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--INSTRUMENTS--
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8 partitions trouvées
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1
Messiah Trombone parts as arranged by Mozart
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Trombone
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AVANCÉ
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Musique Sacrée
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G
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W
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Messiah Trombone parts as arra
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Wors...
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Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Worship,Sacred. Individual part. 48 pages. Gordon Cherry #6563883. Published by Gordon Cherry (A0.792797). Handel's Messiah is possibly the most performed work in the classical repertoire. From its earliest beginnings in 1742, others have modified it to suit more modern-sized (larger) orchestras. From the original small baroque-sized orchestra in the early 18th Century to the Classical-sized of Mozart through to the full 20th Century version including percussion and tuba by Sir Thomas Beecham. Others have felt that if Handel had lived in their century he surely would have written his grand masterpiece for larger forces, given the passion of the work.This is Mozart's arrangement from 1789 which was subsequently first published in 1803 and has a Classical-sized orchestra including Alto, Tenor and Bass Trombone. According to Austrian custom of the time, the Trombones were to play ALL of the tutti choruses. Mark LaFratta has beautifully written out edited and transposed all of these choruses into the correct clefs for us to enjoy.This version is for Alto, Tenor and Bass Trombone, parts only ...... no score is included...the conductor has that.Trombonists.....this is your chance to be bold and insist that the Trombones perform in the next Messiah. Just do it!! Is the conductor going to argue with Mozart?This music is appropriate for advanced performers and includes the complete edition of all thirty-eight movements.
$32.50
9.28.85
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Trombone
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AVANCÉ
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
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Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Tres Piezas para trombón solo 1995
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Trombone
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AVANCÉ
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Leonardo Velazquez
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Tres Piezas para trombó
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Gordon Cherry
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1457582 Composed by Leonardo Velazquez. 20th Century,Contemporary. Individual part. 5 pages. Gordon Che...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1457582 Composed by Leonardo Velazquez. 20th Century,Contemporary. Individual part. 5 pages. Gordon Cherry #1036610. Published by Gordon Cherry (A0.1457582). Tres Piezas para trombón solo by Mexican composer Leonardo Velázquez is a 3-movement work for unaccompanied trombone.Movement 1. Allegro scherando is playful with contrasting loud and soft sections that throw rhythmic curveballs to the listener with the odd 5/8 bar mixed in with 6/8 time.Movement 2. Andantino quasi lento is a slow lyrical movementMovement 3. Allegro moderato is sarcastic and march-like with off-balance rhythms including a 2-voice middle section that challenges the performer to convince the listener that there are two lines....a syncopated bass line and upper melody line.This outstanding work by Velázquez is about 5 1/2 minutes in length, appropriate for advanced performers.
$22.50
Behavioral Science for trombone solo
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Trombone
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AVANCÉ
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Contemporain
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Robert M
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a most stimulating prospect
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Behavioral Science for trombon
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Robert M. Greenberg
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published...
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Trombone Solo - Level 5 - SKU: A0.987850 Composed by Robert M. Greenberg. 20th Century. Individual part. 11 pages. Robert M. Greenberg #90287. Published by Robert M. Greenberg (A0.987850). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 14 minutes Year of composition: 1998 Program Note: Behavioral Science is in five continuous parts: Part 1: Misbehavior/Out of control Part 2: Vulgar Behavior/Gross stuff Part 3: Crisis of Confidence/Whining and whimpering Part 4: Behavior Becoming/Reflection and Introspection Part 5: With Flying Colors/Putting It All Together The initial inspiration for Behavioral Science was as follows: a few years ago, a trombonist friend of mine asked me if I wanted to join him and a few of da boys in attending the premiere of the Beavis and Butthead movie. Whoa. Beavis and Butthead with the low brass; a most stimulating prospect. A previous and, I'm sure, less interesting engagement kept me away, but the formative idea behind Behavioral Science was born: how do you civilize the eternal adolescent that is the trombone/trombonist without taking away its/his/her essential energy and joie de vivre? Behavioral Science, then, is about the trombone and, to a degree, trombone players themselves (which, by the way, I was once one myself and my daughter presently is). The piece begins with the trombone completely out of control - a raucous, screaming, stuttering length of lacquered plumbing. Across the span of the piece the trombone gradually learns lyricism and self-discipline, gaining maturity and, ultimately, self-mastery. Behavioral Science concludes with a series of extremely virtuosic passages that require, as they do, the most exacting control imaginable. Behavioral Science was composed between December, 1997 and February, 1998. It is dedicated with great affection and gratitude to Neil Hatler for his help, advice, and tireless dedication to the piece.
