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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love Songs 3
Non classifié
619
Piano & claviers
Piano seul
287
Piano, Voix
230
Piano, Voix et Guitare
135
Piano Facile
104
Piano grosses notes
88
Orgue
52
Instruments en Do
39
Piano Trio: piano, violon, violoncelle
16
Accompagnement Piano
15
1 Piano, 4 mains
10
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
24
Basse electrique
19
Guitare notes et tablatures
13
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
6
Mandoline
2
Paroles et Accords
2
3 Guitares (trio)
1
+ 3 instrumentations
Retracter
Voix
Chorale 3 parties
129
Chorale SATB
117
Voix Alto, Piano
28
Voix Soprano, Piano
27
Voix Tenor, Piano
25
Chorale TTBB
25
Voix Baryton, Piano
24
Chorale 2 parties
15
Chorale SSAA
12
Chorale Unison
12
Voix haute
8
Voix duo, Piano
7
Voix seule
5
Voix Mezzo-Soprano, Piano
4
Voix Tenor
4
Voix basse, Piano
2
Voix moyenne, Piano
2
Voix basse
2
Voix duo
1
Voix haute, Piano
1
+ 15 instrumentations
Retracter
Vents
2 Saxophones (duo)
86
2 Flûtes traversières (duo)
63
Flûte, Violon, Piano
52
Quatuor de Saxophones: 4 saxophones
43
Clarinette et Piano
37
Saxophone, Clarinette (duo)
36
Clarinette
35
Hautbois, Piano (duo)
35
Flûte traversière et Piano
33
2 Clarinettes (duo)
33
Flûte, Hautbois, Clarinette, Basson
30
Flûte traversière
29
Hautbois, Basson (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Quintette de Saxophone: 5 saxophones
25
Saxophone
24
Clarinette, Trompette (duo)
24
Clarinette, Violon (duo)
21
Flûte à bec Soprano
18
Saxophone Alto
17
Saxophone Alto et Piano
17
Saxophone (partie séparée)
17
Flûte, Trompette (duo)
16
Quatuor de Clarinettes: 4 clarinettes
15
Cor Anglais
14
Saxophone Tenor
14
Hautbois, Flûte
14
Clarinette et Alto
14
Saxophone Tenor et Piano
13
Flûte, Saxophone (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
12
Hautbois, Clarinette (duo)
11
Saxophone Soprano et Piano
11
Flûte, Alto (duo)
11
Hautbois (partie séparée)
11
Saxophone Baryton, Piano
10
Clarinette, Basson (duo)
10
Flûte, Violon
10
3 Saxophones (trio)
9
Quatuor de Flûtes : 4 flûtes
9
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette, Harpe (duo)
4
5 Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
Flûte et Guitare
3
Flûte à bec Alto
3
2 Flûte à bec (duo)
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Ensemble de Flûtes
3
Ocarina
3
Ensemble de Clarinettes
3
Saxophone Soprano
2
Quatuor de Flûtes à bec
2
Harmonica
2
Clarinette, Trombone (duo)
2
Hautbois
2
Saxophone et Harpe
2
3 Clarinettes (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Guitare (duo)
1
Saxophone et Piano
1
Trio de Flûtes: 3 flûtes
1
2 Flûtes à bec, Guitare
1
3 Flûtes à bec (trio)
1
+ 64 instrumentations
Retracter
Cuivres
Trombone et Piano
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette, Saxophone (duo)
28
Trompette
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone
22
Cor et Piano
17
2 Trombones (duo)
15
Trompette, Piano
15
Cor Anglais
14
Trompette, Trombone (duo)
13
2 Cors (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette (partie séparée)
11
Euphonium
9
2 Trompettes (duo)
8
Tuba et Piano
7
Cor
7
Quatuor de Cuivres
6
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Cor anglais, Piano
3
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
2
Trombone (partie séparée)
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Tuba
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Cor et Harpe
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
109
Violon et Piano
55
Violon, Violoncelle (duo)
44
Violoncelle, Piano
42
Harpe
39
Violon
28
Violon, Alto (duo)
26
Alto, Piano
24
Violoncelle
22
2 Violons (duo)
20
2 Violoncelles (duo)
18
Alto seul
15
Trio à Cordes: violon, alto, violoncelle
15
2 Altos (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
10
Contre Basse
7
Trio à Cordes: 2 violons, violoncelle
7
Trio à cordes: 3 violins
6
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
4 Violoncelles
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Alto et Harpe
1
2 Harpes (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
65
Orchestre d'harmonie
55
Orchestre à Cordes
15
Orchestre de chambre
15
Orchestre
15
Jazz combo
13
Batterie
8
Cloches
8
Ensemble Jazz
6
Marimba
4
Fanfare
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
2
Xylophone
2
3 Marimbas
1
Xylophone, Piano
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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TANGO
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Crtitères actifs :
Love Songs 3
Piano, Voix
Partitions à imprimer
230 partitions trouvées
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26
51
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226
Ten Songs of Robert Burns
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Piano, Voix
#
INTERMÉDIAIRE
#
Traditional Scottish
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Alan A Craig
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Ten Songs of Robert Burns
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Earnside Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.820259 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Folk,Irish,Patriotic. Score. 52 pages. E...
