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VOIX
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Chorale SSAATTBB
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Voix moyenne, Piano
2
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Chorale
1
Soli, choeur mixte et accompagnement
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1
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VENTS
2 Saxophones (duo)
69
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Quatuor de Saxophones: 4 saxophones
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Clarinette et Piano
53
Flûte traversière et Piano
50
Flûte, Hautbois, Clarinette, Basson
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2 Clarinettes (duo)
39
Saxophone Alto et Piano
38
Quatuor de Clarinettes: 4 clarinettes
37
Hautbois, Piano (duo)
35
2 Flûtes traversières (duo)
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Clarinette
30
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29
3 Saxophones (trio)
26
Saxophone Tenor et Piano
23
Flûte traversière
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Saxophone Tenor
16
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Flûte, Clarinette (duo)
15
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
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2 Hautbois (duo)
13
Hautbois (partie séparée)
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Flûte à bec Soprano
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Clarinette (partie séparée)
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Clarinette, Violon (duo)
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Trio de Flûtes: 3 flûtes
12
Flûte à bec Alto
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Saxophone Baryton, Piano
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Flute (partie séparée)
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Ensemble de saxophones
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Quatuor de Flûtes : 4 flûtes
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Hautbois, Clarinette (duo)
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
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Hautbois, Basson (duo)
10
Saxophone Soprano et Piano
9
2 Flûte à bec (duo)
9
Flûte et Guitare
9
Flûte, Saxophone (duo)
8
Quintette de Flûte : 5 flûtes
8
Cor Anglais
7
Flûte, Violon
7
Hautbois, Flûte
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Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette et Alto
7
Flûte, Alto (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte à Bec
6
Cor anglais, Piano
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Clarinette, Basson (duo)
6
Hautbois
5
Flûte, Trompette (duo)
5
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Soprano
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Clarinette Basse, Piano
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3 Flûtes à bec (trio)
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5 Flûtes à bec
3
Flûte à bec Soprano, Piano
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Flûte, Hautbois (duo)
3
Flûte à bec Tenor
2
Ensemble de Flûtes
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2 Clarinettes, Basson
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Clarinette, Guitare (duo)
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Saxophone Baryton
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Piccolo
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Flûte, Violoncelle
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Clarinette Basse
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Clarinette, Violoncelle, Piano (trio)
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Hautbois et alto (duo)
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Clarinette, Trombone (duo)
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Flûte à bec Alto, Piano
1
Flûte, Trombone (duo)
1
Hautbois, violon (duo)
1
Harmonica
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Saxophone
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Cor anglais, Guitare (duo)
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Hautbois, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
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CUIVRES
Trompette (partie séparée)
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Trombone (partie séparée)
45
Trompette
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone et Piano
31
Trompette, Piano
29
Cor (partie séparée)
19
Cor
18
Tuba et Piano
17
Trombone
16
2 Trompettes (duo)
16
Cor et Piano
15
2 Trombones (duo)
14
Trompette, Trombone (duo)
14
Quatuor de cuivres: 4 trombones
12
Tuba (partie séparée)
12
Ensemble de Trombones
12
Tuba
11
Ensemble de Trompettes
11
Trompette, Saxophone (duo)
11
2 Cors (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de cuivres: 4 cors
10
Euphonium, Piano (duo)
9
Cor Anglais
7
Quatuor de cuivres: 4 trompettes
6
Cor anglais, Piano
6
4 Tubas
6
Quatuor de Cuivres
6
3 Trombones (trio)
5
3 Tubas (trio)
4
2 Euphoniums et 2 Tubas
4
Ensemble de Cors
3
Trompette, Cor (duo)
3
Trombone basse et Piano
3
Euphonium, Tuba (duo)
3
Trombone, Cor (duo)
3
Euphonium
3
Trombone basse
3
Trio de Cuivres
2
3 Cors (trio)
2
Trombone, Orgue
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2 Euphoniums (duo)
2
Trompette, Basson (duo)
1
Trompette, Trombone, Piano
1
Tuba ou Euphonium ou Saxhorn
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Cor anglais, Guitare (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
180
Violon et Piano
65
Violoncelle, Piano
43
Alto, Piano
40
4 Violoncelles
35
Violon
34
Trio à Cordes: violon, alto, violoncelle
33
Violon, Violoncelle (duo)
27
2 Violons (duo)
22
Violon, Alto (duo)
21
2 Violoncelles (duo)
19
Contrebasse (partie séparée)
18
Harpe
17
Alto seul
17
Violon (partie séparée)
16
Violoncelle
16
2 Altos (duo)
14
Quatuor à cordes: 4 violons
12
Alto (partie séparée)
11
Alto, Violoncelle (duo)
