoniums
3
Trompette et Guitare
2
Cor et Basson (duo)
2
Cor anglais et Harpe (duo)
2
4 Euphoniums
1
Cor, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
Trompette, Violoncelle et Piano
1
Clarinette, Cor (duo)
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cor et Orgue
1
Trompette, Basson (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 72 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 277
Violon et Piano
1 112
Violoncelle, Piano
820
Alto, Piano
781
Violon
716
Trio à Cordes: violon, alto, violoncelle
461
Violon, Violoncelle (duo)
430
Violoncelle
373
Alto seul
279
Harpe
275
2 Violons (duo)
214
Contrebasse, Piano (duo)
185
Violon (partie séparée)
164
Quintette à cordes: 2 violons, alto, violoncelle, basse
157
2 Violoncelles (duo)
125
Violon, Alto (duo)
123
Alto (partie séparée)
118
2 Altos (duo)
110
Contrebasse (partie séparée)
94
4 Violoncelles
90
Contre Basse
89
Trio à Cordes: 2 violons, violoncelle
62
Trio à cordes: 3 violins
58
Quatuor à cordes: 4 violons
55
Quatuor à cordes : 4 altos
53
Violon, Guitare (duo)
51
Alto, Violoncelle (duo)
47
Trio à Cordes: 3 violoncelles
43
Trio à cordes: 3 altos
39
Violoncelle (partie séparée)
36
Violoncelle , Guitare (duo)
31
Violoncelle, Contrebasse (duo)
30
Alto, Guitare (duo)
28
Harpe, Flûte (duo)
20
4 Contrebasses
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
18
2 Contrebasses (duo)
18
Piano Trio: Violon, Alto, Piano
17
Flûte, Contrebasse (duo)
14
Trio à Cordes: 2 violons, alto
11
3 Contrebasses
11
2 Harpes (duo)
10
Harpe, Violon (duo)
9
Harpe, Voix
8
Violon, Orgue
6
Violon, Basson (duo)
6
Harpe et mandoline
5
Violoncelle, Basse continue
5
Violoncelle, Orchestre
4
Ensemble d'Altos
4
Alto et Basson
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violoncelle, Orgue
4
Violon, Clarinette, Piano (trio)
3
Ensemble de Violons
3
Violon, Violoncelle, Clarinette
2
Harpe, Violon, Violoncelle
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Ensemble de Violoncelles
2
4 Harpes
2
Harpe et Piano
1
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Alto, Orgue
1
Violon, Basse continue
1
Alto et orchestre
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 126
Orchestre à Cordes
1 421
Orchestre
1 083
Ensemble de cuivres
600
Ensemble Jazz
443
Orchestre de chambre
422
Cloches
257
Jazz combo
159
Fanfare
128
Ensemble de Percussions
117
Batterie
72
Percussion (partie séparée)
53
Marimba
39
Batterie (partie séparée)
27
Vibraphone
17
Xylophone, Piano
10
Orchestre, Violon
9
Xylophone
9
Big band
8
Percussion
7
Piano et Orchestre
6
Ensemble d'École
6
3 Marimbas
5
Quintette de Cuivres: autres combinaisons
4
Instrumentation Flexible
4
Vibraphone et Marimba
3
Timbales (partie séparée)
3
Marimba et Orgue
1
Quintette à Vent
1
Marimba, Piano (duo)
1
2 Xylophones
1
2 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 28 instrumentations
Retracter
Autres
Théorie de la musique
6
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
7
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
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INSTRUMENTATIONS
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Partitions Numériques
100
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
0
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
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CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
The Carousel Waltz
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2 Pianos, 4 mains
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AVANCÉ
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Comédie Musicale
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Richard Rodgers
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Richard Simm
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
Beauty And The Beast
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2 Pianos, 4 mains
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FACILE
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Celine Dion & Peabo Bryson
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Christian Bennedsen
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Beauty And The Beast
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766904 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Christian Benneds...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766904 By Celine Dion & Peabo Bryson. By Alan Menken. Arranged by Christian Bennedsen. Broadway,Film/TV,Musical/Show. Score and parts. 12 pages. Christian Bennedsen #6674429. Published by Christian Bennedsen (A0.766904). KEYBOARDENSEMBLE – WORKSHOP FOR PIANO STUDENTSPurpose: Letpiano students experience how it is to play in an orchestra and follow aconductor.It isessential, that the students are well prepared and able to play their parts.Instruments:4–20 keyboards and 2 pianos / grandpianos.Part 1 and2 are played on keyboard by 1-5 students at early intermediate level.Part 4 and5 are played on keyboard by 1-5 (almost) beginners.Part 5 and6 are played on piano by students with good skills.
