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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
AMERICANA
ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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134
PIANO & CLAVIERS
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Piano Facile
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Piano, Voix et Guitare
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21
Piano, Voix
7
Orgue
6
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1 Piano, 4 mains
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Piano Trio: piano, violon, violoncelle
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2 Pianos, 4 mains
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GUITARES
Guitare
34
Guitare notes et tablatures
4
Mandoline
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1
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Basse electrique
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VOIX
Chorale SATB
76
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10
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5
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3
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Voix Tenor
1
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VENTS
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16
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15
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13
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12
Flûte, Hautbois, Clarinette, Basson
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
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Saxophone Alto
7
Saxophone Soprano et Piano
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Clarinette
7
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7
Quintette de Saxophone: 5 saxophones
5
Saxophone Tenor
5
2 Flûtes traversières (duo)
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Saxophone (partie séparée)
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2 Saxophones (duo)
4
2 Clarinettes (duo)
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Hautbois
4
3 Saxophones (trio)
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Flûte, Clarinette (duo)
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Quatuor de Flûtes : 4 flûtes
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Saxophone Baryton, Piano
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Clarinette Basse, Piano
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Hautbois, trombone (duo)
2
Saxophone Baryton
2
Clarinette, Violon (duo)
2
Clarinette, Tuba
2
Hautbois, Clarinette (duo)
2
Ensemble de Clarinettes
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
Saxophone Soprano
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Hautbois, Basson (duo)
2
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2
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Flute, harpe et violon
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2 Saxophones, Piano
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Clarinette, Violoncelle, Piano (trio)
1
3 Clarinettes (trio)
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Saxophone
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Cor anglais, Piano
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Ensemble de saxophones
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Flûte à bec Soprano
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Clarinette Basse
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1
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1
Flûte, Tuba (duo)
1
Quatuor de Flûtes à bec
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CUIVRES
Trompette
12
Trombone et Piano
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Cor
8
Cor et Piano
7
Trombone
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Tuba
3
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
2
Euphonium, Tuba (duo)
2
Euphonium
2
Trombone, Violon (duo)
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Tuba (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Trombones (trio)
2
Ensemble de Trompettes
1
3 Euphoniums
1
Trombone, Cor (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Trombones
1
2 Trombones (duo)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
4 Tubas
1
Trompette, Cor (duo)
1
Euphonium, Piano (duo)
1
Trombone (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
15
Violon
11
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
8
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
6
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
4
Alto seul
4
Violoncelle, Piano
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Contre Basse
3
Violon, Tuba (duo)
2
Harpe
2
Violon, Basson (duo)
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
2 Altos (duo)
1
4 Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
20
Ensemble Jazz
16
Orchestre à Cordes
12
Orchestre d'harmonie
11
Orchestre
9
Cloches
8
Orchestre de chambre
6
Marimba
2
Jazz combo
2
Ensemble de Percussions
2
Batterie
1
Xylophone, Piano
1
Xylophone ou Marimba ou Vibraphone
1
Percussion (partie séparée)
1
Fanfare
1
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AUTRES
Vous avez sélectionné:
Good Idea
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Good King Wenceslas
Trio à Cordes: violon, alto, violoncelle
Composed by Tune:Tempus est floridum / Lyrics: J. M. Neale. Arranged by Thomas Quigl…
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Composed by Tune:Tempus est floridum / Lyrics: J. M. Neale. Arranged by Thomas Quigley. Christian, Christmas, Recital. Score, Set of Parts. 11 pages. Published by Thomas Quigley
This is a compelling version, imaginative and colorful. The lines are well-devised and interesting to play and whilst the tune is recognisable a little development is used in the coda. Ideal for grade 3/4 students this is a dynamic concert item and is highly recommended.
$7.99
7.16 €
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Trio à Cordes: violon, alto, violoncelle
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Tune:Tempus est floridum / Lyrics: J
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Thomas Quigley
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Good King Wenceslas
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Thomas Quigley
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SheetMusicPlus
Ambrosia 90 for String Trio
Trio à Cordes: violon, alto, violoncelle
Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085518 …
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Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1085518 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 6 pages. Duration 96. Father Ambrose Press #2137jnS6UTvQNjQJiqx7ry. Published by Father Ambrose Press (A0.1085518). Key: C major.A confection to accompany an idea Barzun has placed in my sphere for good: ... if modern man's most sophisticated relation to art isto be casual and humorous, is to resemble the attitude of the vacationer at the fair grounds, then the conception of Art as an all-important institution, as a supreme activity of man, is quite destroyed. '.
