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ACCORDEON
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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14
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10
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9
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7
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61
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83
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2
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Vous avez sélectionné:
Finale from
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Gallo/Pergolesi: 2 Baroque Pieces (Pulcinella Suite - Minuetto/Finale) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1457421 Composed by Domenico Gallo/Giovanni Pergolesi. Arranged by Ray Thpmpson. Baroque. 8 pages. RayThompsonMusic #1036444. Published by RayThompsonMusic (A0.1457421). Arranged wind quintetThe original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.However Most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Minuetto/Finale.But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications. However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.My arrangement is of the the original two pieces:My arrangement uses Gallo's/Pergolesi's classical/baroque harmonies.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.
$9.95
8.92 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Gallo/Giovanni Pergolesi
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Ray Thpmpson
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Gallo/Pergolesi: 2 Baroque Pieces
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RayThompsonMusic
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SheetMusicPlus
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals) - XIV. Finale - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553841 Composed by Camille Saint-Saens. Arranged by Ray Thompson. Contemporary,Instructional,Romantic Period,Wedding. 15 pages. RayThompsonMusic #4968111. Published by RayThompsonMusic (A0.553841). The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and lasts around 25 minutes.This is the Finale Mvt.XIV arranged wind quintet.Many of the previous movements are quoted here from the introduction, the lion, the donkeys, hens, and kangaroos. The work ends with a series of six Hee Haws from the donkeys, as if to say that the donkey has the last laugh, before the final strong group of C major chords.
$9.95
8.92 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Camille Saint-Saens
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Ray Thompson
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Saint-Saëns: Le Carnaval des Animaux
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RayThompsonMusic
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SheetMusicPlus
MOZART: Str. Quartet K.387 Finale, for WWs
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.975884 Composed by Wolfgang Amadeus Mozart. Arranged by Derrick Thomas Lewis. Classical,Instructional,Standards. 46 pages. Derrick Thom. Lewis #5582621. Published by Derrick Thom. Lewis (A0.975884). This fugal finale is from the first of the famous Haydn Quartets, by Mozart. I worked from the original manuscript, in the British Library, so the phrasing and articulations are as authentic as can be. I believe this work translates to woodwinds admirably, and in its original key. The composer said these quartets cost him great toil and mental exertion, and I can testify to the presence of frequent corrections in the MS, even though that which I saw was presumably a fair copy!
$23.00
20.61 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Derrick Thomas Lewis
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MOZART: Str. Quartet K.387 Finale, for WWs
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Derrick Thom. Lewis
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SheetMusicPlus
Woodwind Quintet in C; Finale (Vivo)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.975848 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.975848 Composed by Derrick Lewis. Classical,Instructional,Sacred. 43 pages. Derrick Thom. Lewis #2548877. Published by Derrick Thom. Lewis (A0.975848). The finale, Vivo, arranged from the Sonata Facile in C by the composer for woodwind quintet, originally for piano solo. Suitable for Church.I'd be grateful if you'd please contact the composer at derrick.t.lewis.pianist@gmail.com for feedback.
$34.99
31.36 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Derrick Lewis
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Woodwind Quintet in C; Finale
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Derrick Thom. Lewis
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SheetMusicPlus
Symphony No. 88 Finale (4th Movement) for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1173793 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Chamber,Classical,Contest,Festival. 26 pages. Ted R. Marcus #773944. Published by Ted R. Marcus (A0.1173793). The complete ebullient finale of Haydn's Symphony No. 88 in an Advanced-level arrangement for Woodwind Quintet. Transposed to B-flat major from the original G major. It's a fun piece for players and audiences alike, and a joyful selection appropriate for any concert program.Duration: approx. 3:45Please visit my Web site to explore more classics for adventurous woodwind quintets.
