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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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CONTEMPORAIN - NEW A…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Non classifié
659
PIANO & CLAVIERS
Piano seul
134
Piano, Voix et Guitare
82
Instruments en Do
74
Accompagnement Piano
66
Piano Facile
35
Piano, Voix
15
1 Piano, 4 mains
10
Orgue
10
Piano grosses notes
5
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
4
Accordéon
3
Clavecin
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
29
Guitare
24
Ukulele
21
2 Guitares (duo)
11
Guitare (partie séparée)
10
Dulcimer
10
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
4
Ensemble de guitares
3
Basse electrique
3
Piano, Guitare (duo)
2
Paroles et Accords
2
Banjo
2
3 Guitares (trio)
2
2 Dulcimers (duo)
1
2 Mandolines (duo)
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
37
Chorale 2 parties
23
Chorale 3 parties
11
Chorale Unison
8
Chorale TTBB
6
Chorale SSAA
4
Voix duo
3
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
362
2 Flûtes traversières (duo)
123
2 Clarinettes (duo)
122
2 Hautbois (duo)
97
Saxophone, Clarinette (duo)
77
Clarinette, Violon (duo)
49
2 Flûte à bec (duo)
45
Clarinette, Trompette (duo)
44
Flûte, Clarinette (duo)
37
Flûte traversière et Piano
36
Saxophone (partie séparée)
27
Clarinette et Alto
26
Flûte, Saxophone (duo)
25
Hautbois, Clarinette (duo)
25
Saxophone Alto et Piano
25
Clarinette et Piano
25
Hautbois, Flûte
23
Flûte, Violon
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Trompette (duo)
21
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
19
Flûte, Alto (duo)
18
Hautbois, Basson (duo)
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Soprano et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Saxophones: 4 saxophones
15
Flûte traversière
14
Clarinette
12
Ensemble de Clarinettes
11
Cor anglais, Piano
10
Ensemble de Flûtes
10
Hautbois (partie séparée)
10
3 Clarinettes (trio)
10
Ensemble de saxophones
10
Quatuor de Clarinettes: 4 clarinettes
9
Flûte à bec Soprano
7
Trio de Flûtes: 3 flûtes
6
Cor Anglais
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble De Flûte à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
4
Clarinette Basse, Piano
4
3 Saxophones (trio)
4
Flûte à bec Soprano, Piano
4
Saxophone Alto
4
Quatuor de Flûtes à bec
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Piano
3
Flûte et Guitare
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Basson (duo)
2
Flûte à bec Tenor
2
Flûte, Hautbois (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Saxophone Tenor
2
Clarinette, Violoncelle (duo)
2
2 Flûtes traversières, Piano
2
Flûte irlandaise
1
Flûte, Violoncelle
1
Hautbois, violon (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Basson et Piano
1
Piccolo, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec
1
Flute, Cor (duo)
1
Clarinette, Trombone (duo)
1
Piccolo
1
Saxophone
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Harmonica
1
Clarinette Basse
1
Instrumentations suivantes
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CUIVRES
2 Trombones (duo)
103
2 Trompettes (duo)
94
Trompette, Saxophone (duo)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette, Trombone (duo)
29
Trombone (partie séparée)
25
Trompette (partie séparée)
19
Trompette, Piano
15
Trombone et Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor
12
Trompette
11
2 Euphoniums (duo)
10
Cor anglais, Piano
10
Euphonium, Piano (duo)
8
Ensemble de Trombones
7
Cor et Piano
5
Cor Anglais
5
Ensemble de Trompettes
5
2 Cors (duo)
5
Trombone
4
Tuba et Piano
3
Euphonium
3
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de Cuivres
1
Trompette, violon (duo)
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
Trombone, Tuba (duo)
1
Clarinette, Cor (duo)
1
Instrumentations suivantes
Retracter
CORDES
2 Violons (duo)
105
2 Altos (duo)
105
2 Violoncelles (duo)
96
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon, Violoncelle (duo)
49
Violon et Piano
45
Violon, Alto (duo)
31
Alto, Piano
25
Violon
22
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
13
Alto seul
10
Violoncelle
10
Trio à Cordes: 2 violons, violoncelle
9
Harpe
7
Contre Basse
6
Contrebasse (partie séparée)
5
Ensemble de Violons
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Ensemble d'Altos
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
Alto et Basson
1
Quatuor à cordes: 4 violons
1
Autoharp
1
Contrebasse, Piano (duo)
1
Violon, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38
Ensemble Jazz
28
Ensemble de cuivres
20
Orchestre à Cordes
20
Orchestre
16
Jazz combo
14
Ensemble de Percussions
6
Orchestre de chambre
6
Batterie
5
Batterie (partie séparée)
5
Cloches
4
Xylophone
1
Marimba
1
Fanfare
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
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Trompette
Partitions à imprimer
11 partitions trouvées
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1
God Rest Ye Good King Gospel Mashup
