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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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PIANO & CLAVIERS
Piano seul
1270
Piano Facile
427
Piano, Voix et Guitare
267
Piano, Voix
209
Orgue
123
Instruments en Do
101
Accompagnement Piano
55
1 Piano, 4 mains
44
Piano (partie séparée)
15
Piano grosses notes
12
Clavier
7
Piano Trio: piano, violon, violoncelle
6
Accordéon
5
2 Pianos, 4 mains
5
2 Pianos, 8 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Instrument seul et Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ligne De Mélodie, Piano
1
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1
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1
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GUITARES
Guitare notes et tablatures
199
Guitare
108
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67
Ukulele
39
Paroles et Accords
33
Guitare (partie séparée)
26
Basse electrique
19
2 Guitares (duo)
15
Banjo
13
Mandoline
8
Dulcimer
5
4 Guitares (Quatuor)
5
Basse électrique (partie séparée)
3
Piano, Guitare (duo)
3
Ukulele Baryton
2
Ensemble de Ukulélés
2
Ensemble de guitares
1
Partitions De Groupes
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
572
Chorale 3 parties
94
Chorale 2 parties
54
Chorale Unison
46
Chorale TTBB
38
Chorale SSAA
27
Chorale SSAATTBB
12
Chorale
12
Voix haute
8
Voix Soprano, Piano
4
Voix Baryton, Piano
3
Voix basse, Piano
3
Voix duo, Piano
3
Voix duo
2
Chorale SSATB
2
Voix Alto, Piano
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix seule
1
Voix Tenor, Piano
1
Voix basse
1
Voix Soprano
1
Chorale SATBB
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
101
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quatuor de Saxophones: 4 saxophones
66
Flûte traversière et Piano
62
2 Saxophones (duo)
61
Flûte traversière
54
Clarinette et Piano
53
Hautbois, Piano (duo)
49
Quatuor de Clarinettes: 4 clarinettes
48
Saxophone Alto
45
Saxophone Tenor
39
Saxophone Alto et Piano
38
2 Clarinettes (duo)
34
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Tenor et Piano
32
Clarinette (partie séparée)
31
Clarinette
31
Quintette de Saxophone: 5 saxophones
30
2 Flûtes traversières (duo)
29
Saxophone, Clarinette (duo)
20
Saxophone Soprano et Piano
20
Flute (partie séparée)
19
Ensemble de Clarinettes
18
Quatuor de Flûtes : 4 flûtes
17
Clarinette, Trompette (duo)
16
Ensemble de saxophones
16
Hautbois (partie séparée)
16
Ensemble de Flûtes
15
Clarinette, Violon (duo)
15
Cor anglais, Piano
15
Hautbois, Basson (duo)
15
3 Clarinettes (trio)
15
Flûte, Clarinette (duo)
15
Saxophone Baryton, Piano
14
Quintette de Clarinettes: 5 clarinettes
13
2 Hautbois (duo)
10
Trio de Flûtes: 3 flûtes
9
Flûte, Trompette (duo)
9
Flûte à bec Soprano
9
Hautbois, Clarinette (duo)
9
Flûte, Violon
8
Clarinette et Alto
8
2 Flûte à bec (duo)
8
Quintette de Flûte : 5 flûtes
8
3 Saxophones (trio)
8
Ensemble De Flûte à bec
7
Flûte à bec Alto
7
3 Flûtes à bec (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette et Basson
7
Saxophone Soprano
6
Clarinette Basse, Piano
6
Flûte, Alto (duo)
5
Hautbois
5
Flûte, Saxophone (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Hautbois, Flûte
5
Flûte, Hautbois, Basson
5
Flûte à bec Tenor
5
Flûte et Guitare
4
Clarinette, Basson (duo)
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Flûtes traversières, Piano
3
Flûte, Trombone (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Alto, Piano
2
2 Saxophones, Piano
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Harmonica
2
Saxophone
2
Cor Anglais
2
Flûte, Basson et Piano
2
Saxophone Baryton
2
Clarinette, Violoncelle (duo)
2
Instruments en Mib
2
Flûte, Violoncelle
2
Ocarina
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson et Piano
1
5 Flûtes à bec
1
Saxophone, Violon (duo)
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
