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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nation
Non classifié
1 486
Piano & claviers
Piano seul
1 400
Piano, Voix
592
Piano, Voix et Guitare
265
Piano Facile
224
Orgue
206
Accordéon
113
Instruments en Do
68
1 Piano, 4 mains
32
Ligne De Mélodie, Piano
21
2 Pianos, 4 mains
15
Accompagnement Piano
13
Piano Trio: piano, violon, violoncelle
13
Orgue, Piano (duo)
8
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano (partie séparée)
4
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Trompette (duo)
3
2 Orgues (duo)
3
1 Piano, 6 mains
2
2 Accordéons
1
Tous Les Instruments
1
2 Pianos, 8 mains
1
Clavecin
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
143
Guitare
82
Basse electrique
54
Ligne De Mélodie, (Paroles) et Accords
49
Ukulele
38
Paroles et Accords
31
2 Guitares (duo)
16
4 Guitares (Quatuor)
8
Mandoline
5
Piano, Guitare (duo)
3
Dobro
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
Ensemble de guitares
1
Banjo
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
596
Chorale 3 parties
153
Chorale 2 parties
117
Chorale TTBB
82
Pack Instrumental pour Chorale
66
Chorale Unison
57
Voix duo, Piano
45
Voix Soprano, Piano
35
Chorale SSAA
32
Voix Tenor, Piano
30
Voix Alto, Piano
29
Voix Baryton, Piano
29
Voix seule
18
Voix duo
16
Chorale
8
Chorale SSAATTBB
5
Chorale SSATB
5
Voix moyenne, Piano
4
Voix haute
3
Voix basse, Piano
2
Voix Tenor
1
Chorale, Orgue
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Quatuor de Saxophones: 4 saxophones
107
Flûte traversière et Piano
93
Flûte traversière
80
Quintette de Saxophone: 5 saxophones
80
Saxophone (partie séparée)
75
Clarinette et Piano
70
2 Saxophones (duo)
66
Clarinette
65
Saxophone
54
Saxophone Alto et Piano
54
Quatuor de Clarinettes: 4 clarinettes
51
Saxophone Alto
49
Flûte, Hautbois, Clarinette, Basson
48
Hautbois, Piano (duo)
48
Saxophone Tenor et Piano
44
Saxophone Tenor
44
2 Clarinettes (duo)
39
Clarinette (partie séparée)
37
Hautbois (partie séparée)
35
Saxophone Soprano et Piano
33
Ensemble de Clarinettes
31
3 Saxophones (trio)
28
Quatuor de Flûtes : 4 flûtes
26
2 Flûtes traversières (duo)
24
Ensemble de saxophones
22
Flûte à Bec
17
Quatuor de Flûtes à bec
17
Flûte, Clarinette (duo)
17
Saxophone, Clarinette (duo)
15
Hautbois
15
Cor anglais, Piano
15
Ensemble de Flûtes
15
Flute (partie séparée)
15
Saxophone Baryton, Piano
14
Clarinette Basse, Piano
11
2 Hautbois (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
3 Clarinettes (trio)
10
Clarinette, Violon (duo)
9
Hautbois, Basson (duo)
9
Flûte et Guitare
9
Clarinette, Trompette (duo)
8
Hautbois, Flûte
8
Trio de Flûtes: 3 flûtes
7
Flûte à bec Alto
7
Quintette de Flûte : 5 flûtes
7
Saxophone Soprano
6
Clarinette et Alto
5
Clarinette, Guitare (duo)
5
Hautbois, Clarinette (duo)
5
Flûte à bec Soprano
5
5 Flûtes à bec
5
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Saxophone et Guitare
3
Flûte, Violon, Piano
3
Flûte, Hautbois, Basson
3
Clarinette, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Ocarina
2
2 Flûte à bec (duo)
2
Instruments en Mib
2
Ensemble De Flûte à bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Alto, Piano
2
3 Flûtes à bec (trio)
2
3 Hautbois
2
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Cor Anglais
1
2 Clarinettes, Piano
1
Saxophone et Orgue
1
Flûte, Tuba (duo)
1
Harmonica
1
Flûte, Basson et Piano
1
2 Flûtes à bec, Piano
1
Harmonica, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte et Trio à cordes
1
Piccolo
1
Piccolo, Piano
1
Flûte de Pan
1
Cornemuse
1
2 Hautbois et Cor anglais
1
Clarinette, Harpe (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Violoncelle
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
483
Trompette
105
Quatuor de Cuivres : 2 trompettes, trombone, tuba
105
Trombone
56
Trombone et Piano
51
Trompette, Piano
48
Trombone (partie séparée)
47
Cor
44
Trompette (partie séparée)
40
Cor et Piano
35
Quatuor de cuivres: 4 trombones
22
2 Trompettes (duo)
22
Tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Tuba et Piano
19
2 Trombones (duo)
17
Quatuor de Cuivres
16
Cor anglais, Piano
15
Cor (partie séparée)
14
Euphonium, Piano (duo)
13
Quatuor de cuivres: 4 cors
12
Trompette, Saxophone (duo)
11
Ensemble de Trombones
10
Euphonium
9
2 Cors (duo)
9
Ensemble de Trompettes
9
Trio de Cuivres
8
Tuba (partie séparée)
8
Trompette, Trombone (duo)
8
3 Trompettes (trio)
7
4 Tubas
6
2 Euphoniums et 2 Tubas
5
Trompette, Cor (duo)
5
3 Trombones (trio)
5
Tuba et Orgue
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
2
Ensemble de Cors
2
2 Tubas (duo)
2
Bass Clef Instruments
2
3 Cors (trio)
2
Cornet et orchestre
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Harpe
1
Cor Anglais
1
Instruments en Sib
1
Cornet A Pistons
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
Euphonium Ou Saxhorn Et Piano
1
Cor et Orgue
1
Trombone basse et Piano
1
+ 48 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
216
Violon
114
Violon et Piano
108
Violoncelle, Piano