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.914474 Composed by Christian Morr…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.914474 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Christian,Christmas,Gospel,Standards. Individual part. 10 pages. Hoopla Sheet Music #4631241. Published by Hoopla Sheet Music (A0.914474). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of two famous carols (God Rest Ye Merry Gentlemen and Good King Wenceslas) with a gospel twist...Suitable for all Christmas concerts and more informal church services.Includes link to backing track.More Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas and We Wish You a Jazzy Christmas (complete collection of all the above)
$4.99
4.47 €
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Trompette
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Christian Morris
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Hoopla Sheet Music
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God Rest Ye Good King Gospel Mashup
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Hoopla Sheet Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Trompette
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.1018887 Composed by Benjamin Harr…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056103. Published by Benjamin Sajo (A0.1018887). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Trompette
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018912 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064777. Published by Benjamin Sajo (A0.1018912). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Trompette
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 1 in Bb
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Benjamin Sajo
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SheetMusicPlus
Star Spangled Banner (Trumpet Quartet or Trumpet Section)
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.840490 Composed by John Stafford Smith…
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Trumpet - Level 4 - Digital Download SKU: A0.840490 Composed by John Stafford Smith. Arranged by Ted R. Marcus. Holiday,Patriotic,Standards,Traditional. 17 pages. Ted R. Marcus #5030285. Published by Ted R. Marcus (A0.840490). Suitable for a trumpet quartet, trumpet choir, or a full band trumpet section, this arrangement will add a bright patriotic touch to sporting events, festivities, or concerts. A four-measure introduction invites the audience or spectators to stand. At the end of the anthem, two 4/4 measures provide the traditional pauses while keeping all the players together without a conductor.
$15.00
13.44 €
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Trompette
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John Stafford Smith
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Ted R
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Star Spangled Banner
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Ted R. Marcus
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.53 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
"Flight Of The Fingers"-Jazz Waltz for Trumpet and Piano-Video
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633936 Composed by Fishel Pusti…
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Trumpet, piano - Level 4 - Digital Download SKU: A0.633936 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,Standards. Score and part. 7 pages. F & N Enterprise #3483483. Published by F & N Enterprise (A0.633936). An excellent arrangement of famous Song Flight Of The Fingers-Jazz Waltz for Trumpet and Piano (Jazz/Pop Version),Video for Violin and Piano: https://www.youtube.com/watch?v=2Nj2ne4NY-M&feature=youtu.be The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$2.99
2.68 €
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Fishel Pustilnik
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Fishel Pustilnik
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"Flight Of The Fingers"-Jazz Waltz for Trumpet and Piano-Video
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F & N Enterprise
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SheetMusicPlus
Carson Cooman: Sun Tracing (2005) for Bb or C trumpet and piano
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.533607 Composed by Carson Cooman…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.533607 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3030909. Published by Musik Fabrik Music Publishing (A0.533607). Sun Tracing (2005) for trumpet and piano is dedicated to trumpeter Jordan Winkler andpianist Donna Amato.The work is a brief intrada, of bold and dramatic spirit. Two outer sections of fanfarecharacter surround a middle one in which the basic material moves from lyrical towards amassive sonic climax.The set includes parts for both Bb and C trumpets
$12.95
11.61 €
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Carson Cooman
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Carson Cooman: Sun Tracing
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Arban Manual - Hooten Edition
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.19 €
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The Arban Manual (Pre 2013)
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.19 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
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