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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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LUTH
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MARIMBA
OCARINA
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XYLOPHONE
Nat-Ayer
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353
Piano & claviers
Piano seul
56
Piano, Voix
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
3
2 Pianos, 8 mains
2
Accompagnement Piano
2
Instruments en Do
2
1 Piano, 4 mains
2
Orgue
2
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
9
Dulcimer
4
2 Guitares (duo)
2
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1
Basse electrique
1
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Retracter
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24
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4
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3
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2
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1
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Retracter
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47
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33
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21
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18
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11
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7
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Ensemble de Flûtes
7
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois, Piano (duo)
5
Clarinette
4
Trio de Flûtes: 3 flûtes
3
Quintette de Flûte : 5 flûtes
3
3 Saxophones (trio)
3
Flûte, Hautbois, Clarinette (trio)
2
2 Flûte à bec (duo)
2
Saxophone Alto et Piano
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Flûte traversière
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Hautbois (partie séparée)
2
Flûte à bec Alto
1
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Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Saxophone, Clarinette (duo)
1
Flûte, Harpe et Violoncelle
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Cor anglais, Piano
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1
Clarinette, Basson (duo)
1
Flûte et Guitare
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Quatuor de Flûtes à bec
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Quatuor de Flûtes : 4 flûtes
1
3 Clarinettes (trio)
1
+ 30 instrumentations
Retracter
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27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Quatuor de Cuivres
12
Ensemble de Trombones
11
Quatuor de cuivres: 4 trombones
8
Ensemble de Trompettes
8
Ensemble de Cors
7
Trompette
6
Trompette, Piano
5
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
2
Trombone et Piano
2
Trio de Cuivres
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
2 Trombones (duo)
1
3 Trombones (trio)
1
2 Cors (duo)
1
Tuba
1
2 Euphoniums et 2 Tubas
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Trio à Cordes: violon, alto, violoncelle
11
Harpe
9
Violon et Piano
7
Violoncelle, Piano
6
Alto, Piano
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble de Violons
4
Violon
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Violoncelle
3
Ensemble d'Altos
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violoncelles
1
2 Violons (duo)
1
Alto seul
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
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15
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Orchestre
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Orchestre à Cordes
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8
Orchestre de chambre
7
Jazz combo
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Ensemble de Percussions
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Marimba
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Batterie
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Cloches
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Fanfare
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Caisse Claire
1
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BUGLE
CHANT - CHORA…
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--INSTRUMENTS--
ACCORDEON
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7 partitions trouvées
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1
Prayer for Burma - SCORE
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Stuart Brown
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Prayer for Burma - SCORE
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Stuart Brown Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #...
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Chamber Orchestra - Level 4 - SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #1285. Published by Stuart Brown Music (A0.835413). Contact the composer at themusicman55@gmail.com Performing rights apply in the United Kingdom (PRS for Music) and the United States of America Find us on Facebook (SB Vision Music: home of musician / composer / arranger Stuart Brown) Prayer for Burma is an orchestral tone poem in five sections, total duration 13 minutes. It was composed in 2010 for Christian Solidarity Worldwide, in support of the organisation's human rights work in Burma (Myanmar). 90% of all profits from this work are donated to Christian Solidarity Worldwide. The full score and sets of parts are available from sheetmusicplus.com The composer is available to assist in rehearsing the work or to conduct performances in Europe, the USA and Canada. A recording of the work is available from most major online stores (Amazon recommended).
$14.00
Frankenstein-For 14 Players
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowitz #2098893. Published by Steven M Horowitz (A0.1003471). Frankenstein, for 14 players. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$15.99
Frankenstein-For 14 Players-PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players-PA
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowitz #2101455. Published by Steven M Horowitz (A0.1003475). Frankenstein, for 14 players, Full set of PARTS. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$19.99
Woodland Sketches (chamber orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Edward MacDowell
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Tim Laughlin
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Woodland Sketches
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Tim Laughlin
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.877109 Composed by Edward MacDowell. Arranged by Tim Laughlin. 20th Century,Folk,Romantic Period,World. Score and ...
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Chamber Orchestra - Level 4 - SKU: A0.877109 Composed by Edward MacDowell. Arranged by Tim Laughlin. 20th Century,Folk,Romantic Period,World. Score and parts. 110 pages. Tim Laughlin #4747533. Published by Tim Laughlin (A0.877109). Woodland Sketches, op. 51, remains the most famous work from American late-Romantic composer Edward MacDowell and a favorite of pianists. Here orchestrated from the original piano version to small chamber orchestra (min. 12 players), the work includes the plaintive To a Wild Rose, based on a Brotherton Native American melody and later adapted by Nat King Cole. Performable in whole or in part, these 10 vignettes spray of color, from the graceful Water-lily to the stately Indian Lodge and the dancing Uncle Remus.
$54.95
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Playing Love
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Flavio Regis Cunha
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Playing Love
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
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Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
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