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Partitions à imprimer
4 partitions trouvées
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Finale from Violin Concerto in E minor, Op. 64
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Cor
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Marc Papeghin
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Finale from Violin Concerto in
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Marc Papeghin
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1168521 Composed by Felix Bartholdy Mendelssohn. Arranged by Marc Papeghin. 19th Century,Romantic Period. Individua...
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French Horn Solo - Level 5 - SKU: A0.1168521 Composed by Felix Bartholdy Mendelssohn. Arranged by Marc Papeghin. 19th Century,Romantic Period. Individual part. 1 pages. Marc Papeghin #768858. Published by Marc Papeghin (A0.1168521). A French Horn arrangement of the famous Finale from Mendelssohn's Violin Concerto.
$2.99
Verdi Requiem - Horn in F 3 (Transposed Part)
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Cor
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AVANCÉ
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Giuseppe Verdi
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Kelly Joe Richardson
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Verdi Requiem - Horn in F 3
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ALBEDO MUSIC
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1234823 Composed by Giuseppe Verdi. Arranged by Kelly Joe Richardson. 19th Century,Christian,Classical,Latin,Religi...
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French Horn Solo - Level 5 - SKU: A0.1234823 Composed by Giuseppe Verdi. Arranged by Kelly Joe Richardson. 19th Century,Christian,Classical,Latin,Religious. Individual part. 17 pages. ALBEDO MUSIC #830366. Published by ALBEDO MUSIC (A0.1234823). Transposed Part for Horn in F 3. Originally for 3rd Horn in A, C, Eb, B, E, Ab. Giuseppe Verdi Requiem. Rehearsal letters and measure numbers may or may not coordinate with other scores. Transposed by Kelly Joe Richardson (BMI). © 2023 by ALBEDO MUSIC Worldwide (BMI).
$17.99
Syrinx for Unaccompanied Horn in F
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Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ralph Sauer
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Syrinx for Unaccompanied Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #...
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French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #6204775. Published by Gordon Cherry (A0.811206). Debussy composed Syrinx, a breathtaking unaccompanied work in 1913. It became the first solo work for the Böhm Flute and the first solo work by a major composer since C.P.E. Bach, almost 150 years earlier.The music allows wide latitude for interpretation and will show off the musical imagination of the performer.The great French Flautist Marcel Moyse is credited with adding phrasing and bar lines to his friend Debussy's new work.In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as Syrinx.This work of just over two minutes for advanced performers will add a new dimension to your recital, as it is often performed offstage.
$10.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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