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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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BOUZOUKI
CHORALE - CHAN…
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FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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Non classifié
3471
PIANO & CLAVIERS
Piano, Voix
2415
Piano, Voix et Guitare
2411
Piano seul
2216
Piano Facile
774
Instruments en Do
361
Orgue
200
Accompagnement Piano
123
1 Piano, 4 mains
70
Piano grosses notes
54
Piano Trio: piano, violon, violoncelle
29
2 Pianos, 4 mains
22
Accordéon
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Piano (duo)
6
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
4
Ligne De Mélodie, Piano
3
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
2 Accordéons
1
Ensemble de Pianos
1
Ensemble d'Accordéons
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
363
Basse electrique
323
Ligne De Mélodie, (Paroles) et Accords
239
Guitare
172
Ukulele
98
Paroles et Accords
34
2 Guitares (duo)
16
4 Guitares (Quatuor)
15
Guitare (partie séparée)
6
Ensemble de guitares
6
Banjo
6
Dulcimer
6
3 Guitares (trio)
5
Mandoline
4
Piano, Guitare (duo)
3
Ukulele Baryton
3
Basse électrique (partie séparée)
2
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1
Guitare, Orchestre
1
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VOIX
Chorale SATB
1573
Chorale 3 parties
807
Chorale 2 parties
541
Voix seule
311
Chorale TTBB
281
Chorale SSAA
253
Chorale Unison
186
Voix duo, Piano
130
Chorale
74
Voix Soprano, Piano
65
Voix Alto, Piano
59
Voix Baryton, Piano
53
Voix duo
47
Voix Tenor
32
Voix Soprano
26
Voix Tenor, Piano
20
Voix haute
20
Voix moyenne, Piano
14
Voix basse, Piano
14
Chorale SSATB
5
Voix Mezzo-Soprano, Piano
4
Voix, Guitare
4
Chorale SSATTB
2
Chorale, Orgue
1
Chorale SSAB, Piano
1
Chorale SSAB a cappella
1
Chorale SSATBB
1
Voix Moyenne
1
Voix haute, Piano
1
Chorale SSAATTBB
1
Voix basse
1
Chorale SAATB A Cappella
1
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VENTS
Flûte traversière et Piano
181
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
179
Flûte traversière
159
Quatuor de Saxophones: 4 saxophones
149
Flûte, Hautbois, Clarinette, Basson
137
Saxophone Alto
131
Clarinette et Piano
130
Saxophone Alto et Piano
120
Hautbois, Piano (duo)
114
Saxophone Tenor
111
Clarinette
107
Quintette de Saxophone: 5 saxophones
93
Quatuor de Clarinettes: 4 clarinettes
89
Saxophone Tenor et Piano
74
Saxophone (partie séparée)
74
2 Saxophones (duo)
73
Hautbois (partie séparée)
71
2 Flûtes traversières (duo)
67
2 Clarinettes (duo)
62
Flûte et Guitare
49
Ensemble de Clarinettes
43
Saxophone Soprano et Piano
35
Quatuor de Flûtes : 4 flûtes
33
Saxophone Baryton, Piano
32
Ensemble de Flûtes
29
Flûte, Clarinette (duo)
27
Ensemble de saxophones
25
Trio de Flûtes: 3 flûtes
24
3 Clarinettes (trio)
24
Quintette de Clarinettes: 5 clarinettes
21
Flûte à bec Soprano
19
Saxophone Soprano
18
2 Hautbois (duo)
17
Cor anglais, Piano
17
Clarinette, Guitare (duo)
16
Hautbois, Basson (duo)
15
Hautbois, Clarinette (duo)
14
Hautbois
14
2 Flûte à bec (duo)
13
Saxophone, Clarinette (duo)
13
Saxophone
12
Quintette de Flûte : 5 flûtes
12
Clarinette Basse, Piano
10
Clarinette et Alto
10
3 Saxophones (trio)
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Violoncelle
9
Quatuor de Flûtes à bec
9
Clarinette (partie séparée)
9
Clarinette, Violon (duo)
9
Flûte, Clarinette, Piano (trio)
9
Flûte, Violon
8
Hautbois, Guitare (duo)
8
Flute (partie séparée)
8
Hautbois, Flûte
8
Flûte à Bec
8
Flûte, Violon, Piano
7
Flûte irlandaise
7
Cor Anglais
7
Flûte, Alto (duo)
7
Flûte, Hautbois (duo)
7
2 Flûtes traversières, Piano
6
Flûte à bec Alto
6
Clarinette, Basson (duo)
6
Clarinette, Trompette (duo)
6
Flûte à bec Tenor
5
Saxophone et Orgue
5
Flûte, Clarinette et Basson
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Basson et Piano
4
Cor anglais, Guitare (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Piccolo
4
Saxophone Baryton
4
Clarinette, Violoncelle (duo)
4
Clarinette, Harpe (duo)
4
Saxophone et Piano
3
Flute, harpe et violon
3
Clarinette, Violoncelle, Piano (trio)
3
2 Clarinettes, Piano
3
2 Saxophones, Piano
3
Ensemble De Flûte à bec
3
