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GUITARES
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2
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1
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1
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26
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24
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5
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5
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4
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3
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3
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3
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3
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2
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2
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2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
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2
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2
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1
Flûte, trombone et piano
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Flûte, Trompette (duo)
1
Flûte, Hautbois, Basson
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
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CUIVRES
Trompette (partie séparée)
49
Trompette
45
Trombone
35
Trombone (partie séparée)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Cor
20
Ensemble de Trombones
19
Trombone et Piano
18
Cor (partie séparée)
16
Trompette, Piano
13
Quatuor de cuivres: 4 trombones
11
Tuba (partie séparée)
10
Cor et Piano
9
Cor anglais, Piano
9
Euphonium, Piano (duo)
8
Tuba et Piano
7
Trompette, Saxophone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
4
Trompette, Trombone (duo)
3
2 Cors (duo)
2
Euphonium
1
Quatuor de cuivres: 4 cors
1
Trompette, violon (duo)
1
2 Trombones (duo)
1
Trompette, Violoncelle et Piano
1
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Trio de Cuivres
1
2 Trompettes (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon
68
Violoncelle
51
Violon et Piano
34
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Alto (partie séparée)
21
Violon (partie séparée)
21
Alto, Piano
19
Violoncelle, Piano
18
Harpe
14
2 Violons (duo)
13
Contrebasse (partie séparée)
13
2 Violoncelles (duo)
10
Violon, Alto (duo)
8
2 Altos (duo)
8
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle (partie séparée)
6
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
2 Violons, Piano
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
121
Orchestre à Cordes
60
Orchestre
31
Percussion (partie séparée)
21
Cloches
17
Orchestre de chambre
16
Ensemble de cuivres
14
Ensemble Jazz
13
Batterie (partie séparée)
10
Jazz combo
8
Batterie
6
Fanfare
5
Timbales (partie séparée)
3
Xylophone, Piano
1
Piano et Orchestre
1
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AUTRES
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She\'s Mine
Saxophone Baryton, Piano
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18 Gospel Hymns Vol.2 for Solo Baritone Saxophone and Piano
Saxophone Baryton, Piano
Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, …
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Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Baritone Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.<br> <br> <br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.<br> <br> <br> <br> The hymns are in alphabetical order and are as follows<br> <br> <br> <br> · O Mary Don’t You Weep, <br> <br> · O When the Saints, <br> <br> · Old Time Religion, <br> <br> · Onward Christian Soldiers, <br> <br> · Rock of Ages, <br> <br> · Shall We Gather at the River, <br> <br> · Stand Up, Stand Up for Jesus, <br> <br> · Standing in the Need of Prayer, <br> <br> · Swing Low Sweet Chariot, <br> <br> · Steal Away, <br> <br> · There is a Fountain Filled with Blood, <br> <br> · There is Power in the Blood, <br> <br> · This Little Light of Mine, <br> <br> · Wade in the Water, <br> <br> · Were You There? <br> <br> · What a Friend We Have in Jesus, <br> <br> · When the Roll Is Called Up Yonder, <br> <br> · When We All Get to Heaven. <br> <br> <br> <br> If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Baritone Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
$8.49
7.61 €
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Saxophone Baryton, Piano
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Various
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Worship
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18 Gospel Hymns Vol.2 for Solo Baritone Saxophone and Piano
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David McKeown
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SheetMusicPlus
Sicilienne (Maria-Theresia von Paradis) for Baritone Saxophone and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502735 Composed by M…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1502735 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078404. Published by SCORE EDITIONS (A0.1502735). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
5.37 €
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Saxophone Baryton, Piano
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
Africa
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1087089 By Toto. By D…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1087089 By Toto. By David Paich and Jeff Porcaro. Arranged by Lawrence H Underwood. 20th Century,Contemporary,Film/TV,Pop,Rock. Score and part. 10 pages. Lawrence H Underwood #691287. Published by Lawrence H Underwood (A0.1087089). Toto’s iconic hit. . .now available as an instrumental solo with piano accompaniment! Great for intermediate or advanced performers – sure to be an audience favorite! This eminently playable arrangement was lovingly crafted by Lawrence Underwood and is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment).
$5.99
5.37 €
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Saxophone Baryton, Piano
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Toto
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Lawrence H Underwood
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Africa
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Lawrence H Underwood
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.37 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
A Whole New World
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1458230 Composed by A…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1458230 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037206. Published by SCORE EDITIONS (A0.1458230). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
5.37 €
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Saxophone Baryton, Piano
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Alan Menken and Tim Rice
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Harry Walker
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
Come, Thou Fount of Every Blessing (Jupiter) - Solo Bari Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.723283 Composed by Gu…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.723283 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083317. Published by Lagom Music (A0.723283). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
5.37 €
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Saxophone Baryton, Piano
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Blessing
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Lagom Music
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.54 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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