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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Call
Non classifié
513
Piano & claviers
Piano seul
247
Piano, Voix
151
Piano Facile
42
Piano, Voix et Guitare
41
Instruments en Do
23
Orgue
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
1 Piano, 4 mains
7
Accompagnement Piano
6
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
28
2 Guitares (duo)
4
Ukulele
3
Paroles et Accords
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Mandoline, Guitare (duo)
2
Dulcimer
1
Basse electrique
1
Banjo
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
163
Chorale 3 parties
40
Chorale Unison
15
Chorale 2 parties
14
Voix Soprano, Piano
11
Chorale TTBB
11
Chorale SSAA
9
Voix seule
8
Voix haute
6
Voix duo
5
Voix Alto, Piano
4
Voix Soprano
3
Voix Baryton, Piano
3
Voix duo, Piano
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano, Orchestre
1
Voix basse, Piano
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix Tenor
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Quatuor de Saxophones: 4 saxophones
37
Flûte traversière et Piano
37
Quintette de Saxophone: 5 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Alto et Piano
23
Ensemble de saxophones
21
Ensemble de Clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Soprano et Piano
19
Clarinette
18
Hautbois, Piano (duo)
16
Clarinette et Piano
15
Flûte traversière
15
Saxophone (partie séparée)
15
Saxophone Alto
13
Saxophone Tenor et Piano
12
Quatuor de Flûtes : 4 flûtes
11
2 Saxophones (duo)
11
Ensemble de Flûtes
10
Saxophone Tenor
9
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Baryton, Piano
7
3 Saxophones (trio)
6
Quintette de Flûte : 5 flûtes
6
2 Flûtes traversières (duo)
6
Clarinette Basse, Piano
6
Hautbois (partie séparée)
5
Flûte et Guitare
5
Cor anglais, Piano
4
Flûte, Clarinette (duo)
3
Flûte à bec Soprano
3
Quatuor de Flûtes à bec
3
2 Clarinettes (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Alto
2
Saxophone Soprano
2
Clarinette et Alto
2
Clarinette, Guitare (duo)
2
2 Saxophones, Piano
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Basse continue
1
Flute (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Trompette (duo)
1
5 Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte traversière, Orgue (duo)
1
Ensemble de Hautbois
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
3 Flûtes à bec (trio)
1
2 Flûte à bec (duo)
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
18
Trombone
13
Ensemble de Trombones
11
Cor et Piano
10
Cor
7
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Quatuor de Cuivres
6
Trompette, Piano
6
2 Trombones (duo)
5
2 Trompettes (duo)
5
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
4
Trombone (partie séparée)
4
Cor anglais, Piano
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 cors
3
Trompette, Trombone (duo)
3
Tuba
3
2 Cors (duo)
3
Tuba et Orgue
1
Cor (partie séparée)
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
Cor et Orgue
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
Euphonium
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
98
Violon et Piano
40
Violoncelle, Piano
25
Violoncelle
22
Violon
19
Alto, Piano
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
11
2 Harpes (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violons (duo)
10
Violon, Violoncelle (duo)
8
Violon (partie séparée)
7
Violon, Alto (duo)
6
2 Violoncelles (duo)
5
Ensemble de Violons
4
Trio à Cordes: 2 violons, violoncelle
4
Alto seul
3
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Harpe, Voix
2
2 Altos (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
2
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
285
Orchestre à Cordes
79
Orchestre
75
Ensemble de cuivres
51
Orchestre de chambre
31
Jazz combo
18
Ensemble Jazz
17
Cloches
12
Ensemble de Percussions
6
Vibraphone
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Xylophone
1
Orchestre, Violon
1
Marimba
1
Batterie
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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VIOLONCELLE
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7 partitions trouvées
<
1
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Fanfare: "Grit" - Horn 2 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086619. Published by Benjamin Sajo (A0.1018968). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 1 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 3 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608662...
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French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086623. Published by Benjamin Sajo (A0.1018969). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Futility [Horn Transcription]
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Benjamin Giesbrecht
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Futility [Horn Transcription]
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Benjamin Giesbrecht
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SheetMusicPlus
French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Publ...
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French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
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