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--INSTRUMENTS--
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J. S. Bach: Aria
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1
Cor, Violoncelle (duo)
1
Tuba
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Cor et Harpe
1
Trompette, Violoncelle (duo)
1
Trompette, Harpe
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
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27
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20
Alto, Piano
18
Violon
13
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Violoncelle
7
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6
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5
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3
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2 Violons (duo)
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Alto (partie séparée)
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Alto, Violoncelle (duo)
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Alto seul
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2 Altos (duo)
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Alto et Harpe
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1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon, Violoncelle
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Trio à cordes
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Contre Basse
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2 Violoncelles (duo)
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
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Crtitères actifs :
J. S. Bach: Aria
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
17 partitions trouvées
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1
J.S. Bach: Aria from the Goldberg Variations, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
J.S. Bach: Aria from the Goldb
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.534630 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.534630 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 11 pages. Musik Fabrik Music Publishing #4849751. Published by Musik Fabrik Music Publishing (A0.534630). The main theme of the Goldberg Variations, arranged for SATB saxophone quartet
$11.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Ave Maria (Saxophone Quartet - Organ Accompaniment)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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J
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.619939 Composed by J.S. Bach...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.619939 Composed by J.S. Bach, Charles Gounod. Arranged by Stephen DeCesare. Christian,Christmas,Classical,Sacred,Wedding. 27 pages. Exultet Music #3073485. Published by Exultet Music (A0.619939). The beautiful setting by J.S. Bach / Charles Gounod that has been used for many weddings, liturgical services and concerts, has now been freshly arranged for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax), with Organ accompaniment.
$12.99
J.S. Bach: Quodlibet from the Goldberg Variations, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Quodlibet from the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.534632 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.534632 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 8 pages. Musik Fabrik Music Publishing #4849761. Published by Musik Fabrik Music Publishing (A0.534632). The Quodlibet variation from the Goldberg Variations. A quolibet is a musical form in which various melodies are arranged together in one harmonic structure.
$10.99
J.S. Bach: Ouverture from the Goldberg Variations, - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Ouverture from the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534631 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534631 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 18 pages. Musik Fabrik Music Publishing #4849755. Published by Musik Fabrik Music Publishing (A0.534631). The French Ouverture variation from the Goldberg variations, arranged for SATB saxophone quartet
$11.95
Bach / Gounod: Ave Maria for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Charles Francois Gounod
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KateÅ™ina PavlÃková
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Bach / Gounod: Ave Maria for S
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Katerina Pavlikova
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.850248 Composed by Charles Fr...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.850248 Composed by Charles Francois Gounod. Arranged by KateÅ™ina PavlÃková. Romantic Period,Sacred. 12 pages. Katerina Pavlikova #6104129. Published by Katerina Pavlikova (A0.850248). Based on the Prelude of Prelude and Fugue in C major, BWV 846 by J. S. Bach, arranged for saxophone quartet by KateÅ™ina PavlÃková.
$7.99
Bach - Aria "sulla quarta corda" - “Air on the G -string" (for Saxophone Quartet SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kenneth Abeling
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Bach - Aria "sulla quarta
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.514051 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.514051 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Wedding. 8 pages. LINCOLN MUSIC PUBLICATIONS #3022375. Published by LINCOLN MUSIC PUBLICATIONS (A0.514051). Aria sulla quarta corda or “Air on the G -string as it more commonly referred is one of J.S. Bach’s most recognizable melodies offered here for Saxophone Quartet. This intermediate level transcription is suitable for a variety of occasions! Playing Time: 4:20 or 2:10 if bypassing the repeated sections. Preview this score on YouTube: https://www.youtube.com/watch?v=PMpRLNNmhWE
$9.99
Ave Maria (Bach/Gounod)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and Char
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Josef STASTNY
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Ave Maria
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743271 Composed by Johann Sebastian Bach and Charles Gounod. Arranged by Josef STASTNY. Baroque,Holiday,Romantic Period,Sacred,Wedding. 6 pages. Josef STASTNY #3228455. Published by Josef STASTNY (A0.743271). The Ave Maria by Bach/Gounod is a popular and much-recorded setting of the Latin text Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach's The Well-Tempered Clavier, written 137 years earlier. (Wikipedia).This arrangement tries to keep both nice melody by Gounod and arpeggios with harmony written by Bach.Some other sax quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.stastnyjosef.cz
$8.99
Bach-Gounod: Ave Maria, - SATB saxophone quartet by Paul Wehage
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Quatuor de Saxophones: 4 saxophones
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Classique
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J
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Paul Wehage
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Bach-Gounod: Ave Maria, - SAT
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Musik Fabrik
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SheetMusicPlus
Composed by J. S. Bach, Charles Gounod. Arranged by Paul Wehage. Romantic Period, Christian, Sacred, Wedding, Funeral. Score, Set of Parts. 13 pages. Published ...
