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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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EUPHONIUM
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Violoncelle
Partitions à imprimer
2 partitions trouvées
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Make You Feel My Love
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Violoncelle
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INTERMÉDIAIRE
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Pop musique
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Adele
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AZSAP MUSiC
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Make You Feel My Love
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AZSAP MUSiC
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1495471 By Adele. By Bob Dylan. Arranged by AZSAP MUSiC. Pop. Individual part. 1 pages. AZSAP MUSiC #1071986. Published b...
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Cello Solo - Level 3 - SKU: A0.1495471 By Adele. By Bob Dylan. Arranged by AZSAP MUSiC. Pop. Individual part. 1 pages. AZSAP MUSiC #1071986. Published by AZSAP MUSiC (A0.1495471). Title: Make You Feel My Love by Adele - Solo Cello ArrangementDescription:Experience the deep and emotional beauty of Adele's rendition of Make You Feel My Love through our exquisite solo cello arrangement. This arrangement masterfully captures the soulful essence of the song, making it a perfect choice for weddings, special moments, or any event where heartfelt music takes center stage.Key Features:1. Emotive Melodies: Immerse yourself in the tender and moving melodies of Make You Feel My Love, thoughtfully transcribed for solo cello. This arrangement highlights the song's emotional depth, delivering a poignant and intimate musical experience.2. Versatile Performance: Whether you're planning a wedding ceremony, a proposal, an intimate gathering, or any event where heartfelt music is needed, this arrangement adds a touch of sophistication and sentimentality. It appeals to both classical music enthusiasts and contemporary music lovers.3. Professional Arrangement: Created by a skilled musician, this arrangement ensures that the violin beautifully captures the essence of the song, creating an evocative and memorable performance.4. Deep Emotional Connection: Make You Feel My Love is a song that strikes a chord with its themes of love, devotion, and connection. When performed as a solo cello piece, these emotions are intensified, leaving a lasting impact on your audience.Experience the poignant charm of Make You Feel My Love through this exquisite solo cello arrangement. Let the music speak to the depth of your emotions and create memories that resonate with the hearts of all who listen.
$4.99
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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It Takes Time
