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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNEMUSE
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Non classifié
509
PIANO & CLAVIERS
Piano seul
239
Piano Facile
181
Piano, Voix
106
Piano, Voix et Guitare
67
Instruments en Do
43
Orgue
33
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Orgue, Trompette (duo)
1
Accordéon
1
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GUITARES
Guitare
43
Guitare notes et tablatures
42
2 Guitares (duo)
20
Basse electrique
10
4 Guitares (Quatuor)
9
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
6
Paroles et Accords
5
Piano, Guitare (duo)
4
3 Guitares (trio)
4
Mandoline
2
Guitare, Flûte, Clarinette
2
Guitare, Violon, Violoncelle (trio)
1
Banjo
1
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VOIX
Chorale SATB
133
Voix Alto, Piano
52
Voix Baryton, Piano
47
Voix Soprano, Piano
32
Voix Tenor, Piano
30
Voix Tenor
27
Chorale 3 parties
27
Voix Soprano
23
Chorale Unison
20
Chorale 2 parties
19
Chorale SSAA
15
Chorale TTBB
13
Voix duo, Piano
10
Voix duo
3
Voix haute
2
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix seule
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
89
Clarinette et Piano
81
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Quatuor de Saxophones: 4 saxophones
64
Flûte, Hautbois, Clarinette, Basson
55
Hautbois, Piano (duo)
48
2 Saxophones (duo)
47
Saxophone Alto et Piano
45
Quintette de Saxophone: 5 saxophones
44
Flûte traversière
26
Quatuor de Clarinettes: 4 clarinettes
26
Saxophone Alto
26
Clarinette
24
2 Clarinettes (duo)
24
2 Flûtes traversières (duo)
21
Hautbois (partie séparée)
20
Saxophone Soprano et Piano
19
Quatuor de Flûtes à bec
16
Clarinette, Guitare (duo)
15
3 Saxophones (trio)
15
5 Flûtes à bec
13
2 Hautbois (duo)
13
Saxophone Tenor et Piano
13
Saxophone Baryton, Piano
12
Saxophone (partie séparée)
12
Quatuor de Flûtes : 4 flûtes
12
Cor anglais, Piano
11
Quintette de Flûte : 5 flûtes
11
Saxophone Tenor
10
Quintette de Clarinettes: 5 clarinettes
9
Ensemble de Clarinettes
7
Flûte à bec, Guitare (duo)
7
2 Flûte à bec (duo)
7
Flûte à Bec
7
Flûte, Clarinette (duo)
7
Ensemble de saxophones
7
Clarinette, Basson (duo)
7
Flûte à bec Soprano
6
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
5
3 Clarinettes (trio)
5
Flûte et Guitare
5
Hautbois, Basson (duo)
4
Clarinette Basse, Piano
4
Cor Anglais
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle
3
2 Clarinettes, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violon
3
Hautbois, Clarinette (duo)
3
2 Hautbois, Piano
3
Clarinette, Trompette (duo)
2
Ensemble De Flûte à bec
2
Saxophone Soprano
2
Flûte, Hautbois (duo)
2
Hautbois, Basson et Piano
2
2 Flûtes traversières, Piano
2
Hautbois
2
Saxophone, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Hautbois, Guitare (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
Harmonica
1
Flute (partie séparée)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette et Alto
1
Cor anglais, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
4 Hautbois
1
Flûte, Saxophone (duo)
1
Ensemble de Hautbois
1
Flûte, Trompette (duo)
1
Saxophone
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte à bec Soprano, Piano
1
Clarinette Basse
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Trompette, Piano
44
Trompette
37
Trombone et Piano
37
Cor et Piano
37
Tuba et Piano
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
22
Tuba
20
Cor
15
2 Trombones (duo)
14
2 Cors (duo)
14
2 Trompettes (duo)
14
Quatuor de cuivres: 4 trombones
11
Cor anglais, Piano
11
Quatuor de Cuivres
11
Quatuor de cuivres: 4 trompettes
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Tubas (duo)
8
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 cors
7
Ensemble de Trompettes
7
Tuba et Orgue
5
Euphonium, Piano (duo)
4
Ensemble de Trombones
4
Cor Anglais
4
Ensemble de Cors
4
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
2 Cors, Piano
2
4 Tubas
2
Trombone basse et Piano
2
3 Cors (trio)
1
Trompette (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone (partie séparée)
1
Cor anglais, Guitare (duo)
1
3 Trombones (trio)
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Euphonium
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
124
Harpe
109
Violon et Piano
98
Alto, Piano
80
Violoncelle, Piano
72
Violoncelle
56
Violon
36
Contrebasse, Piano (duo)
26
2 Violons (duo)
21
Alto seul
21
Alto, Guitare (duo)
19
2 Violoncelles (duo)
19
Contre Basse
17
Violon, Violoncelle (duo)
17
2 Altos (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon, Guitare (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
10
Violoncelle , Guitare (duo)
9
Quatuor à cordes : 4 altos
9
4 Violoncelles
9
Alto (partie séparée)
8
Alto, Violoncelle (duo)
7
Trio à Cordes: 3 violoncelles
5
Harpe, Voix
5
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
4
Trio à cordes: 3 violins
4
2 Violoncelles, Piano
3
Ensemble de Violons
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes: 4 violons
3
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
2 Altos, Piano
1
Ensemble d'Altos
1
Violoncelle (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
78
Orchestre à Cordes
45
Orchestre
35
Ensemble de cuivres
22
Orchestre de chambre
20
Ensemble Jazz
16
Cloches
7
Ensemble de Percussions
6
Marimba
4
Batterie
3
Jazz combo
3
Quintette de Cuivres: autres combinaisons
2
Fanfare
2
Orchestre, Violon
1
Piano et Orchestre
1
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AUTRES
Théorie de la musique
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Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534110 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #3113293. Published by Musik Fabrik Music Publishing (A0.534110). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingered, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé.The orchestral score contains a number of ossias passages for the harp. The score and complete parts, a piano reduction and the solo parts, and the individual parts are all available for sale Orchestration: 2 oboes, 2 horns in C, stringsThe solo part for harp also contains a reduced version of the solo flute part, for ease of performance.