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Composed by J. S. Bach, Charles Gounod. Arranged by Paul Wehage. Romantic Period, Christian, Sacred, Wedding, Funeral. Score, Set of Parts. 13 pages. Published by Musik Fabrik (S0.163059). - Score,Set of Parts - Romantic Period,Christian,Sacred,Wedding,Funeral - Musik Fabrik
$10.35
Ave Maria (for Saxophone Quartet - Piano Accompaniment)
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Quatuor de Saxophones: 4 saxophones
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Musique Sacrée
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J
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
Composed by J.S. Bach, Charles Gounod. Arranged by Stephen DeCesare. Classical Period, Christian, Sacred, General Worship, Easter. Score. 16 pages. Published by...
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Composed by J.S. Bach, Charles Gounod. Arranged by Stephen DeCesare. Classical Period, Christian, Sacred, General Worship, Easter. Score. 16 pages. Published by Exultet Music (S0.221475). - Score - Classical Period,Christian,Sacred,General Worship,Easter - Exultet Music
$12.99
Two Famous Ave Marias (Bach-Gounod and Schubert) - SATB saxophone quartet
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Quatuor de Saxophones: 4 saxophones
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Classique
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Franz Schubert, Charles Gounod
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Paul Wehage
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Two Famous Ave Marias
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Musik Fabrik
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SheetMusicPlus
Composed by Franz Schubert, Charles Gounod, J. S. Bach. Arranged by Paul Wehage. Romantic Period, Sacred, Wedding, Funeral. Score, Set of Parts. 19 pages. Publi...
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Composed by Franz Schubert, Charles Gounod, J. S. Bach. Arranged by Paul Wehage. Romantic Period, Sacred, Wedding, Funeral. Score, Set of Parts. 19 pages. Published by Musik Fabrik (S0.168217). - Score,Set of Parts - Romantic Period,Sacred,Wedding,Funeral - Musik Fabrik
$16.95
Sheep May Safely Graze (for Saxophone Quartet SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kenneth Abeling
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Sheep May Safely Graze
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.514057 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.514057 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical,Sacred,Wedding. 13 pages. LINCOLN MUSIC PUBLICATIONS #3022399. Published by LINCOLN MUSIC PUBLICATIONS (A0.514057). Aria: Schafe können sicher weiden – “Sheep May Safely Graze†(from Was mir behagt, ist nur die muntre Jagd!) - BWV208 by Johann Sebastian Bach transcribes here for Saxophone Quartet. This, another of J.S. Bach’s most recognizable Aria’s is proper for numerous performance occasions. Playing time: 4:10 . Preview this score on YouTube: https://www.youtube.com/watch?v=8M5IMAa8i0Y
$9.99
Aria suite en ré - Quatuor de Saxophones - BACH J. S.
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Quatuor de Saxophones: 4 saxophones
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Chanson Française
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Profs-edition
7.90€
Ave Maria - Quatuor de Saxophones - BACH J. S. GOUDOD C.
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Quatuor de Saxophones: 4 saxophones
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Chanson Française
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Profs-edition
7.90€
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J. S. Bach: Aria 
