Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That
Non classifié
1 266
Piano & claviers
Piano seul
909
Piano, Voix
73
Orgue
46
Piano, Voix et Guitare
28
2 Pianos, 4 mains
22
Instruments en Do
19
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
9
Accompagnement Piano
6
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
3
Piano Facile
2
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue et Orchestre
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
194
Guitare
148
Basse electrique
9
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
Mandoline
3
4 Guitares (Quatuor)
3
Banjo
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Dulcimer
1
Ukulele
1
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
Mandoline, Piano (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
201
Chorale TTBB
37
Chorale SSAA
31
Chorale 3 parties
15
Voix Soprano, Piano
12
Voix haute
8
Voix Baryton, Piano
7
Chorale SSAATTBB
5
Voix duo
4
Voix Tenor, Piano
4
Voix Alto, Piano
3
Voix duo, Piano
3
Voix basse, Piano
2
Voix seule
2
Voix moyenne, Piano
2
Chorale 2 parties
2
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
72
Clarinette
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Saxophone
46
Flûte traversière
46
Quatuor de Saxophones: 4 saxophones
39
Ensemble de Clarinettes
28
Saxophone Alto et Piano
27
Clarinette et Piano
26
2 Flûtes traversières (duo)
22
Quintette de Saxophone: 5 saxophones
20
Hautbois, Piano (duo)
20
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Soprano et Piano
15
Hautbois (partie séparée)
14
Ensemble de saxophones
13
Saxophone Tenor et Piano
11
Saxophone Alto
11
Quatuor de Flûtes : 4 flûtes
9
Saxophone (partie séparée)
9
2 Saxophones (duo)
6
3 Clarinettes (trio)
6
Saxophone Baryton, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte et Guitare
5
Cor anglais, Piano
5
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Violon
3
Flûte, Violon, Piano
3
Clarinette, Violon (duo)
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes (duo)
3
Flute (partie séparée)
3
Saxophone Tenor
3
Flûte, Clarinette, Piano (trio)
2
Saxophone et Orgue
2
Flûte, Hautbois, Clarinette (trio)
2
5 Flûtes à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violoncelle
2
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Harmonica, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Hautbois (duo)
1
Hautbois, Basson et Piano
1
3 Saxophones (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Harmonica
1
Clarinette, Guitare (duo)
1
Hautbois, Flûte
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
124
Trombone et Piano
45
Trompette
36
Ensemble de Trombones
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Euphonium, Piano (duo)
25
Tuba et Piano
25
Trombone
22
Quatuor de cuivres: 4 trombones
16
Trompette, Piano
15
Cor
13
Cor et Piano
13
Trompette (partie séparée)
8
2 Euphoniums et 2 Tubas
8
Ensemble de Trompettes
8
Tuba
8
2 Trompettes (duo)
7
2 Trombones (duo)
7
Trombone basse et Piano
6
Quatuor de Cuivres
5
Trombone basse
5
Cor anglais, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
4
Ensemble de Cors
4
Trombone (partie séparée)
4
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
3
3 Euphoniums
2
3 Trombones (trio)
2
2 Euphoniums (duo)
2
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
Cor et Orgue
1
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
159
Violon et Piano
66
Violoncelle, Piano
38
Violon
34
Harpe
27
Violoncelle
27
Trio à Cordes: violon, alto, violoncelle
26
Alto, Piano
21
Violon, Violoncelle (duo)
17
2 Violons (duo)
13
Violon, Alto (duo)
10
Contre Basse
9
Alto seul
8
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto (partie séparée)
4
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
3
2 Altos (duo)
3
Alto et Harpe
3
4 Violoncelles
2
Violon, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
Piano Trio: Violon, Alto, Piano
2
2 Harpes (duo)
1
Violon (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
Violoncelle, Orgue
1
Ensemble de Violons
1
4 Harpes
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre
267
Orchestre d'harmonie
233
Ensemble Jazz
110
Orchestre à Cordes
81
Orchestre de chambre
68
Ensemble de cuivres
67
Jazz combo
54
Ensemble de Percussions
17
Fanfare
16
Cloches
14
Batterie
13
Big band
8
Vibraphone
2
Orchestre, Violon
1
Marimba et Orgue
1
Caisse Claire
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Marimba
1
Percussion (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
4
Partitions Numériques
73
Librairie Musicale
1
Matériel de Musique
8 480
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
That
expert
Piano, Voix
Partitions à imprimer
73 partitions trouvées
<
1
26
51
Forgive this Frail Heart That Beats, Aria for Dramatic Soprano from the Contemporary Opera Germain
#
Piano, Voix
#
AVANCÉ
#
James Nathaniel Holland
#
Forgive this Frail Heart That
#
James Nathaniel Holland
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.730372 Composed by James Nathaniel Holland. Contemporary,Opera. Score. 11 pages. James Nathaniel Holland #3005025....