81
Violoncelle
70
Alto, Piano
60
Violon, Violoncelle (duo)
46
Alto seul
45
Harpe
39
Violon (partie séparée)
33
Trio à Cordes: violon, alto, violoncelle
31
2 Violons (duo)
31
2 Violoncelles (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Altos (duo)
19
Trio à Cordes: 2 violons, violoncelle
17
Alto (partie séparée)
17
Violon, Alto (duo)
14
Violon, Guitare (duo)
12
Contrebasse (partie séparée)
12
Contrebasse, Piano (duo)
11
Contre Basse
11
4 Violoncelles
11
Violoncelle (partie séparée)
9
Piano Trio: Violon, Alto, Piano
9
Ensemble de Violons
7
Alto, Violoncelle (duo)
7
Harpe, Flûte (duo)
6
Ensemble d'Altos
5
2 Harpes (duo)
5
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
Trio à cordes: 3 violins
4
Alto, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
3
Alto et Harpe
2
Violon, Orgue
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Harpe (partie séparée)
1
Harpe, Voix
1
Trio à cordes
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
640
Orchestre à Cordes
286
Orchestre
223
Ensemble de cuivres
117
Ensemble Jazz
59
Orchestre de chambre
49
Fanfare
43
Batterie
41
Cloches
32
Jazz combo
26
Percussion (partie séparée)
23
Ensemble de Percussions
8
Marimba
7
Percussion
6
Instrumentation Flexible
5
Timbales (partie séparée)
5
Xylophone, Piano
3
Batterie (partie séparée)
2
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
+ 16 instrumentations
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Autres
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Partitions Gratuites
3 376
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
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World / Bresil
World / Latino
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RELIGIEUX:
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Hassidique
Israeli
Hymnes Africains
Mariage
Noël
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Débutant
Facile
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Intermédiaire/avancé
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Partitions Numériques
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ACCUEIL
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NOUVEAUTÉS
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PIANO
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INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
25
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
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INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
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DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
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ENSEMBLE
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Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
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New Age
Noël
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Pop
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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COUNTRY
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ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
National Christmas Tree
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Orchestre de chambre
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INTERMÉDIAIRE
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Gert Th
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Gert Th
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National Christmas Tree
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Gert Th. Walter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1453794 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday,Patriotic. 54 pages. Ge...
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Chamber Orchestra - Level 3 - SKU: A0.1453794 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Advent,Christmas,Holiday,Patriotic. 54 pages. Gert Th. Walter #1033043. Published by Gert Th. Walter (A0.1453794). Are you looking for modern and spirited Christmas music including score & parts for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 / Hr1.2 - Trp1.2 / Timpani / Strings. © 2024 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$29.90
Nigeria National Anthem
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Pa Benedict Elide Odiase
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Chidiebere Oku
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Nigeria National Anthem
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CIDUC
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.700586 Composed by Pa Benedict Elide Odiase. Arranged by Chidiebere Oku. Classical,Contemporary,Contest,Country,Fe...
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Chamber Orchestra - Level 3 - SKU: A0.700586 Composed by Pa Benedict Elide Odiase. Arranged by Chidiebere Oku. Classical,Contemporary,Contest,Country,Festival,Patriotic. Score and parts. 4 pages. CIDUC #309164. Published by CIDUC (A0.700586). Anthem.