$12.99
I Have a Little Dreidel (The Dreidel Song)
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2 Pianos, 4 mains
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DÉBUTANT
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Klezmer
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Wanda Canfield
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I Have a Little Dreidel
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Wanda Canfield
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.799805 Arranged by Wanda Canfield. Concert,Hanukkah,Jewish,Standards. Score. 12 pages. Wanda Canfield #3897609. Published by Wanda Canfield (A0.799805). Easy versatile arrangement included several easy solo parts and a simple accompaniment. Parts work together to create a trio at one piano. More players can be added to a second piano! Enough parts to print for at least 6 people. Buying this allows more copies to be made for additional players in one group. Both a normal note and a large, big note with letter inside versions are included.
$3.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Keyboard accompaniment for liturgical anthems
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Various
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Chidiebere Oku
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Keyboard accompaniment for lit
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CIDUC
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Fe...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.705931 By Various. By Handel, Haydn, Beethoven. Arranged by Chidiebere Oku. Baroque,Classical,Contest,Festival,Opera,Sacred. Score. 204 pages. CIDUC #314501. Published by CIDUC (A0.705931). Compilation of accompaniment to popular classical choral works by two keyboards (using appropriate orchestral tone registrations).
$14.99
Theme from Swan Lake - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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P
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Christian Bennedsen
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Theme from Swan Lake - Keyboar
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766914 Composed by P. Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 9 pages. Christian Bennedsen #6681685. Published by Christian Bennedsen (A0.766914). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Mozart - Theme from Symphony No. 40 - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Christian Bennedsen
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Mozart - Theme from Symphony N
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classi...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766911 Composed by Wolfgang Amadeus Mozart. Arranged by Christian Bennedsen. Classical. Score and parts. 11 pages. Christian Bennedsen #6681623. Published by Christian Bennedsen (A0.766911). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
James Bond Theme
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2 Pianos, 4 mains
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FACILE
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Contemporain
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Monty Norman
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Christian Bennedsen
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James Bond Theme
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Sco...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766922 Composed by Monty Norman. Arranged by Christian Bennedsen. Contemporary. Score and parts. 12 pages. Christian Bennedsen #6682641. Published by Christian Bennedsen (A0.766922). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Theme form Moldau - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Bedrich Smetana
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Christian Bennedsen
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Theme form Moldau - Keyboard E
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Perio...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766915 Composed by Bedrich Smetana. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 14 pages. Christian Bennedsen #6681711. Published by Christian Bennedsen (A0.766915). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Pavane of the Sleeping Beauty - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Contemporain
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Maurice Ravel
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Christian Bennedsen
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Pavane of the Sleeping Beauty
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766916 Composed by Maurice Ravel. Arranged by Christian Bennedsen. 20th Century. Sc...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766916 Composed by Maurice Ravel. Arranged by Christian Bennedsen. 20th Century. Score and parts. 9 pages. Christian Bennedsen #6681723. Published by Christian Bennedsen (A0.766916). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
The Medallion Calls
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2 Pianos, 4 mains
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FACILE
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Contemporain
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Klaus Badelt
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Christian Bennedsen
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The Medallion Calls