$15.00
13.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Joseph Haydn
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Ted R
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Symphony No. 88 Finale
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Ted R. Marcus
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SheetMusicPlus
DvoÅ™ák: New World Symphony (Finale) for Woodwind Quintet (arr. Carson Yu)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.777325 Composed by Antonin Dvorak. Arranged by Carson Yu. Romantic Period. 56 pages. Carson Music Gallery #5213793. Published by Carson Music Gallery (A0.777325). Dvořák's most famous masterpiece: Symphony No.9 in E minor - New World (Finale). Arranged for a standard Woodwind Quintet by Carson Yu.23 pages in Score. Set of Parts. Clarinet in A with optional Bb part. Duration about 10'. Advanced level for high demanding players. Original key and keep all the elements and effects from the Symphony. An attractive and challenging repertoire in recital.Published by Carson Music Gallerycarsonmusicgallery2022@gmail.com
$22.99
20.6 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Carson Yu
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DvoÅ™ák: New World Symphony
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Carson Music Gallery
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SheetMusicPlus
Beethoven: String Quintet Op.4 (adapted from the Octet for wind Op.103) Mvt.I - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 37 pages. RayThompsonMusic #3466544. Published by RayThompsonMusic (A0.553661). The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796.The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and substantial ones in the development, reprise, and ending. The ensuing Andante employs new themes and involves significant changes in the ones retained. The Scherzo and finale are also substantially different: among other alterations, a second trio was added to the former and a new alternate theme was inserted in the latter.This arrangement is for wind quintet. (Horn in Eb) but horn in F also provided.
$9.95
8.92 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: String Quintet Op.4
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RayThompsonMusic
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SheetMusicPlus
Farandole from L'Arlesienne for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.723602 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.723602 Composed by Georges Bizet. Arranged by Steve Winstead. Concert,Romantic Period. 25 pages. Sigma Squared Music #6254269. Published by Sigma Squared Music (A0.723602). This vibrant and lively tune is one of Bizet's most recognizable melodies, and will make an excellent finale for your next recital or formal event.
$14.99
13.43 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Georges Bizet
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Steve Winstead
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Farandole from L'Arlesienne for Woodwind Quintet
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Sigma Squared Music
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SheetMusicPlus
Finale from Serenade set for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.582191 Composed by Victor Herbert. Arranged by John Gibson. 20th Century,Romantic Period. 48 pages. JB Linear #6324227. Published by JB Linear (A0.582191). This is the last movement of Victor Herbert's Serenade Op. 12 (1884), set for woodwind quintet by John Gibson. Herbert had a fruitful career both as a cellist and composer of light music, such as his still popular operettas, Babes in Toyland and Naughty Marietta. His music is fun and well crafted and always audience pleasers. The piece is 4:00 long.
$16.75
15.01 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Victor Herbert
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John Gibson
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The piece is 4:00 long.
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Finale from Serenade set for Woodwind Quintet
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JB Linear
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SheetMusicPlus
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Dow…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.<br> <br> I have arranged a selection of pieces from this suite for wind quintet-<br> <br> They are:<br> <br> I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)<br> <br> II. Poules et Coqs (Hens and Roosters)<br> <br> IV. Tortues (Tortoises)<br> <br> V. L'Eléphant (The Elephant)<br> <br> XII. Fossiles (Fossils)<br> <br> XII. Le Cygne (The Swan)<br> <br> XIV. Final (Finale)
$19.95
17.88 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Camille Saint- Saens
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Saint-Saëns: Le Carnaval des Animaux
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RayThompsonMusic
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SheetMusicPlus
Schubert: Finale-Presto from String Quartet No. 14 "Death & the Maiden"
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.815297 Composed by Franz Schubert. Arranged by Mark A. Craig. Concert,Graduation,Romantic Period,Wedding,World. Score and parts. 84 pages. Mark Craig #3361869. Published by Mark Craig (A0.815297). This is a challenging and dynamic arrangement for woodwind quintet. It's appropriate for professional and college ensembles. It's important to exaggerate all articulations and dynamics on this piece--it's full of contrasts/quick changes in style. Approximate duration is 9:20. .