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.730372 Composed by James Nathaniel Holland. Contemporary,Opera. Score. 11 pages. James Nathaniel Holland #3005025. Published by James Nathaniel Holland (A0.730372). The moving and beautiful aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. It is the end of Act II of the opera. The setting is the State House Ballroom filled with attendees. A viscious-tongued minister, Nadine, has been spreading rumors and hearsay to the press and the public. In this aria, Tamina, the wife of the Prime Minister of Timbaksha, has reached her breaking point and can bear no more that her husband is perpetually unfaithful.Video presentation: https://www.youtube.com/watch?v=Wc3wMjVyk5Y(Duration: 5:43) (Range: B3 to Bb5)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.95
I Don't Wanna Go On With You Like That
#
Piano, Voix
#
AVANCÉ
#
Rock
#
Elton John
#
Eltons Notes
#
I Don't Wanna Go On With You L
#
Elton's Notes
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1396550 By Elton John. By Bernie Taupin and Elton John. Arranged by Eltons Notes. Pop,Rock. Score. 21 pages. Elton...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1396550 By Elton John. By Bernie Taupin and Elton John. Arranged by Eltons Notes. Pop,Rock. Score. 21 pages. Elton's Notes #979890. Published by Elton's Notes (A0.1396550). Originally recorded on the Reg Strikes Back album in 1988, I Don't Wanna Go On With You Like That became a staple of Elton's live shows in the 1990's.This transcription is taken from the opening night of the Medusa tour in Roanoke, Virginia 1999. The Medusa tour which began in 1999 would be the last tour to feature the song in the regular setlist rotation. You will find note-for-note accurate piano and vocal lines in the sheet music and chord notations. The performance features a very difficult solo section which stretches the songs length to nearly double its original runtime. The solo is full of lightening quick flourishes, cluster chords, trills, and an unstoppable eighth-note bass hand.
$4.99
That Mesmerizing Mendelssohn Tune
#
Piano, Voix
#
AVANCÉ
#
Irving Berlin
#
Dennis Frayne
#
That Mesmerizing Mendelssohn T
#
Presto! It's Music Magic Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.879306 Composed by Irving Berlin. Arranged by Dennis Frayne. Concert,Folk,Ragtime,Standards,Traditional. Score. 5 ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.879306 Composed by Irving Berlin. Arranged by Dennis Frayne. Concert,Folk,Ragtime,Standards,Traditional. Score. 5 pages. Presto! It's Music Magic Publishing #6133749. Published by Presto! It's Music Magic Publishing (A0.879306). That Mesmerizing Mendelssohn Tune is a fun, tantalizin’, hypnotizin’, mesmerizin’ turn-of-the-20th-century ragtime-style song by Irving Berlin (1888-1989), based on a theme from Felix Mendelssohn’s (1809-1847) Spring Song. Arranged for early advanced to advanced piano. Includes lyrics in paragraph form on the last page, and helpful fingering suggestions.