$10.99
Three Australian Folk Songs
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00
Americana Suite for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Americana Suite for Chamber Or
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755098 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 126 pages. Sy Brandon #338...
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Chamber Orchestra - Level 4 - SKU: A0.755098 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 126 pages. Sy Brandon #3383909. Published by Sy Brandon (A0.755098). This work consists of three of the movements from the award-winning 2000 composition for string orchestra, New England Time Capsules, that has been expanded for a small chamber orchestra. The first movement is Amerindian Harvest Dance, a colorful and rhythmic movement with some percussive sounds in the strings. The second movement The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement Birth of a Nation uses adaptations of Chester and Yankee Doodle.
$39.99
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Vivaldi - 10 Concertos (Book 2) for Violin solo, Strings and Cembalo - Scores and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santin...
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Chamber Orchestra - Level 4 - SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santino Cara #818968. Published by Santino Cara (A0.1222699). Complete scores and parts of 10 Concertos - Book 2 - for Violin solo, Strings and Cembalo. Composed in Venice between 1717 and 1730 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel.Concertos:11 - Violin Concerto in E minor RV 27312 - Violin Concerto in E minor RV 27813 - Violin Concerto in G minor RV 32314 - Violin Concerto in A major RV 34015 - Violin Concerto in A major RV 35216 - Violin Concerto in B flat major RV 36417 - Violin Concerto in B flat major RV 36718 - Violin Concerto in B flat major RV 37519 - Violin Concerto in B minor RV 38620 - Violin Concerto in B minor RV 388Other works by Vivaldi for Violin, Strings and Harpsichord:Vivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores andVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, strings and HarpsichordVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
Vivaldi - 10 Concertos (Book 1) for Violin solo, Strings and Cembalo - Scores and Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santin...
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Chamber Orchestra - Level 4 - SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santino Cara #817739. Published by Santino Cara (A0.1221417). Complete scores and parts of 10 Concertos Book1 for Violin solo, Strings and Cembalo. Composed in Venice between 1712 and 1727 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara from the publications of publishers of the Vivaldi period.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel. Concertos:01 - Violin Concerto in C major RV 17002 - Violin Concerto in C major RV 17103 - Violin Concerto in C major RV 17204 - Violin Concerto in C major RV 17705 - Violin Concerto in C minor RV 19906 - Violin Concerto in D major RV 22207 - Violin Concerto in D major RV 23108 - Violin Concerto in D minor RV 243More Vivaldi Works for Violin, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, Strings and CembaloVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
Spider-Man: Into The Spider-Verse
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Alexis Pemberton
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Jerry Tsui
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Spider-Man: Into The Spider-Ve
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Jerry Tsui
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1452473 Composed by Daniel Alexis Pemberton. Arranged by Jerry Tsui. 21st Century,Chamber,Contemporary,Film/TV,Jaz...
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Chamber Orchestra - Level 4 - SKU: A0.1452473 Composed by Daniel Alexis Pemberton. Arranged by Jerry Tsui. 21st Century,Chamber,Contemporary,Film/TV,Jazz. 268 pages. Jerry Tsui #1031805. Published by Jerry Tsui (A0.1452473). Programme Note: This Symphonic Suite is based on the Soundtrack from Spider-Man: Into the Spider-Verse by Daniel Pemberton. The arranger has adapted the music for 20-instruments chamber orchestra. Throughout the suite there are sections that call for improvisation and interpretation from the performers. These moments are designed to allow musicians the freedom to infuse their artistic expression in the arrangement. For those encountering unfamilar notation, detailed explanations and insights are provided below to understanding the score. I hope that this arrangement serves as both a tribute to Mr Pemberton orginial music works and an opportunity for a concert setting in which the musicians and audience enjoy. Jerry Tsui May 2024.
$50.00
Zemira
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jose Mauricio Nunes Garcia
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Steven Nunes
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Zemira
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Nagamon Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamo...
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Chamber Orchestra - Level 4 - SKU: A0.1394923 Composed by Jose Mauricio Nunes Garcia. Arranged by Steven Nunes. 19th Century,Classical. 60 pages. Nagamon Publications #978408. Published by Nagamon Publications (A0.1394923). José MaurÃcio Nunes Garcia (September 20, 1767 – April 18, 1830) was a Brazilian classical composer, one of the greatest exponents of Classicism in the Americas.Born in Rio de Janeiro, son of two bi-racial parents, Nunes Garcia lost his father at an early age. His mother perceived that her son had an inclination for becoming a musician and, for this reason, improved her work to allow him to continue his musical studies.Nunes Garcia became a priest and, when King John VI of Portugal came to Rio de Janeiro with his 15,000 people, Nunes Garcia was appointed Master of the Royal Chapel. He sang and played the harpsichord, performing his compositions as well as those of other composers such as Domenico Cimarosa and Wolfgang Amadeus Mozart. He was a very prestigious musician in the royal court of John VI.His musical style was strongly influenced by Viennese composers of the period, such as Mozart and Haydn. This edition has been prepared from the composer's manuscript, and the PDF contains the Full Score and a full set of parts. Please note that the string parts have been formatted for larger paper.