Saxophone et Guitare
3
Flûte, Saxophone (duo)
3
Clarinette, Basson, Piano (trio)
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
2
Piccolo, Piano
2
Instruments en Mib
2
Flûte, Hautbois, Violon
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble à vent
2
Flûte, Clarinette, Violon (trio)
2
Ocarina
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes traversières, Harpe
1
2 Flûtes à bec, Piano
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Basson
1
Flûte traversière, Orchestre
1
Flûte à Bec, Piano
1
Hautbois, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Harpe
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
3 Hautbois
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
187
Trompette
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trompette, Piano
99
Trombone
98
Trombone et Piano
89
Cor et Piano
67
Quatuor de Cuivres
66
Cor
61
Tuba et Piano
42
Trombone (partie séparée)
38
Trompette (partie séparée)
37
2 Trompettes (duo)
30
Tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
2 Trombones (duo)
25
2 Cors (duo)
20
Quatuor de cuivres: 4 trombones
18
Euphonium, Piano (duo)
17
Cor anglais, Piano
17
Euphonium
13
Ensemble de Trombones
12
Cor (partie séparée)
11
Trompette, Saxophone (duo)
10
Ensemble de Trompettes
10
Trompette, Trombone (duo)
9
Cor Anglais
7
Trio de Cuivres
7
Quatuor de cuivres: 4 cors
7
Tuba (partie séparée)
5
2 Tubas (duo)
5
Instruments en Sib
4
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
4
2 Euphoniums et 2 Tubas
4
Trombone, Orgue
3
Bass Clef Instruments
3
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
2
Ensemble de Cors
2
2 Cors, Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
Trompette, Euphonium (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Ensemble de Tubas
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone et orchestre
1
Trombone basse
1
3 Cors (trio)
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
552
Violon
229
Violon et Piano
207
Violoncelle
155
Harpe
141
Violoncelle, Piano
121
Alto, Piano
117
Alto seul
109
2 Violons (duo)
75
Violon, Violoncelle (duo)
69
Trio à Cordes: violon, alto, violoncelle
64
2 Harpes (duo)
62
Violon, Alto (duo)
50
Contre Basse
44
2 Altos (duo)
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Trio à Cordes: 2 violons, violoncelle
38
2 Violoncelles (duo)
38
Contrebasse, Piano (duo)
28
Violon (partie séparée)
24
Alto (partie séparée)
22
Violon, Guitare (duo)
17
Violoncelle , Guitare (duo)
16
Alto, Violoncelle (duo)
14
Contrebasse (partie séparée)
14
Violoncelle, Contrebasse (duo)
12
Ensemble de Violons
11
2 Contrebasses (duo)
10
Piano Trio: Violon, Alto, Piano
9
Ensemble d'Altos
9
Trio à Cordes: 3 violoncelles
8
Trio à Cordes: 2 violons, alto
8
Violoncelle (partie séparée)
7
Trio à cordes: 3 violins
7
Harpe, Voix
7
4 Violoncelles
6
Harpe, Violon (duo)
6
Harpe, Flûte (duo)
5
Quatuor à cordes: 4 violons
5
Flûte, Contrebasse (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
2 Violons, Piano
4
Alto, Guitare (duo)
3
Violoncelle, Orgue
2
Trio à cordes
2
4 Contrebasses
2
Harpe, Violoncelle (duo)
2
Violon, Violoncelle, Clarinette
1
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
Alto et Harpe
1
3 Harpes
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
512
Orchestre
213
Orchestre à Cordes
173
Ensemble de cuivres
152
Cloches
139
Ensemble Jazz
107
Orchestre de chambre
90
Jazz combo
48
Fanfare
21
Ensemble de Percussions
18
Batterie
17
Percussion (partie séparée)
16
Batterie (partie séparée)
6
Xylophone, Piano
6
Marimba
6
Xylophone
5
Xylophone ou Marimba ou Vibraphone
3
Piano et Orchestre
3
Vibraphone
2
Caisse Claire
1
Big band
1
2 Marimbas
1
Percussion
1
Orchestre, Violon
1
Timbales (partie séparée)
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
I Sing
Orchestre de chambre
Partitions à imprimer
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When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
