Partitions Numériques de That pour Flute, harpe et violon

That

Songs for the Midnight Sun #Flute, harpe et violon #INTERMÉDIAIRE #Beth Kolle #Songs for the Midnight Sun #Afghan Press Music for the Harp #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797341 Arranged by Beth Kolle. Concert,Folk,World. Score and parts. 40 pages. Afghan Press Music fo...(+)

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797341 Arranged by Beth Kolle. Concert,Folk,World. Score and parts. 40 pages. Afghan Press Music for the Harp #4808447. Published by Afghan Press Music for the Harp (A0.797341). Songs for the Midnight Sun comprises fifteen Nordic folk melodies, dance tunes, songs and ballads that have captured the arranger's imagination over the years. For Beth Kolle, Scandinavian music is the expression of the unparalleled beauty of the Nordic countries. The exotically different modes and harmonies evoke wild nature, and unseen beings of the ancient folk beliefs. This is music meant to be sung, danced to, or crooned to sleepy children, preferably in an age-old log cabin redolent of sweet, mellow resin and many years of comforting fires. As with all her other books, these arrangements are meant to be adjusted to your own playing style. Use them as a stepping-off point for making the arrangement your own, or use some of my ideas in a different song. Consider yourself warned: many Scandinavian tunes are addictive and tend to roll around in your head. The cure for that, of course, is to find another tune to replace the one in your head. And so on....good luck with that.Contains: Song from Venjan, Traditional Song, Dalarna, Sweden, The Dream, GÃ¶ran â€˜Freddyâ€™ Fredriksson, Sweden (also has flute/fiddle part), Polska from HÃ¤lleforsnÃ¤s, Traditional Polska, Sweden, Ball Polska, Traditional Polska, Sweden, Funk Fars Polska, Traditional Polska, RÃ¤ttvik, Sweden, Marjankukka (Berry Flower), Lauri Keskinen, Finland (Flute or Fiddle part included), Springtime Waltz, Traditional Waltz, Sweden (Flute or Fiddle included), Walking Tune (GÃ¥nglÃ¥t efter Hamare), Traditional GÃ¥nglÃ¥t, Sweden, The Lost Sheep, Traditional Melody, Telemark, Norway, Waltz from Denmark, Traditional Waltz, Denmark, Amanda, Roger Tallroth, Sweden ,Waltz from Folldal, Traditional Waltz, Norway (Flute or Fiddle part included), Bridal March from Ã„ppelbo, Traditional Wedding March, Sweden, Griffenfeldt, Traditional Reinlender, Norway, La Folia, Traditional Polska, Sweden (Flute or Fiddle part included)

Drewrie's Accordes #Flute, harpe et violon #INTERMÉDIAIRE #Jane Pickering #Ellen Tepper #Drewrie's Accordes #Afghan Press Music for the Harp #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797476 Composed by Jane Pickering. Arranged by Ellen Tepper. Renaissance,World. Score and parts. 21...(+)

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797476 Composed by Jane Pickering. Arranged by Ellen Tepper. Renaissance,World. Score and parts. 21 pages. Afghan Press Music for the Harp #4884163. Published by Afghan Press Music for the Harp (A0.797476). Lutenist Jane Pickering was associated with the court of Henry, Prince of Wales. This piece is from her notebook. Arranged in several ways for harps in various combinations: HARP DUET with 2 equally challenging parts; HARP TRIO with harps 1 and 2 in treble clef only, with some lever changes, and harp 3 as a two- handed accompaniment part. A score is also included for study or conducting. DUET FOR HARP AND OTHER TREBLE INSTRUMENT (i.e. flute, violin or recorder), for pedal or lever harp. The Harp 1 part from the Trio version may also be used as the solo instrument with this version. The music assumes the range of the harp to be from C below middle C to the C above treble clef, and is suitable for most 26-string models with levers on C, F and G. There is a high B-flat that can be tuned ahead or preset with levers if you have them. The parts are of varying difficulty to accommodate the wide range of harp playing and reading abilities. All pedal notations will be found below the staff, and lever changes indicated by diamond-shaped notes.

Amazing Grace #Flute, harpe et violon #INTERMÉDIAIRE #Musique Sacrée #Deborah Govenor #Amazing Grace #Afghan Press Music for the Harp #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797326 Arranged by Deborah Govenor. Christian,Sacred. Score and parts. 48 pages. Afghan Press Music...(+)

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797326 Arranged by Deborah Govenor. Christian,Sacred. Score and parts. 48 pages. Afghan Press Music for the Harp #4803731. Published by Afghan Press Music for the Harp (A0.797326). Beautiful arrangements of classic hymns for harp and melody instrument. We have played through each of these arrangements using pedal and lever harp, and melodica, recorder and even humming. The arrangements are well done, with independence and interest in both parts. Well edited with lever changes indicated. Fingerings are not included; however, there are no tricky passages. Additionally, Amazing Grace is arranged as a lovely harp solo. Contains: Amazing Grace, Beautiful Savior (Schonster Herr Jesu), Blest be the Tie that Binds (Dennis), Children of the Heavenly Father (Tryggare Kan Ingen Vara), Come, Thou Fount (Nettleton), He Leadeth Me (He Leadeth Me), Jesus Loves Me (China), Nearer, Still Nearer (Morris), Now Thank We All Our God (Nun Danket Alle Gott), Shall We Gather at the River (Hanson Place), What a Friend We Have in Jesus (Converse).

Serenade #Flute, harpe et violon #INTERMÉDIAIRE #Classique #Joe Rosochacki #Serenade #Joe Rosochacki #SheetMusicPlus

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.966179 Composed by Joe Rosochacki. Romantic Period. Score and parts. 15 pages. Joe Rosochacki #2023...(+)

Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.966179 Composed by Joe Rosochacki. Romantic Period. Score and parts. 15 pages. Joe Rosochacki #2023729. Published by Joe Rosochacki (A0.966179). Serenade was adopted from a that I composed for guitar i a graduate class whilst I studied at Eastern Michigan University. We were studying compositional techniques and style in the Romantic Period. The piece has different tonal centers involving many modulations (D minor - Db Major- D mnor - D Major - F Major - D minor) all flawlessly seamed into one work . It's Counterpoint has hemiola, 3:2, rhythmical figures and 'arpeggiation' of the harp, broken chords versus dissonant Major Second Intervals lends a 'blurry' effect, a diffusion of sound. This work should be enjoyable to the listeners as well to the performers.