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Vous avez sélectionné:
String Reflections Digital Download
Piano, Voix
Partitions à imprimer
5 partitions trouvées
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.58 €
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Piano, Voix
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
Johnny Schmoker. A Descriptive Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.18383 Arranged by B.F. Rix. Musicians, P…
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Piano and voice - Digital Download SKU: LV.18383 Arranged by B.F. Rix. Musicians, Percussion instruments, Stringed instruments, Woodwind instruments, Brass instruments. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18383). Johnny Schmoker. A Descriptive Chorus. Harmonised & Arranged By B.F. Rix. Published 1863 by Root & Cady, 95 Clark St. in Chicago. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Musicians, Percussion instruments, Stringed instruments, Woodwind instruments, Brass instruments. First line reads Johnny Schmoker, Johnny Schmoker, Ich kann spielen, Ich kann spielen.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Piano, Voix
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B
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B
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Johnny Schmoker. A Descriptive Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Old John Brown. Solo and Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.15169 Arranged by J. Gibson. Portraits, …
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Piano and voice - Digital Download SKU: LV.15169 Arranged by J. Gibson. Portraits, Stringed instruments, Native Americans, Caricatures, Children, Ethnic stereotypes, Dialects. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15169). Songs & Glees of the Gibson Troupe. Old John Brown. Solo and Chorus. Arranged by J. Gibson. Published 1849 by Oliver Ditson, No. 115 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Stringed instruments, Native Americans, Caricatures, Children, Ethnic stereotypes, Dialects. First line reads Old John Brown had a little Ingin, Old John Brown had a little Ingin.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.37 €
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Piano, Voix
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J
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Old John Brown. Solo and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.37 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Subdue us by Thy goodness - Soprano & Tenor duet, Flute or Violin, Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1312361 Composed by Johann S…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1312361 Composed by Johann Sebastian Bach. Arranged by John Ross. Baroque,Religious,Sacred. Score. 12 pages. John Ross #899578. Published by John Ross (A0.1312361). “Subdue us by Thy goodness†is the final chorale movement from Bach’s Cantata no.22. He wrote the cantata in 1732 as a test piece for appointment as Thomaskantor in Leipzig.This movement is full of vitality with a “moto perpetuo†figure and words reflecting Bach’s unquestioned faith.Originally score for SATB chorus, oboe and strings it is here arranged for Soprano and Tenor, accompanied by Flute or Violin with Piano.
$1.99
1.78 €
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Piano, Voix
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Johann Sebastian Bach
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John Ross
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Subdue us by Thy goodness - Soprano & Tenor duet, Flute or Violin, Piano
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John Ross
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SheetMusicPlus
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