53.77 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Day by Day and With Each Passing Moment for orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.997186 Composed by Oscar Ahn…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.997186 Composed by Oscar Ahnfelt. Arranged by Harmony Corelli. Christian,Sacred. Score and parts. 23 pages. Anna Sparks #5205399. Published by Anna Sparks (A0.997186). A sweepingly beautiful arrangement of the moving hymn Day by Day. From the turmoil of the first verse, it moves to a straightforward string section with piano descant for the second verse, before closing with a dramatic key change, added trumpets, and Violin I triplet arpeggios. Arranged for strings, clarinet, trumpet, and piano. Level: intermediate.
$8.00
7.17 €
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Orchestre de chambre
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Oscar Ahnfelt
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Harmony Corelli
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Day by Day and With Each Passing Moment for orchestra
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Anna Sparks
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SheetMusicPlus
On Christmas Night All Christians Sing
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
53.77 €
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Orchestre de chambre
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Traditional English Carol
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David Lantz
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
I'll Be Home For Christmas
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090026 By Brian McKnight. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1090026 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 20 pages. John Groves #694226. Published by John Groves (A0.1090026). I'll Be Home For Christmas - arranged for Chamber Orchestra Arranged as woodwind, brass & string small ensemble chamber orchestra. Fun, straight forward audience pleasing version of a classic Christmas holiday tune. Works well for limited personnel smaller size ensembles as well as ensembles with many more that can double up parts for a huge sound. Feel free to double up parts especially in the string section for a richer robust string orchestra configuration. Score & Parts Included: Flute Oboe Clarinet Bassoon Bb Trumpet Horn in F Trombone Tuba Violin 1 Violin 2 Viola Cello opt. Double Bass.
$49.99
44.8 €
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Orchestre de chambre
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Brian McKnight
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John Groves
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I'll Be Home For Christmas
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John Groves
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SheetMusicPlus
How Can I Keep From Singing - Love - strings, vocal trio and piano
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801225 Arranged by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801225 Arranged by Connie Boss. Holiday,Wedding. Score and parts. 4 pages. Connie Boss #5008377. Published by Connie Boss (A0.801225). I have used a part of How can I keep from Singing but added lyrics and melody in other places. I have it in strings and piano. This song is perfect for a wedding, engagement or anniversary song.
$4.99
4.47 €
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Orchestre de chambre
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Connie Boss
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and piano
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How Can I Keep From Singing - Love - strings, vocal trio and piano
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Connie Boss
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SheetMusicPlus
I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.891524 Composed by C.H. Gabr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.891524 Composed by C.H. Gabriel. Arranged by Jae H Park. Christian,Concert,Contemporary,Easter,Sacred. 28 pages. Jae Park #4319869. Published by Jae Park (A0.891524). Hymn titleI'm Pressing on the Upward Way Chamber arrangement.찬송가 543장 ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬ ì±”ë²„ë²„ì „ìž…ë‹ˆë‹¤. This music is for Piano, Strings(Violin1, 2, Viola, Cello). You can use this music as a overture or offering song.ì´ ê³¡ì€ í”¼ì•„ë…¸ì™€ 스트ë§(ë°”ì´ì˜¬ë¦°, 비올ë¼, 첼로)를 위한 곡입니다. ì´ ìŒì•…ì„ ì„œê³¡ í˜¹ì€ ë´‰í—Œì†¡ìœ¼ë¡œ ì‚¬ìš©í• ìˆ˜ 있습니다.