11
Trio à Cordes: 3 violoncelles
11
Trio à Cordes: 2 violons, violoncelle
8
Trio à cordes: 3 violins
8
2 Harpes (duo)
7
Quatuor à cordes : 4 altos
6
Contre Basse
6
Trio à cordes: 3 altos
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Voix
3
Ensemble d'Altos
3
Ensemble de Violons
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
2
Violon, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle, Orchestre
1
Violoncelle (partie séparée)
1
Violon, Basson (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
523
Orchestre à Cordes
142
Orchestre
81
Orchestre de chambre
48
Ensemble Jazz
47
Ensemble de cuivres
35
Fanfare
28
Cloches
20
Batterie (partie séparée)
16
Batterie
15
Percussion (partie séparée)
9
Jazz combo
7
Ensemble de Percussions
7
Vibraphone
4
Quintette de Cuivres: autres combinaisons
3
Marimba
1
Orchestre, Violon
1
Percussion
1
Timbales
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Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.41 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Dance Scenes for young musicians
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.922583 Composed by Maddy Ald…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.922583 Composed by Maddy Aldis-Evans. 20th Century,Children,Contemporary. Score and parts. 124 pages. Maddy Aldis-Evans #5325427. Published by Maddy Aldis-Evans (A0.922583). Three short movements for youth orchestra. With bold, dynamic rhythms and quirky melodies, these short pieces have proved popular with youth orchestras in both the UK and Germany, where the work has been performed many times. Designed as dance music, they can be choreographed and danced to as well.
$29.99
26.88 €
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Orchestre de chambre
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Maddy Aldis-Evans
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Dance Scenes for young musicians
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Maddy Aldis-Evans
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SheetMusicPlus
Schumnann - Happy Farmer (Young Ensembles)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.896352 Composed by Robert Sc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.896352 Composed by Robert Schumann. Arranged by Piotr Lachert. Children,Romantic Period. Score and parts. 17 pages. CMP #3626985. Published by CMP (A0.896352). Score, fl1, fl2, Triang, Xyl, Guit, Pf 4 Hands ; Pages: 7+1+1+1+1+1+1+1.
$4.99
4.47 €
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Orchestre de chambre
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Robert Schumann
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Piotr Lachert
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Schumnann - Happy Farmer
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CMP
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SheetMusicPlus
Bohème from Carmen (Young Ensembles)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.896357 Composed by Georges B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.896357 Composed by Georges Bizet. Arranged by Piotr Lachert. Children,Romantic Period,Standards. Score and parts. 19 pages. CMP #3631555. Published by CMP (A0.896357). Instruments: Score, fl1, fl2, trian, camp, vib, tamb, Guitar1, Guitar 2, pf1, pf2, Orff's instruments too15 pages (3+1+1+1+1+1+1+1+1+2+2).
$9.99
8.96 €
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Orchestre de chambre
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Georges Bizet
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Piotr Lachert
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Guitar 2,
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Bohème from Carmen
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CMP
#
SheetMusicPlus
Barbara Allen for piccolo and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.34 €
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Orchestre de chambre
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Ah vous dirai - je Maman (Young Ensembles)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.896356 Composed by Wolfgang Amadeus Mozart. Arranged by Piotr Lachert. Children,Classical,Standards. Score and parts. 59 pages. CMP #3629153. Published by CMP (A0.896356). Instruments: Score, Fl 1, Fl 2, Trian, Mar, Xil 1, Xil 2, Guit. 1, Guit 2, Piano 1, Piano 2. (pf 4 Hands) (Orff's Instruments)Pages 52 (17+3+3+1+2+3+3+3+3+6+7).
$9.99
8.96 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Piotr Lachert
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Ah vous dirai - je Maman
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CMP
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.16 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.58 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.06 €
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Orchestre de chambre
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
89.65 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
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SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
22.41 €
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Orchestre de chambre
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Gioachino Rossini, Frederic Chopin
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Yoon Jae Lee
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
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SheetMusicPlus
Soldiers' March
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1466526 Composed by Robert S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Period. 35 pages. Christopher Kalstad #1045095. Published by Christopher Kalstad (A0.1466526). Soldiers' March from Schumann's beloved piano work Album for the Young is now arranged for chamber orchestra. The composer's musical charm is on full display in this attractive light piece - perfect as an encore!