$5.99
Until You Come Back To Me (that's What I'm Gonna Do)
#
Piano, Voix
#
AVANCÉ
#
Aretha Franklin
#
Rob Ames
#
Until You Come Back To Me
#
Rob Ames
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.893363 By Aretha Franklin. By Clarence O. Paul, Morris Broadnax, and Stevie Wonder. Arranged by Rob Ames. R & B,So...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.893363 By Aretha Franklin. By Clarence O. Paul, Morris Broadnax, and Stevie Wonder. Arranged by Rob Ames. R & B,Soul. Score. 6 pages. Rob Ames #6273929. Published by Rob Ames (A0.893363). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
Ótal stjarna hröp
#
Piano, Voix
#
AVANCÉ
#
Helga Ragnars and Knut Rygnest
#
Ótal stjarna hröp
#
Knut Olav Rygnestad
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemp...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 60 pages. Knut Olav Rygnestad #844518. Published by Knut Olav Rygnestad (A0.1250185). This morning your being wokeIn knowledge of your heart’s lossAs the night had no dreamsBut only a thousand falling stars.Then the richness of a busy daySeemed to you the work of evil witches.– Guðfinna Jónsdóttir from Hömrum (1899–1946)This quote, taken from the poem “The Golden Momentâ€, showcases some of Guðfinna’s writing’s distinct qualities: Profound sadness with a layer of beauty, and a juxtaposition of the mundane and the colloquial with grand imagery and the supernatural. Throughout her poetry we see these strong contrasts: A once-upon-a-lifetime moment that passes you by, but also the infinite beauty of a new-born baby. The wild Icelandic nature presented metaphorically like a protective Viking ship, but also great evil hiding under a sweet, romantic exterior. The life-long journey to a place of great beauty that was always inside you, yet also man’s desperate and futile attempts to bend a great mountain to their will. Her colourful and imaginative writing evokes the dramatic landscapes of her homeland in careful detail, as we’re presented with situations that carry both the great beauty and danger that the volcanic island holds.Guðfinna lived most of her life in Northern Iceland, working as a church musician and writing beautiful texts that unfortunately never made it outside of her native country during her lifetime. We get some small hints about her personal life through her poetry, such as the tragic and early death of her sister Hulda, who died from tuberculosis shortly after getting engaged. Helga Ragnars, being from the same town as Guðfinna and already familiar with her poetry, introduced Knut Rygnestad to it in 2019, after he expressed interest in writing settings of little-known poetry by women. The first two she sent were “Hið gullna augnablik†and “Tvær systurâ€, and Knut found these a joy to work with and quickly requested more, eventually leading to nine songs in total. With funding from Hljóðritasjóður RannÃs and the Norwegian Arts Council, they were able to record and release these songs in 2023, and hope that this will help to make Guðfinna’s poetry reach a wider audience.This book contains sheet music for nine songs: Hið gullna augnablik Vöggubarnsins maÌl AÌfangastaður Tvær systur LjoÌssins knörr Hver ert þuÌ Mannsbarn Fjallið blaÌtt Mig dreymir enn
$22.00
Toasting Mother Earth
#
Piano, Voix
#
AVANCÉ
#
Ross Fiddes
#
dependent, fragile offspring
#
Toasting Mother Earth
#
Ross Fiddes
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Crossing Jordan: Three Spirituals for soprano, piano and cello
#
Piano, Voix
#
AVANCÉ
#
Musique Sacrée
#
Maria Thompson Corley
#
Maria Thompson Corley
#
Crossing Jordan: Three Spiritu
#
Maria Thompson Corley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religiou...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$27.00
"His Name So Sweet" from Crossing Jordan, for soprano, piano and cello
#
Piano, Voix
#
AVANCÉ
#
Spiritual
#
Maria Thompson Corley
#
"His Name So Sweet"
#
Maria Thompson Corley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditio...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
Quatre Poemes De Guillaume Apollinaire
#
Piano, Voix
#
AVANCÉ
#
Contemporain
#
Francis Poulenc and Guillaume
#
Nicole Elyse DiPaolo
#
Quatre Poemes De Guillaume Apo
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Crow with no mouth
#
Piano, Voix
#
AVANCÉ
#
Amos Elkana
#
Crow with no mouth
#
Amos Elkana
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amo...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
Preposition
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
Preposition
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909895 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909895 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202233. Published by Christopher Benfield (A0.909895). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Preposition is an extremely satirical song that pokes fun at some of the conventions of modern grammar.
$2.99
I Eat Words
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
I Eat Words
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909894 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909894 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 3 pages. Christopher Benfield #6202229. Published by Christopher Benfield (A0.909894). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.I Eat Words is an odd piece about a monster that eats words, featuring enticing wordplay and text painting.
$2.99
Ave Maria - For Low Voice
#
Piano, Voix
#
AVANCÉ
#
Cascia Talbert
#
Cascia Talbert
#
Ave Maria - For Low Voice
#
Cascia Talbert
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Rel...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.