$15.00
13.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Franz Schubert
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Mark A
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Schubert: Finale-Presto from String Quartet No. 14 "Death & the Maiden"
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Mark Craig
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SheetMusicPlus
A Selection of Baroque Pieces (used by Stravinsky in his Pulcinella Suite) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1458050 Composed by Domenico Gallo, Giovanni Pergolesi. Arranged by Ray Thompson. Baroque. 39 pages. RayThompsonMusic #1037022. Published by RayThompsonMusic (A0.1458050). Arranged wind quintetThe original baroque music used by Igor Stravinsky for his ballet Pulcinella was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.However most of the original music is by Domenico Gallo (including the Finale of the suite), one or two are by Giovanni Pergolesi (including the Menuetto)The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Sinfonia, Scherzino, Gavotte and Variations and the Minuetto/Finale in the Suite.But even though Stravinsky used Gallo's and Pergolesi's melodies and bass lines with little change in the earler movements of the Suite he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.However in the Menuetto and Finale he changes things considerably, with more dischordant harmonies and rhythm changes.My arrangement is of the the original pieces and uses Gallo's/Pergolesi's classical/baroque harmonies.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite..
$24.95
22.36 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Domenico Gallo, Giovanni Pergolesi
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Ray Thompson
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A Selection of Baroque Pieces
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RayThompsonMusic
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SheetMusicPlus
Menuet Nr. 6 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889439 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889439 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4763223. Published by Luis Anjos Teixeira (A0.889439). Menuett No. 6 was originally written for pianoforte. Because of its caracter, It can work perfectly as an introduction piece or for a little surprise encore in the end of a concert. It is also very easy to play, very appropriate for music students and beginners. And of course righten by no other than Mozart it is the perfect piece for great artists and performers. The original score was written for the pianoforte. I did an arrangement for woodwind quintet and made an extent use of interpretation symbols like fortes and pianos, crescendos etc., wish where total absent in the original score. I also had to shorten the length of some notes in order to facilitate the interpretation of the piece on woodwind instruments. Otherwise all the original notes are left unchanged. The score was written on Finale. The sound file, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else. Thanks to Claudia Eppelt for the all the Love the wonderful Art cover and design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha, Blue Man, Joe… For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived as an audio support for the presentation of the score.
$11.93
10.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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written for pianoforte.
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Menuet Nr. 6 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
8.91 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.12 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Vale Decem
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.927183 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.927183 Composed by Murray Gold. Arranged by George Willson. Contemporary. 11 pages. George Willson #6360129. Published by George Willson (A0.927183). The majestic finale music from the regeneration of the tenth Doctor from the episode The End of Time Part 2 arranged for standard woodwind quintet (flute, oboe, clarinet, horn, and bassoon) provides a solemn, yet exciting chorale sound to any quintet program. The MP3 is generated from the composition software.
$15.00
13.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Murray Gold
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George Willson
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Vale Decem
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George Willson
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SheetMusicPlus
Mozart: Divertimento in F "Salzburg Symphony No.3" K138 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1119213 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 29 pages. RayThompsonMusic #720628. Published by RayThompsonMusic (A0.1119213). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 3 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in F and C basso.
$14.95
13.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in F "Salzburg Symphony No.3" K138 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart: Divertimento in D "Salzburg Symphony No.1" K136 Mvt.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553717 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553717 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. 18 pages. RayThompsonMusic #3569493. Published by RayThompsonMusic (A0.553717). Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a G major Andante and a final Presto. This is mvt.1 Allegro of K. 136 in D major: arranged wind quintet.Complete  arrangement of this Divertimento K136 available here.I have created new natural horn parts.The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc....Written for Clarinet in A, Horn In D.(Clarinet in Bb and Horn in F also provided).
