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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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S brazil
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Flûte, Hautbois, Clarinette, Basson
Partitions à imprimer
4 partitions trouvées
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1
Andersen Viana: Quartet for flute, oboe, Bb clarinet and bassoon
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Andersen Viana
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Andersen Viana: Quartet for fl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - SKU: A0.533546 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. 42 pages. Musik Fabrik Music Publishing #3017639. Published by Musik Fabrik Music Publishing (A0.533546). This seven minute modernist work uses both structured and aleatoric elements. Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$19.95
Wave
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Antonio Carlos Jobim
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Kenneth Abeling
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Wave
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1103731 Composed by Antonio Carlos Jobim. Arranged by Kenneth Abeling...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1103731 Composed by Antonio Carlos Jobim. Arranged by Kenneth Abeling. Jazz,Latin. 14 pages. LINCOLN MUSIC PUBLICATIONS #707009. Published by LINCOLN MUSIC PUBLICATIONS (A0.1103731). Wave by Antonio Carlos Jobim arranged for Woodwind Quartet. This is an advanced intermediate to easier advanced arrangement of Jobim’s Brazilian Jazz standard. The Playing time is approximately 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
Tico Tico (tico Tico No Fuba)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.747011 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by ...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.747011 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Keith Terrett. Classical,Latin,Multicultural,World. 14 pages. Keith Terrett #5869499. Published by Keith Terrett (A0.747011). Arranged for Recorder Quartet Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Eros Volusia and her dancers dance to Tico-Tico in 1942 Rio Rita. Ethel Smith performed Tico-Tico onscreen in Bathing Beauty (1944). Carmen Miranda performed Tico-Tico onscreen in Copacabana (1947); It was also featured in the Aquarela do Brasil segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).In Quebec the song has been used for several decades in commercials for Sico paint.In season three of Mama's Family episode An Ill Wind, an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.In season one of Narcos: Mexico, episode 3 (El Padrino), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.The title phrase also features in the lyrics to the song O Pato made famous by João Gilberto.Choro (Portuguese pronunciation: [ˈʃoɾu], cry or lament), also popularly called chorinho (little cry or little lament), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
Son De La Loma
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Flûte, Hautbois, Clarinette, Basson
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Contemporain
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Miguel Matamoros
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Jan Thalman
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Son De La Loma
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Jan Thalman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553....
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Woodwind Ensemble,Woodwind Quartet - SKU: A0.937494 Composed by Miguel Matamoros. Arranged by Jan Thalman. Contemporary. 23 pages. Jan Thalman #6439553. Published by Jan Thalman (A0.937494). Son de la loma es una pieza compuesta por el cubano Miguel Matamoros, alrededor de 1945. Es una melodÃa muy conocida en ritmo de son, sin embargo, esta versión para cuarteto de saxofones está escrita para que se interprete en ritmo de samba. La samba es una danza brasileña de origen africano.En caso de no utilizar la percusión:- Los primeros 3 compases de la introducción deben eliminarse. Se empieza, entonces en el compás 4- El solo de percusión en el compás 91 debe ser omitido.- Letra G no se toca. De manera que, del compás 122 se pasa al compás 4.La parte percusión es opcional, puede incorporarla a los saxofones si asà lo prefiere.Son de la lomaThis piece was composed by the Cuban musician Miguel Matamoros around 1945. The tune was originally written with a Son rhythm, however, in this version for a saxophone quartet the rhythm is Samba, a Brazilian dance.The use of percussion is optional. If it is not used, the player should follow these recomendations:- The first three measures of the introduction must be eliminated to start in measure four.- The percussion solo in measure 91 must be omitted- Letter G is not played, as a result, the player must move on from measure 122 tomeasure 4.The use of percussion is optional.
$14.00
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