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Piano seul
917
Piano Facile
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Piano, Voix et Guitare
85
Accompagnement Piano
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Instruments en Do
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8
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Piano Quatuor: piano, violon, alto, violoncelle
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2
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Mandoline
69
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Chorale SATB
191
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57
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23
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22
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18
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16
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13
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10
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6
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6
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2
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2
Voix Soprano
1
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1
Chorale SSATB
1
Voix basse
1
Chorale SSAB, Piano
1
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1
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1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
101
Quatuor de Saxophones: 4 saxophones
67
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60
2 Saxophones (duo)
54
Flûte traversière et Piano
49
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43
Hautbois, Piano (duo)
39
Clarinette et Piano
39
Saxophone Alto et Piano
37
Clarinette
33
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33
Saxophone Tenor et Piano
32
Saxophone (partie séparée)
29
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29
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28
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26
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24
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24
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23
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21
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20
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18
2 Clarinettes (duo)
18
Cor anglais, Piano
17
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15
Flûte à bec Soprano
15
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14
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13
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11
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11
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10
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10
Harmonica
10
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7
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7
Hautbois
7
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7
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7
Saxophone Soprano
6
Flûte à Bec
6
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6
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6
Piccolo, Piano
6
3 Clarinettes (trio)
6
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5
Flûte, Hautbois (duo)
5
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5
Clarinette, Violon (duo)
4
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4
3 Flûtes à bec (trio)
4
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4
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3
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3
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3
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2
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2
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1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
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3 Hautbois
1
Flûte à bec Tenor
1
Clarinette, Trombone (duo)
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trompette, Piano
41
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Trombone et Piano
33
Trompette
33
Cor et Piano
32
Tuba et Piano
30
Trombone
27
Ensemble de Trombones
23
Cor
23
Tuba
19
2 Trombones (duo)
18
Cor anglais, Piano
17
Trombone (partie séparée)
13
Quatuor de cuivres: 4 trombones
13
Trompette (partie séparée)
13
Cor Anglais
13
2 Trompettes (duo)
12
Trompette, Trombone (duo)
11
2 Cors (duo)
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor (partie séparée)
7
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
6
Quatuor de cuivres: 4 cors
6
Trombone, Tuba (duo)
5
3 Trombones (trio)
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trompettes
4
2 Tubas (duo)
3
Tuba (partie séparée)
3
Bass Clef Instruments
3
Ensemble de Trompettes
3
Trombone, Cor (duo)
2
Trombone basse
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
2
Tuba et Orgue
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
4 Tubas
1
Instruments en Sib
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon et Piano
48
Violoncelle, Piano
42
Violon
39
Alto, Piano
38
Violoncelle
28
Trio à Cordes: violon, alto, violoncelle
26
Contrebasse, Piano (duo)
23
Harpe
21
Violon, Violoncelle (duo)
19
Alto seul
18
2 Violoncelles (duo)
16
Contre Basse
16
2 Violons (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
12
Alto (partie séparée)
10
4 Violoncelles
8
Trio à Cordes: 3 violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon (partie séparée)
5
Harpe, Voix
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 violins
5
Violoncelle, Contrebasse (duo)
4
Ensemble d'Altos
4
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Ensemble de Violons
4
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
2
2 Harpes (duo)
2
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
107
Ensemble de cuivres
39
Orchestre
36
Orchestre à Cordes
24
Ensemble Jazz
12
Cloches
11
Ensemble de Percussions
7
Batterie (partie séparée)
6
Fanfare
5
Orchestre de chambre
5
Jazz combo
5
Percussion (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Xylophone, Piano
1
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AUTRES
Vous avez sélectionné:
All We Know
Piano Quatuor: piano, violon, alto, violoncelle
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O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.5 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpon…
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Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus. Â
$39.95
36.03 €
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Piano Quatuor: piano, violon, alto, violoncelle
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James Pierpont
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James M
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Jingle Bells for Piano Quartet
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
42.35 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
18.04 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
Mozart: Romanze from K. 525 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95
17.99 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 for Piano Quartet
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jmsgu3
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SheetMusicPlus
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