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Two Impressions of the Sky, for carillon
Cloches
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.944197 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.944197 Composed by Scott R. Hummel. Classical,Contemporary. Individual part. 7 pages. Scott R. Hummel Music #6873653. Published by Scott R. Hummel Music (A0.944197). Two Impressions of the Sky presents contrasting movements, Twilight and Storm. With cascading seventh chords and a hymn-like melody, Twilight reflects a peaceful evening as the last sunlight fades into a star-studded night sky. Storm opens with swirling fourths and a dramatic melody in the bass. The whirling winds of the trebles are frequently broken by musical thunder in the bass and an ascending lightning motif-the storm lulls and surges, reaching a rapid and dramatic finale. Scott R. Hummel is a composer and musician from Lancaster County, Pennsylvania. Scott holds a Bachelor of Arts in Music and a Bachelor of Music in Audio and Music Production from Lebanon Valley College in Annville, Pennsylvania. He has performance experience in keyboard instruments, choral music, and percussion. His introduction to the carillon came through listening to the 62-bell instrument housed in the Chimes Tower at Longwood Gardens, Kennett Square, Pennsylvania. Scott also serves as an instructor for the North American Carillon School where he teaches music theory. In addition to carillon, Scott has written for various other mediums, including choir, pipe organ, and percussion. His involvement in the music industry extends beyond composition and performance to audio engineering and lighting design. Scott continues to compose and arrange new works for carillon. Visit him online at www.scottrhummel.com.
$6.99
6.26 €
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Cloches
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Scott R
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Two Impressions of the Sky, for carillon
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Scott R. Hummel Music
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SheetMusicPlus
Caravan
Cloches
Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ell…
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Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
4.48 €
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Cloches
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Duke Ellington and his Orchestra
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Michael Gancz
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Caravan
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Michael Gancz
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SheetMusicPlus
Christian Lullaby
Cloches
Handbell - Level 3 - Digital Download SKU: A0.938905 Composed by Gustav Malher, Bri…
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Handbell - Level 3 - Digital Download SKU: A0.938905 Composed by Gustav Malher, Brian Leverett. Arranged by Brian Leverett. 20th Century,Christian,Sacred. Score. 7 pages. Timbila Music Co. #3007897. Published by Timbila Music Co. (A0.938905). The opening of Christian Lullaby is based on Gustav Mahler’s Symphony No. 3, Part II, Movement No. 5 which features a boys’ choir, female chorus and an alto solo. The hymn section is an original composition inspired from the alto soloist. In the final section, the piece combines both motifs to move to a dramatic ending. Moreover, this arrangement is designed as an opener for any religious ceremony but, it could be played at any event. The arranger is Brian Leverett. He has a Bachelor’s and Master’s degrees in Music Education from Wayne State University and has now retired from teaching band in the Detroit Public Schools. He also have been an avid handbell choir member for twenty years.
$3.00
2.69 €
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Cloches
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Gustav Malher, Brian Leverett
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Brian Leverett
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Part II, Movement No
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Christian Lullaby
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Timbila Music Co.
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SheetMusicPlus
WORSHIP BELLS - three hymns for beginning handbells
Cloches
Handbell - Level 1 - Digital Download SKU: A0.767671 Composed by John Bacchus Dykes…
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Handbell - Level 1 - Digital Download SKU: A0.767671 Composed by John Bacchus Dykes, Spanish Hymn, and and Johann M. Haydn. Arranged by c.e. walz. Sacred. Score. 7 pages. C.E. Walz #4802319. Published by C.E. Walz (A0.767671). Maestro gives his seal of approval for these beginning handbell arrangements of three traditional worship hymns (Come, Christians, Join to Sing, Holy, Holy, Holy, and O Worship the King.) Created to insure quick success for new ringers, WORSHIP BELLS hymn trio does not include hymn melody or intricate rhythm patterns. Ringers play 'simple to count' chords for the most part. I use the color-coding method of highlighting the ringer's notes in the handbell chart and then highlighting with the same color the notes in the hymn. Each measure is numbered and if your ringer can count and follow the colors, he/she can ring! For those new to reading music, music instruction begins with identifying 1/4, 1/2, whole notes, dotted notes, repeat signs, and practicing specific rhythm patterns for each hymn. Identifying note names comes later. You'll have a great sounding handbell choir in no time, especially when you add in your piano/organ accompaniment of these hymns and a soloist, ensemble, or congregational singing! Seven pages total. The first page of the set gives more helpful information, so as Maestro would say, Go ring those bells!.
$4.00
3.58 €
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Cloches
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John Bacchus Dykes, Spanish Hymn, and and Johann M
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c
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WORSHIP BELLS - three hymns for beginning handbells
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C.E. Walz
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SheetMusicPlus
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