$11.99
10.75 €
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Orchestre de chambre
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Robert Schumann
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Christopher Kalstad
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Soldiers' March
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Christopher Kalstad
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SheetMusicPlus
Touch The Sky
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1105901 By Julie Fowlis. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1105901 By Julie Fowlis. By Alexander L. Mandel and Mark Andrews. Arranged by Davide Bizzarri. Celtic,Children,Film/TV,Irish,Medieval. Score and Parts. 39 pages. Davide Bizzarri #709098. Published by Davide Bizzarri (A0.1105901). Here you have Score and all parts of this piece. This arrangement comes with three part of violin, the third very easy. The key after the introduction has been changed to G major, so it's more suitable for children vocal range, and I think it works very well. it's very suitable for young orchestras and ensembles. Organic: vocals, flute, violins, cello, tenor sax, bagpipe (optional), piano, percussion, guitar and bass.
$49.99
44.81 €
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Orchestre de chambre
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Julie Fowlis
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Davide Bizzarri
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Touch The Sky
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Davide Bizzarri
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
8.96 €
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Orchestre de chambre
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Brand New World
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1422148 Composed by Charles …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1422148 Composed by Charles Strouse and Stephen Schwartz. Arranged by Stephen W. Burch (ASCAP). 20th Century,Broadway,Chamber,Musical/Show. 73 pages. BurchMusic #1003494. Published by BurchMusic (A0.1422148). This is an arrangement for a small orchestra of the song Brand New World from the musical Rags. The song tells of the strange new sights and sounds of the lower east side of Manhatten as seen by a mother (Rebecca) and her young son (David), recent immigrants to America. It is scored for flute, clarinet, trumpets 1 & 2, trombone, tuba, drumset, aux. percussion, piano, and string quartet, plus female singer and young boy singer.
$49.99
44.81 €
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Orchestre de chambre
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Charles Strouse and Stephen Schwartz
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Stephen W
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Brand New World
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BurchMusic
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SheetMusicPlus
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Tradition…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
8.96 €
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Orchestre de chambre
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Traditional children's music from America, France and Germany
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Lauri Hämäläinen
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Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Suomi Music
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SheetMusicPlus
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Full Score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ily…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.873514 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 47 pages. Youngsuk Kim #3259219. Published by Youngsuk Kim (A0.873514). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min
$3.99
3.58 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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Youngsuk Kim
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Tchaikovsky: Romeo and Juliet Overture
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Youngsuk Kim
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SheetMusicPlus
Tchaikovsky: Romeo and Juliet Overture (for School Orchestra) Complete Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaik…
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Chamber Orchestra - Digital Download SKU: A0.873513 Composed by Peter Ilyich Tchaikovsky. Arranged by Youngsuk Kim. Classical,Romantic Period. Score and parts. 57 pages. Youngsuk Kim #3259221. Published by Youngsuk Kim (A0.873513). For school orchestra. Composed by Tchaikovsky. Arranged by Youngsuk Kim. Popular Classics for Orchestra. Grade 4.Arranged to fit conventional school orchestra.Instrumentation: 2 Flutes, 1 Oboe, 2 Bb Clarinets, 1 Bassoon, 2 F Horns, 1 Trumpet, 1 Trombone, Timpani, Cymbals, Bass Drum, StringsPlay time: 10 min.
$4.99
4.47 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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Youngsuk Kim
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Tchaikovsky: Romeo and Juliet Overture
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Youngsuk Kim
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SheetMusicPlus
Clarinet Quintet: Solo Clarinet with String Quartet in three movements
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.922171 Composed by Walter Scholtes. Co…
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Chamber Orchestra - Digital Download SKU: A0.922171 Composed by Walter Scholtes. Contemporary. Score and parts. 49 pages. SCHOLTES EDITIONS #6716171. Published by SCHOLTES EDITIONS (A0.922171). The work is very accessible for young advancing students in addition to mature players. Traditional harmonies and lovely tuneful melodies; also good teaching pieces. Medium difficulty. Melodic structures are very appealing for concerts in many settings: great for many venues and occasions. The three movements can be played individually, and the complete work is about 11 1/2 minutes.
$24.95
22.37 €
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Orchestre de chambre
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Walter Scholtes
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also good teaching pieces
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Clarinet Quintet: Solo Clarinet with String Quartet in three movements
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SCHOLTES EDITIONS
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.48 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Vocal score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
9.86 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Stefano Torchio
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
17.93 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
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