2 Flûtes à bec, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Trompette (partie séparée)
72
Trombone (partie séparée)
71
Trompette
53
Trombone et Piano
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
33
Trombone
26
Cor et Piano
24
Tuba et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor
21
Ensemble de Trombones
17
Euphonium, Piano (duo)
17
Cor (partie séparée)
17
Cor anglais, Piano
15
2 Trompettes (duo)
14
Quatuor de Cuivres
14
Tuba
14
Tuba (partie séparée)
13
Trompette, Saxophone (duo)
11
2 Trombones (duo)
11
Trompette, Trombone (duo)
10
Ensemble de Trompettes
9
Quatuor de cuivres: 4 trombones
8
2 Cors (duo)
7
Bass Clef Instruments
5
Tuba ou Euphonium ou Saxhorn
4
2 Tubas (duo)
4
2 Euphoniums et 2 Tubas
4
3 Trombones (trio)
4
Euphonium
3
Instruments en Sib
2
2 Euphoniums (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Euphonium, Tuba (duo)
2
Trombone basse
2
Cor Anglais
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, violon (duo)
1
Trombone basse et Piano
1
Ensemble de Tubas
1
4 Tubas
1
3 Euphoniums
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Trompette, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
183
Violon
85
Violon et Piano
85
Alto, Piano
57
Violoncelle, Piano
55
Harpe
52
Violoncelle
50
Violon, Violoncelle (duo)
37
2 Violons (duo)
31
Violon (partie séparée)
28
Alto seul
27
Contrebasse (partie séparée)
27
Trio à Cordes: violon, alto, violoncelle
25
Contrebasse, Piano (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Violon, Alto (duo)
19
2 Violoncelles (duo)
17
2 Altos (duo)
16
Alto (partie séparée)
14
Trio à Cordes: 2 violons, violoncelle
12
Contre Basse
12
Violoncelle (partie séparée)
5
4 Violoncelles
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
2 Contrebasses (duo)
3
Quatuor à cordes: 4 violons
2
4 Harpes
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
1
Ensemble d'Altos
1
Trio à cordes
1
Harpe (partie séparée)
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
682
Cloches
236
Orchestre à Cordes
229
Ensemble Jazz
101
Orchestre
99
Ensemble de cuivres
83
Batterie
35
Orchestre de chambre
29
Fanfare
23
Jazz combo
21
Ensemble de Percussions
20
Batterie (partie séparée)
19
Percussion
19
Percussion (partie séparée)
12
Marimba
5
Xylophone, Piano
4
Xylophone
4
Timbales
2
Caisse Claire
2
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
7
Vous avez sélectionné:
Eight
Piano, Voix
Partitions à imprimer
209 partitions trouvées
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201
Freight Train
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842306 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842306 Composed by Andrew Mc Donald. Country. Score. 8 pages. Andrew Mc Donald (Macka Records) #6591035. Published by Andrew Mc Donald (Macka Records) (A0.842306). Freight Train is a song about getting stuck at the boom gates while waiting for a freight train to pass by. The line of cars seems endless. This is a country song written for piano and vocals.
$4.99
4.47 €
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Piano, Voix
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Andrew Mc Donald
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Freight Train
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Andrew Mc Donald
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SheetMusicPlus
Freight Train
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879478 Composed by Elizabeth…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.879478 Composed by Elizabeth Cotten. Arranged by Dennis Frayne. Concert,Folk,Spiritual,Standards. Score. 2 pages. Presto! It's Music Magic Publishing #6472179. Published by Presto! It's Music Magic Publishing (A0.879478). Freight Train is an African-American folk song by Elizabeth Cotten, who composed the song when she was a young teenager. Includes lyrics and solfege syllables.
