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--INSTRUMENTS--
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Choros No 1
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Violon
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AVANCÉ
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Contemporain
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Pub...
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Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
Nightmares in Dreamland for Solo Violin
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Violon
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AVANCÉ
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Gordon F
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Nightmares in Dreamland for So
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Gordon Francis Blaney Jr.
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1031376 Composed by Gordon F. Blaney Jr. 20th Century,Contemporary,Instructional. 7 pages. Gordon Francis Blaney Jr. #45...
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Violin Solo - Level 5 - SKU: A0.1031376 Composed by Gordon F. Blaney Jr. 20th Century,Contemporary,Instructional. 7 pages. Gordon Francis Blaney Jr. #4591993. Published by Gordon Francis Blaney Jr. (A0.1031376). Bio: Gordon Francis Blaney Jr. (b. 29 November 1982) is a composer of Classical and Jazz based in the United States of America. He attended Berklee College of Music (January 2004 – August 2008) where he earned a BM in Musical Composition. He, at present, resides in his home state of Massachusetts where he is a performer, writer, and private educator in music to students online and offline. Performance Notes: Ornamentation is to be performed in a free manner, except when otherwise stated in the score. Program Notes: Scherzo and Trio, Nightmares in Dreamland, for Solo Violin that follows the Classical period form of a Minuet and Trio. It has the Romantic period spirit of a Scherzo and Trio, hence the title. It has the Romantic period ideal, in it being programmatic, hence the subtitle. And, it has a melodic as well as implied harmonic language that is a fusion of Classical and Jazz of the 20th and 21st centuries. The work tells a definitive tale, despite being in a strict form. It answers the question of what dreamland would sound like for a person when infected with nightmares. Be prepared to toss and turn, as we enter the human mind after it has had a long and hard morning, afternoon, and evening.
$9.99
Violin Caprice 17
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Violon
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AVANCÉ
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Wersen
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Wersen
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Violin Caprice 17
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Wersen
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1213435 By Wersen. By Wersen. Arranged by Wersen. 19th Century,20th Century,Baroque,Classical,Spiritual. 2 pages. Wersen...
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Violin Solo - Level 5 - SKU: A0.1213435 By Wersen. By Wersen. Arranged by Wersen. 19th Century,20th Century,Baroque,Classical,Spiritual. 2 pages. Wersen #810619. Published by Wersen (A0.1213435). Violin Caprice that trains your arpegio skills. This is good etude to practice before vivaldi summer.
$1.99
Sonata for solo violin
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Violon
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AVANCÉ
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Jesse Voogt
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Sonata for solo violin
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Jesse Voogt
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1346418 Composed by Jesse Voogt. 19th Century,Classical,Contemporary,Romantic Period. 16 pages. Jesse Voogt #931207. Pub...
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Violin Solo - Level 5 - SKU: A0.1346418 Composed by Jesse Voogt. 19th Century,Classical,Contemporary,Romantic Period. 16 pages. Jesse Voogt #931207. Published by Jesse Voogt (A0.1346418). This sonata for solo violin is written in a romantic classical style.  The first movement, “Lalobachâ€, draws inspiration from two very different composers, Lalo and Bach, with both elements of Lalo's fire and Bach's elegant, calculated precision. The second movement, “Schlow & Schmaltzyâ€, is a playful and expressive piece, almost tongue-in-cheek in terms of being oversentimental and saccharine. The third movement, “Breaking a Fiveâ€, is a reimagining of an old style minuet, but then in 5/4 (for the most part). The fourth movement, “High Strungâ€, is a showpiece that demonstrates your technical skills and musicality. This sonata is perfect for advanced violinists who want to challenge themselves and impress their audience. I. LalobachII. Schlow & SchmaltzyIII. Breaking a FiveIV. High Strung
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Cadenza for violin concerto by Tchaikovsky
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Violon
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AVANCÉ
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E
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Nandor Szederkenyi
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Cadenza for violin concerto by
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iStrings
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.875811 Composed by E. Ysaÿe. Arranged by Nandor Szederkenyi. 20th Century,Romantic Period. 3 pages. IStrings #5203921...
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Violin Solo - Level 5 - SKU: A0.875811 Composed by E. Ysaÿe. Arranged by Nandor Szederkenyi. 20th Century,Romantic Period. 3 pages. IStrings #5203921. Published by iStrings (A0.875811). It is a well known fact among violinists that Tchaikovsky wrote the cadenza to his violin concerto. Probably, this cadenza - written by the violin virtuoso Eugene Ysaÿe - is the only existing one written by another composer.
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MMXX (solo for violin)
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Violon
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AVANCÉ
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Contemporain
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Sarah Wallin Huff
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MMXX
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Novel Soundtrax
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.800437 Composed by Sarah Wallin Huff. 20th Century,Concert,Contemporary. 4 pages. Novel Soundtrax #6272567. Published by...
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Violin Solo - Level 5 - SKU: A0.800437 Composed by Sarah Wallin Huff. 20th Century,Concert,Contemporary. 4 pages. Novel Soundtrax #6272567. Published by Novel Soundtrax (A0.800437). Forged in the frustration, loneliness, and--ultimately--the processes of self-discovery during the 2020 pandemic, this dramatic violin solo is an expression of the complex, turbulent feelings that have arisen throughout the world.
$22.00
"Intermezzo" for violin & piano Op. 18 (violin part)
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Violon
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AVANCÉ
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Gary Noland
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"Intermezzo" for vio
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Freeland Publications
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.980422 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 8 pages. Freeland Publications #3238261. Pu...
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Violin Solo - Level 5 - SKU: A0.980422 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 8 pages. Freeland Publications #3238261. Published by Freeland Publications (A0.980422). Duration: ca. 6 minutes. The full score is available for purchase at SMP Press. Review: ...My dictionary gives three definitions of 'Intermezzo,' also the name of a world premiere for violin and piano, Reiko Nishioka on violin and the composer, Gary Noland, on piano. Included are the words 'light character.' If so, the piece has intercalary intermezzos of its own smoothly segued between sections of sophisticated sobriety-or vice-versa. I's a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else's, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it's intelligent, pleasurable and convincing.-Rocky Leplin, Music Critic, The Berkeley Voice
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Kulning Song
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Violon
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AVANCÉ
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Contemporain
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Matthew Phillips
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Kulning Song
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Matthew Scott Phillips
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1004155 Composed by Matthew Phillips. 20th Century,Contemporary. 4 pages. Matthew Scott Phillips #6213023. Published by ...
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Violin Solo - Level 5 - SKU: A0.1004155 Composed by Matthew Phillips. 20th Century,Contemporary. 4 pages. Matthew Scott Phillips #6213023. Published by Matthew Scott Phillips (A0.1004155). The Purpose of my music is to mythologize the world around us: to not only signify but make significant the experience of life. In doing so, I attempt to reach beyond what can be described in words, to the transcendent and spiritually profound, and to take the listener with me. Mine is not music to be analyzed, but experienced. The art Kulning is the practice in rural Norway and Sweden of singing high pitched melodies to call livestock herds down from the high mountains where they would graze. The songs can be unique to an individual, but are often family based so that the animals know the specific melody of their owners' calls. Though disappearing, these haunting melodies can still be heard today in parts of the Scandinavian countryside, and imbue the land with a sacred tone.https://www.youtube.com/channel/UCkFS1PbS7oXOdM22kwII36Awww.matthewscottphillips.comwww.matthewscottphillips.com
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