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Piano,Vocal,Voice - Level 3 - SKU: A0.820259 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Folk,Irish,Patriotic. Score. 52 pages. Earnside Music #6671025. Published by Earnside Music (A0.820259). A milestone album of ten world-famous songs by Scotland’s immortal bard Robert Burns. The melodies (in medium range singing keys) are the familiar traditional ones but arranged by Scottish composer Alan A Craig with previously unavailable concert piano accompaniments. The stunning new arrangements of timeless classics such as My Luve is Like a Red, Red Rose, Auld Lang Syne and Ae Fond Kiss lend a fresh lease of life to the beloved folksongs and finally enable classical musicians or students to present them for concert and recital performances or Scottish themed events. Also included is the brand new musical setting of Burns’ iconic Address to a Haggis.
$7.99
Collected Songs, Volume II (1998-2016)
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Piano, Voix
#
AVANCÉ
#
Contemporain
#
William Hawley
#
https://williamhawley.net
#
Collected Songs, Volume II
#
William Hawley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.889738 Composed by William Hawley. Contemporary. Score. 180 pages. William Hawley #4983929. Published by William H...
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Piano,Vocal,Voice - Level 5 - SKU: A0.889738 Composed by William Hawley. Contemporary. Score. 180 pages. William Hawley #4983929. Published by William Hawley (A0.889738). This is Volume II (1998-2016) of the collected songs of William Hawley for Voice and Piano. The volume comprises 24 works. All of the poetry was set in the original languages (English, German, Italian, and French), and the songs have been computer-engraved by the composer in one fully bookmarked PDF file of 180 pages, with Table of Contents in hypertext. The audio clip is from the live recording of the Three New England Songs, 3. We Learned the Whole of Love (complete song, Joyce Andrews, Soprano, Esther Wang, Piano, World Premiere Performance, October 2, 1998, University of Wisconsin, Oshkosh. ASCAP https://williamhawley.net
$5.99
Three Love Songs
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Piano, Voix
#
INTERMÉDIAIRE
#
Joel Weiss
#
Three Love Songs
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Joel Weiss
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.984222 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Joel Weiss #3604215. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.984222 Composed by Joel Weiss. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Joel Weiss #3604215. Published by Joel Weiss (A0.984222). A set of songs for voice and pianoMusic by Joel Weiss; poetry by Leigh Hunt and Christina RossettiGood for college studentsGood for advanced high school studentsduration c. 6:00composer's website www.JAWeiss.com
$4.99
Brahms-Liebestreu-Fidelity in Love,Op.3 No.1.in E flat Major,from Six Songs,for Tenor or Soprano and
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Open Cloud
#
Brahms-Liebestreu-Fidelity in
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675634 Composed by Johannes Brahms. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675634 Composed by Johannes Brahms. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6676167. Published by Open Cloud (A0.675634). This product is a digital sheet music in PDF format. The music was composed by Brahms (Johannes Brahms), 1833-1897,for Voice and Piano, published by More Sheet Music Press.
$5.99
DvoÅ™ák-Kol domu se ted' potácím,in e minor,Op.83 No.3,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Dvořák Antonin
#
Open Cloud
#
DvoÅ™ák-Kol domu se
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675833 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 5 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675833 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 5 pages. Open Cloud #6683573. Published by Open Cloud (A0.675833). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$3.99
Healthy Vocal Development: Performance Book Level 3
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Piano, Voix
#
FACILE
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Angela Fox
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Healthy Vocal Development: Per
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Angela Fox
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.878261 Composed by Angela Fox. Children,Concert,Instructional,Standards. Score. 25 pages. Angela Fox #3630057. Pub...
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Piano,Vocal,Voice - Level 2 - SKU: A0.878261 Composed by Angela Fox. Children,Concert,Instructional,Standards. Score. 25 pages. Angela Fox #3630057. Published by Angela Fox (A0.878261). Take the guesswork out of vocal training! The Healthy Vocal Development Duet Series is designed for private voice lessons. Clever arrangements make students sound even more amazing than they already are! Even better, students get to sing songs they can relate to. No love songs here! All the subject matter is age appropriate and is about feelings and situations they (and also most adults!) can identify with. Piano accompaniment tracks available at angelafoxmusic.com.
