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815
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96
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53
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25
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24
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17
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16
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15
Clavecin
7
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6
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2
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1
+ 12 instrumentations
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164
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33
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4
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2
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1
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Voix duo, Orgue
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Voix moyenne, Piano
1
Chorale
1
Voix Soprano
1
+ 18 instrumentations
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71
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66
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59
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56
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56
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54
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36
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35
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32
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31
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29
Clarinette
26
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25
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15
2 Clarinettes (duo)
14
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14
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13
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12
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10
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8
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5
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5
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3 Clarinettes (trio)
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2 Saxophones, Piano
2
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2
2 Clarinettes, Piano
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Cor Anglais
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Piccolo
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81
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6
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6
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3 Trompettes (trio)
1
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1
+ 34 instrumentations
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225
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70
Violon
64
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41
Violoncelle
37
Alto, Piano
29
Harpe
25
Alto seul
24
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20
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13
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10
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9
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8
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7
Harpe, Violon (duo)
7
Contre Basse
6
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5
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5
Violon, Guitare (duo)
5
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
3
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Alto (partie séparée)
2
Ensemble d'Altos
2
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2
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1
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1
Violon (partie séparée)
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
4 Harpes
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Violon, Orgue
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4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
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Piano Trio: Violon, Alto, Piano
1
2 Altos, Piano
1
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56
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52
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13
Fanfare
12
Batterie
9
Big band
8
Cloches
7
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Orchestre, Violon
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Marimba
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1
Andersen Viana: Fantasieta for oboe
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Hautbois (partie séparée)
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AVANCÉ
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Andersen Viana
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Andersen Viana: Fantasieta for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Mus...
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Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3017633. Published by Musik Fabrik Music Publishing (A0.533543). Part of a series of fantasies for solo instrument, this lyrical monologue for oboe is in a modernist style: Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$9.10
Paraklisis for oboe solo
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Hautbois (partie séparée)
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AVANCÉ
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Panagiotis Theodossiou
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Paraklisis for oboe solo
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Panagiotis Theodossiou
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.886656 Composed by Panagiotis Theodossiou. Christian,Concert,Contemporary,Standards. Individual part. 13 pages. Panagiotis...
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Oboe Solo - Level 5 - SKU: A0.886656 Composed by Panagiotis Theodossiou. Christian,Concert,Contemporary,Standards. Individual part. 13 pages. Panagiotis Theodossiou #3056135. Published by Panagiotis Theodossiou (A0.886656). Paraklisis, for clarinet solo (1991). The first of composer’s works written in a modern progressive idiom. It is based in symmetry of intervals and their gradual transformation. It is a musical equivalent of someone’s experience by attending the Paraklitikos Canon to Virgin Mary a very famous ritual which takes place in Eastern Orthodox Church at August. The work is divided in 7 parts:a. Ritual,b. Prayer Ι (bird song),c. Offer,e. Dance (mystic waltz),d. Prayer ΙΙ (recitativo),e. Expectation,f. The Miracle.In its stage form, the work, includes an introduction with two monastery talanton, (a percussive piece of wood, monks use for ceremonial calling) sounding in a canon before the sound of a censer. A narrator recites hymns (troparion) from the ceremony between the parts.The work draw the attention of exquisite performers as Michel Arrignion, Stathis Kiosoglou (first and second performance in Athens in 1991-1992) and Giannis Sabrovalakis who under the artistic direction of Theodor Antoniou gave a performance at the 3d Sacred Festival in island Patmos (2003). He also recorded the work for a coming up CD production.In its version for oboe solo (2002), it has been perfomed by Spyros Kontos at Ionian Academy Music Hallin Corfu, in 2010, who also recorded the work for his personal CD Metamorphosis. http://oboemetamorphosis.wordpress.com/2012/01/18/theodossiou-paraklisis/ https://www.youtube.com/watch?v=_gjdfWtEb_M .
$12.00
"Solfeggietto" by Carl P.E. Bach for Oboe (with Background Track)-Jazz/Pop Version
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Hautbois (partie séparée)
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AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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Fishel Pustilnik
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"Solfeggietto" by Ca
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F & N Enterprise
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.634024 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pag...
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Oboe Solo - Level 5 - SKU: A0.634024 Composed by Carl Philipp Emanuel Bach. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3497205. Published by F & N Enterprise (A0.634024). An excellent arrangement of famous Solfeggietto by Carl Philipp Emanuel Bach for Oboe with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Short Suite for solo oboe
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Tom Swafford
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Short Suite for solo oboe
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Tom Swafford
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.914138 Composed by Tom Swafford. 20th Century,Contemporary. Individual part. 8 pages. Tom Swafford #3575043. Published by ...
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Oboe Solo - Level 5 - SKU: A0.914138 Composed by Tom Swafford. 20th Century,Contemporary. Individual part. 8 pages. Tom Swafford #3575043. Published by Tom Swafford (A0.914138). Piece in five movements: Lonesome, Hornpipe, Jumping (audio example), Ode, Whirling; in a variety of moods and tempi that highlight many of the oboe's unique possibilities. The last movement is particularly challenging.  At its premiere, oboist Irami Osei-Frimpong had the idea of performing the first movement from off stage. This was quite effective. Duration: ca 8 minutes. www.tomswafford.com ASCAP.
$4.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Published by Benjamin Sajo (A0.1018877). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Published by Benjamin Sajo (A0.1018876). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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