$12.95
11.61 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart, Marie-Claire Jamet
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Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, orchestral score and complete parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534107 Composed by Wolfgang …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534107 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 219 pages. Musik Fabrik Music Publishing #3113279. Published by Musik Fabrik Music Publishing (A0.534107). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingers, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé. A piano reduction is available for sale as another item, as well as the individual parts. Orchestration: 2 oboes, 2 horns in C, strings
$64.95
58.21 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart, Marie-Claire Jamet
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Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, orchestral score and complete parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rondeau (Mouret) - Chamber Orchestra - Intermediate
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.734353 Composed by Jean - Jo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.734353 Composed by Jean - Joseph Mouret. Arranged by Dennis Ruello. Baroque,Concert,Film/TV,Graduation,Wedding. Score and parts. 15 pages. Chicory Music #3068997. Published by Chicory Music (A0.734353). Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont ) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece Theater and is a popular musical choice in many modern weddings.This arrangement, for Chamber Orchestra, in the string friendly key of D concert is well within the limits of those instrumentalist who perform at the intermediate level. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st and 2nd Violin, Viola, Cello and Double Bass. Performance time approx. 2 minutes 8 seconds.
$14.99
13.43 €
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Orchestre de chambre
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Jean - Joseph Mouret
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Dennis Ruello
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Rondeau
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Chicory Music
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SheetMusicPlus
THE PRINCE and the FIREBIRD for Baritone and instruments.
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
28.68 €
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Orchestre de chambre
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Alan Edgar
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THE PRINCE and the FIREBIRD for Baritone and instruments.
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Alan Edgar Ted Moon
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SheetMusicPlus
H.M.S. Surprise
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian H…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
17.92 €
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Orchestre de chambre
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
89.62 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
26.89 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
35.84 €
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Orchestre de chambre
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Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Flavio Regis Cunha
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SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
22.41 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.58 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.41 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.58 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.58 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.58 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.16 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Chamber Orchestra (Full Score and Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1179927 Composed by Peter Il…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1179927 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultural,Opera,World. Score and Parts. 28 pages. Sheet Music To Play Editions #779875. Published by Sheet Music To Play Editions (A0.1179927). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Full Score and Individual Parts. Enjoy it!Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$14.99
13.43 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Chamber Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Chamber Orchestra (Individual Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229830 Composed by Peter Il…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229830 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. 19th Century,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 19 pages. Sheet Music To Play Editions #825587. Published by Sheet Music To Play Editions (A0.1229830). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
8.95 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Chamber Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Chamber Orchestra (Full Score) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229831 Composed by Peter Il…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1229831 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultural,Romantic Period,World. 11 pages. Sheet Music To Play Editions #825589. Published by Sheet Music To Play Editions (A0.1229831). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
8.95 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Chamber Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Rondeau, Suite 2 BWV 1067 for piano trio (fl, vc, pno)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532649 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532649 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Concert. Score and parts. 7 pages. Amadeus Music #6673759. Published by Amadeus Music (A0.532649). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity
$7.95
7.12 €
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Orchestre de chambre
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Johann Sebastian Bach
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Klas Krantz
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Rondeau, Suite 2 BWV 1067 for piano trio
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Amadeus Music
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SheetMusicPlus
Bourrée I & II, Suite 2 BWV 1067 for piano trio (fl, vc, pno)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.532650 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.532650 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and parts. 6 pages. Amadeus Music #6674233. Published by Amadeus Music (A0.532650). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity
$7.95
7.12 €
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Orchestre de chambre
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Johann Sebastian Bach
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Klas Krantz
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Bourrée I & II, Suite 2 BWV 1067 for piano trio
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Amadeus Music
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SheetMusicPlus
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