$9.95
8.92 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in D "Salzburg Symphony No.1" K136 Mvt.1 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart: Divertimento in Bb "Salzburg Symphony No.2" K137 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1119979 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 20 pages. RayThompsonMusic #721313. Published by RayThompsonMusic (A0.1119979). Arranged wind quintet Natural Horn in Bb ALTO Mozart wrote three early String Quartets in Salzburg in 1772 naming them Divertimenti. They are catalogued as K.136, K.137 and K.138. In form these Divertimenti are in three movements, which differs from his later divertimenti which have 4 or more movements. They are sometimes known as Salzburg Symphonies 1 to 3. K. 136, in D major, the best known of the three, opens with an Allegro, followed by an attractive G major slow movement and a rapid finale with the requisite touch of contrapuntal interest. K. 137, in B flat major, starts with an Andante, followed by two faster movements. The third of the set, K. 138, in F major, follows an opening tripartite Allegro with a C major Andante and a final Presto. This is no. 2 Arranged wind quintet. The melody is shared out between mainly flute and oboe...I have not done a straight swop from violin 1 to flute etc.... I have created a natural Horn part in Bb alto.
$14.95
13.4 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento in Bb "Salzburg Symphony No.2" K137 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.41 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
St Paul’s Suite (arr. for wind quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911055 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911055 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Romantic Period,Standards. 70 pages. Notesetter #6080729. Published by Notesetter (A0.911055). Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in B♠and A (alternative part for B♠available upon request)- Horn- BassoonPerformance timeWhole Suite: 11’ – 15’I. Jig: 3’ – 3’ 30II. Ostinato: 1’ 45– 2’ 15III. Intermezzo: 3’ 45 – 4’ 15IV. Finale: 3’ – 3’ 30IntroductionThis arrangement of famous Holst suite written for the St Paul’s Girls’ School transforms the string writing into playful exchanges and majestic unisons for the five winds players. The arrange has taken some inspirations from the band suite when adopting the Dargason, whilst keeping the structure of the strings suite mostly intact-apart from 8 bars taken away before rehearsal G, intended to make the movement flows more naturally.For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020
$50.00
44.81 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Natheniel Siu
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St Paul’s Suite
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Notesetter
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SheetMusicPlus
Look What You Made Me Do
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1436232 By Taylor Swift. By Fred Fairbrass, Jack Antonoff, Richard Fairbrass, Rob Manzoli, and Taylor Swift. Arranged by James Smith. Film/TV,Pop,Singer/Songwriter. 19 pages. Ensemble Llama Music #1016342. Published by Ensemble Llama Music (A0.1436232). Look What You Made Me Do is a song by the American singer-songwriter Taylor Swift and the lead single from her sixth studio album, Reputation (2017). The lyrics are about a narrator's contempt for somebody who had wronged them; many media publications interpreted the track to be a reference to the controversies that Swift faced at that time. An electropop tune that has been adapted for an exciting piece of chamber music, that could be used as a additional pop tune or concert finale.Click here to view my catalog with Ensemble Llama Music!
$15.99
14.33 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Taylor Swift
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James Smith
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Look What You Made Me Do
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Ensemble Llama Music
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SheetMusicPlus
La Vie Parisienne for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1299747 Composed by Jacques Offenbach. Arranged by James Haynor. Romantic Period. 19 pages. James Haynor #889540. Published by James Haynor (A0.1299747). La vie parisienne is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects.Arranged here for Woodwind Quintet this is taken from the finale of Act 1. It makes for a lively addition to any concert or recital.( Duration - 3:10 )Â
$10.00
8.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Jacques Offenbach
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James Haynor
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La Vie Parisienne for Woodwind Quintet
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James Haynor
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SheetMusicPlus
Celebrate
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1284505 Composed by Claydes Eugene Smith, Dennis Thomas, Earl Eugene Toon, Eumir Deodato, George Brown, James W. Taylor, Robert Bell, Robert Spike Mickens, and Ronald Nathan Bell. Arranged by James Smith. Disco,Funk,Hip-Hop,Pop,R & B,Soul. 9 pages. James Smith #875677. Published by James Smith (A0.1284505). Celebration is Kool and the Gang's #1 hit song from the 1980s, and is a beloved classic song that remains popular today. An easy/medium pop tune that serves well as a concert finale or as a pop filler tune.View the rest of my catalog here at linktr.ee/jamessmithmusic.
$14.99
13.43 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claydes Eugene Smith, Dennis Thomas, Earl Eugene Toon, Eumir Deodato, George Brown, James W
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James Smith
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Celebrate
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James Smith
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SheetMusicPlus
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