$2.99
2.68 €
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Piano, Voix
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Elizabeth Cotten
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Dennis Frayne
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Freight Train
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Presto! It's Music Magic Publishing
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SheetMusicPlus
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowsk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99
5.37 €
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Piano, Voix
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Francis Osentowski, music Jerry McElveen, text
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Original composition
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EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Francis Osentowski
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SheetMusicPlus
LETTERS FROM A POET IN ITALY "Eighteen in Italy" Mvt. I
Piano, Voix
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.953857 By Francis Ose…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.953857 By Francis Osentowski piano, Marsha Anderson, Soprano. By Francis Osentowski, Music Francis Osentowski, DMA University of North Texas, and Text, Jerry McElveen. Contemporary,Multicultural,Standards,World. Score. 7 pages. Francis Osentowski #6095999. Published by Francis Osentowski (A0.953857). LETTERS FROM A POET IN ITALY - A song cycle in four movements. I. Eighteen in Italy II. Caregiver           III. Colosseum IV. David 2007The songs in my cycle are for voice and piano. They are setting of four poems by Jerry McElveen, Professor Emeritus at Richland College of the Dallas College system. The title refers to texts written during a tour of Italy by a group of college faculty and spouses. On the tour we visited several historic sites around Italy. At the end of the tour, professor McElveen surprised us by reciting a series of poems written during that trip. On hearing his performance, I felt his words were musical and perfect texts to be set to music. The Letters from a Poet in Italy song cycle is the result of our collaboration and has been performed numerous times in the DFW area. A recent performance was sponsored by the art song organization Voces Intimae: the Art of Song. The concert was reviewed by Scott Cantrell Music/Art Critic for the Dallas Morning News and awarded a positive review.  The audio recordings feature soprano Marsha Anderson with my piano accompaniment. Marsha had a distinguished career as an opera singer in Italy for 20 years before returning to Texas as director of the North Lake College Study in Italy program. (She is featured on all recordings except Mvt. III COLOSSEUM. That audio is a synthesizer version).Â
$5.99
5.37 €
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Piano, Voix
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Francis Osentowski piano, Marsha Anderson, Soprano
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LETTERS FROM A POET IN ITALY "Eighteen in Italy" Mvt. I
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Francis Osentowski
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SheetMusicPlus
The Weight
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505264 By The Band. By J.R.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1505264 By The Band. By J.R. Robertson. Arranged by Ian Meacom. Folk,Pop,Rock. Score. 8 pages. Ian Meacom #1080649. Published by Ian Meacom (A0.1505264). This is an arrangement of The Weight by The Band from their 1968 debut album Music From Big Pink. The original piano fills during the choruses from the studio recording have been transcribed here.This arrangement is for solo piano & voice.
$7.99
7.16 €
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Piano, Voix
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The Band
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Ian Meacom
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voice.
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The Weight
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Ian Meacom
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SheetMusicPlus
The Weight
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1027956 Composed by Jacqueli…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1027956 Composed by Jacqueline Sadler. Christian,Christmas,Easter,Sacred. Score. 3 pages. Jacqueline Sadler #3109141. Published by Jacqueline Sadler (A0.1027956). The Weight is a solo, or multi-soloist composition. Suitable for Christian services of commitment, dedication and confirmation.
$4.50
4.03 €
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Piano, Voix
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Jacqueline Sadler
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The Weight
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Jacqueline Sadler
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SheetMusicPlus
Kate Bush - Wuthering Heights
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Kate B…
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Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download By Kate Bush. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Wuthering Heights" by Kate Bush on piano!<br> <br> With this sheet music, you get an accurate piano arrangement of the full song which is playable, and sounds fantastic!<br> <br> The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) version.<br> However, you can also use this piano sheet music to accompany a singer, or sing along yourself - it comes with a system for the singer, as well as the song's full lyrics!<br> <br> "Wuthering Heights" was released in 1977 as Kate Bush's debut single, and served as the lead single from her 1978 debut album "The Kick Inside".<br> The song topped the UK Singles Chart for 4 weeks, making Kate Bush the first woman to top the British charts with a self-written song!<br> <br> Based on Emily Brontë's 1847 novel "Wuthering Heights", the song has an original sound, and quite interesting harmonic changes. It also makes for a wonderful piano cover!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot. 
$4.99
4.47 €
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Piano, Voix
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Kate Bush
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Mario Stallbaumer
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Kate Bush - Wuthering Heights
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Mario Stallbaumer
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SheetMusicPlus
Eight Songs
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q49711 No. 2 A Vision of Glory (…
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Voice Part and Piano - Digital Download SKU: S9.Q49711 No. 2 A Vision of Glory (low E major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 49/2. Duration 2 minutes. Fürstner Musikverlag - Digital #Q49711. Published by Fürstner Musikverlag - Digital (S9.Q49711). Key: E major. German • English.
$6.99
6.26 €
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Piano, Voix
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Richard Strauss
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Eight Songs
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Eight Songs
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q50015 No. 5 Maiden and Nighting…
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Voice Part and Piano - Digital Download SKU: S9.Q50015 No. 5 Maiden and Nightingale (low C major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 49/5. Duration 2 minutes. Fürstner Musikverlag - Digital #Q50015. Published by Fürstner Musikverlag - Digital (S9.Q50015). Key: C major. German • English.
$6.99
6.26 €
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Piano, Voix
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Richard Strauss
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Eight Songs
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Eight Songs
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q50063 No. 3 Cradle Song (low D …
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Voice Part and Piano - Digital Download SKU: S9.Q50063 No. 3 Cradle Song (low D major). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 49/3. Duration 2 minutes. Fürstner Musikverlag - Digital #Q50063. Published by Fürstner Musikverlag - Digital (S9.Q50063). Key: D major. German • English.