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766907 Composed by Klaus Badelt. Arranged by Christian Bennedsen. Contemporary. Sco...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766907 Composed by Klaus Badelt. Arranged by Christian Bennedsen. Contemporary. Score and parts. 10 pages. Christian Bennedsen #6674849. Published by Christian Bennedsen (A0.766907). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Colors Of The Wind
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2 Pianos, 4 mains
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FACILE
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Film/TV
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Vanessa Williams
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Christian Bennedsen
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Colors Of The Wind
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766905 By Vanessa Williams. By Alan Menken. Arranged by Christian Bennedsen. Film/T...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766905 By Vanessa Williams. By Alan Menken. Arranged by Christian Bennedsen. Film/TV. Score and parts. 8 pages. Christian Bennedsen #6674795. Published by Christian Bennedsen (A0.766905). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$12.99
Waltz of the Flowers - Keyboard Ensemble
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2 Pianos, 4 mains
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Classique
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Peter Ilyich Tchaikovsky
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Christian Bennedsen
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Waltz of the Flowers - Keyboar
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - SKU: A0.766917 Composed by Peter Ilyich Tchaikovsky. Arranged by Christian Bennedsen. Romantic Period. Score and parts. 12 pages. Christian Bennedsen #6682447. Published by Christian Bennedsen (A0.766917). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
Dance Of The Blessed Spirits - Keyboard Ensemble
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2 Pianos, 4 mains
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FACILE
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Classique
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Christoph Willibald Von Gluck
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Christian Bennedsen
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Dance Of The Blessed Spirits -
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Christian Bennedsen
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SheetMusicPlus
Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Christian Bennedsen. ...
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Large Ensemble 2 Pianos,4 Hands,Digital Keyboard - Level 2 - SKU: A0.766909 Composed by Christoph Willibald Von Gluck. Arranged by Christian Bennedsen. Classical. Score and parts. 8 pages. Christian Bennedsen #6680477. Published by Christian Bennedsen (A0.766909). KEYBOARD ENSEMBLE – WORKSHOP FOR PIANO STUDENTS
$4.99
The Carnival of the Miniature Animals
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2 Pianos, 4 mains
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FACILE
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Graham Yates
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The Carnival of the Miniature
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Graham Yates
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graham Yates #4995081...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.887970 Composed by Graham Yates. Children,Contemporary,Standards. Score. 23 pages. Graham Yates #4995081. Published by Graham Yates (A0.887970). Nine short, silly pieces for piano students. The pieces include piano solos, teacher-student duets, student-student duets (or trio), and a piece with optional auxiliary percussion parts suitable for students. Skill levels range from beginner to intermediate. This work makes a great focal point for a student recital that enlists the participation of the whole studio!Contents:1. The Gnat (beginner piano solo)2. Worm Boogie (late elementary solo or elementary duet)3. Roly-Poly Polonaise (beginner-intermediate duet or beginner trio)4. The Irritated Fungus (beginner solo)5. The Newt That Jumped Over the Moon (beginner solo)6. Spider Aria (intermediate solo or teacher-beginner duet)7. Fire Ants on Parade (intermediate solo)8. Song of the Oysters (intermediate solo)9. Treefrog Invention (intermediate solo with opt. aux. percussion).
$7.99
Dance of the Golden Snake for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Anatoly Zatin
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Anatoly Zatin
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Dance of the Golden Snake for
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Anatoly Zatin
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.909711 Composed by Anatoly Zatin. Arranged by Anatoly Zatin. Contemporary,World. Score. 32 pages. Anatol...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.909711 Composed by Anatoly Zatin. Arranged by Anatoly Zatin. Contemporary,World. Score. 32 pages. Anatoly Zatin #4807913. Published by Anatoly Zatin (A0.909711). Fantasy on a Chinese traditional melody, for two pianos. This work was premiered by Anatoly Zatin and Vlada Vassilieva at the 15th International Piano Festival of the Shanghai Conservatory of Music. It expands the repertoire for piano duo in general and Chinese repertoire specifically. A title of the Duo Petrof's Repertoire series.
$16.95
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
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The Work
