Partitions Numériques de set pour Tuba

set

B-Flat Tuba,Tuba Solo - Level 4 - SKU: A0.1435146 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015252. Published by Stephan Langenberg (A0.1435146). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com

Alone Together #Tuba #INTERMÉDIAIRE/AVANCÉ #Jazz #Arthur Schwartz #Roger Wallace #Alone Together #Roger Wallace #SheetMusicPlus

Tuba Solo - Level 4 - SKU: A0.512989 Composed by Arthur Schwartz. Arranged by Roger Wallace. Jazz,Standards. Individual part. 9 pages. Roger Wallace #63...(+)

Tuba Solo - Level 4 - SKU: A0.512989 Composed by Arthur Schwartz. Arranged by Roger Wallace. Jazz,Standards. Individual part. 9 pages. Roger Wallace #6360617. Published by Roger Wallace (A0.512989). Bass Trombone Solo with Piano Accompaniment. Easy Swing. Can also be performed by Tuba. A String Bass Solo part (in the appropriate range) is included in the set.The audio sample represents a Tuba.A full length audio version (representing Bass Trombone) can be heard in the YouTube video.Also available for Trombone Quartet, TromboneÂ Quintet and Brass Quintet.Look for more arrangements by Roger Wallace.

Summertime #Tuba #INTERMÉDIAIRE/AVANCÉ #Dorothy Heyward, Du Bose Heywa #Roger Wallace #Summertime #Roger Wallace #SheetMusicPlus

Tuba Solo - Level 4 - SKU: A0.1290183 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,...(+)

Tuba Solo - Level 4 - SKU: A0.1290183 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Roger Wallace. Blues,Broadway,Film/TV,Jazz,Musical/Show. Individual part. 17 pages. Roger Wallace #880853. Published by Roger Wallace (A0.1290183). Tuba Solo with Piano Accompaniment in D Minor. Blues Ballad. From Porgy and Bess.Solo parts included in this set:Piano & Voice: BaritoneVoice: Baritone (Bass and Treble Clef)Bass Clarinet/Tenor Sax/TromboneBaritone Sax/E-flat BassBassoon/Trombone/Tuba/CelloString BassNOTE: Audio sample clip begins at pickup to Letter A.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.

Meditation for Tuba and Metronome...? #Tuba #INTERMÉDIAIRE/AVANCÉ #Julien Simard #Meditation for Tuba and Metron #Julien Simard #SheetMusicPlus

Tuba Solo - Level 4 - SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published ...(+)

Tuba Solo - Level 4 - SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published by Julien Simard (A0.931126). The metronome is always right is a phrase that every music student has heard at one point or another. However, Meditation for Tuba and Metronome? proves once and for all that the metronome is in fact not always right! As the tubist performs luscious melodies, the metronome he is using starts to malfunction, becoming more and more inconsistent and agitated. This drives the tubist into a frenzy, causing him to finally reset the metronome and start over.....Commissioned and recorded by Tristan Whalen-Hughes on the album Low Orbit. https://www.tristanwhalenhughes.com/recordings.

The Progressive Warm Up-Tuba Edition #Tuba #INTERMÉDIAIRE/AVANCÉ #Methodes #Eric Bolvin #The Progressive Warm Up-Tuba E #SheetMusicPlus

Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, T...(+)

Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!

Description
The Warm Up is an integral component of every brass player?s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.