$5.99
Optimism Within
#
Piano, Voix
#
AVANCÉ
#
Jason V
#
Optimism Within
#
Barabba Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1381060 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 11 pages. Barabba Music #965779. Published by Barabba Music (A0.1381060). A song for soprano and pianoText by Helen Keller from her Essay Optimism WithinWritten for Ann MossText:Once I knew the depth where no hope was, and darkness lay on the face of all things. Then love came and set my soul free.  Once I knew only darkness and stillness. Now I know hope and joy. Once I fretted and beat myself against the wall that shut me in. Now I rejoice in the consciousness that I can think, act and attain heaven.My life was without past or future; death, the pessimist would say, a consummation devoutly to be wished. But a little word from the fingers of another fell into my hand that clutched at emptiness, and my heart leaped to the rapture of living. Night fled before the day of thought, and love and joy and hope came up in a passion of obedience to knowledge. Can anyone who escaped such captivity, who has felt the thrill and glory of freedom, be a pessimist?Darkness cannot shut me in again.
$10.00
The Letter
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
The Letter
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909896 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909896 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202235. Published by Christopher Benfield (A0.909896). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.The Letter is about the singer's feelings for someone, manifesting in them speaking about what they have written for them. Each phrase becomes a little more unraveled, exhibiting the singer's mental unraveling.
$2.99
Three Little Words
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
Three Little Words
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909898 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909898 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202237. Published by Christopher Benfield (A0.909898). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Three Little Words is a comedic song about the singer's anger with someone, talking about the things they could be, but they are not.
$2.99
Five Songs About Words
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
Five Songs About Words
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909892 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 23 pages. Christopher Benfield ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909892 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 23 pages. Christopher Benfield #6202223. Published by Christopher Benfield (A0.909892). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.
$8.99
Three Housman Settings Volume 111
#
Piano, Voix
#
AVANCÉ
#
David F Golightly
#
Three Housman Settings Volume
#
Modrana Music Publishers Ltd
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.966314 Composed by David F Golightly. Contemporary,World. Score. 20 pages. Modrana Music Publishers Ltd #3136765. ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.966314 Composed by David F Golightly. Contemporary,World. Score. 20 pages. Modrana Music Publishers Ltd #3136765. Published by Modrana Music Publishers Ltd (A0.966314). Three Housman settings volume 111 for Mezzo Soprano and Piano was composed in 2017 They are part of a series of settings of Housman poems by David now numbering Three Volumes with another four volumes in the planning stage. The poems set are When I watch the Living Meet, I Wake from Dreams and Turning, and There Pass the Careless People.Review.It is important to note that David songs, while rooted in the older art song tradition, make use of the sophisticated compositional techniques of the 20th and 21st centuries. David has an ability to make complicated melodic lines that hint but do not venture into atonality, sound simple and beautiful. He can use the accompaniment as a form of tone painting in a way that seems perfectly natural.Emily Cobley (Howard) Mezzo Soprano Hard copy scores can be obtained from the Publishers website Modrana Music Publishers Ltd
$18.00
Can I Have a Word?
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
Can I Have a Word?
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #6202231. Published by Christopher Benfield (A0.909893). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Can I Have a Word is about a relationship between two people, the singer looking for compromise by talking about the use of different words.
$2.99
There's Gotta Be Something Better Than This
#
Piano, Voix
#
AVANCÉ
#
Contemporain
#
Cy Coleman
#
W
#
There's Gotta Be Something Bet
#
Diamond S Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #355430...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.790050 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score. 14 pages. Diamond S Music #3554307. Published by Diamond S Music (A0.790050). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - THIS IS THE PIANO/VOCAL PART ONLY. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
#
Piano, Voix
#
AVANCÉ
#
Stanley M Hoffman
#
2
#
Two Scenes from the Lodz Ghett
#
stanleymhoffman.com
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00
Icu
#
Piano, Voix
#
AVANCÉ
#
Coco Jones
#
Steve Burks
#
Icu
#
Steven L. Burks
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1375433 By Coco Jones. By Coco Jones, Courtney Jones, Darhyl Camper, Justin Timberlake, Keke Rockette, Raymond Kom...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1375433 By Coco Jones. By Coco Jones, Courtney Jones, Darhyl Camper, Justin Timberlake, Keke Rockette, Raymond Komba, Roy Rockette, and Roykeisha Letrice Rockette. Arranged by Steve Burks. Pop,R & B,Soul. Score. 13 pages. Steven L. Burks #960005. Published by Steven L. Burks (A0.1375433). This voice and piano arrangement of the Grammy-nominated ballad, ICU, performed by Coco Jones, emulates the recording closely, which aids listeners in recognizability. It follows the form of the recording. Rehearsal numbers correspond with song sections. The performance time is approximately 4:02.Note to singers: sometimes Coco sings slightly behind the beat in the recording; I attempted to approximate that in the vocal part (see mm. 35 and 91). It is advised that the vocalist and accompanist listen to the recording of the song while reading the score, in order to get an overall feel for how it translates.Below is a YouTube link to the full audio and score preview. I am a member of ASCAP. You can contact me at steve@steveburksmusic.com. Thanks for considering my arrangement.