$9.99
DvoÅ™ák-Já vím,že v sladké nadÄ›ji,in D flat Major,Op.83 No.4,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
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Dvořák Antonin
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Open Cloud
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DvoÅ™ák-Já v&
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675832 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675832 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open Cloud #6683571. Published by Open Cloud (A0.675832). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$4.99
DvoÅ™ák-V té sladké moci ocí tvých,in g minor,Op.83 No.7,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
#
Dvořák Antonin
#
Open Cloud
#
DvoÅ™ák-V té
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675836 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675836 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open Cloud #6683579. Published by Open Cloud (A0.675836). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$4.99
DvoÅ™ák-Ó duše drahá jedinká,in A Major,Op.83 No.8,from Love Songs,for Voice and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Dvořák Antonin
#
Open Cloud
#
DvoÅ™ák-Ó du&
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675839 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675839 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open Cloud #6683581. Published by Open Cloud (A0.675839). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$4.99
DvoÅ™ák-Zde v lese u potoka,in E Major,Op.83 No.6,from Love Songs,for Voice and Piano
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Dvořák Antonin
#
Open Cloud
#
DvoÅ™ák-Zde v lese u
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675835 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 5 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675835 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 5 pages. Open Cloud #6683577. Published by Open Cloud (A0.675835). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$3.99
DvoÅ™ák-V tak mnohém srdci mrtvo jest,in f sharp minor,Op.83 No.2,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
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Dvořák Antonin
#
Open Cloud
#
DvoÅ™ák-V tak mnoh&e
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675831 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675831 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6683569. Published by Open Cloud (A0.675831). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$5.99
DvoÅ™ák-Ó naší lásce nekvete,in D Major,Op.83 No.1,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Dvořák Antonin
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Open Cloud
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DvoÅ™ák-Ó na&
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675830 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675830 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open Cloud #6683565. Published by Open Cloud (A0.675830). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$4.99
DvoÅ™ák-Nad krajem vévodi lehký spánek,in A flt Major,Op.83 No.5,from Love Songs,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Dvořák Antonin
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Open Cloud
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DvoÅ™ák-Nad krajem v
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.675834 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.675834 Composed by Dvořák Antonin. Arranged by Open Cloud. Classical,Romantic Period. Score. 6 pages. Open Cloud #6683575. Published by Open Cloud (A0.675834). This product is a digital sheet music in PDF format. The music was composed by Dvořák (Dvořák Antonin), 1841-1904,for Voice and Piano, published by More Sheet Music Press.
$4.99
God Loves You (from the "Ten Minute Praise in Scripture and Song" Children’s Musical Program)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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God Loves You
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worsh...
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Piano,Vocal,Voice - Level 3 - SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worship,Sacred. Score. 6 pages. Sharon Wilson #5025295. Published by Sharon Wilson (A0.565623). This song is filled with encouraging words of God's love for each one of us: From the moment God formed you in His mind, His everlasting love He hoped you would find. . .Remember God loves you every hour of every day. Let His love fill your heart with joy in every way. Remember God so loved the world that He gave His only son; believe in Him always for the victory he won. Though originally written to be performed around Valentine's Day, this song is fitting any time of year as a celebration of God's love for us. This arrangement is one of the four songs in the children's musical choir program titled God Loves You (in the Ten Minute Praise in Scripture and Song series). Purchase price includes the 3-staff score with melody line and piano accompaniment (4 pages) plus a separate score with melody line only for the soloist or unison choir (2 pages). Set in the key of C major, the vocal range is one octave from middle C to high C.
$3.99
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
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Piano, Voix
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INTERMÉDIAIRE
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Chinese Lyrics by HU XING - TI
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ROBERT VAN HORNE
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IWOMAH?
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Instructional,Multicultural,New Age,Romantic Period,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #997105. Published by White Piano International Publishing (A0.1415786). IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal by ROBERT VAN HORNE & HU XING - TING 胡ç»å»·6 pagesIWOMAH? (DO YOU STILL LOVE ME?) was initially composed and published as a piano solo back in 1993. Currently featured on Robert's album “CHINA LOVE,†this piece is available as an early and advanced intermediate piano solo for purchase on SHEET MUSIC PLUS and SHEET MUSIC DIRECT.The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me? I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.In the early 2000s, Mr. Hu Xing-Ting 胡ç»å»·, a well-known lyricist from Beijing, China, penned lyrics for IWOMAH? (DO YOU STILL LOVE ME?) as well as other tracks from “CHINA LOVE.†His visit to California in 2004, part of a cultural exchange program, provided an opportunity for me to meet him, a honor indeed.Despite my lack of proficiency in Chinese, his lyrics are universally regarded as warm and profound. The Piano/Vocal Sheet Music of IWOMAH? (DO YOU STILL LOVE ME?) includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Chinese characters) and pianists aiming for an expressive rendition.IWOMAH? (DO YOU STILL LOVE ME?) is a beautifully melodic piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Mandarin. Currently, there are no English lyrics to this piece. Originally in the key of E Flat, it boasts universal charm.For those interested, a performance of Robert playing IWOMAH? (DO YOU STILL LOVE ME?) as a piano solo without vocals can be enjoyed on YouTube at: http://www.youtube.com/watch?v=zgjmV4yl9zEPublished by White Piano International PublishingRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 47, No. 3: Chanson, voici
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 41, No. 3: Amour, amour, q
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-09E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 3: Doux rossignol, c’est toi! from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 48, No. 3: Doux rossignol,
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-43E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-43E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-43E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-43E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 44, No. 3: À Marie from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 44, No. 3: À Marie
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-28E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 42, No. 3: Je ne saurais aimer autre que vous from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 42, No. 3: Je ne saurais a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-18E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 37, No. 3: Dieu vous gard’, messagers fidèles from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 3: Dieu vous gard&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-03E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 43, No. 3: Pour boire dessus l’herbe tendre from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 43, No. 3: Pour boire dess
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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