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3 partitions trouvées
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CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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PRELUDE
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.597303 Composed by Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Holiday,Sacred,Wedding. Score...
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Chamber Orchestra - Level 3 - SKU: A0.597303 Composed by Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Holiday,Sacred,Wedding. Score and parts. 32 pages. Flavio Regis Cunha #5300235. Published by Flavio Regis Cunha (A0.597303). Largely because of the great popularity of its prelude, the best known is the Te Deum in D major, H. 146, written as a grand motet for soloists, choir, and instrumental accompaniment probably between 1688 and 1698, during Charpentier's stay at the Jesuit Church of Saint-Louis in Paris, where he held the position of musical director.
$12.99
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Marc-Antoine-Charpentier