$16.00
One-Man Sideshow (Trombone & Hi-Hat)
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Trombone
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AVANCÉ
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Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's M...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1322285 By Don Bowyer. By Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #910625. Published by Dolphin Don's Music School (A0.1322285). This composition, in four short movements (5 minutes total), is for trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The final step in the evolution of this piece was this edition for tenor trombone.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00
Variations on Palestrina’s “Dona Nobis Pacem” for unaccompanied Tenor Trombone
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Trombone
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AVANCÉ
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Contemporain
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David Fetter
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Variations on Palestrina&rsquo
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Gordon Cherry
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1492095 Composed by David Fetter. 20th Century. Individual part. 2 pages. Gordon Cherry #1068768. Publi...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1492095 Composed by David Fetter. 20th Century. Individual part. 2 pages. Gordon Cherry #1068768. Published by Gordon Cherry (A0.1492095). Dona Nobis Pacem (Give Us Peace) is a short three verse round that has been attributed to Palestrina. David Fetter has beautifully composed a set of Variations on the beautiful main theme for unaccompanied Tenor Trombone.This 4-5 minute work is appropriate for advanced performers. There is also a version of this work for Bass Trombone.
$17.50
Trombone Walking for Solo Trombone
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Trombone
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AVANCÉ
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Owen Underhill
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Trombone Walking for Solo Trom
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Gordon Cherry
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1417345 Composed by Owen Underhill. 21st Century. Individual part. 4 pages. Gordon Cherry #998901. Publ...
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Tenor Trombone,Trombone Solo - Level 5 - SKU: A0.1417345 Composed by Owen Underhill. 21st Century. Individual part. 4 pages. Gordon Cherry #998901. Published by Gordon Cherry (A0.1417345). Here is a brief description of Trombone Walking by Canadian composer Owen Underhill.Trombone Walking was originally written as part of a larger site-specific collaboration with dance called Imprint. The intention is for the trombonist to walk while playing the composition. Either the trombonist can memorize the composition or play with a lyre. One option in concert performance is to begin the work behind the audience or offstage and then proceed to the stage or around the audience.The music is marked Slow, Stately Processional, sending a powerful message of expressiveness . There are passages of multiphonics that add a mysterious feel to the 4-minute work.Appropriate for advanced performers.
$20.00
Syrinx for Unaccompanied Tenor Trombone
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Trombone
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AVANCÉ
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Classique
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Claude Debussy
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Sauer, Ralph
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Syrinx for Unaccompanied Tenor
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pa...
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Trombone Solo - Level 5 - SKU: A0.792272 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Individual part. 3 pages. Gordon Cherry #4803745. Published by Gordon Cherry (A0.792272). Debussy composed this breathtaking unaccompanied work in 1913, and it became the first solo work for the Böhm flute and the first solo work by a major composer since C.P.E. Bach almost 150 years earlier! The music allows wide latitude for interpretation and can really show off the musical imagination of the performer. The great French flautist Marcel Moyse is credited with adding phrasing and barlines to his friend Debussy's new work. In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as syrinx. This work of 2 1/2 minutes for advanced performers can add a new dimension to your recital, as it is often performed offstage.
$10.00
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