$4.99
Two Dream Poems (2020) for Soprano and Piano
#
Piano, Voix
#
AVANCÉ
#
Corinne Byrne, soprano and Set
#
Two Dream Poems
#
Blue Unity Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contempo...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1103534 By Corinne Byrne, soprano and Seth Mayer, piano. By George Edward Brandon. 20th Century,Classical,Contemporary. Score. 21 pages. Blue Unity Music #706801. Published by Blue Unity Music (A0.1103534). George Brandon: Two Dream Poems (2020) for Soprano and Piano This piece consists of musical settings of two 20th century poems concerning the dream state: one by the American poet Gary Snyder; the other by Mavash Sabet from Iran. Gary Snyder’s poem, “Maudgalyayana Saw Hellâ€, is a complex and multilayered portrayal of a passage through the dream state, beginning with falling asleep and ending with waking up. At the same time as it describes a mythical journey and an inward psychological journey, it also presents a Buddhist metaphysical perspective in which the whole of life, and our ordinary sense of reality, appear and are questioned as dream states as well. At the time that Mavash Sabet wrote her poem “Hello Again†she was a political prisoner sentenced to twenty years in prison for her religious and educational activities. on behalf of the Bahai faith, a religion which is persecuted by Iran's theocratic government. “Hello Againâ€, from her book Prison Poems, describes a dream experience that renewed her inner sense of freedom despite being incarcerated, and provided her with strength and hope for the future. Complex but singable, intense and lyrical, these compelling songs will make a great impact in a concert or recital program. Duration: approximately 9 mins. Advanced.
$6.95
Three Poems for Soprano Voice & Piano
#
Piano, Voix
#
AVANCÉ
#
Contemporain
#
Nick Raspa, Emily Dickinson
#
Three Poems for Soprano Voice
#
NJR Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJ...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJR Music (A0.754232). A setting of three Emily Dickinson poems (Syllable, Word, Phrase) for piano & soprano voice. Â Syllable was selected for performance in the 1988 New Music Festival at the University of Wisconsin. Â The song cycle was selected for performance at the Region 1 meeting of the Society of Composers in 1992. Â Emily Dickinson did not title the poems. Â The titles were selected based on the context of the poems. Â Duration of the entire song cycle is about 3 1/2 minutes: Syllable and Word are approximately 1 minute each and Phrase is about 1 1/2 minutes. Â 32 pages.SyllableCould mortal lip divinethe undeveloped FreightOf a delivered syllable'Twould crumble with the weight.WordA word is deadWhen it is said,Some say.I say it justBegins to liveThat Day.PhraseI found the phrase to every thoughtI ever had - but One -Â And that - defies me -As a Hand did try to chalk the SunTo Races - nurtured in the Dark -How would your own - begin?Can Blaze be shown in Cochineal -Â Or Noon - in Mazarin? ASCAP.
$12.95
Pasoori
#
Piano, Voix
#
AVANCÉ
#
Ali Sethi
#
hassan
#
Pasoori
#
Hhfjfj
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1053252 Composed by Ali Sethi. Arranged by hassan. Broadway,Holiday,Jewish,Musical/Show. Score. 7 pages. Hhfjfj #6...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.1053252 Composed by Ali Sethi. Arranged by hassan. Broadway,Holiday,Jewish,Musical/Show. Score. 7 pages. Hhfjfj #657568. Published by Hhfjfj (A0.1053252). It has been played on the air all around the world since its release 3 months ago, from Chicago to Delhi. The song is based on a raga, which is a traditional Indian structure for melodic composition. It has a catchy beat that sounds South Asian, Middle Eastern, and, strangely enough, Ragaton, which author-composer Sethi describes as “a new hybrid genre of music that blends raga and reggae, among other soundsâ€.
$5.00
<
1
26
51
That