$50.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
BH012REC - Recorder Quartet Songs, Book 12 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH012REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pev...
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Chamber Orchestra - Level 3 - SKU: A0.921173 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 121 pages. Carl Van Pevenage #3011789. Published by Carl Van Pevenage (A0.921173). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 111 Folk song: Town partyChansonnette 112 Christmas Chorale: A new star is bornChansonnette 113 Awakening from hibernationChansonnette 114 Folk song: chuckle danceChansonnette 115 Romantic song: HeartacheChansonnette 116 Drinking song: Sparkling aleChansonnette 117 Romantic song: NightfallChansonnette 118 The happy swinging ratterChansonnette 119 The movie trailerChansonnette 120 Blessing in disguise
$9.95
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Brother Sun, Sister Moon
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Donovan
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Brendan Elliget MAGA 537
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Brother Sun, Sister Moon
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750983 Composed by Donovan. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Mus...
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Chamber Orchestra - Level 3 - SKU: A0.750983 Composed by Donovan. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5889411. Published by BJE Music (A0.750983). Brother Sun, Sister Moon (Italian: Fratello Sole, Sorella Luna) is a 1972 film directed by Franco Zeffirelli and starring Graham Faulkner and Judi Bowker. The film is an examination of the life of Saint Francis of Assisi.The romantic soundtrack was by Riz Ortolani with songs by the Scottish singer-songwriter Donovan'This arrangement of the title song Brother Sun, Sister Moon by Donovan is for a Small Chamber Orchestra: Flute, Oboe, 2 Bb Clarinets, Bassoon, 2 Horns in F, Glockenspiel, Timpani, Drum Set, and Strings ...
$40.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Ring out, wild bells - sleigh bells part
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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James W
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Ring out, wild bells - sleigh
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Knox Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.942853 Composed by James W. Knox. Contemporary. Score and parts. 3 pages. Knox Music #3594167. Published by Knox M...
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Chamber Orchestra - Level 3 - SKU: A0.942853 Composed by James W. Knox. Contemporary. Score and parts. 3 pages. Knox Music #3594167. Published by Knox Music (A0.942853). Ring out, Wild Bells is based on the major theme of rejuvenation and bidding goodbye to the past year and letting go of pass sorrows with it. James W. Knox' dramatic work is a great concert feature for intermediate choirs and beyond. Duration 9:30 minutesContact the composer for questions at jwknox@cocc.edu.
$1.99
In Dulci Jubilo - family band
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. ...
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Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
Ring out, wild bells - violin II part
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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James W
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Ring out, wild bells - violin
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Knox Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.942849 Composed by James W. Knox. Contemporary. Score and parts. 6 pages. Knox Music #3594159. Published by Knox M...
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Chamber Orchestra - Level 3 - SKU: A0.942849 Composed by James W. Knox. Contemporary. Score and parts. 6 pages. Knox Music #3594159. Published by Knox Music (A0.942849). Ring out, Wild Bells is based on the major theme of rejuvenation and bidding goodbye to the past year and letting go of pass sorrows with it. James W. Knox' dramatic work is a great concert feature for intermediate choirs and beyond. Duration 9:30 minutesContact the composer for questions at jwknox@cocc.edu.
$1.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Frankenstein-For 14 Players
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003471 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 45 pages. Steven M Horowitz #2098893. Published by Steven M Horowitz (A0.1003471). Frankenstein, for 14 players. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$15.99
Frankenstein-For 14 Players-PARTS
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Steve Horowitz
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Frankenstein-For 14 Players-PA
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Steven M Horowitz
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowit...
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Chamber Orchestra - Level 4 - SKU: A0.1003475 Composed by Steve Horowitz. 20th Century,Contemporary,Film/TV. Score and parts. 52 pages. Steven M Horowitz #2101455. Published by Steven M Horowitz (A0.1003475). Frankenstein, for 14 players, Full set of PARTS. Duration (approximately) 13 minutes and published by Fluff-Tone Media a Division of the Code International Inc/ASCAP http://stevehorowitzmusic.com/ http://www.thecodeinternational.com/.
$19.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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