$16.00
14.34 €
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Trio à Cordes: violon, alto, violoncelle
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Celebrity Chamber Players
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Ambrosia 90 for String Trio
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Father Ambrose Press
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SheetMusicPlus
In the Sweet By and By hymn for string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music…
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String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
11.64 €
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that make a good hymn? Maybe it would, he said indifferently
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SMT Music
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In the Sweet By and By hymn for string trio
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SMT Music
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SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.91 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.91 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.91 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.91 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.91 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
12 Sacred Trios (or Duets) for Strings
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.922…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glasscock. Christian,Instructional,Sacred,Wedding. Score and parts. 93 pages. Denny Glasscock #5996969. Published by Denny Glasscock (A0.922034). This is a collection of 12 Trios (or Duets) arranged for Violin, Viola and Cello, based on melodies of beloved traditional christian hymns. Melodies are harmonized mostly by interweaving counter melodies. The Violin and Viola (or Violin II) are, at times, alternating melody and counter melodies, rather than the traditional vocal parts found in church hymnals. The result is a more interweaving flow of melody and counter melody. The Cello provides the bass, as it also contributes to the counter melodious sound. A Violin II part has been added to duplicate the Viola, in case a Viola is not available. These pieces also work very nicely as duets without the Cello; or duets with the Violin and Cello. Designed for early intermediate musicians, the collection is ideal for prelude or postlude music and especially offertories in worship services, funerals, weddings, etc . Length of the pieces can be altered by using more or less of the repeats included. The last two pieces are based on melodies from Christmas hymns. In addition, these pieces have a technical training value, as would etudes and exercises, due to the moving counter melodies that may challenge students at the early intermediate level. Though written to challenge students at the early intermediate level, more advanced musicians and audiences will find this music quite satisfying to play and enjoy, respectively. String class teachers may consider using this collection in class, as the entire Violin, Viola or Cello sections will be in unison, as a section, which provides support to players within their section. At same time, the other sections would be playing other parts, also in unison as a section - a good ensemble practice tool. The class might perform pieces from this collection in concert. Titles: Count Your Blessings, I Must Tell Jesus, In the Garden, Jesus Loves Even Me, Let All Things Now Living, O How I Love Jesus, O the Deep, Deep Love of Jesus, Take Time to be Holy, The Old Rugged Cross, This is My Father's World; and two Christmas pieces: It Came Upon a Midnight Clear and Silent Night! Holy Night!
$12.99
11.64 €
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Trio à Cordes: violon, alto, violoncelle
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Various composers and traditional melodies
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Denny Glasscock
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12 Sacred Trios
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Denny Glasscock
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SheetMusicPlus
Bourree in D from Water Music
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.716262 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.716262 Composed by G. F. Handel. Arranged by Lena Seeger. Baroque,Wedding. Score and parts. 5 pages. Lena A Seeger #5772495. Published by Lena A Seeger (A0.716262). From Handel's Water Music, the short Bourree in D major. Typically played three times when performed. A good introduction to Baroque music for young musicians, as well as an ideal selection for beginner string trios that can be learned quickly.
$1.99
1.78 €
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Trio à Cordes: violon, alto, violoncelle
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G
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Lena Seeger
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Bourree in D from Water Music
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Lena A Seeger
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SheetMusicPlus
Canzona (for String Trio)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.773…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.773749 Composed by Anthony Giamanco. Concert,Contemporary,Standards,Wedding. Score and parts. 7 pages. Whole Tone Press #4796549. Published by Whole Tone Press (A0.773749). Canzona, an original work for String Trio (violin, viola, cello), is a short, moderately easy and very melodic song without words. Playable by a good high school ensemble, it will also delight more accomplished players. With it's lovely melodic contour and captivating harmonies, this work will also delight audiences! Ideal for concert, recital or solo and ensemble. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.50
4.03 €
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Trio à Cordes: violon, alto, violoncelle
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Anthony Giamanco
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Canzona
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Whole Tone Press
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SheetMusicPlus
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