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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Non classifié
1395
PIANO & CLAVIERS
Piano seul
3984
Orgue
714
Piano Facile
79
Piano, Voix et Guitare
58
Piano, Voix
56
Piano Quatuor: piano, violon, alto, violoncelle
53
Piano Trio: piano, violon, violoncelle
33
Orgue, Piano (duo)
23
Accompagnement Piano
22
Instruments en Do
12
1 Piano, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
3
2 Pianos, 4 mains
3
Accordéon
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
330
Guitare
36
Guitare notes et tablatures
34
Paroles et Accords
10
Piano, Guitare (duo)
10
Basse electrique
9
Ukulele
6
Guitare (partie séparée)
5
2 Guitares (duo)
2
3 Guitares (trio)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
77
Chorale 3 parties
25
Chorale TTBB
14
Chorale SSAA
13
Chorale 2 parties
9
Voix seule
3
Chorale Unison
3
Chorale
3
Voix duo
1
Voix Tenor
1
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VENTS
Flûte traversière et Piano
982
Hautbois, Piano (duo)
581
Clarinette et Piano
326
Saxophone Alto et Piano
232
2 Saxophones (duo)
197
Cor anglais, Piano
177
2 Flûtes traversières (duo)
145
Saxophone Soprano et Piano
127
Saxophone Baryton, Piano
124
Saxophone Tenor et Piano
124
2 Clarinettes (duo)
115
Clarinette Basse, Piano
105
Clarinette
66
Quatuor de Saxophones: 4 saxophones
60
2 Hautbois (duo)
58
Saxophone (partie séparée)
34
3 Saxophones (trio)
30
3 Clarinettes (trio)
28
Quatuor de Clarinettes: 4 clarinettes
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto
16
Flûte traversière
15
Ensemble de Flûtes
15
Trio de Flûtes: 3 flûtes
15
2 Cors Anglais Et Pianoforte
14
Saxophone Tenor
14
Hautbois, Basson (duo)
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
12
Piccolo, Piano
12
Hautbois (partie séparée)
9
Quintette de Saxophone: 5 saxophones
8
Hautbois, Harpe
8
Clarinette, Harpe (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Flûte, Guitare, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Violon
7
Hautbois, Violoncelle
6
Flûte, Clarinette (duo)
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
5
Clarinette, Violon (duo)
4
Flûte, Alto (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Violon et Violoncelle
4
Saxophone et violoncelle
3
Saxophone, Clarinette (duo)
3
Flûte à Bec, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Quatuor de Flûtes à bec
3
Flûte à bec Alto, Piano
3
Clarinette Basse
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Saxophone Baryton
2
Hautbois, Flûte
2
Cor anglais et Harpe (duo)
2
Flute (partie séparée)
2
Clarinette (partie séparée)
2
Saxophone, Basson (duo)
2
Flûte traversière, Orgue (duo)
2
Harmonica
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
2 Hautbois, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Piano
1
Ocarina
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano
1
2 Flûtes traversières, Piano
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Flûte, Saxophone (duo)
1
Flûte et Trio à cordes
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Hautbois
1
2 Hautbois et Basson
1
Saxophone et Guitare
1
Clarinette et Alto
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
5 Flûtes à bec
1
Hautbois et alto (duo)
1
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CUIVRES
Cor anglais, Piano
177
Cor et Piano
148
Trombone et Piano
140
Trompette, Piano
137
Euphonium, Piano (duo)
120
Trompette
61
2 Cors (duo)
60
Tuba et Piano
58
2 Trombones (duo)
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
2 Trompettes (duo)
37
2 Euphoniums (duo)
36
Trompette (partie séparée)
16
2 Tubas (duo)
15
Trombone (partie séparée)
15
2 Cors Anglais Et Pianoforte
14
Cor
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trombone
8
Tuba
7
Trompette, Trombone (duo)
6
Cor, Violoncelle (duo)
6
Trio de Cuivres
5
3 Trombones (trio)
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Trompette, Saxophone (duo)
4
Euphonium
4
Tuba et Orgue
3
Euphonium, Tuba (duo)
3
Trombone basse et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone, Tuba (duo)
3
Ensemble de Trompettes
2
Cor anglais et Harpe (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette, Tuba (duo)
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
2
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
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CORDES
Violon et Piano
1040
Quatuor à cordes: 2 violons, alto, violoncelle
336
Violoncelle, Piano
271
Alto, Piano
245
Trio à Cordes: violon, alto, violoncelle
95
2 Violoncelles (duo)
69
2 Violons (duo)
63
2 Altos (duo)
60
Violoncelle
41
Violon
37
Violon, Violoncelle (duo)
34
Harpe
19
2 Contrebasses (duo)
16
Violon, Alto (duo)
15
Alto, Violoncelle (duo)
14
Harpe, Flûte (duo)
14
Alto seul
13
Harpe, Violon (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
Trio à cordes
5
4 Violoncelles
5
Alto (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle, Contrebasse (duo)
4
Contrebasse (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Alto et Harpe
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
121
Ensemble de cuivres
42
Orchestre d'harmonie
33
Ensemble Jazz
21
Orchestre
12
Jazz combo
11
Batterie
10
Orchestre de chambre
8
Cloches
8
Fanfare
8
Batterie (partie séparée)
4
Marimba et Orgue
3
Vibraphone
3
Ensemble de Percussions
2
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AUTRES
Vous avez sélectionné:
JAMES M
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
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I'm Not The Only One
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.947971
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.947971 By Sam Smith. By James Napier and Sam Smith. Arranged by Doniell Cushman. Pop,R & B. 19 pages. Doniell C Cushman #4110749. Published by Doniell C Cushman (A0.947971). Arranged for a flute ensemble in Eb Major, players have the option of substituting piccolo for Flute 1 and playing 8vb written part.
$15.99
14.42 €
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Quatuor de Flûtes : 4 flûtes
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Sam Smith
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Doniell Cushman
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I'm Not The Only One
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Doniell C Cushman
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.05 €
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Quatuor de Flûtes : 4 flûtes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.6 €
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Quatuor de Flûtes : 4 flûtes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.72 €
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Quatuor de Flûtes : 4 flûtes
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Solage
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James M
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Solage: Le basile for Flute Quartet
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jmsgu3
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SheetMusicPlus
Solage: Plusers gens voy for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861537. Published by jmsgu3 (A0.1269004). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
22.5 €
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Quatuor de Flûtes : 4 flûtes
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Solage
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James M
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Solage: Plusers gens voy for Flute Quartet
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…
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Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.<br> <br> Sonata Op. 49 No. 2<br> Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.<br> <br> BeethovenBackground<br> Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.<br> <br> Beethoven Overview<br> First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.<br> <br> First Period<br> Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.<br> <br> Second Period<br> His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.<br> <br> Third Period<br> In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.
$49.95
45.05 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
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SheetMusicPlus
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