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AUTRES
Vous avez sélectionné:
Teri Meri
Flûte traversière
Partitions à imprimer
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Solos for Flute, Collection 4: American Melodies to 1865
Flûte traversière
Flute - Beginning-Intermediate - Digital Download SKU: M0.22011EB Composed by Clark…
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Flute - Beginning-Intermediate - Digital Download SKU: M0.22011EB Composed by Clark Kimberling. Flute, Fife and Oboe, Solos. Folk. E-book. Mel Bay Publications - Digital Sheet Music #22011EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22011EB). ISBN 9781619111547. 8.75x11.75 inches.These 45 early-American melodies work especially well on the modern flute. They provide excellent material for developing skills in rapid tonguing, phrasing, and extended breath 8 controlMany of these melodies have roots in the Old World. For example, La Cachucha, La Cracovienne, and La Smolenska were brought to America by the amazing ballerina Fanny Elssler. (For her White House performance, Congress adjourned early!) A separate recorder editionis available.
$12.99
11.6 €
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Flûte traversière
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Clark Kimberling
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Solos for Flute, Collection 4: American Melodies to 1865
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
America, the Beautiful (Flute Solo & Chords)
Flûte traversière
Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1449820 Composed by K…
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Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1449820 Composed by Katharine Lee Batyes, Samuel Ward. Arranged by Carol Troutman Wiggins. Historic,Holiday,Patriotic,Religious,Sacred. Individual part. 2 pages. Carol Troutman Wiggins #1029584. Published by Carol Troutman Wiggins (A0.1449820). Flute only solo part to piano/flute arrangement by Carol Troutman Wiggins.Great for preludes, offertories, & patriotic services/events.Some original material laced with the traditional hymn.Chords included for additional instruments.Arrangement may be used for most C instruments.
$4.99
4.46 €
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Flûte traversière
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Katharine Lee Batyes, Samuel Ward
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Carol Troutman Wiggins
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patriotic services/events
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America, the Beautiful
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Carol Troutman Wiggins
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SheetMusicPlus
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. C…
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Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95
15.14 €
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Flûte traversière
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Carson Cooman
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Carson Cooman: Sonata in memoriam Daniel Pinkham
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.13 €
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Flûte traversière
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Against All Odds (take A Look At Me Now)
Flûte traversière
Flute Solo - Level 2 - Digital Download SKU: A0.1309090 By Phil Collins. By Phil Co…
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Flute Solo - Level 2 - Digital Download SKU: A0.1309090 By Phil Collins. By Phil Collins. Arranged by Leo Silva. 20th Century,Pop. Individual part. 2 pages. MP Sheet Music #898287. Published by MP Sheet Music (A0.1309090). Against All Odds (Take a Look at Me Now) (ou apenas Against All Odds) é uma música do baterista, cantor e compositor britânico Phil Collins. Foi gravado para a trilha sonora do filme de 1984 com o mesmo nome. É uma poderosa balada em que seu protagonista implora a uma ex-namorada que olhe para mim agora, sabendo que a reconciliação é contra todas as probabilidades, considerando que vale a pena tentar. O single alcançou o 2º lugar no Reino Unido, enquanto alcançou o 1º lugar na Billboard Hot 100 nos Estados UnidosAgainst All Odds também liderou as paradas no Canadá, Irlanda e Noruega.No episódio 339 de This American Life, Break Up, Collins retransmite que a música foi inspirada e escrita logo após o rompimento entre ele e sua primeira esposa. Na entrevista, ele diz que o divórcio o transformou de músico em também letrista.Against All Odds ganhou o Grammy Awards de Melhor Performance Masculina Pop em 1985, foi nomeado para Canção do Ano e para um Oscar e também para um Globo de Ouro na categoria de Melhor Canção Original.
$4.99
4.46 €
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Flûte traversière
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Phil Collins
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Leo Silva
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Against All Odds
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MP Sheet Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
(+)
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.13 €
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Flûte traversière
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
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