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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Time Passages
Piano, Voix
Partitions à imprimer
5 partitions trouvées
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Moon River
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.948029 By Henry Mancini. By …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.948029 By Henry Mancini. By Henry Mancini. Arranged by Marcia L McKenna. Jazz. Score. 3 pages. Marcia L. McKenna #5723009. Published by Marcia L. McKenna (A0.948029). Moon River has been a popular song since 1961. Originally written in 3/4 time by Henry Mancini, with lyrics by Johnny Mercer, this was arranged by Marcia L McKenna in 4/4 time. The dotted rhythm gives it a nice relaxing lilt like gentle waves on a river. The piano part starts quietly, builds up to a climax on the third page, and then tapers off quietly again at the end. The broken chords, descending scale passages, and expression marks enhance the romantic tone of the song. Due to the technical challenges on the third page this is considered to be at the advanced/intermediate level.
$4.99
4.47 €
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Piano, Voix
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Henry Mancini
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Marcia L McKenna
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Moon River
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Marcia L. McKenna
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SheetMusicPlus
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Piano, Voix
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Giacomo Meyerbeer
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Nicole Elyse DiPaolo
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En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Shall We Gather for High Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882279 Composed by Robert Lo…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882279 Composed by Robert Lowry (1826 - 1899). Arranged by A. Douglas Biggs. Concert,Contemporary,Easter,Sacred,Spiritual. Score. 12 pages. Adrian D Biggs #6519029. Published by Adrian D Biggs (A0.882279). Over the years, I have had occasion to create arrangements of various hymns and spirituals for my own use as well as for other performers. My intent has always been to take a fresh look at familiar material, to make something both challenging and rewarding for the performers involved and still retain the audience connection found in doing the Old Songs. Shall We Gather is an adaptation of the old hymn Shall We Gather at the River by Robert Lowry (1826 – 1899). The calm flowing power of the river runs through this arrangement. As the river flows and changes, so does its reflection in the music of strength and the enduring capacity of faith. This arrangement is substantive and expressive for both the vocalist and the pianist. Suitable for recital or worship. It is expressive and passionate, requiring an established singer. The accompaniment is at times straight forward and at others requiring a confident hand in the more ornate and robust passages.
$7.99
7.16 €
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Piano, Voix
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Robert Lowry
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A
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Shall We Gather for High Voice and Piano
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Adrian D Biggs
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
8.95 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
John Cage I-VI (2023)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
8.95 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
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