$6.99
6.26 €
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Piano, Voix
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Richard Strauss
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Eight Songs
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Eight Songs
Piano, Voix
Voice Part and Piano - Digital Download SKU: S9.Q49704 No. 6 Boy's Love (low B m…
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Voice Part and Piano - Digital Download SKU: S9.Q49704 No. 6 Boy's Love (low B minor). Composed by Richard Strauss. This edition: Sheet music. Downloadable. Op. 49/6. Duration 2 minutes. Fürstner Musikverlag - Digital #Q49704. Published by Fürstner Musikverlag - Digital (S9.Q49704). Key: B minor. German • English.
$6.99
6.26 €
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Piano, Voix
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Richard Strauss
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Eight Songs
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Rain Eight Days A Week
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.832680 By David Lanz. By Joh…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.832680 By David Lanz. By John Lennon and Paul McCartney. Arranged by Bill Hayes. New Age. Score. 2 pages. Www.HayesMusicPublishing.com #6670705. Published by www.HayesMusicPublishing.com (A0.832680).
$4.99
4.47 €
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Piano, Voix
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David Lanz
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Bill Hayes
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Rain Eight Days A Week
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www.HayesMusicPublishing.com
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SheetMusicPlus
What to Sing for Someone's Eighty-first Birthday
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1026109 Composed by Linda Fo…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1026109 Composed by Linda Fox. Contemporary,Holiday. Score. 1 pages. DeeMajorMusic #5868785. Published by DeeMajorMusic (A0.1026109). Written on the train to London for a family get-together. Not to be taken seriously!
$1.99
1.78 €
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Piano, Voix
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Linda Fox
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What to Sing for Someone's Eighty-first Birthday
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DeeMajorMusic
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SheetMusicPlus
Bantock-Folksong,From the mountain's height(Hoch vom Dachstein),in F Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670369 Composed by Bantock. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670369 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4576263. Published by Open Cloud (A0.670369). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.
$3.99
3.58 €
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Piano, Voix
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Bantock
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MSM
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Bantock-Folksong,From the mountain's height(Hoch vom Dachstein),in F Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
The Weight
Piano, Voix
Interactive Download SKU: HX.431750 By The Band. This edition: Interactive Download…
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Interactive Download SKU: HX.431750 By The Band. This edition: Interactive Download. Folk,Pop,Rock. Piano Vocal. 9 pages. Published by Hal Leonard - Digital (HX.431750).
$4.99
4.47 €
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Piano, Voix
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The Band
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The Weight
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Hal Leonard - Digital
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SheetMusicPlus
I've dreamt in my life (from Wuthering Heights)
Piano, Voix
(Soprano) - Digital Download SKU: HX.438400 Edited by Richard Walters. Classical. P…
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(Soprano) - Digital Download SKU: HX.438400 Edited by Richard Walters. Classical. Piano Vocal. 7 pages. Published by Hal Leonard - Digital (HX.438400).
$4.99
4.47 €
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Piano, Voix
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I've dreamt in my life
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Hal Leonard - Digital
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SheetMusicPlus
Take off that frown (from Wuthering Heights)
Piano, Voix
Digital Download SKU: HX.438455 Edited by Richard Walters. Classical. Piano Vocal. …
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Digital Download SKU: HX.438455 Edited by Richard Walters. Classical. Piano Vocal. 3 pages. Published by Hal Leonard - Digital (HX.438455).
$4.99
4.47 €
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Piano, Voix
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Take off that frown
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Hal Leonard - Digital
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SheetMusicPlus
Three Poems for Soprano Voice & Piano
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Rasp…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJR Music (A0.754232). A setting of three Emily Dickinson poems (Syllable, Word, Phrase) for piano & soprano voice. Â Syllable was selected for performance in the 1988 New Music Festival at the University of Wisconsin. Â The song cycle was selected for performance at the Region 1 meeting of the Society of Composers in 1992. Â Emily Dickinson did not title the poems. Â The titles were selected based on the context of the poems. Â Duration of the entire song cycle is about 3 1/2 minutes: Syllable and Word are approximately 1 minute each and Phrase is about 1 1/2 minutes. Â 32 pages.SyllableCould mortal lip divinethe undeveloped FreightOf a delivered syllable'Twould crumble with the weight.WordA word is deadWhen it is said,Some say.I say it justBegins to liveThat Day.PhraseI found the phrase to every thoughtI ever had - but One -Â And that - defies me -As a Hand did try to chalk the SunTo Races - nurtured in the Dark -How would your own - begin?Can Blaze be shown in Cochineal -Â Or Noon - in Mazarin? ASCAP.
$12.95
11.61 €
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Piano, Voix
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Nick Raspa, Emily Dickinson
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Three Poems for Soprano Voice & Piano
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NJR Music
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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