$50.99
45.7 €
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Orchestre de chambre
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C
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Jae H Park
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I'm Pressing on the Upward Way(ì € ë†’ì€ ê³³ì„ í–¥í•˜ì—¬)
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Jae Park
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
44.81 €
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Orchestre de chambre
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- orchestra
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
44.81 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
[Westergaard] Twelfth Night (Act I Full Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952812 Composed by Peter Westergaard. …
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Chamber Orchestra - Digital Download SKU: A0.952812 Composed by Peter Westergaard. Contemporary,Opera. Score and parts. 381 pages. American Composers Alliance Inc. #4624283. Published by American Composers Alliance Inc. (A0.952812). Full score to Act I of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$111.95
100.33 €
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Orchestre de chambre
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Peter Westergaard
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[Westergaard] Twelfth Night
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American Composers Alliance Inc.
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SheetMusicPlus
(i'm Gonna) Love Me Again
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.624109 By Elton John And Tar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.624109 By Elton John And Taron Egerton. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Contemporary. Score and parts. 25 pages. Exultet Music #4628457. Published by Exultet Music (A0.624109). The original single by Elton John that he sang with Taron Egerton from his 2019 musical biographical film: ROCKETMAN, has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello), optional Bb-Trumpet, and Piano accompaniment. Accessible and appropriate for any school or concert setting.
$12.99
11.64 €
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Orchestre de chambre
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Elton John And Taron Egerton
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Stephen DeCesare
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(i'm Gonna) Love Me Again
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Exultet Music
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SheetMusicPlus
I See The Light
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311520 Composed by Alan Men…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311520 Composed by Alan Menken and Glenn Slater. Arranged by David RodrÃguez. Children,Film/TV,Pop,Singer/Songwriter,Wedding. 42 pages. David Rodram #900525. Published by David Rodram (A0.1311520).
$65.00
58.25 €
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Orchestre de chambre
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Alan Menken and Glenn Slater
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David RodrÃguez
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I See The Light
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David Rodram
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SheetMusicPlus
How Can I Keep From Sing - strings and piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801353 Arranged by Connie Bo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.801353 Arranged by Connie Boss. Christian,Folk. Score and parts. 4 pages. Connie Boss #5222979. Published by Connie Boss (A0.801353). This beautiful song has a unique intro in 3 part harmony for ladies - the intro is hummed and it is repeated at the end. It has the original lyrics and melody. It also has strings (2 violins, viola and cello) and piano accompaniment. Listen to the mp3.......
$5.00
4.48 €
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Orchestre de chambre
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Connie Boss
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How Can I Keep From Sing - strings and piano
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Connie Boss
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SheetMusicPlus
I'm Pressing On The Upward Way for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1005555 Composed by Johnson Oatman, Jr…
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Chamber Orchestra - Digital Download SKU: A0.1005555 Composed by Johnson Oatman, Jr. Arranged by Sinae Kim. Christian,Country. Score and parts. 26 pages. Sinae Kim #6231309. Published by Sinae Kim (A0.1005555).
$4.99
4.47 €
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Orchestre de chambre
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Johnson Oatman, Jr
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Sinae Kim
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I'm Pressing On The Upward Way for Flute and Strings
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Sinae Kim
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
22.41 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
17.92 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.18 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.26 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
8.95 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
H.M.S. Surprise
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian H…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
17.92 €
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Orchestre de chambre
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
8.95 €
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Orchestre de chambre
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Press Play
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till Mac…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
23.3 €
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Orchestre de chambre
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.48 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
9.86 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
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